Category Archives: London

2011 ➤ Farewell Mick Karn, master of the bass and harbinger for the New Romantics

MICK KARN, the acclaimed exponent of the fretless guitar, died today in London from cancer. He was a founder member of the British art-rock band Japan, formed in 1974 with David Sylvian, Richard Barbieri, Rob Dean and Steve Jansen, heavily influenced by Bowie and Roxy. By their 1978 album Adolescent Sex, Japan had developed a unique visual style and innovative sound underpinned by Karn’s sensual bass. In all but club membership, Japan *were* the original New Romantic band

Mick Karn, Buddha, Commonwealth Institute, Steve Jansen Imageshop

Karn outside the Commonwealth Institute, Kensington (undated), photographed by © http://www.SteveJansen.com — Proceeds from the sale of Jansen’s photos have gone to help Mick in recent months

❏ Karn’s Facebook page notes this evening “Even on early Japan recordings, his highly distinctive fretless bass voice for which he is most renowned can be heard. By their swan song, critically acclaimed Tin Drum 1981, he was dubbed one of the best bass players in the world. He’d already supplied bass and sax work to Gary Numan’s Dance album and was the first Japan member with a solo record, Titles [hear audio below]. In 1983, Japan’s live album, Oil on Canvas, brought his playing to new ears: jazz legend Jan Garberek.”

❏ Update on Karn’s Facebook page, Jan 18 “Mick’s funeral service took place yesterday afternoon, Monday 17th January, in West London. The private ceremony was attended by close friends and family.”

➢ How Shapersofthe80s responded to the appeal for Mick Karn last June — plus Mick’s follow-up and background interviews

❏ Bassist John Taylor writes on the Duran Duran website “Nick and I first saw Japan at Barbarellas in Birmingham on their Obscure Alternatives tour and were blown away. They were so fresh, while every other band in town were tripping over each other in a rush to play the same three chords, Japan were brave in many ways. Mick changed my life in a good way. Quiet Life and Gentlemen Take Polaroids, Adolescent Sex and Tin Drum are amongst the best recordings made during the post-punk era in my view. Mick’s sax playing also was always interesting.

Adolescent Sex ,1978, Japan pop group, Mick Karn

Adolescent Sex, the 1978 album

❏ Review by Amy Hanson at AllMusic of Japan’s first album Adolescent Sex (1978) says “A remarkable debut, the set snarls with leftover punk intent, a few glam-rock riffs, and a wealth of electronics that not only reach back to the band’s youth, but also predate much of what would explode out of the next wave of British underground… [Later Hanson continues…] The ‘wow factor’ of an incredibly funky bass and guitar on The Unconventional, repeated again on Wish You Were Black, is not only a surprise but leaves one wondering if the band were closet Chic fans … A more exciting album than just about anything else they’d ever record, Japan were young, hungry, and more than a little rough around the edges. Despite the slick R&B work twined in, it’s important to remember that this band were in the sonic foothold of an early edgy era — groundbreakers at their own inception. ”

Japan pop group, 1978, Mick Karn

Japan in the late 70s: Rob Dean, Mick Karn, Richard Barbieri, Steve Jansen, David Sylvian

A/V tracks featuring Karn at YouTube

➢ Mick Karn, Sensitive (1982) — His first album as a solo artist displays his creativity after Japan’s split, accompanied by Japan drummer Steve Jansen and keyboardist Richard Barbieri

➢ Knights of the Opium Moon (ft Mick Karn) — Track 6 from the London electronic band Furiku’s debut album (Like a Freak, May 2010)… This has to be among Karn’s last musical collaborations. Karn’s own discography lists the four-track EP Love’s Glove as his last published recording in 2005. Dom Agius of Furiku tells Shapersofthe80s: “We were approached by Mick and his management in late 2006 via MySpace. They’d heard our work and invited us to remix a track of his. They sent over a selection of basslines but rather than do a conventional instrumental remix we decided — as long-term Japan and Mick fans — to write and record a new song — the “missing track off Tin Drum” if you will. So we sifted through, chopped and redited maybe six of the basslines together and then we wrote Knights of the Opium Moon over that. Mick and his management were thrilled with the results.”

➢ View TV interview with Mick Karn for Talkin’ Jazz c1993

➢ View video: JBK — Bestial Cluster Dutch TV session

➢ View video: Sons of Pioneers — The best-selling album Oil on Canvas was recorded live during Japan’s six sell-out nights at Hammersmith Odeon, in November 1982, on their last UK concert tour. Japan’s final live performance was on December 16 in Japan. Worsening personal differences persuaded the band members to go their separate ways virtually at the height of their creative and commercial success.

Japan pop group, Mick Karn, Hammersmith Odeon , 1982, Sounds ,Chris Dorley-Brown

Karn onstage at Hammersmith Odeon, November 17, 1982: Japan’s final UK tour. Photographed for Sounds © by Chris Dorley-Brown

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2010 ➤ Index of posts for December

Duran Duran, 80s, pop

The early Duran Duran: discovered by invitation in 1980

➢ 80s shapers win 2010 New Year Honours for fashion, music and walking in space

➢ 1980 secrets revealed about the SAS, arming Afghanistan and death of the tanner

➢ 1980, As Spandau play in Heaven, all around we can hear the new sounds of 1981

➢ 1980s, So many shapers shaped the decade that people think was all down to Margaret Thatcher — key books of the year

John Lennon death, Daily Mirror, people magazine, 30th anniversary
➢ What larks! Festive fun and games and British ways to make merry

➢ A jolly festive tree by Andrew Logan

➢ 2010, Duran no turkey: here’s the Bacofoil video and two new tracks premiered at East Village Radio

➢ 1980, How Duran Duran’s road to stardom began in the Studio 54 of Birmingham

➢ A feast of Bowie-ana served in waffeur-thin slices

➢ Whatta they like? Essex reality stars shake their vajazzles in the face of Hollywood

➢ 1980, The Lennon we knew: unfulfilled talent with a genius for making friends the world over

Adam & The Ants, David Bowie, Swinging 80s,Top Of The Pops
➢ 1980, The week the Swinging 80s clicked into gear

➢ Live online now, mad hatter Stephen Jones

➢ This £5m iPhone has to be a spoof! Yes, that’s $7.8m or €6m or 52m Chinese Yuan or 245m Russian Rubles

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➤ 80s shapers win 2010 New Year Honours for fashion, music and walking in space

Katharine Hamnett, Fashion Aid

Fashion Aid 1985: Katharine Hamnett’s dazzling style, plus slogans

❚ IN THE FASHION WORLD, protest T-shirt designer Katharine Hamnett, 63, and Raymond Kelvin, 55 (founder of Ted Baker), are appointed CBEs, an order of chivalry granted twice a year by the British monarch for exceptional public service. Hamnett graduated from Saint Martin’s School of Art in 1969. Ten years on, she launched the Katharine Hamnett label and her first protest T-shirts bearing slogans such as Choose life, Worldwide nuclear ban now, Preserve the rainforests, Save the world. The British Fashion Council declared her designer of the year in 1984, when her designs became popular with pop stars including Wham! and Madonna. That year she famously met the then-prime minister Margaret Thatcher at a Downing Street party wearing a T-shirt proclaiming “58% don’t want Pershing” (the US ballistic missile). The meeting made news across the world and Vogue called it one of the most iconic moments in fashion. Hamnett remembers: “She didn’t notice it at first, but then she looked down and made a noise like a chicken. Then quick as a fishwife she said: ‘Oh well we haven’t got Pershing here, so maybe you are at the wrong party’, which I thought was rather rude as she had invited me.”

➢ New Year Honours reported by the BBC

Sandy Powell, Gwyneth Paltrow, Shakespeare in Love, OBE, Oscars

Gwyneth Paltrow sports her blue number from Shakespeare in Love: Sandy Powell’s costumes drew on half a century of Elizabethan design

❚ OSCAR-WINNING COSTUME DESIGNER SANDY POWELL, 50, receives an OBE for services to the film industry. She studied theatre design at Saint Martin’s and won her third Oscar earlier this year for The Young Victoria. Her previous wins were for Shakespeare In Love, in 1999 and The Aviator, in 2005. Of her job, she once said: “A costume designer’s contribution is to help make some believable characters, that’s all.”

Annie Lennox, Eurythmics, Rolling Stone

Annie Lennox: Cover girl in 1983. Photographed by C J Camp © Time Inc

❚ ABERDEEN-BORN SINGER ANNIE LENNOX, 56, is appointed an OBE for work fighting Aids and poverty in Africa. As one half of the Eurythmics, she brought her own unique voice and style to the music scene in 1981 with the hit Sweet Dreams, and later Thorn in My Side and Walking on Broken Glass. Today she is an Oxfam ambassador and, inspired by Nelson Mandela, founded her SING campaign to raise awareness of Aids in Africa. She said of her OBE: “It either means I’ve done something terribly right — or they’ve done something terribly wrong.”

➢ Entertainment honours reported by the BBC

Buggles, Video Killed the Radio star, Trevor Horn

Trevor Horn, left, as one half of Buggles, 1979

❚ RECORD PRODUCER TREVOR HORN, 61, who dominated orchestral pop in the 80s, receives a CBE, as does Howard Goodall, 52, National Ambassador for Singing, who created theme tunes for TV shows that included Blackadder. During Horn’s influential career his epic treatment made ABC’s The Lexicon of Love one of the masterpieces of 1980s pop, and enhanced hits by Frankie Goes to Hollywood on his own ZTT label, the Pet Shop Boys, Robbie Williams, Tina Turner, Simple Minds and Grace Jones’s mesmerising Slave To The Rhythm. He was named best producer at the Brit awards in 1983, 1985 and 1992, and won a Grammy in 1995 when Seal’s Kiss from a Rose was named record of the year.

❚ TALKING OF BLACKADDER, its producer John Lloyd, 59, also becomes a CBE — he also oversaw the landmark 80s comedy series Not The Nine O’Clock News and Spitting Image.

BRITISH ASTRONAUT RECALLS
THE SMELL OF SPACE

Atlantis, Nasa, Piers Sellers,shuttle, STS-112 crew portrait

Atlantis shuttle crew, summer 2002: Sandra Magnus, David Wolf, Pamela Melroy, Jeff Ashby, Piers Sellers, and the Russian cosmonaut Fyodor Yurchikhin © Nasa

❚ HE WAS NEVER A NEW ROMANTIC, but astronaut Piers Sellers, 55, from Crowborough, East Sussex, is from the same generation. He is one of the nine Brits who have flown in space and he receives an OBE for services to science. Dr Sellers had to become an American citizen to be considered by Nasa, and then flew three missions aboard the shuttles Atlantis and Discovery in 2002, 2006 and again this year. He has carried out six spacewalks to continue the assembly and maintenance of the International Space Station. With the shuttle programme coming to an end, Dr Sellers — who took a degree in ecology and a PhD in climate simulation — is set to return to Nasa Goddard to resume his science pursuits.

Nasa, patch,space shuttle,Atlantis, STS112

Nasa patch for Atlantis mission STS112

When I met him and the Atlantis crew at the US embassy in London, touring the world in 2004 to talk up the Nasa programme following the Columbia shuttle disaster, the most startling thing he said was that space had a unique smell of its own: “Like burning steel.” The most shocking aspect of this observation is how the smell is transmitted. Smells comprise minute particles of material, which stimulate the sensory receptors in the nose. They could be as small as molecules, or ions, but to notice them at all space-walking astronauts must inevitably have brought them inside the shuttle from the exterior working environment of space. You hesitate to mention the word “alien”, but surely these particles have the potential to infect us earthlings with, er, whatever?

Each of the crew seemed to have been handpicked for their social skills, so during the party I questioned them all on the nature of this smell. Unprompted, every astronaut provided roughly similar descriptions of the smell of space — a mixture of sharp, smoky, acrid, burned metallic odours that permeate their Orlan space suits.

Michael Fossum,Piers Sellers, spacewalk,Nasa, space shuttle, Discovery, mission STS121

British astronaut Piers Sellers during the third spacewalk from the shuttle Discovery, July 2006: photographed by Michael Fossum, whose reflection is visible in the visor

When I asked mission commander Jeffrey Ashby about the risks of contamination, he said that in the early days of space flight, astronauts were always quarantined on returning to Earth and kept under observation for many days. With the passing of the years, and a marked absence of spiny creatures bursting out of people’s chests, quarantine was simply abandoned. The reasoning is that the extreme temperatures in the vacuum of space (+270 degrees C to –270 degrees C) would have exterminated any viral threats — especially the searing heat that had created the smell of space by burning the shuttle’s steel exterior, similar to that from an arc-welding torch used to repair heavy equipment. Yes, but, I hear you say: What about the cockroach?

➢ More from Nasa on the smell of space

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1980 ➤ Secrets revealed about the SAS, arming Afghanistan and death of the tanner

Yes Minister, Nigel Hawthorne, Paul Eddington

Rt Hon James Hacker MP (right): “This is a democracy, and the people don’t like it.” — Civil servant Sir Humphrey Appleby: “The people are ignorant and misguided.” — Hacker: “Humphrey, it was the people who elected me.” (From Yes Minister, BBC TV’s satirical sitcom set in Westminster, launched Feb 25, 1980)

❚ PREVIOUSLY SECRET UK GOVERNMENT RECORDS are routinely declassified after 30 years. Cabinet documents for 1980 were released by the National Archives at noon today, Dec 30 2010. Here’s a selection of titbits most of us have been unaware of…

➢ SAS to be given immunity for killing foreigners — The televised storming of the Iranian embassy building in London in 1980 boosted the SAS’s international prestige and generated invitations to deploy them on overseas hostage rescue missions. (Guardian)

➢ Margaret Thatcher in cover-up after Czech spy exposed John Stonehouse — Did you know that John Stonehouse, the former Labour minister who “did a Reggie Perrin” and vanished abroad, was said to have been a spy? (Guardian)

➢ Britain secretly agreed to back Afghan resistance fighters after the Soviet invasion of their country — One faction of the Mujahideen fighters, who were also covertly funded by the CIA, went on to become founding members of the al-Qaeda terrorist network. (Daily Telegraph)

➢ Unflappable Douglas Hurd stunned into silence during Afghan revelations — UK Confidential on the BBC iPlayer

Ahmad Shah Massoud ,Afghanistan, 1983, Nagakura

Ahmad Shah Massoud (left): on the ground in Afghanistan in the Panjshir province of Afghanistan 1983. Photographed © by Hiromi Nagakura

❏ Listen online to BBC Radio 4’s response to today’s revelations in an excellent edition of UK Confidential chaired by Martha Kearney. After hearing that western powers had decided in 1980 to provide “discreet support for Afghan guerrilla resistance”, former Labour minister Roy Hattersley and former BBC chief political correspondent John Sergeant wrong-foot Douglas Hurd who had been a foreign office minister at the time. How much aid was spent on arms? Had we armed the wrong people? Kearney herself notes that “arms were going to Shah Massoud” (later dubbed “the Afghan who won the Cold War”.) Twice Hurd is forced into silence, as he formulates his eventual reply: “I’m not saying. Of course I’m not saying.” Terrific radio, from the 32-minute mark.

Other topics include Margaret Thatcher’s patrician scolding by Harold Macmillan… her furious row with the Bank of England… her moderate reaction to early trade-union strikes … and how the government tackled an Iranian warship on the River Tyne.

➢ Cabinet ministers feared 30 years ago that MPs were abusing their expenses — Margaret Thatcher was warned that there was a “grave risk of serious public scandal” over Parliamentary allowances and that some politicians may have to be prosecuted. (Daily Telegraph)

Harold Macmillan, Supermac, Vicky

Harold Macmillan: depicted as Supermac by the cartoonist Vicky

➢ Macmillan’s 11-page private warning to Margaret Thatcher — “Supermac”, the Conservative prime minister from 1957-63, sent a remarkable letter criticising the PM’s economic strategy. (Guardian)

➢ The sixpence was killed off to raise £3.5m by melting down the old coins — Margaret Thatcher ordered the “death of the tanner”, introduced in 1551 and made obsolete by the decimalisation of sterling. The last coins were struck in 1967. (Daily Telegraph)

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1980 ➤ As Spandau play in Heaven, all around we can hear the new sounds of 1981

Spreading the New Romantic message, including clothes by PX: Spandau Ballet play Heaven, Dec 29, 1980. Photographed © by Shapersofthe80s

❚ SIX WEEKS IN THE CHARTS with their debut single, To Cut a Long Story Short, on this day in 1980 Spandau Ballet play at Heaven, the biggest disco in London, and probably in Europe. Their average age is 20. A year after their unveiling at the Blitz club, this is still only the band’s tenth public date, and only their second concert since signing to Chrysalis in October. Their policy is to maintain an air of exclusivity, to thwart the backward rock press by playing admission-by-invitation dates in nightclubs rather than conventional rock venues, and to rely on stylish videos to stress the message that here was a new generation of new sounds and, equally important, new styles. Take it on trust that for the whole of 1980 Spandau Ballet had been the most achingly fashionable pop group on the planet, dressed by the designers of the moment. Significantly, as the first club band to win a record deal, they had been the only New Romantics to appear on Christmas Day’s year-ending edition of Top of The Pops, the BBC’s flagship music show. (Yes, Adam and the Ants also appeared, but he was “glam-punk”, important distinction, as Marco Pirroni confirms.)

On Dec 20, Visage, the Blitz club’s seven-piece studio line-up had entered the singles chart with Fade to Grey. The same week saw Le Kilt’s Christmas party, the new New Romantic club that had opened almost as soon as Steve Strange’s clubnights at the Blitz had ceased. Le Kilt’s co-host Chris Sullivan had murmured something about putting together a band he called Blue Rondo à La Turk. Not to be outdone, i-D’s cub editor Perry Haines had mentioned not only a band he was managing, Alix Sharkey’s Stimulin, but tonight in Heaven he now talks of his involvement with Duran Duran, the Rum Runner house band we’d all run into at Spandau’s November show in Birmingham.

Depeche Mode, Daniel Miller, Dreaming of Me, synthpop

Basildon’s finest: Depeche Mode recorded their first single, Dreaming of Me, in December 1980, after a verbal contract with Daniel Miller’s synth-driven label Mute

Here too is Daniel Miller, an anarchic electronic musician with his own label called Mute and a recording studio in an old church where he had set up all his synthesisers. Only last night he’d been watching Depeche Mode, an unsigned teenage band from Essex, playing the Bridge House pub in east London where they were regulars — he’d heard them play their technopop tune Dreaming of Me, helped them record it and they’d all agreed it would make a great first single.

All round us in UK clubland platoons of amazingly young bands making dance music were lining up to storm the charts in the New Year. By the spring, Spandau Ballet was staging the first Blitz invasion of America with a live concert plus fashion show by a gang of Blitz Kids whose average age was 21. During 1981 the group decided against a tour as being “too rocky”, and played only 10 live dates in the whole year — OK, plus a fortnight at the Ku club in Ibiza that summer, which counted as one booking. While the movement took root, staying cool seemed to suit the style of the times.

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