Current Bananarama, Keren Woodward and Sara Dallin. Photography by Ellis Parrinder
❚ YES, YES, WE KNOW there used to be three of them in Bananarama when they became the leading UK girl group of the Swinging 80s. The trio established what became a much-parodied all-girl genre with It Ain’t What You Do, It’s the Way That You Do It in 1981 with the Fun Boy Three, followed by He Was Really Sayin’ Somethin’. Their windswept hair and fun-girl glamour initially defined a raunchy street style which evolved into the knowing kind of new alpha-female making waves in showbiz such as TV presenters Muriel Gray and Paula Yates. By 1986 the Nanas formed a mutually beneficial partnership with the hitmaking producers Stock Aitken Waterman who crowned the girls’ progress with Venus, their No 1 hit in the US (No 8 in the UK).
But in 1988 we said byebye to co-founder Siobhan Fahey after she found love with Dave Stewart of the Eurythmics and became Shakespear’s Sister. Then for a while the Nanas had a fourth girl, Jacquie O’Sullivan, as number three, when the Guinness Book of World Records claimed them as the female group with the most chart hits ever, a record they still seem to hold. Then we said farewell to Jacquie, and then farewell to the lot of them. Then in 1992 Bananarama came back as two of the original three, Keren Woodward and Sara Dallin, but mainstream chart success has proved elusive while they’ve spent nearly two decades faffing around with remixes and greatest hits but precious little original material on their five albums.
They did score a UK top 20 hit with the new song Move in my Direction in 2005, and they did manage some fresh stuff (such as Seventeen) alongside the covers (such as the chunky S-s-s-single Bed) on the Hi-NRG dance album called Viva in 2009 and a kind BBC reviewer said that as middle-aged women “they still bristle with a pop energy born out of total conviction”!
They naturally boarded the current 80s revival bandwagon singing along with the Here & Now tour and the Rewind Festival this Saturday at Henley, and they’ve spent the past month whetting people’s appetites for their next comeback at the Australian Rewind in October [see below]. But, y’know, the fact that the biog at their website hasn’t been refreshed since wheneva, and their Facebook page is still plugging the Viva album tracks (99p per download at Play.com) and the Video for Love Comes, the “comeback single” from 2009, is all a bit woteva. Just read the interview plugged in their media gallery, Keren’s from the Pink Paper last Christmas where she says: “Same old, same old. It seems so long ago, and yet not so long ago. I don’t know where the year’s gone, really. Shows and stuff, the usual. I don’t know.” Hm, that’s Really Sayin’ Somethin’.
➢ The first Rewind Festival Australia calls itself the world’s biggest 80s music fest, and offers 25 acts over three days Oct 28–30 on the coast of Wollongong NSW. As well as the original Bananarama’s co-founders Sara and Keren, the line-up includes Sister Sledge, Kool and The Gang, Midge Ure, ABC, The Human League, Tony Hadley, Nik Kershaw, ABC, Go West + more tba.
+++ ❚ SPANDAU BALLET VOCALIST TONY HADLEY displays his own considerable songwriting skills on video for the first time as he performs his own rocking new song My Imagination at House of Blues on Sunset Boulevard, Hollywood, Ca, on August 16. This was his third solo gig, backed by his own band that includes drummer John Keeble, during their first US tour this week. (Video by mmmmpopmuzik)
+++ ❚ Breaking news from PopJustice: “We haven’t quite figured out exactly what’s going on in it yet but Lady Gaga’s You & I video, which has appeared online this evening a few days ahead of its intended debut, has exceeded expectations almost as much as the Edge Of Glory video failed to meet them, and makes us just as happy as The Edge Of Glory made us sad…
❚ GRACE JONES’S HURRICANE-DUB went live today with the track This Is Dub free to hear at Soundcloud. On Sept 5 Wall Of Sound releases a double CD Hurricane-Dub. It comprises nine-track disc 1 containing the original version of Hurricane from 2008, which was Grace’s first album since 1989, wittily textured with collaborations from Tricky, Brian Eno, Sly and Robbie, guitarist Leo Ross and percussionist Tony Allan. The 2011 package adds a 10-track disc 2 featuring newly created dubs by producer Ivor Guest with fewer vocals but extra mixes of outtakes and unused riffs. They are said to bring “a new, deep, darker side to the already wicked bass-lines”.
A onetime member of Andy Warhol’s entourage, the 63-year-old Jamaican-born supermodel established herself as the eccentric queen of disco divas with hits throughout the 70s and 80s, her gamechanging album being the sleek and timeless Warm Leatherette which led to a tour performing her bizarre One Man Show and a Grammy nomination. She also invested in a movie career, but returned to music in 2007. Over the past two years her savage and passionate soul has been the elemental force powering the Hurricane stage tour. This renewed a creative partnership with her former lover, Jean-Paul Goude, to establish her new brand image in the spectacular glitterball hat by Philip Treacy, not to mention a galaxy of OTT costumes by Japanese designer Eiko Ishioka. Grace’s visually glamorous show returned for a second visit to fill London’s Royal Albert Hall to its 5,500 capacity in spring last year, and saw her son Paulo Goude in the band playing bongos. In recent years Grace has made her home in England with her producer who is also the fourth Viscount Wimborne.
Chant No 1 by special request: Tony Hadley onstage last night in New York with Richie Barrett on guitar (verbalalchemy video)
❚ LAST NIGHT AT IRVING PLAZA IN NYC Tony Hadley rattled through a 17-strong set list on which seven were Spandau Ballet hits, and this reviewer, The G, was impressed with the rockiness of the other numbers he covered …
John Keeble: laying down the tempo last night in NYC (verbalalchemy)
“ I had a blast seeing Tony Hadley’s first ever solo show in the United States! The former lead singer of Spandau Ballet has just launched his first solo tour of America and it kicked off at New York’s Irving Plaza on August 13, 2011.
“ Tony Hadley looks and sounds great. He hits all the high notes and sounds as great as he did in the 1980s when Spandau Ballet ruled the airwaves. Over the course of his show, he played quite a few covers of some of his favorite songs, performed some beloved Spandau Ballet songs and also performed a new song called My Imagination. As Tony promised in a recent interview with According2g, the song is a rocker.
“ In between, the crowd was shouting “We love you Tony” and there was a lot of love in the room… ”
❏ At Tony’s Facebook page Hoory Kajajian-Yeganeh writes: “Great show @ Irving Plaza last night. What a voice! What a fabulous performance! Thank you :) ” ❏ Terry Hunter writes: “He was BRILLIANT. No one like Tony…anywhere, EVER.” ❏ Tony Thomas writes: “Tony knocked it out of the park that night. Great show.”
+++ ❏ At Tony’s Facebook page Heather Ann Cummings writes: “Hi Tony, Saw your WONDERFUL concert at North Halsted Market Days, Chicago, Sunday afternoon. The best! Your group was so good too. Thank you for taking the time to sign your photo and interview that appeared in this week’s Windy City Times. Your song choice was amazing and Through the Baricades had me with tears in my eyes. I’ve also adopted your song Live, Let Live and Love as my mantra and am passing it on.” ❏ Heidi Herman writes: “Tony, you were scorching in Chicago today. Your voice is so beautiful and powerful and the same time — amazing! I still can’t believe I saw you perform after all these years of being one of your most adoring fans. My friend and I were impressed with your charm, wit, and sincerity. You are classy gentleman and so very humble for someone so talented and well-known. Thank you, Tony.”
AUG 16, THAT’S LIFE: A BLISTERING CLOSE TO TONY’S SHOW AT HOUSE OF BLUES, HOLLYWOOD
+++ ❏ At Tony’s Facebook page Glenisha Jones writes:“Iam floating on a cloud after seeing Tony Hadley perform for the first time! It was amazing, fun, brilliant & it will be in my heart forever :) Tony hasn’t changed. He is still handsome & his voice is even more beautiful. Thank you Tony for coming to LA.”
Setlist for Tony Hadley at House of Blues Los Angeles, Aug 16 (posted at Facebook by Rissa Dodson)
❏ Kedric Hubbert writes: “Saw u last nite in Los Angeles. U were amazing. I got my 2 fave songs To cut a long story short & Lifeline. My friend marc were in the front singing all the words. Come back soon & bring john (again) & maybe even steve, martin & gary along for the ride… brilliant show. Thank u!” ❏ Jill Bonnell writes: “Fabulous show last night at House of Blues Sunset Strip” ❏ Richard Peacock writes: “Thank you again for coming back to the States to spend a night with your true fans. I can’t believe I had the honor of seeing one of my teen idols live on stage… for me it was exactly like seeing Elvis live and in person. Only in a very English way. We love ya Tony.” ❏ Cleo Dla writes: “You definitely rocked tonite at the HOB show in LA. Loved the set but wished you could have played another hour. You still sound incredible after all these years. I hope you return soon. Have a kick ass rest of the tour” =)
Tony Hadley in Las Vegas: wowing them at the Fremont Experience on his US tour, Aug 20. Picture from T’s Facebook album
❏ Wendy Chouinard writes at Facebook: “Thank you for such a great show in downtown Las Vegas, Tony. Remember to use a humidifier when you come back into town.” ❏ Michael Vigil writes:“Tony, thanks for your fantastic, heart-felt performance in Las Vegas last night. You were amazing. Good to see John Keeble as well. You guys didn’t disappoint despite the Las Vegas heat. A memorable hot August night. Thanks so much.”
JK signing after the Vegas show: video grab by patiently88 who also shot the Suspicious Mind vid in Ramona
❏ Nils Arvidsson writes: “Thank you for a fantastic show in Vegas last night. Tony, you are the man. You kept your suit on in spite of the temp being right around 100 degrees. You sir, are one debonair guy! Next time you come to Vegas I hope it’s a bit cooler for you. Cheers.” ❏ Anna Prado-Frias writes: “Amazing show in Vegas. Thank you so much for the chat w/my husband and I. Also for the picture. Can’t wait for the next performance and CD. Best of luck on your future shows.” ❏ Tim Mancuso writes: “Great show — caught Tony Hadley in Las Vegas — WOW, what a talented singer and performer. 1st time back to the States since 1986 with Spandau Ballet — was blessed to hear him and see the show. Thanks for giving it all you had Tony, was most excellent.” ❏ Lisette Garcia-Kohler writes: “Yes, Las Vegas really loved you. What an amazing night! One I will never forget since so many memories were relived with your songs. Thank you, thank you, thank you.”
AUG 21, RED DEVIL LOUNGE, SAN FRANCISCO
❏ Shivaun O’Neill writes: “Awesome show at Red Devil Lounge tonight; thank you for playing in San Francisco.” ❏ Phyllis Mesquita writes: “Great show at Red Devil last night, hope you return.” ❏ Stu Sperling writes: “Saw the concert last night at Red Devil Lounge. They put on a great show. Tony has an amazing voice. Side note, my wife and I were walking around Union Square this afternoon and spotted drummer John Keeble. We walked over to tell him how great the show was. He could not have been nicer. Hope they come back to the states soon.” ❏ Nellie Jones writes: “Thank you for being so kind to your fans and letting us take pictures with you. You have barely aged — you wouldn’t be another Dorian Gray would you? Hope to see you back at the Red Devil Lounge soon. Feel free to bring the other band members as well.”
➢ NEXT STOPS — Sep 2, Rewind Scarborough UK… Sep 4, Cantazaro, Italy… Oct 26–Nov 4, various dates in Australia… Nov 12, Abu Dhabi
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 925 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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