❚ SHOCK NEWS TODAY: Robbie Vincent, the pioneering jazz-funk radio deejay of the 70s and 80s, is to leave Jazz FM after five years. His prerecorded weekly show this Sunday lunchtime will be his last and his flagship three-hour slot will be taken over by Jeff Young. Vincent broke the news this morning with a brief post at Facebook which said: “Sad news, this Sunday will be my last show on Jazz FM. I had hoped to do a final special show to thank you all for your loyal support but the station has decided that is not possible.”
Three hours ago Vincent posted a link to a news story at the industry website Radio Today which reports:
“ Robbie Vincent has been told he can’t record a final show on Jazz FM after he told station bosses he has decided to leave the station. Robbie has told Radio Today he’s leaving because he fears a ‘radio armageddon’ is on its way. “There will be news next week of further downgrading at the station,” he said. “Jazz FM has been such a difficult place to work at recently with it being so cash strapped. I offered to record a final show but management have declined my offer.” A spokesperson for Jazz FM confirmed Robbie wasn’t given a ‘final’ show saying “this is generally accepted practice” … ” / Continued at Radio Today
Since then Vincent has added a further comment at Facebook: “Perhaps when you read that it is ‘normal practice’ not to allow final programmes you will understand what high standards of staff care operate at Jazz FM. Ralph Tee and Steve Quirk were not ejected into space. These excellent broadcasters left with grace and good natured final programmes. The way it should be. Just a thought.”
The veteran presenter with Radio 1, Radio London, Kiss and LBC has hosted more than 200 of his Essential Rhythms shows since the re-launch of Jazz FM in October 2008. Station Manager, Nick Pitts, said today: “When I first started working at Jazz FM Robbie was one of the people I was looking forward to working with most. We are sorry that he has decided to leave and wish him luck and success in his future projects.”
UPDATE SUNDAY DEC 1 AS HIS SHOW ENDS…
“ I did invite ideas for the last programme but as JazzFM chose not to allow me to say farewell to my dear loyal listeners you will have noticed all reference to next week had been taken out. Not to worry, it’s James Torment time on Jazz FM now. Lots of news in the next couple of days to share with you. Hope you enjoyed the show. ”
❚ ANOTHER GLORIOUS Last Night of the Proms, conducted for the first time by a woman, Marin Alsop, who said she was amazed to be the first in its history because it is after all 2013 and we’ve had 118 years in which to dare! Stars included violinist Nigel Kennedy who indulged himself in some wild and hilarious improv all the way through Vittorio Monti’s accelerating gypsy piece, Csárdás (you’ll know it when you hear it, most recently in Lady Gaga’s song Alejandro).
But the singing sensation of the evening was the American mezzo-soprano Joyce DiDonato who lifted Over the Rainbow way out of the Garland league into a coloratura heaven of her own, wow! Then she led 6,000 voices in the Albert Hall, plus thousands more in public parks across the UK, in Rule Britannia. As is tradition, she swished the wings of her expansive bat-cape to reveal it to be a dreamy puce abstraction of the Union Jack – which we were told was designed for the occasion by Vivienne Westwood. Cool Britannia Rules again.
+++ ❚ “THIS WORK CONSISTS OF trying to ring all of the bells in the whole of Britain for three minutes, as loudly and as quickly as possible for three minutes, and that includes all types of bells that you can find. I don’t know which notes are the best ones, I think it’s best just to try and to ring them all at once… It totally relies on people to make it happen.”
Martin Creed’s Work No 79 from 1993: Some Blu-Tack kneaded, rolled into a ball, and depressed against a wall
So says Turner Prize-winning artist and musician Martin Creed, promoting his mass participation project, Work No 1197: All the bells in a country rung as quickly and as loudly as possible for three minutes.
He has been specially commissioned as part of the London 2012 Festival to help mark the first day of the London 2012 Olympics today at 08:12. If you have a smartphone you can use the Shake & Play feature at All The Bells.
UPDATE: THIS WAS THE RESULT …
+++ ❏ Here’s the world premiere of Martin Creed’s All The Bells on board HMS Belfast, moored on the Thames. For three minutes from 8.12 this morning, hundreds of thousands of people across the UK rang bells, while HMS Belfast fired its cannons and 300 children rang bells accompanied by Ruth Mackenzie, director of the Cultural Olympiad, Jeremy Hunt, the Culture Secretary and Channel 4’s Jon Snow. The ships of the Royal Navy and the Royal Fleet Auxiliary across the world also rang their bells. Quel ding-dong!
Choirs of Westminster Abbey and Her Majesty’s Chapel Royal, during today’s wedding of Prince William and Catherine Middleton
❚ VYING WITH MANY VISUAL TREATS TODAY at the wedding of Prince William and Catherine Middleton in Westminster Abbey was the well chosen and home-grown music. Three pieces were drawn from every Sloane’s wedding favourite, Hubert Parry, the 19th-century composer who knows how to tug at toff heartstrings. Despite which, he does rank among England’s finest and is best known for his rousing hymn Jerusalem, which inevitably followed the prayers today.
Spiritual: John Rutter
But to modern ears, the musical highlight was a soaringly beautiful choral anthem that followed the bride and groom’s marriage vows and preceded the Bishop of London’s address. Titled This is the day which the Lord hath made, the romantic three-minute piece was specially commissioned by the Dean and Chapter of Westminster for this service. Its uplifting theme wove together words from four Psalms (as published in The Book of Common Prayer) including these from Psalm 121 — “the sun shall not burn thee by day: neither the moon by night”.
The music was written by the English composer John Rutter (b 1945) who is also a conductor, editor, arranger and record producer with his own label, Collegium Records. The past day has seen reaction to the new anthem cause an immediate surge of hits at Google. Dr Rutter is said not to see himself as predominantly a composer of sacred music though he has set many psalms and carols and much of his work has a spiritual dimension. Most of his choral work has been subsequently transformed with an orchestral accompaniment so with luck this elegant piece too might be released in this way. Listen here to the new anthem, as sung at the wedding by the choirs of Westminster Abbey and Her Majesty’s Chapel Royal, St James’s Palace, conducted by Mr James O’Donnell, organist and master of the choristers, Westminster Abbey. The organ is played by Mr Robert Quinney, sub-organist, Westminster Abbey.
❚ WHETHER YOU’RE A MONARCHIST OR NOT, the rest of the world went ape for the royal family yesterday. By 11am BST, 10 of the top 20 Google searches in the US related to the royal wedding. Likewise on Facebook, the top 10 keywords trending as public status updates in the US and UK were all wedding-related, led by Royal Wedding, Prince William, Prince Harry, Kate Middleton.
The royal wedding swept Twitter’s worldwide trending topics Friday morning. During the bishop’s address, all ten were related to the wedding: royalwedding, rw11, casamentoreal, William & Kate, QILF, Sarah Burton, Grace Kelly, Westminster Abbey, Rutter, Abadia.
By way of translation — “casamentoreal” and “abadia” mean “royalwedding” and “abbey,” respectively, in Spanish. QILF is a play on the acronym “MILF,” where “mother” is replaced with “queen.” Sarah Burton, number six, is the designer of Kate’s dress, and the creative director of British label Alexander McQueen. Kate’s dress and look were likened to those of the Hollywood actress Grace Kelly, who married the Prince of Monaco in April 1956. Number nine, Rutter, refers to John Rutter, who composed the anthem played during the wedding.
The royal wedding group in the throne room at Buckingham Palace, April 29, 2011. The Duke and Duchess of Cambridge are flanked by their respective family members and attendants. Front row (left to right): Grace van Cutsem, Eliza Lopes, HRH the Duke of Edinburgh, HM the Queen, Margarita Armstrong-Jones, Lady Louise Windsor, William Lowther-Pinkerton. Back row (left to right): Tom Pettifer, HRH the Duchess of Cornwall, HRH the Prince of Wales, HRH Prince Henry of Wales, Michael Middleton, Carole Middleton, James Middleton and Philippa Middleton. Photograph: Hugo Burnand
FOURTH HIGHEST ‘KETTLE EFFECT’ EVER IN UK
INTERNATIONALLY, the advance estimate predicted two billion people would tune in to Friday’s TV coverage of the Royal Wedding between Prince William and Kate Middleton, though this figure has yet to be confirmed. About 8,500 journalists were in London for the event.
➢ IN THE UK, across the whole BBC, 34.7m viewers tuned in to watch some part of the wedding, including a million people online using BBC iPlayer. There was a peak of 6.1m viewers watching the coverage on ITV1 as the service began, the commercial broadcaster reported. Sky News had a peak of 661,000 viewers at 11am, with roughly one million people using its website.
➢ YouTube’s live feed brought the BBC’s pictures to a global online audience through its Royal Channel — which was the 23rd most-visited YT channel of the day, but trailed behind America’s Next Top Model and Top Gear.
➢ Surge in electricity demand suggests record television ratings — Daily Telegraph report
The surge in demand for electricity in the UK at the end of the royal wedding was the fourth-highest ever caused by a televised event. National Grid said that, when the couple reached Buckingham Palace after the ceremony at 12.40pm, demand for electricity increased by 2,400MW — the equivalent of nearly a million kettles being turned on at the same time. The surge was a third higher than that recorded after the wedding of Prince Charles and Lady Diana Spencer in 1981, which registered 1,800MW when 28m people had been watching in the UK.
That dazzling dress effect: National Grid also registered a 1,500MW drop in demand when viewers had their first glimpse of Catherine Middleton’s wedding dress as she got into her car to the abbey — with such a drop (rather than a surge) indicating that people were flocking to their televisions rather than carrying on with more electricity-hungry activities.
Electricity demand surges do not directly correlate with TV ratings, because they indicate how many people got up to switch their kettles on to make a cuppa — rather than the total number of people watching to begin with.
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background articles.
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2022
✱ Deejay legend Robbie Vincent returned to JazzFM on Sundays 1-3pm in 2021… Catch Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 800 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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