❚ SHOT ON TOUR somewhere in Europe last year for Jonny Kline’s video tour diary. Spandau Ballet’s bass player Martin Kemp clamped a camera to his guitar to grab this down-the-neck lesson in fingerwork…
➢ VIEW ♫ Kemp’s nine-minute clip recently posted at Vimeo
Somewhere in the background Tony Hadley’s unmistakable voice is giving us Fight For Ourselves. In the opening shots Steve Norman introduces the band members — and yes, that’s his saxophone trying to steal the limelight later.
Ever the showman: Martin Kemp clad in PX at Spandau's Heaven concert, 1980, bass held high in anti-rock pose. Photographed by © Shapersofthe80s
Kemp’s instrument of choice is a British Wal bass and it’s surprising to recall that right from the start he maintained: “I learnt to play bass in order to get into the group, not because I liked music.” These days, as he grooves away onstage Martin steers his bass fondly like an old jalopy, nicely improvising and developing themes of his own, where many bassists think all they have to do is underline a thumping beat.
Back in the early 80s he said: “I hate bass players — most of them just blend in and don’t add anything. I’m a showman. Some bass lines I’ve written are really catchy: I’m proud of Lifeline because you hear people humming it, not the hookline! The essence of the Spandau sound is melody, Tony’s voice obviously, Steve’s sax lines, Gary’s top line, my bass lines. We all think in terms of melodies.”
➢ Jonny Kline’s video tour diary in Amsterdam
➢ How Roman Kemp helped his dad Martin to pick up the bass again
The new release (left) comes in various formats: a three-disc version holds 37 remixed tracks, while a one-disc version has 13, spanning the decades from the 1981 debut Speak and Spell, through to 2009’s Sounds Of The Universe. Purists will welcome the 6 x 12-inch vinyl LP box set.
During 1984, after Karn and Murphy left their hugely successful and innovative bands, 
➢➢ Shapers of the 80s ➣➣ 