❚ THE PRESTON-BASEDLaboratory Project is “a utopian vision” as an antidote to the reign of Simon Cowell’s production-line X-Factor performers. The label and studio aims to support artists with integrity, skill and soul to break into the music industry. A new album Taste Masters 3 is being launched tomorrow, Dec 17, at Manchester’s Fac251 venue with seven acts from the north-west promoting the album release on Jan 1.
Shapersofthe80s featured the Lab and its founder Tony Rigg when an earlier album Taste Masters 2 launched last spring, presenting Dresden, The Salford Jets, China White, Jimmy Docherty, Antistar, Super 8 Cynics … Last autumn the original album Taste Masters 1 included Drama King, Evenhand, Fez, Helvelyn 2, Osiris — both albums are still available for download.
Contemporary rock: Pangaea
The Laboratory project is promoting tomorrow’s showcase as a “World Class Live Music Event” featuring these acts:
❚ IN EPISODE 3 OF DALSTON SUPERSTARS, Vice online’s “structured reality” mockumentary series about who’s more hip than who in Hackney, this week’s highlight is an exhibition of work @ Wagwan Studios. An infamous art collective called NoiNoiNoi from Dalston E8 describe themselves as “an experiment in cosmic dissonance”, and produce installations collaged from photos and consumer brands which are spookily close to the art stuff in galleries throughout the east London postcodes of E1, 2 and 8. Also this week …
✰ Vee says “Just say no to capitalism: uncapitalise.”
✰ Sam and Anna’s relationship is on the rocks.
✰ Dweeby Stefan becomes Captain Scarlet, psychedelic astronaut, then gets confused about the meaning of reality — “We’re real, right?”
✰ “All the boys want… lipstick paradise.”
✰ Just wait for the punchline when Stefan says “I think I know a little something about art…”
❏ Festive question for the producers — As Top Commenter Struthers notes, some great tracks backing Ep3 of Dalston Superstars but… where’s the free Christmas download of tunes from the show, such as Grant Armour’s theme tune Dalston Riddim, and Mum Dad I’m moving to Dalston, by DJ Platinum ft Decland’n’Karl? … Update Dec 23: By popular demand, here’s a taster of the download at, like, #christmasmixtape
❏ Subcultural decryption: Dalston is the area of east London that UK hipsters regard as, like, paradise. Unless they live a mile away in Shoreditch, then it’s Shoreditch.
❏ Subcultural analogy:Nathan Barley was a UK television series featuring hipster role models for Dalston Superstars, like, six years ago… Not to mention the Dalston-based absurdist series The Mighty Boosh (2004–7) — its four way crimp-off (below) led by Noel Fielding and Julian Barratt, says it all for the coolest of the cool.
Le Beat Route recreated for one night only: One of our heroes, MC Sullivan, sharing the best sounds in London last night
2011 and it’s Thursday night Beat Route! The same underground club emanating a spookily familiar spirit of place
❚ WITHOUT DOUBT the party of the year filled the former Beat Route, Soho, last night as photographer Graham Smith and writer Chris Sullivan launched their photobook We Can Be Heroes, which is winging its way from printers to the lucky buyers who invested in the first edition. Smith and Sullivan became crucial to leading and documenting the explosion of Eighties club culture in London. Le Beat Route, founded in November 1980 by crimper Ollie O’Donnell and stylist Steve Mahoney with Fidel Castro fan Steve Lewis as its deejay, became the cool Friday-nighter that served the post-Blitz crowd for the next three years while the scene moved gradually overground.
More exclusive pix are coming on Shapersofthe80s.com once I can wade through the many brilliant soundbites offered by everybody out last night to celebrate the Swinging 80s…
Thursday night Beat Route! Hosts, authors and 80s deejays Graham Smith and Chris Sullivan
Thursday night Beat Route! Seminal club deejays of the 80s Steve Lewis and Jay Strongman
Thursday night Beat Route! Lesley Chilkes, Boy George, David Holah
[ Exclusive party pix courtesy of sandromartini.com ]
TNBR! Last night’s other chief hero hosting the party of the photobook of the 80s — snapper Graham Smith and his lovely wife Lorraine (Northern Soul veterans, both)
+++ ❚ WHY DID MUSICIAN GARY KEMP find it so “hard to write the next line” in the biggest smash hit love-song of his career? He was not hobbled by writer’s block, but was tongue-tied in admiration of a “wee Celtic pixie” who sang in a Scottish pop group and starred in the hit British romantic movie of 1981.
At exactly the moment his band Spandau Ballet were desperately trying to rescue their flagging fortunes in 1982, Gary was smitten with the pretty girl. The trouble was that she had two other rivals vying for her affections. Honour required discretion, and his love remained unspoken while the three admirers stood hopefully in line. When his beloved gave Gary a book as a gift, suddenly its “words bubbled up inside, percolating through me”, he said years later. He knew he had to send them back to her in a song “so she’d know it was about her” and for double measure added the tell-tale line “I want the truth to be said”.
As it happens the Spandau songwriter has recently published an 88-page coffee-table book, titled The Lyrics of Gary Kemp from Lyric Book Company
Gary pretty much identified his never-to-be sweetheart in the autobiography, I Know This Much, published in 2009, where he convincingly dovetailed the one-sided romance with a sequence of other events to account for the genesis of his band’s first No 1 hit, True. In the light of which, perhaps fans can better relish the song-words, when they are re-published this week in a book titled The Lyrics of Gary Kemp.
The very keen will want to invest in the special limited edition signed personally by Kemp and available exclusively through his own website Garykemp.com. The collection represents a songwriting career that has spanned four decades.
All the lyrics from all his songs for Spandau Ballet, plus his solo album Little Bruises, make up this anthology of 60 tales of love, loss and of course London… from growing up in Soho in the 1970s (Chant No1) to the entirely autobiographical 1983 hit about unrequited love (True) through to bittersweet reflections on life (An Inexperienced Man, the solo single in a Celtic groove, released in 1995).
Spandau Ballet’s Gary Kemp and BMI President and CEO Del Bryant: at the 2011 BMI London Awards in October, Kemp received a BMI MillionAir award for the song True. (Photo by Brian Rasic)
Kemp is widely acknowledged as one of Britain’s finest songwriters, and won this year’s prestigious BMI Multi Million Award for True after it notched up 4 million radio plays in the US — a significant achievement for a song released in the 1980s — partly because it embodied enough of “the sound of my soul” to be played on black stations too. The song was written on his bed in his parents’ north London house at the age of 22, while he competed with his mum’s vacuum cleaner. At the awards ceremony, he said he’d never imagined True going on being used in films and TV shows as different as The Simpsons, Modern Family and Ugly Betty.
“If you can write one song that’s still being played 28 years later, you’re lucky! We were playing at a time when a lot of people only bought records, they didn’t buy computer games. Music is much more important to that generation.”
The 88-page coffee-table book, The Lyrics of Gary Kemp, is presented bound in a cloth cover, and the first 250 will be personally autographed.
Five landmark issues: Without a cover-worthy photo, Nick Logan says of the New Order cover, July 1983, the radical crop was his suggestion. The “Shock report” on Thatcher’s art-school budget cuts was an epic piece of crisis reportage by yours truly. (Guardian collage)
❚ IN 1980, A RESPECTED EX-EDITOR OF NME staked his house on launching a new magazine that was to make style the focus of youth culture, as much as music. The Face was quickly dubbed Britain’s “style bible” and soon ranked among the half a dozen publications that had changed the direction of journalism since the Second World War. On Dec 1 London’s Design Museum announced that it had added The Face magazine (1980-2004) to its permanent collection, among other newcomers, the Sony Walkman and the AK47 rifle.
“ Issue 1, Jerry Dammers cover, May 1980 — This was the launch issue. I knew I could find something more current for a first cover than the Specials. But they embodied everything the magazine aspired to — they had a look, a passion, and great music — so there was never an alternative. In a sentimental way too, I owed 2 Tone a debt for the inspiration to pursue the idea. And, as it was my savings at risk, I could call it what I liked — after all, The Face was to be my escape from a career where too often I struggled to explain myself to publishers or committees. No focus groups here: I was purely, wholeheartedly, following instinct. ”
/ continued online
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 925 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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