Eighties singer Andy Polaris was knocked back this month
to hear one cool track after another play out in a Soho eaterie
and he quickly synthesised a playlist from the dozen best
– here’s a taste from his website Apolarisview. . .
“ What’s unique about my dozen best tracks? Obviously they all formed the backbone of the funk and soul soundtrack to my teen years in the 1970s when I would hear them on the dancefloors of the Lacy Lady, Croc’s, Racquel’s, Gold Mine, and on Radio London’s Robbie Vincent show and on Capital Radio’s Greg Edwards session. What’s amazing is that only this month I heard some of them playing out at the newish if retro-styled Old Compton Brasserie as the most credible playlist in Soho that night. It reminded me of the pre-disco cocktail bars in Covent Garden which became our favourite haunts at the time.
Seventies jazz-funk in a millennial eaterie for an audience of all ages? You wonder how many ears present during this evening knew that every tune was a gem from the golden age of club music. The Brasserie’s funky dozen kicked off with Rufus feat. Chaka Khan Once You Get Started (1974) – The track that brought Chaka Khan to my attention in the UK. I was sent the vinyl import album Rufusized before its UK release. . . ” / Discover the whole playlist at Apolarisview>
Posted in 1970s, Clubbing, dance music, funk, jazz, London, soul music
Tagged Andy Polaris, Chaka Khan, Croc’s, Gold Mine, Greg Edwards, Lacy Lady, Maxwell’s, Old Compton Brasserie, Racquel’s, Robbie Vincent
Back in the day: Zoot-suited Chris Sullivan high-stepping with his Latin band Blue Rondo a la Turk, Glasgow 1981. Christos Tolera is seen hitting a cow-bell. Photographed by © Shapersofthe80s
❚ A CRACKLING EXCHANGE OF OPINIONS has given Facebook some edge this week. Legendary Wag club host, the deejay Chris Sullivan poured scorn on the term “jazz-funk” and its followers, igniting a barrage of responses from 70s fans of the Gold Mine, Caister and the Lacy Lady, sampled below.
➢ Chris Sullivan at Facebook, Nov 15: “ A friend of mine asked me what I played at Novikov every Sunday. I replied “jazz and funk” and he said “jazz-funk” and so horrified was I that anyone would think I play that rubbish, I recorded the start of my set for him and here it is… ”
♫ Listen to Sullivan’s mix – Solid funk that we love to love ♫
COMMENTERS ARE STILL LOCKING ANTLERS
Paul Carter: Nuthin wrong with jazz-funk at all – was the soundtrack to many young Londoners’ lives… The Gold Mine was one of the best clubs ever… When everyone was obsessed with punk and post punk, the really cool kids (black and white) were groovin to jazz-funk and soul. Just sayin.
Chris Sullivan: When I went to the Gold Mine it was funk but later came jazz-funk like Brazilian Love by George Duke and jazz-funkers started getting their hair permed and wearing dungarees and going to Purley All-Dayers… bloody horrible… Most true funk I love and jazz, especially Blue Note, is impeccable but jazz-funk is shite… and its emergence ruined a good little scene – remember the Cortinas with the car stickers “Wayne and Shirley” for example, and the furry dice.
Paul Carter: Bit of snobbery there I think… and it is an opinion Chris, no more… I remember some incredible nights down the Gold Mine with Chris Hill, Pete Tong, and the rest of them – a lot of wedges but not a perm in sight – just great music – I think it’s a real shame that it’s been written out of club culture in favour of Northern soul (dull dull dull) and the West End scene in which you played such a large part. I was in both scenes and I always loved that the suburban scene was just about the music, not about the width of your turn-ups (much as I loved Le Beat Route and the rest). Oh and it was far more racially mixed too… / Continued at Facebook
FOR YOUR FUNKING PLEASURE FROM 1971:
Posted in Clubbing, London, Pop music, Youth culture
Tagged 1970s, Caister, Chris Sullivan, funk, Gold Mine, James Brown, jazz-funk, music video, Purley