Aroma jockey on the Sencity case: two fans, a load of fragrances, and a heaving dancefloor in Rotterdam
❚ YES, YOU SEE HERE AN AROMA JOCKEY. What we can’t show are the vibrating dancefloors and vests when Sencity London introduces Britain to its first “multisensory music event” on October 8 at the indigO2 club in the mighty Greenwich dome. This Dutch nightlife creation can be enjoyed by deaf as well as hearing music fans in the 1,500-capacity space. VJs and text jockeys display dynamic visualisations of lyrics from performers, while sign dancers accompany the acts to translate lyrics and emotions of the music into British Sign Language.
3D cover by Kraftwerk: view with blue-red glasses supplied with the mag
❚ THE ELECTRONIC BAND KRAFTWERK exploded into the hippy haze of 1970 and filled the air with an insistent machine-made beat that spoke of the future. Indisputably, the German four-piece formulated a revolutionary kind of non-guitar music that reshaped the thinking of musicians as diverse as Bowie, Afrika Bambaataa, Coldplay, New Order, Johnny Marr, Franz Ferdinand and Radiohead. New genres such as house, synth-pop and techno were heralded by the 1974 hit album Autobahn.
Today, however, the pioneering Ralf Hütter (a Beach Boys fan) and his usually reclusive pals slip out of their comfort zone to become guest editors on the October issue of Wallpaper magazine, which features a new portfolio of Kraftwerk imagery in 3D. Oops!
Of necessity in print, they have chosen the vintage blue-red 3D technology from the 50s to create ten graphics as double-page spreads. Yet however hard you try to flatten the glossy and flexible magazine, the deep gulley down the middle beams out its own distracting reflections! (The images might well improve if viewed on the iPad edition.) Successful, they are not: 70s minimalism always teetered tinglingly on the brink of being boring, and creatively Kraftwerk’s bland graphic renderings of autobahn, calculator, PC, pills, robots, cyclists and the band themselves say nothing new. They wouldn’t guarantee a pass degree at a British art school. Disappointingly, the 3D effects grab you in only two illustrations — one of breaking glass, another of a car’s dashboard radio — prompting the message to Ralf, especially at the age of 65, that, as graphic artists, his band may have seen better days.
There’s much more value in a brief evaluation by the leading British designer Peter Saville of how Kraftwerk opened his horizons to the European cultural canon. The advantages of the analogue era, he reasons convincingly, can be fully appreciated only now, from the perspective of the digital age.
➢ Electronic Sound Pictures — It could be that Kraftwerk’s specially developed multi-channel 3D video installation may offer a more immersive gallery experience. Fans will have to travel to Germany, to the Kunstbau at the Lenbachhaus, Munich, where the exhibition runs Oct 15–Nov 13. There’s also an accompanying book, Kraftwerk 3D, with 3D-glasses.
❏ Incidentally, the October issue of Wallpaper also interviews Ian Schrager, notorious partner behind Studio 54, the definitive New York nightclub of the 70s, who was jailed for income tax evasion. He later went on to invent the “boutique hotel” along with its “lobby socialising” and philosophy of “hotel as lifestyle” that has been ripped off by hoteliers across the globe.
At 65, with millions in the bank, he is about to launch his new Public hotel chain in Chicago. Business writer John Arlidge reports that “the master tastemaker senses the universe is turning on its axis again, just as it did when old-fashioned class divisions that ruled New York nightlife were swept away, enabling him to create Studio 54”. Schrager insists that there’s “a new simplicity” and “it’s structural”. He argues that many big hotel chains have failed to keep up with the consumer. The essential-services-only Public brand, he says, “will be an entirely new class of hotel that will be a big wake-up call to the industry”.
DD with their GQ award last night: it was presented by Alex James from Blur at London’s Royal Opera House. Photograph: Rex
The online men’s magazine GQ.com says today:
❏ “After 30 years the perennially stylish supergroup Duran Duran are still producing the goods, with new Mark Ronson-produced album All You Need Is Now joining the likes of Notorious and Rio as essentials in any man’s collection.”
❏ Nick Rhodes says “Our original manifesto has been to collaborate with fashion, art, photography, design and architecture. I guess I’ve always thought of Duran Duran as a kind of ongoing art project.”
❏ GQ.com highlight “The supermodel power summit: bringing together Cindy Crawford, Naomi Campbell, Eva Herzigova, and Helena Christensen with director Jonas Akerlund for the upcoming video for Girl Panic!”
The Hadley band in Las Vegas last week: John Keeble (drums), Phil Williams (bass guitar), Big Tone, Richie Barrett (guitar), Phil Taylor (keyboards)
❚ EXACTLY WHAT SPANDAU BALLET FANS don’t want to hear! Yesterday as the 80s supergroup’s vocalist Tony Hadley was taking a well-earned rest following his American solo tour, he delivered the bombshell. Fans who want to see him singing again with his onetime schoolmates in Spandau “could be waiting 20 years”!
The shocking prospect came yesterday in an interview with TNT, the Australian backpacker magazine, anticipating his imminent tour down under. Before his US dates earlier this month he’d been much more circumspect about another Spandau reunion, using the phrase “maybe one day in the future” to American music magazine ConcertLivewire. Tony’s new forecast for a rendezvous with Spandau means the already portly singer would have passed his 71st birthday — along with many of Spandau’s original fans, ear trumpets at the ready.
Remember, an argument over royalties split Spandau asunder in 1990 and Tony didn’t speak to songwriter Gary Kemp for 19 years until their sudden reunion tour in 2009. Even so, the singer tells TNT: “It was only ever meant to be a one-off. After 20 years of squabbling we buried our differences. But after our last show in 2010, you know, I had a band waiting around for me on a retainer for six months. I’ve had no time off and I’m trying to finish the new album so at the moment there aren’t plans to do Spandau again. You could be waiting 20 years.”
Tony has pursued an active solo career ever since the split and his current band has backed him for 13 years, with John Keeble of Spandau playing drums. This month’s American tour was an investment, and Tony told Windy City Times they “want to come back next year and do 20 or 30 shows”.
His big news is about his solo album, due next year. He tells TNT: “I’m doing some writing with Barry Gibb from the Bee Gees. I went round his house and had a little cup of tea and said, let’s get together and do some songs. For me, that is a major wow.
“2012 will be busy with the Olympics. My manager has been talking to various people about an orchestral version of Gold [the Spandau Ballet hit] for the games — doing it with an 80-piece orchestra would be amazing.”
➢ Sept 11 in New York, 13h30 — Tony sings at the memorial concert for 9/11 in The British Garden, Hanover Square in Lower Manhattan, NYC, created with the endorsement of the British Consulate-General to honour the 67 British subjects lost in the 2001 attacks
➢ Tony’s Australia dates 2011 — Oct 26, Hindmarsh, South Australia; Oct 27, South Morang, Victoria; Oct 28, Doncaster, Victoria; Oct 29, Chelsea Heights, Victoria; Oct 30, Rewind Australia, Wollongong, NSW; Nov 3, Coolangatta, Queensland; Nov 4, Penrith NSW.
❚ SINCE HE FIRST PHOTOGRAPHED Ziggy Stardust at the Rainbow Theatre in London, 1972, Masayoshi Sukita has remained one of David Bowie’s favourite photographers. Bowie and Sukita’s collaboration has spanned 40 years resulting in thousands of previously unseen photographs and iconic portraits, the most recent of which were taken in 2009. Speed of Life is a new prestige book containing never before seen photographs from Sukita’s archive, presented along with David Bowie’s commentary. It is to be published in a limited edition of 2,000 copies worldwide, each signed by the authors, Bowie and Sukita.
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MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
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UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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