❚ GRACE JONES’S HURRICANE-DUB went live today with the track This Is Dub free to hear at Soundcloud. On Sept 5 Wall Of Sound releases a double CD Hurricane-Dub. It comprises nine-track disc 1 containing the original version of Hurricane from 2008, which was Grace’s first album since 1989, wittily textured with collaborations from Tricky, Brian Eno, Sly and Robbie, guitarist Leo Ross and percussionist Tony Allan. The 2011 package adds a 10-track disc 2 featuring newly created dubs by producer Ivor Guest with fewer vocals but extra mixes of outtakes and unused riffs. They are said to bring “a new, deep, darker side to the already wicked bass-lines”.
A onetime member of Andy Warhol’s entourage, the 63-year-old Jamaican-born supermodel established herself as the eccentric queen of disco divas with hits throughout the 70s and 80s, her gamechanging album being the sleek and timeless Warm Leatherette which led to a tour performing her bizarre One Man Show and a Grammy nomination. She also invested in a movie career, but returned to music in 2007. Over the past two years her savage and passionate soul has been the elemental force powering the Hurricane stage tour. This renewed a creative partnership with her former lover, Jean-Paul Goude, to establish her new brand image in the spectacular glitterball hat by Philip Treacy, not to mention a galaxy of OTT costumes by Japanese designer Eiko Ishioka. Grace’s visually glamorous show returned for a second visit to fill London’s Royal Albert Hall to its 5,500 capacity in spring last year, and saw her son Paulo Goude in the band playing bongos. In recent years Grace has made her home in England with her producer who is also the fourth Viscount Wimborne.
Chant No 1 by special request: Tony Hadley onstage last night in New York with Richie Barrett on guitar (verbalalchemy video)
❚ LAST NIGHT AT IRVING PLAZA IN NYC Tony Hadley rattled through a 17-strong set list on which seven were Spandau Ballet hits, and this reviewer, The G, was impressed with the rockiness of the other numbers he covered …
John Keeble: laying down the tempo last night in NYC (verbalalchemy)
“ I had a blast seeing Tony Hadley’s first ever solo show in the United States! The former lead singer of Spandau Ballet has just launched his first solo tour of America and it kicked off at New York’s Irving Plaza on August 13, 2011.
“ Tony Hadley looks and sounds great. He hits all the high notes and sounds as great as he did in the 1980s when Spandau Ballet ruled the airwaves. Over the course of his show, he played quite a few covers of some of his favorite songs, performed some beloved Spandau Ballet songs and also performed a new song called My Imagination. As Tony promised in a recent interview with According2g, the song is a rocker.
“ In between, the crowd was shouting “We love you Tony” and there was a lot of love in the room… ”
❏ At Tony’s Facebook page Hoory Kajajian-Yeganeh writes: “Great show @ Irving Plaza last night. What a voice! What a fabulous performance! Thank you :) ” ❏ Terry Hunter writes: “He was BRILLIANT. No one like Tony…anywhere, EVER.” ❏ Tony Thomas writes: “Tony knocked it out of the park that night. Great show.”
+++ ❏ At Tony’s Facebook page Heather Ann Cummings writes: “Hi Tony, Saw your WONDERFUL concert at North Halsted Market Days, Chicago, Sunday afternoon. The best! Your group was so good too. Thank you for taking the time to sign your photo and interview that appeared in this week’s Windy City Times. Your song choice was amazing and Through the Baricades had me with tears in my eyes. I’ve also adopted your song Live, Let Live and Love as my mantra and am passing it on.” ❏ Heidi Herman writes: “Tony, you were scorching in Chicago today. Your voice is so beautiful and powerful and the same time — amazing! I still can’t believe I saw you perform after all these years of being one of your most adoring fans. My friend and I were impressed with your charm, wit, and sincerity. You are classy gentleman and so very humble for someone so talented and well-known. Thank you, Tony.”
AUG 16, THAT’S LIFE: A BLISTERING CLOSE TO TONY’S SHOW AT HOUSE OF BLUES, HOLLYWOOD
+++ ❏ At Tony’s Facebook page Glenisha Jones writes:“Iam floating on a cloud after seeing Tony Hadley perform for the first time! It was amazing, fun, brilliant & it will be in my heart forever :) Tony hasn’t changed. He is still handsome & his voice is even more beautiful. Thank you Tony for coming to LA.”
Setlist for Tony Hadley at House of Blues Los Angeles, Aug 16 (posted at Facebook by Rissa Dodson)
❏ Kedric Hubbert writes: “Saw u last nite in Los Angeles. U were amazing. I got my 2 fave songs To cut a long story short & Lifeline. My friend marc were in the front singing all the words. Come back soon & bring john (again) & maybe even steve, martin & gary along for the ride… brilliant show. Thank u!” ❏ Jill Bonnell writes: “Fabulous show last night at House of Blues Sunset Strip” ❏ Richard Peacock writes: “Thank you again for coming back to the States to spend a night with your true fans. I can’t believe I had the honor of seeing one of my teen idols live on stage… for me it was exactly like seeing Elvis live and in person. Only in a very English way. We love ya Tony.” ❏ Cleo Dla writes: “You definitely rocked tonite at the HOB show in LA. Loved the set but wished you could have played another hour. You still sound incredible after all these years. I hope you return soon. Have a kick ass rest of the tour” =)
Tony Hadley in Las Vegas: wowing them at the Fremont Experience on his US tour, Aug 20. Picture from T’s Facebook album
❏ Wendy Chouinard writes at Facebook: “Thank you for such a great show in downtown Las Vegas, Tony. Remember to use a humidifier when you come back into town.” ❏ Michael Vigil writes:“Tony, thanks for your fantastic, heart-felt performance in Las Vegas last night. You were amazing. Good to see John Keeble as well. You guys didn’t disappoint despite the Las Vegas heat. A memorable hot August night. Thanks so much.”
JK signing after the Vegas show: video grab by patiently88 who also shot the Suspicious Mind vid in Ramona
❏ Nils Arvidsson writes: “Thank you for a fantastic show in Vegas last night. Tony, you are the man. You kept your suit on in spite of the temp being right around 100 degrees. You sir, are one debonair guy! Next time you come to Vegas I hope it’s a bit cooler for you. Cheers.” ❏ Anna Prado-Frias writes: “Amazing show in Vegas. Thank you so much for the chat w/my husband and I. Also for the picture. Can’t wait for the next performance and CD. Best of luck on your future shows.” ❏ Tim Mancuso writes: “Great show — caught Tony Hadley in Las Vegas — WOW, what a talented singer and performer. 1st time back to the States since 1986 with Spandau Ballet — was blessed to hear him and see the show. Thanks for giving it all you had Tony, was most excellent.” ❏ Lisette Garcia-Kohler writes: “Yes, Las Vegas really loved you. What an amazing night! One I will never forget since so many memories were relived with your songs. Thank you, thank you, thank you.”
AUG 21, RED DEVIL LOUNGE, SAN FRANCISCO
❏ Shivaun O’Neill writes: “Awesome show at Red Devil Lounge tonight; thank you for playing in San Francisco.” ❏ Phyllis Mesquita writes: “Great show at Red Devil last night, hope you return.” ❏ Stu Sperling writes: “Saw the concert last night at Red Devil Lounge. They put on a great show. Tony has an amazing voice. Side note, my wife and I were walking around Union Square this afternoon and spotted drummer John Keeble. We walked over to tell him how great the show was. He could not have been nicer. Hope they come back to the states soon.” ❏ Nellie Jones writes: “Thank you for being so kind to your fans and letting us take pictures with you. You have barely aged — you wouldn’t be another Dorian Gray would you? Hope to see you back at the Red Devil Lounge soon. Feel free to bring the other band members as well.”
➢ NEXT STOPS — Sep 2, Rewind Scarborough UK… Sep 4, Cantazaro, Italy… Oct 26–Nov 4, various dates in Australia… Nov 12, Abu Dhabi
Tony Hadley in Rome, spring 2011: a busy year as a solo artist. Photograph by Riccardo Arena
❚ ON SATURDAY SUAVE BRITISH SINGER Tony Hadley debuts his solo show in the United States, his first professional visit since winning the British TV reality show Reborn in the USA in 2003. Otherwise American audiences haven’t seen him live since he visited in 1985 as vocalist with Spandau Ballet, onetime New Romantics turned pomp-rockers. Following a busy summer of festival appearances, the American tour represents one of the biggest and long-awaited challenges in his career. The first of his six big-city dates is at New York’s Irving Plaza, after which the divorced but happily remarried father of four then plays the Rivers Casino Stage as part of a gay street festival in Chicago.
John Keeble: Spandau pal whose drums drive the Hadley band too. Photographed by Shapersofthe80s
He’s backed by his long-standing band featuring Spandau’s John Keeble (drums) plus Phil Taylor (keyboards), Phil Williams (bass guitar), Richie Barrett (guitar). In October they head down-under to Australia for seven more shows, with Go West in support at three.
Hadley split acrimoniously from his school-mates Spandau Ballet in 1990, since when the singer with the mighty and melodious voice has pursued a vigorous solo career which often involves 200 live shows a year. It has yielded six albums, the last in 2006 titled Passing Strangers moving into jazz-swing territory, though his 15 singles have seen only minimal chart success. In live concert he loves covering pop standards by Bowie and even Duran Duran. Today he’s a declared fan of The Killers and My Chemical Romance. He also enjoyed a stint in the musical Chicago in London’s West End.
In 2004 Hadley wrote an autobiography called To Cut A Long Story Short which made clear how his worldview had always been markedly different from the other members of Spandau even at their peak of success. Hadley wrote: “I’m busier now [2004] than I was then [1983]… A couple of times I suggested we bring in a more experienced manager. I just thought it made sense to have someone working with us who knew more about the business than we did. No one else saw it that way.” In describing 1988, he devoted pages to a nit-picking analysis of the many cracks splitting the band, the last straw being the Kemp brothers, Gary and Martin, absenting themselves to star in the film about The Krays (notorious London gangsters), when all Tony wanted to do was sing his heart out on a stage. Then in 1999 the old school-mates found themselves daggers-drawn in an ugly court case over royalty payments, which Tony’s side lost. For years, the feud seemed irreconcilable. In 2005 Tony told me that by then he reckoned he personally was owed “about £2 million” to include interest.
Out of the blue in 2009 Spandau Ballet resolved their differences after Tony’s son Tom and Gary’s son Fin had met up in a pub and agreed to knock their dads’ heads together. The band reunited, they insisted, well, because all families have their squabbles and the old band of brothers from schooldays were really one big happy family again. It seemed just as pragmatic to assume that, as they were all approaching 50, the band knew a world tour might be their last chance to secure their pensions. What they agreed, though, was a one-year deal and it ended with an open-air show for 19,000 people at Newmarket racecourse on June 25 last year.
Hadley was always the non-Labour voter among the Spandaus and today at 51 he is a supporter of Conservative prime minister David Cameron. In recent years the singer harboured ambitions of becoming an MP. Given the horrendous violence that erupted this week on the streets of Britain, a remark he made in 2007 seems prescient. Tone was talking tough on crime to The Independent while attending the Conservative Party conference in Blackpool: “The fabric of society is torn. I walked through Blackpool and there were gangs walking the backstreets and 16-year-old pregnant women everywhere. What we need is Cameron to be like Thatcher, to say enough is enough, things have gone too far.”
This week as he packed for the States, Big Tone has given three lively online interviews, and here are some teaser quotes from him, which include news that his new solo album is now delayed …
+++
Liverpool Empire 1982: a fan and her handbag shin up a drainpipe to gain access to Spandau Ballet’s dressing room. Photographed by Shapersofthe80s
TH There’s so many. OK. We were playing the Liverpool Empire in 1983 [Actually 1982, Tony — Shapersofthe80s]. The dressing rooms were on the second floor and there were screaming girls outside going absolutely ballistic. So all the windows were shut and we’d just done the show. Suddenly there was a strange tap on the window. We opened the window and two fans had climbed up a drain pipe and shimmied up two floors just to get to us! If they’d have fallen, they would have been killed. We invited them in, signed all of their stuff and gave them something to drink. It was pretty wild.
QLeaving for the United States soon? TH I can’t wait. For some reason it has been very difficult to get into the States. An American agent saw my band in Europe and wanted to get us over there. We want to come to the States and prove ourselves. We are doing a handful of shows, then come back next year and do 20 or 30 shows.
QYou have a new album coming out this year, right? TH No, next year; I am a little behind on it. It will be the first album that is written by me. It will be 12 tracks that are classic pop rock. A few weeks ago I was in Miami for a private show and I was introduced to Barry Gibb from the Bee Gees. We are going to write together so I have to factor that in as well. How bloody brilliant is that?
Spandau Ballet reunited 2009: their first live performance for 19 years was on the Jonathan Ross TV show. (BBC)
QWill the Spandau reunion be ongoing? TH It was only meant to be a one-off, and from my point of view, it was just a one-off. But I always say ‘Never say never’. At the moment, I’m touring Britain, the States, Australia, New Zealand and Germany before Christmas, plus with the new album, there’s a lot going on, but maybe one day in the future.
QWhat would you say to more casual fans in the States that only know the softer side of Spandau Ballet? TH In America [in the 80s], Spandau really cocked it up unfortunately. America’s a country where you have to tour and tour and tour to prove yourself and we didn’t do that. For whatever reason, whether it was management, thinking we were clever or whatever, we just didn’t play it right. I love playing live, and the thing is now I want to prove myself in America. Some people will think “This guy sang that sweet little song True” but when they see us live, they might be surprised that it’s a lot heavier than they imagined.
➢ Tony’s US dates 2011 — Aug 13 Irving Plaza, New York; Aug 14 Northalsted Market Days Festival, Halsted Street, Chicago; Aug 16 House Of Blues, West Hollywood, Los Angeles; Aug 18 Ramona Mainstage, San Diego, CA; Aug 20 Fremont Experience, Fremont Street, Las Vegas; Aug 21 Red Devil Lounge, San Francisco.
➢ Tony’s Australia dates 2011 — Oct 26 Hindmarsh, South Australia; Oct 27 South Morang, Victoria; Oct 28 Doncaster, Victoria; Oct 29 Chelsea Heights, Victoria; Oct 30 Rewind Australia, Wollongong, NSW; Nov 3 Coolangatta, Queensland; Nov 4 Penrith NSW.
Steve Strange before: master face-painter at work at Ascot... Photography by Becky Varley
❚ OLD ROMANTIC HABITS DIE HARD. Steve Strange finally got himself onto a stage this weekend singing the odd Visage hit, following the horse-racing at Ascot in Berkshire for this summer’s last Here & Now 80s revival line-up. But beforehand, the veteran poser and onetime greeter at the Swinging 80s Blitz club had to plaster over the cracks with a touch of Polyfilla — he’s just celebrated his 52nd birthday after all. Then, naturally, he couldn’t resist applying slightly more bronzer than an Essex girl would need for a night out clubbing down the Chigwell Road. The after snap is a minor miracle that should convince the doubters Steve hasn’t lost his knack for maquillage, whatever the voice sounded like (audience reports eagerly awaited). Supporting Steve during his comeback was a galaxy of 80s stars who included Kid Creole, Toyah Willcox, Paul Young and Jimmy Somerville.
Who better than Steve could qualify as the face of a cosmetics firm, according to breaking news at Wales Online? (Remember his origins as Steven John Harrington from Newbridge where he went to school?) WO reports this weekend: “The Visage frontman, famed for wearing garish eye shadow, mascara and blusher alongside the likes of Boy George in the 80s New Romantic movement, is set to front products made by Illamasqua. The firm aptly markets its range as ‘night-time make-up for your alter ego’ and says its distinct style is inspired by members of ‘alternative scenes’.” Bingo!
Mercury Music Prize 2011 shortlist: 12 contenders for album of the year
❚ BRING ME THE HORIZON (pictured), a British metalcore band from Sheffield, topped a Guardian reader poll (now closed) to predict contenders for this year’s Mercury Prize 2011 shortlist for albums of the year. Announced today, girls include Adele, Katy B and P J Harvey, with Elbow and Tinie Tempah among the boys, but not many bands. Amazingly the Guardianistas’ favourite metal band does not get a mention. Two months to wait for the awards themselves.
➢ View Guardian video verdicts on the
Mercury Music Prize nominees
Is the Mercury Prize there to reward commercial success? Guardian music supremo Caspar Llewellyn Smith says the shortlist calls into question what the prize is for: “If Adele’s on the Mercury shortlist, why don’t you have Take That as well?” — Caroline Sullivan, Tim Jonze and Smith review the runners for 2011.
“ It is an interesting Mercury Prize list this year, that suggests to me a nation of adventurous musical talent, stirring a bubbling cauldron of musical possibilities, and starting to forge something new. This is the sound of pop at a crossroads, looking out towards new horizons. It’s interesting how well all these albums actually sit together, from the mainstream pop successes of Adele, Katy B and Tinie Tempah to the dreamy underground experimentation of James Blake and Ghostpoet; the intelligent, emotional songcraft of Elbow, PJ Harvey, Anna Calvi and King Creosote & Jon Hopkins to the multifarious genre adventures of Everything Everything and Metronomy… ”
❏ FOOTNOTE Tell the Guardian how good or otherwise you thought their seven-day survey A History of Modern Music — in the course of which there isn’t one, NOT ONE direct reference to J-a-a-a-a-ames Brown, the father of funk.
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 925 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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