Category Archives: London

➤ Reborn Alison Moyet lets herself off the mainstream leash

Robert Elms ,interview,album, Alison Moyet

No longer “a cheap date”: Robert Elms with Alison Moyet today

❚ ALISON MOYET HAS COMPLETED her eighth solo album, The Minutes, with Guy Sigsworth on production creating a whole new synthesised sound. It is released on May 6 on the Cooking Vinyl label. Today she talked to Robert Elms on his BBC London show about slipping into “electro-jazz” and being able to say No to merely doing more cover versions. “I wanted to play a bit.”

She surprises Robert by saying, yes she is a mainstream artist, but regards herself as an instrumentalist, that her first instrument is “a voice – I love chanson, like Brel or Michel Legrand. But as well as being a voice, I’m an artist where voice is not the main thing, it can be about the lyric or the melody. I don’t always want the voice to be the focus!”

Alison Moyet, the Basildon punk, high priestess of electronic pop and peerless soul singer, set out as Genevieve Alison Jane. An Essex girl born to a French father and English mother, she left school at 16, became famous at 21 as singer in Yazoo, and released her triple-platinum solo debut, Alf, at 23. She found fame hard to handle at such a young age, but hindsight has helped her appreciate those experiences. “For a while in the mid-80s, it was amusing to be a pop bitch, but that changed, and it stopped being enough. Now I am able to put my early work into context and find pleasure in the innocence of it.” Between 1984 and 1987, Moyet was Britain’s biggest female solo star.

➢ Robert Elms interviews Alison Moyet on BBC London 94.9 and plays two singles, 4 May 2013 (last half hour) – on iPlayer for seven days

➢ On video, May 15: Alison Moyet talks to Absolute 80s Martyn Lee about her new album The Minutes

♫ Preview clips from Alison Moyet’s The Minutes, out May 6. The first single When I Was Your Girl is on sale already

➢ The Minutes tour starts Sep 30 in Cork and hits London’s Royal Festival Hall on Oct 15, ends Oct 31

➢ Moyet’s comeback single – ‘my happiest studio experience’

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1983 ➤ A True romance aboard Spandau’s triumphal Thames riverboat

Spandau Ballet,1983, tour, Gary Kemp

Spandau over Bournemouth, 1 April 1983: Gary Kemp teases the screamers at the Good Friday show in the Pavilion Theatre. © Shapersofthe80s

❚ YES IT’S 30 YEARS SINCE Spandau Ballet scored their only No 1 chart hit single with True, coinciding with their epic “Spandau Over Britain Tour”. By May 3, True the album reached No 1, while the single remained at No 1 as well. The band’s official website is celebrating with a month of recollections from 1983 and asking UK fans to offer their own memories. Naturally Shapersofthe80s was there on the waterfront and has a few inside stories of its own.

The month-long tour ended in triumph at London’s Royal Festival Hall 30 years ago today, on Friday April 29, because True hit the top spot in the UK singles chart and the night before Spandau topped the bill on Top of the Pops – only two weeks after its release. After the London gig there followed a right old knees-up for friends and family aboard a Thames riverboat. As it cast off Shapersofthe80s was onboard and snapped a True romance as Steve “Spiny” Norman took to the dance floor with bass-player Martin Kemp, while Steve’s mum Sheila tried to muscle in. Here are our snaps, never seen before.

CLICK ANY PIC TO LAUNCH CAROUSEL:

The band’s third album True, produced by Tony Swain and Steve Jolley, had preceded the tour and was to yield several chart hits across the world, Gold among them. The tour moved on to Europe in the summer and to North America in the autumn, when Shapersofthe80s will have some wild eye-witness scenes to report – laters…

➢ May 1 update: all five members of Spandau Ballet have agreed to an individual ‘TRUE’ Twitter Q&A session with fans, according to the official Spandau website – Q&A sessions start at 8pm (BST) on the official Spandau Twitter account, not their personal accounts, as follows: Gary May 3, Martin May 6, John May 7, Steve May 9, Tony tbc.

➢ 30th anniversary interview with Gary Kemp
at UK Official Charts website

The Observer OMM Oct 4, 2009

The Observer OMM Oct 4, 2009

HOW IT ALL BEGAN FOR
THE ANGEL BOYS

➢ Read the story of Spandau Ballet,
the Blitz Kids and the birth of the New Romantics
in my feature at The Observer

➢ Photographer Neil Matthews, another friend of Spandau from their earliest days, has been celebrating with an exhibition of his popstar photos titled My 80s Through the Lens, at The Great British Restaurant, 14 North Audley Street, London W1K 6WE. All images can be viewed online and are for sale in limited editions printed on smart archival paper. As well as Spandau, his subjects include Bananarama, Blue Rondo, Bauhaus, Haysi Fantayzee, Malcolm McLaren, The Jam, Nick Heyward, Bow Wow Wow and more.

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➤ Synthpop cabaret from a right romantic pair of poseurs

 Terrible Splendour, synthpop,

A Terrible Splendour: the eternal themes of rebellion and shame

➢ If you want to support fresh electropop talent here are A Terrible Splendour – two Londoners called Martin Block and MM Lyle, whose heroes include Duran Duran, Ronny, Japan and Alphaville and they sound a lot like many of them. They say:

A Terrible Splendour are a London-based duo who weave tales of blackmail and despair, of cruelty and of heartbreak. Drawing from the Silver Screen, Romanticism and the New Wave, their sound is a darkly luxurious synthesised pop, fractured through the lens of a cursed Berlin.

Terrible Splendour, synthpop,PoseursTheir live shows are a theatre of love and death, with performances drawing on Weimar-era cabaret. The recent self-made video for their track Victimless Crime displays an aesthetic that references German Impressionist cinema and gothic storytelling.

The band’s debut album Poseurs, is released on the French electronic label Desire, to include a limited edition of 300 copies on white vinyl. It features 11 tracks ranging in style from dissolute disco to sombre cabaret musings. Resolutely modern synth sounds, in turn lush and vicious, combine with lyrics addressing the eternal themes of rebellion, shame and the vagaries of outrage. Plus sparkling new mixes by producer James Aparicio (These New Puritans, Spiritualized).

Er, thassabout it.

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➤ Playlists to keep us foot-tapping into May

Basement Jaxx ,video,Back 2 The Wild

Back 2 The Wild: Click on pic to run video in a new window

➢ Bedazzling music video for the new Basement Jaxx single Back 2 The Wild is directed by Mat Maitland at Big Active & Natalia Stuyk. Salient points at Popjustice:

  1. Basement Jaxx are Felix Buxton and Simon Ratcliffe and they hail from London, England.
  2. They’ve collaborated with “everyone” from Kele Le Roc to JC Chasez to Dizzee Rascal to Robyn.
  3. If a song of theirs came on in a club it would not be inappropriate to have a bit of a dance.

➢ Double whammy: view the Wild video in super-high quality and visit their own online playlist at jaxxplayer

Dazed Digital ,May,Playlist ,Jessie Ware
➢ Dazed Digital has a vibey May playlist alongside its main feature post-punk stars, Savages. It says:
We’ve got a whole lot of Jeremih from his Cassie mixape collab to Shlohmo, new Gold Panda, Co La’s experimental single on Software, the first release from legendary London establishment Fabric’s Houndstooth label as well as an exclusive stream from Pedestrian’s new EP and more from our recently featured avant-garde electronic duo Diamond Version. Not to mention Jessie Ware.

Electricity Club,Kraftwerk, Mi-Soul, radio, Rusty Egan

Electricity Club Showman Rusty Egan: any kind of music so long as it’s electro

➢ Rusty Egan presents The Electricity Club Show every Friday 00:00 till 02:00 BST … Either take this picturesque catch-up route via the Electricity Club which champions the current electropop scene:

Eins-zwei-drei-vier… the fourth programme in the series Egan Presents The Electricity Club on Mi-Soul Radio can now be heard on catchup. The show starts with Kraftwerk and the other featured artists are fine examples of the Düsseldorf foursome’s legacy. These acts include Felix Da Housecat, Tiga & Zyntherius, Afrika Bambaataa, The Knife, Omd, Junkie Xl Featuring Dave Gahan, Mgmt, Simple Minds, Sin Cos Tan, Daft Punk, Inertia And The Presets.

➢ Or tune in live to Egan playing the best in electronic music at Mi-Soul on Fridays 00:00 till 02:00 BST

Mi-Soul is a soul music broadcast platform, providing everything soul everywhere – online, on mobile app and in due course on FM and digital, and any other future platform yet to be invented. Launched by the team responsible for creating Kiss FM in the 1990s, Mi-Soul continues to be supported by many of the original DJ team, augmented by high-profile presenters in every genre. Mi-Soul occupies a self-contained wing in the in the Stephen Lawrence Charitable Trust’s iconic building in Deptford, which was designed by the award-winning architect David Adjaye, and opened in 2008.

RUSTY’S SUMMER IN THE MED

❏ Rusty Egan says: “If you are in Cannes for the film festival I will be there on the Croisette at “Canvas” on the beach opposite Carlton Cannes hotel May 17–19 … then in Ibiza at Nassau Beach Bar with Steve Norman from Spandau Ballet on sax and percussion, from May to Sept every other Friday … I have been very busy writing and recording new music under the title Welcome To The Dancefloor and will be ready to release some stuff very soon. Visit Soundcloud to sample some.”

♫ Rusty Egan’s Playlist at the Blitz

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2013 ➤ A ‘blistering’ picture hoard from punk’s formative years

The Clash,book, exhibition,Photography, Sheila Rock

The Clash in 1976. Photographed by Sheila Rock

❚ FOR THOSE WHO SURVIVED the mid-70s, punk was the anti-fashion UK phenomenon that transformed contemporary culture. Now “a blistering 1976-80 photo-hoard” of mostly unseen pictures has been published as a 272-page photobook. Punk+ by Sheila Rock – an American in London – chronicles both designer and street styles that impacted on fashion, society and politics, including Vivienne Westwood’s shop SEX as well as BOY, Robot and Acme Attractions. The collection, which had been stored in a box in Rock’s garden shed, includes formative images of The Clash, Chrissie Hynde, Paul Weller, The Jam, Generation X, Siouxsie & the Banshees and The Sex Pistols.

Paul Simonon of The Clash says: “This book is a great photographic record of a major shift in British street fashion.”

Sheila Rock arrived in London in 1970 to join the David Bowie circle, and it was her friend and Patti Smith guitarist, Lenny Kaye, who took her to a gig by the then-unknown Clash. “That was the first time I was introduced to the punk scene,” she says. “I decided to take my Nikon camera with me and my photography career began.” Her photographs of showbiz performers and musicians have been published in titles from Vogue to The Sunday Times and can also be found in London’s National Portrait Gallery. This month her pix will also be showing in the Punk: Chaos to Couture exhibition at The Metropolitan Museum of Art in New York.

Mick Jones,,book, exhibition,Photography, Sheila Rock

At the Brown’s party tonight: Sheila Rock with Clash guitarist and vocalist Mick Jones. Photograph © by Beki Cowey

Rock’s career took off in 1980 in The Face, the 80s style bible published by Nick Logan, who describes Rock as “self-effacing but sweetly persuasive” in the preface to PUNK+. He notes how she refined her images to capture a style that portrayed what her subjects wanted to personify. She often achieved this better than they understood themselves.

Tonight the book was launched with a two-week exhibition of Rock’s photographs at Brown’s high fashion store in London, and a further show runs for a month from May 28 at Rough Trade East, where there’s also a book signing.

Mojo Magazine reports: “Sheila Rock’s PUNK+ book presents a blistering 1976-80 photo-hoard. The striking and fascinating photo-book collects almost 200 images of groups including The Subway Sect, Eater, Buzzcocks, The Clash and the Sex Pistols, plus documentation of the rapidly changing fashions of the late 70s. She estimates 90 per cent of the shots have never been seen, and that 85 per cent were self-motivated experiments rather than work commissions. Those enthralled by shifts in vintage youth styles will also delight in the images of unselfconscious punks, such as the young Jam fans who mixed the Weller look with the safety-pin aesthetic.”

➢ PUNK+ is published by First Third Books Ltd (London and Paris): 272 pages, size 20 x 27cm, limited edition of 300 copies signed and numbered, £99; standard edition of 1,700 copies, £49. The book includes illuminating conversations with Chrissie Hynde, Tony James, Don Letts, Jeanette Lee, Glen Matlock, Chris Salewicz, Jon Savage, Steven Severin, Paul Simonon, Jah Wobble and more.

➢ Sheila Rock celebrates punk at Brown’s Men’s dept,
London W1K 5QG, April 25–May 7, Vogue preview

➢ Another exhibition of photos by Sheila Rock runs May 28–June 30 at Rough Trade East, 91 Brick Lane, London E1 6QL. On May 29 at 7pm Sheila will be joined by Don Letts and Jeanette Lee plus special guests for a Q&A event and afterwards a signing session for her book Punk+.

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