➢ British deejay and commentator Chris Sullivan describes how the Godfather of Funk became the most successful African-American musician of the 20th century – at Alpha, the men’s lifestyle magazine:
James Brown live at the Apollo, 1962: “When I said ‘Die on your feet don’t live on your knees’, I became Soul Brother Number One”
“ Almost every owner of a TV or radio in the world has danced to James Brown’s inimitable grooves at some point in the last half century, even if they don’t know it. Recently, producer-songwriter Pharrell Williams sampled Brown’s hit My Thang on Kanye West and Jay-Z’s 2011 single Gotta Have It, while his 1970 hit Funky Drummer has been sampled a record 929 times. Altogether Brown’s tunes have been sampled 4,500 times by everyone from Eric B and Rakim to Public Enemy. Accordingly, I’d contest that he is the most influential single recording artist of all time.
“James Brown is magic,” declared an awe-struck Michael Jackson. “I’ve never dared speak to him, but I consider James Brown my greatest teacher.” Meanwhile Mick Jagger, who spent hours watching him as a youngster, admitted to “trying to steal everything I could,” from the master. . . ” / Continued at Alpha Magazine
➢ The whitewashing of James Brown: Why were all the producers, writers and the director white on the new movie Get On Up? – At the Huffington Post
Back in the day: Zoot-suited Chris Sullivan high-stepping with his Latin band Blue Rondo a la Turk, Glasgow 1981. Christos Tolera is seen hitting a cow-bell. Photographed by © Shapersofthe80s
❚ A CRACKLING EXCHANGE OF OPINIONS has given Facebook some edge this week. Legendary Wag club host, the deejay Chris Sullivan poured scorn on the term “jazz-funk” and its followers, igniting a barrage of responses from 70s fans of the Gold Mine, Caister and the Lacy Lady, sampled below.
➢ Chris Sullivan at Facebook, Nov 15: “ A friend of mine asked me what I played at Novikov every Sunday. I replied “jazz and funk” and he said “jazz-funk” and so horrified was I that anyone would think I play that rubbish, I recorded the start of my set for him and here it is… ”
♫ Listen to Sullivan’s mix – Solid funk that we love to love ♫
COMMENTERS ARE STILL LOCKING ANTLERS
Paul Carter: Nuthin wrong with jazz-funk at all – was the soundtrack to many young Londoners’ lives… The Gold Mine was one of the best clubs ever… When everyone was obsessed with punk and post punk, the really cool kids (black and white) were groovin to jazz-funk and soul. Just sayin.
Chris Sullivan: When I went to the Gold Mine it was funk but later came jazz-funk like Brazilian Love by George Duke and jazz-funkers started getting their hair permed and wearing dungarees and going to Purley All-Dayers… bloody horrible… Most true funk I love and jazz, especially Blue Note, is impeccable but jazz-funk is shite… and its emergence ruined a good little scene – remember the Cortinas with the car stickers “Wayne and Shirley” for example, and the furry dice.
Paul Carter: Bit of snobbery there I think… and it is an opinion Chris, no more… I remember some incredible nights down the Gold Mine with Chris Hill, Pete Tong, and the rest of them – a lot of wedges but not a perm in sight – just great music – I think it’s a real shame that it’s been written out of club culture in favour of Northern soul (dull dull dull) and the West End scene in which you played such a large part. I was in both scenes and I always loved that the suburban scene was just about the music, not about the width of your turn-ups (much as I loved Le Beat Route and the rest). Oh and it was far more racially mixed too… / Continued at Facebook
FOR YOUR FUNKING PLEASURE FROM 1971:
Posted in Clubbing, London, Pop music, Youth culture
Tagged 1970s, Caister, Chris Sullivan, funk, Gold Mine, James Brown, jazz-funk, music video, Purley
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Tagged 1970s, Brass Construction, Brothers Johnson, Chic, First Choice, Funkadelic, Galaxy War, James Brown, Minnie Riperton, Positive Force, Smokey Robinson, soul music, Video
❚ GOING VIRAL — Recently posted at YouTube, a pair of Nissin Cup Noodle commercials from 1992 show the Godfather of Soul James Brown adapting his classic Sex Machine to sell miso soup. In Japanese!
Tags: 曲名, (原曲)
カップヌードル ジェームズ･ブラウン ゲロッパ セックス･マシーン 90年代