Category Archives: Media

➤ Vincent the master of hot cuts denied a farewell by Jazz FM

Robbie Vincent, radio, deejay, Jazz FM, jazz-funk, music,Radio London

40 years a deejay: Robbie Vincent, father and son

❚ SHOCK NEWS TODAY: Robbie Vincent, the pioneering jazz-funk radio deejay of the 70s and 80s, is to leave Jazz FM after five years. His prerecorded weekly show this Sunday lunchtime will be his last and his flagship three-hour slot will be taken over by Jeff Young. Vincent broke the news this morning with a brief post at Facebook which said: “Sad news, this Sunday will be my last show on Jazz FM. I had hoped to do a final special show to thank you all for your loyal support but the station has decided that is not possible.”

Three hours ago Vincent posted a link to a news story at the industry website Radio Today which reports:

Robbie Vincent has been told he can’t record a final show on Jazz FM after he told station bosses he has decided to leave the station. Robbie has told Radio Today he’s leaving because he fears a ‘radio armageddon’ is on its way. “There will be news next week of further downgrading at the station,” he said. “Jazz FM has been such a difficult place to work at recently with it being so cash strapped. I offered to record a final show but management have declined my offer.” A spokesperson for Jazz FM confirmed Robbie wasn’t given a ‘final’ show saying “this is generally accepted practice” … / Continued at Radio Today

Since then Vincent has added a further comment at Facebook: “Perhaps when you read that it is ‘normal practice’ not to allow final programmes you will understand what high standards of staff care operate at Jazz FM. Ralph Tee and Steve Quirk were not ejected into space. These excellent broadcasters left with grace and good natured final programmes. The way it should be. Just a thought.”

The veteran presenter with Radio 1, Radio London, Kiss and LBC has hosted more than 200 of his Essential Rhythms shows since the re-launch of Jazz FM in October 2008. Station Manager, Nick Pitts, said today: “When I first started working at Jazz FM Robbie was one of the people I was looking forward to working with most. We are sorry that he has decided to leave and wish him luck and success in his future projects.”

UPDATE SUNDAY DEC 1 AS HIS SHOW ENDS…

I did invite ideas for the last programme but as JazzFM chose not to allow me to say farewell to my dear loyal listeners you will have noticed all reference to next week had been taken out. Not to worry, it’s James Torment time on Jazz FM now. Lots of news in the next couple of days to share with you. Hope you enjoyed the show.

➢ 35 years as master of hot cuts – Shapersofthe80s tells how Robbie Vincent influenced the shape of British musical taste

Roy Ayers,Robbie Vincent, radio, Jazz FM, jazz-funk, music,

At Jazz FM earlier this year: Robbie Vincent with his guest, legendary jazz composer and vibes player Roy Ayers

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2013 ➤ Gary Kemp’s video message for posterity on TV this Saturday

Dublin O2, Reformation Tour, Spandau Ballet reunion

Afternoon sound check at Dublin’s O2: Spandau Ballet on stage together in 2009 for the first time in two decades – John Keeble, Steve Norman, Tony Hadley and Gary Kemp. At centre, production manager Lars. Photographed © by Shapersofthe80s

❚ SONGWRITER GARY KEMP recalls the 2009-10 Reformation Tour by his pioneering New Romantic band Spandau Ballet, to be screened as a 2 hours 30 mins broadcast on Sky Arts this weekend:

The Reformation Tour was a coming back together I never thought would happen. After years of fighting, this tour taught us that being Spandau Ballet is a thing to be proud of. It turned out to be the best and most successful tour we ever did. If there’s one piece of evidence I’d like to leave for posterity it would be this film.

➢ The Reformation Tour 2009, produced by Scott Millaney –
Sky Arts 1 on Saturday November 9 at 9pm GMT
and again on Sunday at 12pm GMT

➢ Full coverage and review by Shapersofthe80s of Spandau’s reunion concert at the O2 arena in Dublin on October 13, 2009, plus more backstage colour from the UK tour

➢ 2010, Shapersofthe80s with Spandau touring overseas:
“so British, so gracious”

Spandau Ballet, Reformation Tour, 2009, Dublin, Gary Kemp, Tony Hadley, reunion

The picture they said could never be taken: a big hug between Spandau Ballet’s Tony Hadley and Gary Kemp during the band’s 2009 comeback concert in Dublin, after duetting With the Pride from 1984. Photographed © by Shapersofthe80s

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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➤ George still in denial over a deed that ‘almost didn’t happen’

Boy George, 2013

Boy George’s current image: “Due process was had”

❚ BOY GEORGE WAS ONCE TOP OF THE POPS. He was, as they say, big in the 80s, when his band Culture Club topped the UK singles chart twice and the albums chart once. He then squandered the next 20 years of his life. Now at age 52 he says he has shed six stone (38kg) in weight and decided to resume being a pop singer again. Today The Sunday Times Magazine publishes an interview with him in which the only real topic of interest remains his refusal to express remorse for his past misdeeds. Yet the reasons why still appear to escape him…

➢ In today’s Sunday Times Magazine Krissi Murison writes:

… After well-documented cocaine and heroin addictions in the 1980s, [George’s] drug problems resurfaced in the noughties. In early 2009 he went to prison to serve four months of a 15-month custodial sentence, for the assault and false imprisonment of a Norwegian male escort. He was accused of shackling the 28-year-old man, Audun Carlsen, to a wall and lashing him with a chain in a drug-fuelled frenzy. There was another accomplice who still hasn’t been identified.

George has never spoken publicly about the incident. “No,” he smiles calmly, “and I’m never going to.”

Why not? “Because it doesn’t benefit anybody. I went to prison, due process was had and that’s the end of it. It’s not part of my life, it’s in the past and I don’t even think about it. It’s almost like it didn’t happen.”

That hasn’t stopped everyone else having their say. The judge sentencing him described the “wholly gratuitous violence” that George inflicted on his victim. In 2011, Carlsen himself gave an interview to The Times in which he described the attack in graphic detail. He said he had first met George through a gay dating website, that the singer had asked him to pose for nude photographs, but then accused Carlsen of stealing the pictures. On the night of the attack, he said, George and a friend had beaten him up, dragged him across the floor and handcuffed him. The friend left, but George came back into the room with a metal chain and started hitting him – it was a purely violent attack, Carlsen said, nothing sexual. Eventually he managed to escape and ran into the street, where he was found in his underwear, bloodied and screaming.

It’s hard to reconcile the brutality of that description with the carefully composed man sitting opposite me today, but without George’s version of events, it’s all we have to go on. Does he feel the need to set the record straight?

“It’s not part of my life, it’s in the past
and I don’t even think about it.
It’s almost like it didn’t happen.”

“No, no. Who for? For titillation? I don’t need to, I’ve made peace with myself, which is the most powerful thing I’ve ever done. It wouldn’t be dignified for me to talk about it now. It wouldn’t help anyone. It would probably hurt him and I’m not prepared to do that. I’m very proud of myself for not talking about it.” He says all this with zen-like control.

One of the problems with not talking about it though, I venture, is that people assume he has no remorse.

“Um… surely that’s something I have to…” he catches himself. “That’s such an attempt to get me to talk about it!” he squeals. “Nice try! All I can really say about all of that period of my life… when I was younger if you’d have said to me ‘Do you regret anything?’ – and I’m not specifically talking about that incident – if you’d said to me 10, 20 years ago, I’d have absolutely said, ‘No, I don’t regret anything’. I would have been so arrogant about it, but as an older man I have so many regrets, and having regrets has allowed me to have boundaries with myself. It’s allowed me to say, ‘This isn’t acceptable, this isn’t acceptable’, and to know myself much more…” / Continued online

Extract © Krissi Murison (The Sunday Times Magazine, October 20, 2013)

❏ All of which suggests no change since 2010 and George’s first cosy breakfast TV chat after being released from jail. No mention of remorse, just an additional layer of psychobabble.

➢ 2010, Ex-jailbird George takes his first trancey steps to sainthood: the rise and fall of an 80s icon – inside Shapersofthe80s

Today’s Tweet from Boy George

Today’s Tweet from Boy George

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➤ Martin Kemp discreet about his moist moment with Piers Morgan

Piers Morgan, TV, Life Stories,  Martin Kemp , Steve Dagger, Steve Norman , Shirlie Kemp

Braced for the Piers Morgan grilling: Martin Kemp (right) with Spandau manager Steve Dagger, Steve Norman and Shirlie Kemp. (Cam-tweet by Kemp cam)

❚ ALL THE REAL MARTIN KEMP tweeted last night was “#lifestories What a wonderful evening…. Thanks everyone!” Closely followed by Spandau Ballet pal Steve Norman Real tweeting: “I have arrived at the conclusion that @piersmorgan is actually a gentleman”!!! Closely followed by legendary gossip hack and TV host Piers Morgan tweeting: “Ssshhhh, you’ll ruin my reputation @SteveNormanReal”!!!

Four ropey backstage snaps were also tweeted from their respective camphones, but otherwise the Spandau camp were remaining tightlipped about what was revealed at Elstree Studios yesterday. Spandau bass player and TV star Martin (aka onetime EastEnders bad boy Steve Owen) had been a special guest for the new series of Piers Morgan’s Life Stories, and the two-hour recording has yet to be edited down to its final 40 minutes for broadcast very soon.

Morgan is the notorious former editor of Britain’s tabloid Daily Mirror, currently based in the United States, whose Life Stories are famous for wringing tears from at least 11 of his celebrity interviewees in front of live audiences, spiced up with video contributions from friends and family. A sort of This Is Your Life with the gloves off.

Today Martin remained tactful about how moist his grilling became: “It was a close-run thing… But it was so much fun.”

Julie Goodyear, Martin Kemp

Bestest pals ever: Julie Goodyear comforts a weepy Martin Kemp during Celebrity Big Brother in September 2012 (© Channel 5)

Morgan’s 10th series for ITV starts with Coronation Street’s former termagant Bet Lynch aka Julie Goodyear in the hot seat at 9pm on Sept 20. This firecracker will also feature “revealing interviews with her ex-lovers, former co-stars and close friends” it says, so Julie must be gritting her teeth behind those scarlet lips. (Kempie was Julie’s best pal inside last year’s Celebrity Big Brother house – until almost the end, so we might see whether they’ve kissed and made up since.)

In the new series Julie Goodyear is being followed by Gloria Hunniford, Brian Blessed, Julian Clary, Peter Waterman and Beverley Callard (kidnap victim Liz McDonald in Corrie). So far no date set for Steve Owen!

Roman Kemp, Harleymoon Kemp, Martin Kemp, Shirlie Kemp

Moral support at the Elstree studios: the Kemp family, Roman, Harleymoon, Martin and Shirlie. (Cam-tweet by Kemp cam)

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➤ No flash, no mob, as Occupy Bowie proves a damp squib

Occupy Bowie , V&A, exhibitions, fans,flash mob,David Bowie

More like Freddie Starrdust: The Bowie Experience tribute act outside the V&A yesterday in shabby Earthling coat and filthy lace. Photograph by Andy Polaris

Occupy Bowie , V&A, exhibitions, fans,flash mob,David Bowie❚ “CALLING ALL MISFITS, ANDROGYNES, glam rockers, goblin kings, scary monsters and super creeps: you are invited to a gathering on the steps of the V&A on the last day of the Bowie exhibition, 11 August. Together we will create a tableau vivant.” This call to arms by an ad hoc faction calling itself Occupy Bowie posted a tortuous Tumblr page that dared to translate this difficult French phrase as a “living picture” and illustrated several examples from a long tradition blah blah of motionless, silent models in poses plastiques blah blah often theatrically lit blah blah.

Another page at Facebook declared: “In honour of music, art and David Bowie, it will be a spectacle. It is a participatory event for visual extremists of all stripes. Don’t call us a flash mob.”

As it happens, this tribal turnout by a few dozen fans yesterday afternoon proved to be less a flash mob, more a naff huddle. There was a singalong to Rebel Rebel, but no truly glam Bowie persona in sight, what with the low-rent mimes and the generally jumble-sale approach to costume topped with nylon wigs that could have come from Ridley Road Market. By midnight we could count only three photographs of this act of mass homage posted online, then a couple more today.

Click any pic to launch carousel

As it happens, Andy Polaris, who lives in East London, claims he was “passing by” the V&A in West London at 3pm and snapped the faithful engaged in their mystical rites. His verdict: “It looked more Freddie Starrdust than Ziggy Stardust.” This referred to the shabby Earthling playing guitar who is known as The Bowie Experience, a professional tribute impersonator wearing the least glam costume of any Bowie incarnation. Polaris said: “The women looked a lot better than the men and the girl with the dark hair and Aladdin streak was the best.” Funny, that. Even the apparent ringleaders themselves, University of the Arts types subtly disguised on Facebook as Occu PyBowie, let the side down in scruffy old jeans. They’d never have let each other get away with that in 1973, let alone the Blitz in 1980.

Brilliant sunshine put paid to any “theatrical lighting” to compare with the photographs of Ryan Schude or the Society of Beaux-Arts Architects Ball, 1931, that Occupy Bowie had cited as inspiration on that ambitious Tumblr page. Better luck at the exhibition’s Toronto opening in September, lads.

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