➤ The curious high-pressure timeline of Tom Daley’s coming out

Tom Daley,Plymouth, Zeros, gay club

Saturday night out: the Facebook page of Plymouth’s Zeros gay club pictures Tom Daley with their shot girl

◼ QUIZ QUESTION OF THE WEEK: Which of these statements came first?

1 – “Hello, is that The Sun? Would you be interested in a photo of Tom Daley at our local gay club in Plymouth?”

2 – “Hello Tom, Sun newsdesk here. Do you want to tell us what you were doing in Zeros club Plymouth on Saturday night?”

3 – [via Twitter] “Got something I need to say…not been an easy decision to make, hope you can support me! :) ”

❏ On Monday morning at 11 o’clock Britain’s 19-year-old Olympics diver Tom Daley posted his confessional video on YouTube telling the world he was “dating a guy”. The global media coverage has been massive and the video has clocked 6 million views in two days. In it he said: “In an ideal world I wouldn’t be doing this video because it shouldn’t matter. But recently I was misquoted in an interview and it made me feel really angry… Now I feel ready to talk about my relationships.” Throughout the brave five-minute video message, recorded on his own phone, he was understandably nervous, and by the end seemed palpably relieved.

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The interview that had angered him appeared in the Daily Mirror on September 8 when he was quoted denying the suggestion that he was gay.

EIGHT WEEKS PASS – THEN SUDDENLY…

At about 2am this Sunday, Dec 1, after the Sunday papers have gone to press, Tom Daley visits the gay club Zeros in his Devon hometown with some friends and is photographed at the club with a shot girl, also described as a “drag artist”. That morning the photograph is published by Zeros nightclub on its Facebook page with the message: “Let’s hope Tom Daley survived meeting our very own J******* last night !!!” (The shot girl later complained about her picture being published and her name was removed).

At 1pm Sunday the first of several Facebookers shares this picture.

At 3pm Sunday Daley tweets “So lucky to have such a supportive mum! I love you!” and – out of the blue – he posts a smashing picture of himself with Debbie Daley at Instagram.

Then at about 5pm Sunday Daley makes a special visit to his grandparents nearby in Devon to break his news to them, which they tell the Daily Mail the next day also came “out of the blue”.

Early on Monday morning he tells the rest of his family. “I can count the number of people I’ve told on my hand,” he says.

At 11am Monday, Daley goes public with his outing video on YouTube. It is immediately reported by BBC News and the rest of the media and Daley is soon trending on Twitter.

At 7pm Monday The Sun, Britain’s biggest selling tabloid newspaper, is going to press with its detailed “exclusive” report for Tuesday’s issue revealing the name of the “Pop hunk pal who helped dive star come out”. The new news here claims that Daley was inspired to do so after “developing a close friendship with gay former S Club Juniors idol Aaron Renfree”. Mike Spencer, the gay TV producer of the Only Way is Essex, is reported to be another of Daley’s “close friends”. And a Zeros barman reports that while in the nightclub Tom was “not surprisingly being quite flirty”. In this cloud of gay innuendo, nowhere does The Sun cite Daley as a source of information.

It would have taken some very nifty footwork to pull that lot together had the Sun’s exclusive research been a same-day response to the video as breaking news! As it is, the so-called exclusive is swamped by coverage in every other newspaper following up Monday’s outing video.

Eight weeks had passed since the Mirror interview angered Tom. Yet suddenly within a single day this weekend our hero decided that he not only felt ready to share his secret with the world, but first had to share it at high speed with his mother, his grandparents, his extended family. Then record and upload. All with immaculate timing. Here was a man with a plan – though it’s hard not to believe pressure was being brought to bear on the teenage sports star to spill the beans. The Sun generously placed an editorial beside its exclusive report hailing Tom for his guts as the “diver who broke the news”.

Tom Daley

Tuesday’s Sun: inside story of his gay connections

Tom Daley

Tuesday’s Sun, Dec 3: photographs from Zeros nightclub where Daley posed with a barman and a shot girl

JUST FANCY THAT !

Tom Daley❏ Wed Dec 4 update: The Sun follows through with a massive second chapter in the Daley outing saga by front-paging the name of Tom’s purported lover “who is almost 20 years his senior”, complete with pictures and quotes from “friends”. These are all the hallmarks of a well-prepared major investigation to steamroller a celeb into making a “He’s so brave” confession in advance of publication. What choice did our hero have at the weekend? What better strategy could his management have endorsed but to out himself first and wrong-foot The Sun?!

Jonathan Ross Show , ITV, Tom Daley, coming out,

Daley tells Wossy: “I’ve never felt anything like it” (on ITV next Saturday)

WOSSY SCOOPS THE TV INTERVIEW

Tom tells Jonathan Ross: “It was love at first sight. I’ve never felt anything like it – and I made the first move. At the end of the night I wrote in his notes with my number and put ‘call me’ with a wink face and then I had a text in the morning.”

“To be honest, everything is all pretty new and I don’t see any point in putting a label on it – gay, bi or straight.”

Tom Daley, coming out, Los Angeles, Lance Black

Sweatshirt day, T-shirt day: budding boyfies Tom and Lance papped in Los Angeles

A MASTERPLAN FALLS INTO PLACE

❏ Thur Dec 5 update: BRILLIANT! The clockwork spins and the teen star sings – on TV, not in The Sun – confirming suspicions that a very sure-footed strategy to “protect the brand” has been executed by Team Daley. The Olympic Bronze medallist diver is said to be worth £2m and is tipped to double that sum through sponsorship deals in the near future. At 19 Tom faces many more years of earning potential which PSG, his Weybridge-based management company, is committed to capitalising on, not putting at risk.

The complete absence of further Sun exclusives today, plus the choice of an interview with the A-List Jonathan Ross Show where again Tom speaks for himself without misrepresentation, indicate astute Team intelligence at work. To cap it all, last night they leaked contents of the Ross interview exclusively to the Daily Mirror just as it was going to press.

The Team knew the TV cook Nigella Lawson was going into the witness-box mid-week to account for her troubled marriage and would commandeer all newspaper front pages. They knew Daley was booked in soon for Ross’s TV chatshow and got him bumped up the queue onto this week’s recording as a special guest. They have been nudged in recent weeks by The Sun to respond to rumours circulating about the boyfriend’s identity.

So in hindsight the Saturday night visit to a Plymouth gay club – accidentally on purpose lifting the lid on Tom’s private life – can be seen as the Brand Daley start-line for a three-day masterplan. He outs himself on Monday morning and comes out of it a smiling hero, while all The Sun could do in the wake of his statement is to package its unconfirmed rumours for Tuesday’s paper with papped pictures and quotes from unnamed “friends”. Ross’s show wins the trusted follow-up interview because on TV Tom can speak for himself. Inevitably, its content cannot remain secret until the Saturday transmission at 10.45pm on ITV so, as The Sun’s rival tabloid, Wednesday’s Mirror is exclusively gifted advance text of Tom’s Tigger-like romantic revelations on TV, leaving all other papers to rehash them the next day.

Yet a mystery remains. Most curious of all is that in both the UK and the USA neither Tom nor his supposed lover Lance Black have confirmed themselves as partners. Throughout the Ross interview Tom talks emotionally about his new lease of life yet does not mention Lance by name, while going into intimate detail of how he, Tom, made the first flirtatious move. At his home off Sunset Boulevard, Lance unceremoniously rebuffs a Mail reporter.

Why are both men staying schtum on this score when Tom is so out and proud? The LA gay grapevine is convinced the pair are lovers, so might there be personal reasons? Rumour suggests that 39-year-old gay activist Lance Black (nobody calls him Dustin in LA) was in a long-term romance with his heart set on marriage when bushy-tailed Tom bounded into his circle. Tom might well have worked powerful magic and who can guess at the repercussions?

Let’s assume the Brand Daley team will sensibly have reserved still more fire power, to be released under its own terms when the next chapter unfolds.

Tom Daley, Lance Black, Los Angeles,

Transatlantic romance: “I didn’t know if he was gay,” says Tom

ROMANTIC 2014 UPDATE

❏ FINALLY! Tom and Lance are officially papped together to mark the first time that the guys have stepped out as a couple at a public event. Here below we see them on April 30, 2014, attending the Battersea Power Station Annual Party. A few days later they announce they are setting up home together in London. Congratulations, boys.

➢ 5 May update: Tom Daley and Lance Black move in together near London’s Olympic Park

Tom Daley ,  Lance Black ,papped, Battersea Power Station, London

Officially a couple, April 30, 2014: papped at the Battersea Power Station Annual Party (Getty)

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➤ Vincent the master of hot cuts denied a farewell by Jazz FM

Robbie Vincent, radio, deejay, Jazz FM, jazz-funk, music,Radio London

40 years a deejay: Robbie Vincent, father and son

❚ SHOCK NEWS TODAY: Robbie Vincent, the pioneering jazz-funk radio deejay of the 70s and 80s, is to leave Jazz FM after five years. His prerecorded weekly show this Sunday lunchtime will be his last and his flagship three-hour slot will be taken over by Jeff Young. Vincent broke the news this morning with a brief post at Facebook which said: “Sad news, this Sunday will be my last show on Jazz FM. I had hoped to do a final special show to thank you all for your loyal support but the station has decided that is not possible.”

Three hours ago Vincent posted a link to a news story at the industry website Radio Today which reports:

Robbie Vincent has been told he can’t record a final show on Jazz FM after he told station bosses he has decided to leave the station. Robbie has told Radio Today he’s leaving because he fears a ‘radio armageddon’ is on its way. “There will be news next week of further downgrading at the station,” he said. “Jazz FM has been such a difficult place to work at recently with it being so cash strapped. I offered to record a final show but management have declined my offer.” A spokesperson for Jazz FM confirmed Robbie wasn’t given a ‘final’ show saying “this is generally accepted practice” … / Continued at Radio Today

Since then Vincent has added a further comment at Facebook: “Perhaps when you read that it is ‘normal practice’ not to allow final programmes you will understand what high standards of staff care operate at Jazz FM. Ralph Tee and Steve Quirk were not ejected into space. These excellent broadcasters left with grace and good natured final programmes. The way it should be. Just a thought.”

The veteran presenter with Radio 1, Radio London, Kiss and LBC has hosted more than 200 of his Essential Rhythms shows since the re-launch of Jazz FM in October 2008. Station Manager, Nick Pitts, said today: “When I first started working at Jazz FM Robbie was one of the people I was looking forward to working with most. We are sorry that he has decided to leave and wish him luck and success in his future projects.”

UPDATE SUNDAY DEC 1 AS HIS SHOW ENDS…

I did invite ideas for the last programme but as JazzFM chose not to allow me to say farewell to my dear loyal listeners you will have noticed all reference to next week had been taken out. Not to worry, it’s James Torment time on Jazz FM now. Lots of news in the next couple of days to share with you. Hope you enjoyed the show.

➢ 35 years as master of hot cuts – Shapersofthe80s tells how Robbie Vincent influenced the shape of British musical taste

Roy Ayers,Robbie Vincent, radio, Jazz FM, jazz-funk, music,

At Jazz FM earlier this year: Robbie Vincent with his guest, legendary jazz composer and vibes player Roy Ayers

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1963 ➤ With The Beatles the day Kennedy was shot

Beatles, UK tour, 1963, Globe theatre, Stockton-on-Tees, Beatlemania, Paul McCartney, John Lennon, CBS News, video, JFK, assassination, President Kennedy, Nov 22,

Beatles live onstage in Stockton, Nov 22, 1963: George Harrison at the microphone on the night Kennedy was shot

❚ WHERE? LIVE, ONSTAGE IN STOCKTON-ON-TEES. Count the simple Vox amps behind the band and note how one is perched on a chair! This picture was taken on Friday Nov 22 1963 at the 2,400-seat Globe theatre when the Beatles played the art-deco venue on their first nationwide tour. The band’s half-hour set during twice-nightly performances at 6.15 and 8.30 was supported by seven other acts with tickets priced from 6 shillings to 10s 6d, when a workman’s weekly wage might be £7.

Beatles, UK tour, 1963, Globe theatre, Stockton-on-Tees,During the first house in Stockton, England, the assassin’s bullets killed John Kennedy in Dallas, USA. At 43 he was the youngest man elected to the US Presidency and during the cold war era as the Soviet Union threatened world peace the hopes of the West rested on his shoulders. In Britain TV programmes were interrupted to break the dramatic news just after 7pm.

In those days we’d seen nothing as electrifying as the Beatles and while their audience at the 18th date on their first serious tour were discovering the power of The Scream, these fans remained respectfully seated throughout the show. Even so, personal accounts say the second house in Stockton was distinctly more subdued. Shocked by the news about JFK, Lynda Richardson, a fan travelling back to Redcar by coach, said: “No one spoke a word all the way home.”

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Also on this day the Fab Four’s second album With The Beatles was released on Parlophone eight months after their chart-topping debut LP and it immediately broke sales records. Lennon’s raw vocals barked fresh life and sexual danger into the Motown covers Please Mr Postman, Money and You Really Got a Hold on Me. With its eight original compositions, this was the album that moved William Mann, classical music critic of The Times, to write that Lennon and McCartney were “the outstanding English composers of 1963”.

 With The Beatles , album ,vinylEarlier in the year three Beatles singles had gone to No 2 and to No 1 twice in the UK chart and now another with advance sales of a million copies – I Want To Hold Your Hand – was racing up the chart to become the Christmas No 1.

This November, too, the Daily Mirror coined the word Beatlemania to describe the tour’s first gig, a phenomenon really triggered with the release of the single She Loves You in August. During the tour, The Beatles had also stopped the Royal Variety Performance – playing four numbers and watched by half the nation in a TV show of recorded highlights – when John Lennon famously quipped: “Will those in the cheaper seats clap your hands. The rest of you can just rattle your jewellery.” The group guest-starred on BBC TV’s flagship Morecambe & Wise Christmas Show, while their own Beatles’ Christmas Show was to run at London’s Astoria Finsbury Park for 30 performances (100,000 seats) featuring the Fab Four in comic “skits” with six pop acts in support including Cilla. By this stage the Fabs could go nowhere without a personal police escort. [See, How does a Beatle live? – at Shapersofthe80s]

Globe theatre, Stockton-on-Tees,

The Globe, Stockton, 2009: a glorious interior in art deco style

Today the Globe in Stockton, a small market town in County Durham, is a disused shell which is Grade II-listed. Built in 1935, its facade is enlivened with fluted plaster and the interior retains riotously colourful art deco features typical of the period. As a “super-theatre” the Globe hosted opera, ballet and an annual pantomime, together with touring variety, musicals, and pop concerts by Tommy Steele, the Rolling Stones, Searchers, Seekers, Billy J Kramer, Herman’s Hermits, Animals and Swinging Blue Jeans. It closed as a theatre in 1975, eked out the role of bingo hall until 1996 and then closed its doors.

The Theatres Trust describes the Globe as “an excellent example of its kind” and it is one of 68 buildings on its At-risk register. In 2009, Stockton-based Jomast Developments Ltd announced plans to restore the Globe and recruited theatre expert David Wilmore to the task. He called the Globe “a real Sleeping Beauty”. Finally last month Jomast reported that the Heritage Lottery Fund has earmarked £4m towards an £8m project to transform the Globe into a live entertainment venue for music, comedy and other events, with a capacity of 2,500 and the potential to create 64 jobs. The new venue is likely to open in 2016. [Update 2024: still going strong according to Google Maps.]

THE DAY AMERICA’S CAMELOT FELL

❏ View The Beatles on CBS Morning News with Mike Wallace on November 22, 1963 (despite the erroneous date on the video), the day JFK was shot … In old-school TV style Alexander Kendrick reports grudgingly on Britain’s energetic threat to The American Way under the title, The Beatles, New Phenomena In Britain. Asked about the band’s future Paul McCartney says: “We could have quite a run.”

ANOTHER LEGEND IN THE MAKING

➢ At the Northern Echo in 1963 its young editor was Harold Evans, who went on to build the international reputation of The Sunday Times. On Nov 22, after putting the Echo to bed, he was being driven to Stockton for the annual press ball when news of JFK’s assassination came over the car radio. He immediately returned to his Darlington office and produced an entirely new paper. Evans decided The Beatles were worth a few downpage column inches squeezed into the Teesside edition only.

PHOTO UPDATES

➢ Ringo Starr’s lost Beatles photo album, Nov 2013 – “All anyone could talk about when we came to America was our hair. The boots were famous. The jackets were famous. The pop songs were famous, but they came in about third. The hair was first.”

➢ Fab finds: Never-before-seen Beatles photos, Nov 2013

➢ Five wild JFK conspiracy theories still troubling Oliver Stone

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➤ Deejay Sullivan declares war on the “Wayne and Shirley” jazz-funkers

 Blue Rondo a la Turk, Chris Sullivan

Back in the day: Zoot-suited Chris Sullivan high-stepping with his Latin band Blue Rondo a la Turk, Glasgow 1981. Christos Tolera is seen hitting a cow-bell. Photographed by © Shapersofthe80s

❚ A CRACKLING EXCHANGE OF OPINIONS has given Facebook some edge this week. Legendary Wag club host, the deejay Chris Sullivan poured scorn on the term “jazz-funk” and its followers, igniting a barrage of responses from 70s fans of the Gold Mine, Caister and the Lacy Lady, sampled below.

➢ Chris Sullivan at Facebook, Nov 15: A friend of mine asked me what I played at Novikov every Sunday. I replied “jazz and funk” and he said “jazz-funk” and so horrified was I that anyone would think I play that rubbish, I recorded the start of my set for him and here it is…

♫ Listen to Sullivan’s mix – Solid funk that we love to love ♫

COMMENTERS ARE STILL LOCKING ANTLERS

Paul Carter: Nuthin wrong with jazz-funk at all – was the soundtrack to many young Londoners’ lives… The Gold Mine was one of the best clubs ever… When everyone was obsessed with punk and post punk, the really cool kids (black and white) were groovin to jazz-funk and soul. Just sayin.

Chris Sullivan: When I went to the Gold Mine it was funk but later came jazz-funk like Brazilian Love by George Duke and jazz-funkers started getting their hair permed and wearing dungarees and going to Purley All-Dayers… bloody horrible… Most true funk I love and jazz, especially Blue Note, is impeccable but jazz-funk is shite… and its emergence ruined a good little scene –  remember the Cortinas with the car stickers “Wayne and Shirley” for example, and the furry dice.

Paul Carter: Bit of snobbery there I think… and it is an opinion Chris, no more… I remember some incredible nights down the Gold Mine with Chris Hill, Pete Tong, and the rest of them – a lot of wedges but not a perm in sight – just great music – I think it’s a real shame that it’s been written out of club culture in favour of Northern soul (dull dull dull) and the West End scene in which you played such a large part. I was in both scenes and I always loved that the suburban scene was just about the music, not about the width of your turn-ups (much as I loved Le Beat Route and the rest). Oh and it was far more racially mixed too… / Continued at Facebook

FOR YOUR FUNKING PLEASURE FROM 1971:

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2013 ➤ Gary Kemp’s video message for posterity on TV this Saturday

Dublin O2, Reformation Tour, Spandau Ballet reunion

Afternoon sound check at Dublin’s O2: Spandau Ballet on stage together in 2009 for the first time in two decades – John Keeble, Steve Norman, Tony Hadley and Gary Kemp. At centre, production manager Lars. Photographed © by Shapersofthe80s

❚ SONGWRITER GARY KEMP recalls the 2009-10 Reformation Tour by his pioneering New Romantic band Spandau Ballet, to be screened as a 2 hours 30 mins broadcast on Sky Arts this weekend:

The Reformation Tour was a coming back together I never thought would happen. After years of fighting, this tour taught us that being Spandau Ballet is a thing to be proud of. It turned out to be the best and most successful tour we ever did. If there’s one piece of evidence I’d like to leave for posterity it would be this film.

➢ The Reformation Tour 2009, produced by Scott Millaney –
Sky Arts 1 on Saturday November 9 at 9pm GMT
and again on Sunday at 12pm GMT

➢ Full coverage and review by Shapersofthe80s of Spandau’s reunion concert at the O2 arena in Dublin on October 13, 2009, plus more backstage colour from the UK tour

➢ 2010, Shapersofthe80s with Spandau touring overseas:
“so British, so gracious”

Spandau Ballet, Reformation Tour, 2009, Dublin, Gary Kemp, Tony Hadley, reunion

The picture they said could never be taken: a big hug between Spandau Ballet’s Tony Hadley and Gary Kemp during the band’s 2009 comeback concert in Dublin, after duetting With the Pride from 1984. Photographed © by Shapersofthe80s

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