Category Archives: Fashion

➤ Calling fashionistas for their tales of Spandau Ballet in the New Romantic 80s

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

IS THIS YOU? May 8, 1982: A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

❚ WERE YOU A FAN of Spandau Ballet in the 1980s? Here’s an appeal for your experiences from a reputable documentary film-maker…

We are looking to speak to people who lived through the early years of the band’s success in the 80s for a BBC 4 documentary on the history of music and fashion in post-war Britain.

We are particularly interested in hearing from people who took fashion inspiration from them and the New Romantics scene and may still have some clothing from that period. If you can identify with this and wouldn’t mind speaking to a member of the team about your experiences please contact Lucy Joyner: ljoyner [ a t ] oxfordscientificfilms.tv

Spandau Ballet, Blitz Kids, New Romantics, 1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Unrivalled adulation in the early 80s: Tony Hadley faces the audience during Spandau Ballet’s Diamond tour of 1982. Photograph by © Shapersofthe80s

DID YOU WITNESS POP HISTORY IN THE MAKING?

❏ Who are the two Liverpool music fans so keen to meet their idols that they shinned the drainpipe at the Empire theatre leading to the dressing room of Spandau Ballet, Britain’s premier New Romantic band of the 80s? After knocking on the window, the girls achieved their goal when bass player Martin Kemp helped them to safety inside.

The year was 1982. Spandau’s seventh single Instinction had put them on Top of the Pops during Easter week and sales were rocketing. The night of May 8, towards the end of Spandau’s first nationwide tour, with stand-up comedian Peter Capaldi in support, has become known as The Return of the Scream. The moment the house lights dimmed, a mighty roar lifted the roof off the Empire, the city’s legendary music venue. It didn’t stop for 75 minutes. The band hadn’t heard anything so intense and were visibly shaken when they came offstage. Guitarist Gary Kemp said in disbelief: “I had to stop playing. I couldn’t hear my own monitor.”

What we had all witnessed was the return of the true teenybop scream, the continuous bellow from the lungs, little heard since the days of the Beatles. Security men and women were clearly caught out by the pandemonium as they wrestled to persuade the screamers back to their seats. One Empire veteran said that night he’d heard nothing like it since the Bay City Rollers in the mid-1970s.

A crowd of at least 500 fans surrounded the stage door afterwards and a shadow had only to fall across a dressing-room window for the scream to start again in the street. Two girls then decided to shin the drainpipe and beat the second-storey window with their handbags until they were let in.

Police with batons eventually arrived and the band managed to escape through the front doors of the theatre, but only after two decoy departures had been staged. Even so, in the murderous dash through the crowd packing the pavement, saxophonist Steve Norman lost a bracelet and singer Tony Hadley a chunk of his scalp. As their coach pulled away, I was stranded on the kerb photographing the mayhem.

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Inside the Liverpool Empire, May 8, 1982: fans shocked security staff with the roar that greeted Spandau Ballet. Photograph by © Shapersofthe80s

Spandau Ballet, Blitz Kids, New Romantics, ,1980,Scala Cinema, concert,OMM,pop music,
➢ An early Spandau Ballet date at the Scala cinema described above in The Blitz Kids and the birth of the New Romantics – in the Observer Music Monthly 2009

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➤ Gaultier celebration trumps all else in London this summer

Fashion , Jean Paul Gaultier, Sidewalk to the Catwalk London, Barbican Art Gallery, exhibition, Eurotrash, reviews,

Dazzling couture, animated mannequins: Gaultier’s life story in one theatrical show

◼︎ YOU’LL NEVER HAVE SEEN an avant-garde fashion show like it, let alone couture up close and jangling its Swarovski crystals in your face. The Fashion World of Jean Paul Gaultier, From Sidewalk to the Catwalk, celebrates four decades of the crazee French designer who gave the world the cone bra and the man skirt. Andy Warhol said of him: “What he does is really art.” Touring the world’s leading galleries from Canada, this theatrical multi-media exhibition is unlike anything you have seen before and it is sensationally displayed all summer in London’s Barbican Art Gallery. It is sexy, funny, sumptuous and packed with philosophical surprises about clothes as an extension of yourself.

Gaultier also pays generous homage to British popular culture which he has thrived on since the 70s, whether the excesses of punk or the thrifty displays of status by the pearly kings and queens of Cockney London. He is always to be found hanging out on the London scene. Why? Because, he says: “The English were the first to appreciate my fashion! If there’s one place other than Paris that I should have lived, it should be in London.” The Barbican even devotes a video room to his stint presenting Channel 4’s Eurotrash TV magazine for its first seven series.

➢ The Fashion World of Jean Paul Gaultier, 9 April–25 August 2014 at the Barbican Art Gallery, London

➢ “Raucous and experimental both in form and content, I’m likely to call this the most blithely divine fashion show you’ll catch in the near future” – New Statesman

➢ “A rare and fascinating opportunity to get inside the creative mind of one of fashion’s most daring designers” – Creative Review

➢ “Few other designers can boast a career that has moved from presenting the camp late-night television show Eurotrash to designing haute couture” – Vogue

➢ “Gaultier’s intention was not to merely provoke the public but to be a voyeur” – Hunger Magazine

➢ The UBU/Compagnie de création in Québec which produced the exhibition

➢ Jolicoeur International of Quebec, manufacturer of high-end mannequins

➢ View video: Gaultier’s SS2013 runway tribute to British pop icons

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2014 ➤ Video gems unearthed by the Spandau Ballet biopic premiering at SXSW

Spandau Ballet

Spandau ahoy! Houseband of the New Romantics playing aboard HMS Belfast in 1980. Martin Kemp on bass, Steve Norman on guitar. (Photo by Virginia Turbett)

FEB 12 UPDATE FROM SPANDAU AT FACEBOOK:

Spandau Ballet (Official)
“Awesome Spandau meeting yesterday! 2014 and 2015 are shaping up rather nicely, I would say.”

“Look out for MORE exciting Spandau news coming very soon! This is just the start.”

❚ SEVERAL MOVIE DISCOVERIES have been made by the researchers on Spandau Ballet’s new biopic Soul Boys of the Western World, due to be premiered on March 12 in the USA at SXSW. One is footage of the band’s secret live performance aboard the World-War Two cruiser HMS Belfast. In order to emphasise the newness of their synthesised pop music, the band’s ground rule was never to appear at established rock venues. So for their seventh invitation-only date on July 26, 1980, a glittering horde of Blitz Kids descended on the warship moored in the Thames near the Tower of London.

Spandau Ballet, archive, HMS Belfast,SXSW,Blitz Kids

Precious footage of Spandau’s HMS Belfast gig, 1980: two reels of Super8 exhumed from the vaults by ex-Blitz Kid Nick Jones

Songwriter Gary Kemp says: “There are two pieces of archive that most surprised me. The first was the HMS Belfast performance from 1980. I never knew it existed until last year when our manager Steve Dagger had a vague memory that one of the Blitz Kids, Nick Jones, had a Super 8 camera. (He went on to play in the Latin-tinged dance-band Funkapolitan with Tom Dixon and Kadir Guirey, and today he’s a successful director of commercials.) It was some time before Nick could gain access to his storage and at first found nothing. Then we got sent the pic you see alongside.”

Kemp adds: “The footage is in beautiful Super 8 colour and shows the raw energy of that night inside the hot and steamy ship. It lasts eight minutes, but was enough to evoke the moment when Spandau were THE band of London, elusive, unique, magnificent.”

Petr Capaldi, Spandau Ballet, 1982,

Peter Capaldi at 23: comic support on Spandau’s 1982 Diamond tour. (Photo by Shapersofthe80s)

He adds: “The other archive that revealed itself, 33 years after being filmed, was the entire New York gig that we did in the Underground club in 1981.” This footage emerged after painstaking inquiries only last autumn and Spandau can be seen onstage in all their glory sporting their nomadic serfs garb from the Musclebound video.

Some of us also remember the 23-year-old Scottish stand-up who was invited to support Spandau Ballet on the Diamond tour of the UK in 1982. This was Peter Capaldi who has enjoyed spectacular success in the years since then and was revealed recently as the BBC’s 12th Doctor Who.

Kemp adds: “The new Doctor Who is definitely seen in the film – on a tour bus I believe – which explains his new Tony Hadley style as Doctor Who! Come and see the movie and enjoy our history.”

ENTRY TO SXSW EVENTS CANNOT BE GUARANTEED

❏ Plan before you travel: SXSW is an industry event which charges hefty registration fees, for example, Films-only registration costs $650 for walkups. However the website says if, after delegates with badges and wristbands are seated at film events, any seats remain, “single-admission tickets will be sold for $10 starting 15 minutes before showtime”.

SXSW update after the live gig is announced, Feb 21: “For the music portion of the event, the situation is very similar. There will most likely be tickets for sale at the door but it varies from venue to venue. Tickets may be sold if capacity allows. Our best advice is to get to the venue early or contact them to see if they will be selling tickets at the door and also see how long the wristband/badge lines are to judge if you could even get in.”

➢ 1982, How Spandau put Capaldi on the road to play
the new Doctor Who

➢ Spandau together again as their ‘surprise’ movie is slated for Texas premiere – more on SXSW 2014 at Shapersofthe80s

New Romantics,

Blitz Kids ahoy! A dazzling audience aboard HMS Belfast for Spandau Ballet’s seventh date. (Photo – Getty)

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➤ Mr Porter asks the expert about: bomber jackets

Chris Sullivan, video, bomber jackets, fashion, style, YouTube

Click on the picture to view Sullivan’s video in a new window

CHRIS SULLIVAN, STYLE JOURNALIST and legendary former director of Soho’s Wag club, suggests why bomber jackets transcend the notion of fashion – “which is rather unbecoming for any man over the age of 30”. . . In the UK during the second world war a cottage industry sprang up of American servicemen getting their A2s copied by English tailors. Sullivan says: “You can have a bomber jacket for 30 years and still keep wearing it because it will always look good.”

➢ Previously at Shapersofthe80s: Sullivan tells the ribald tale of the mayhem he helped cause in clubland

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➤ Toasting the Blitz Kid dynamos who have driven the success of Shapers of the 80s

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Blitz Kids as stars of David Bowie’s Ashes to Ashes video in 1980: from the left, Steve Strange, Darla Jane Gilroy, Elise and Judi Frankland. When they got back to London after filming, they all went clubbing. Video © 1983 Jones Music / EMI Records Ltd

◼ SHAPERS OF THE 80S TELLS THE DEFINITIVE STORY of a subcultural revolution in British music and style 30 years ago. Its detonator was a youthful blast of impossible trendiness and its stars didn’t call themselves New Romantics, or the Blitz Kids – but other people did. This site gathers together the eye-witness journalism and photography of one observer who knew a good time when he saw one and was published in the coolest titles of the day.

Now in its fifth year, this site has attracted a total of 722,500 views since its launch, according to year-ending WordPress stats. The figures also identify the 20 most widely read items out of more than 600 posted here. Most of these pieces were first published back in the day, but seven of the Top 20 items reflect the continuing interest expressed through the recent 80s revival. In many ways, London is again displaying all the symptoms of being the world’s most swinging city, as it was in the 60s and the 80s, when there were a galaxy of reasons to hit the town every single night of the week.

THE 20 MOST VIEWED POSTS AT SHAPERS OF THE 80S

1  ➢ The Blitz Kids — 50 crucial nightclubbers who
set the style for a decade

2  ➢ The key men in Boy George’s life, but why has TV changed some of the names? (2010)

3  ➢ Golden rules for keeping Studio 54
ahead of the pack (1981)

4  ➢ 69 Dean Street and the making of UK club culture – birth of the once-weekly party night (1983)

The Face, magazine, May 1980, launch, Jerry Dammers, David Bowie, The Cult With No Name, New Romantics

The difference seven months made: In May 1980 The Face launched with Jerry Dammers of the Specials on its cover. By November the new direction was Bowie plus a feature on The Cult With No Name, as the New Romantics were first known

5  ➢ The Face and other power brokers of the fourth estate — a new media language for a new decade (1980)

6  ➢ First Blitz invasion of the US — Spandau Ballet and the Axiom fashion collective take Manhattan by storm (1981)

Blitz club, London 1979, Wilf, Stephen Linard, 2010, Worried About the Boy, Boy George, Daniel Wallace,Douglas Booth

Left, real Blitz Kids – right, the TV version… George’s boyfriend Wilf and fashion student Stephen Linard in 1979 (picture, Andy Rosen)… Daniel Wallace as a Linard lookalike and Douglas Booth as Boy George in Worried About the Boy, 2010 (BBC)

7  ➢ How real did 1980 feel? Ex-Blitz Kids give verdicts on the 2010 TV drama about Boy George’s teen years, Worried About the Boy

8  ➢ Hockney’s new vision of the world — Britain’s favourite artist reveals his insights into cubism (1983)

9  ➢ Paradise Point: live leaders of a new Brit pop blitz (2010)

i-D 1980

Seminal spread in i-D issue one: the straight-up style of photography is established with, at left, one then unknown New Romantic and, right, one punkette. Photographed on the King’s Road by Steve Johnston

10  ➢ ‘i-D counts more than fashion’ — launch of the
street-style bible in 1980

11  ➢ 19 gay kisses in pop videos that made it past the censor

12  ➢ Who’s who in the New London Weekend — key clubs that set the capital swinging (1983)

13  ➢ Aside from the freaks, George, who else came to your 50th birthday party? (2011)

© Shapersofthe80s

Londres est arrivée au Palace, 1982: classic set, nouveaux styles. Pictures © by Shapersofthe80s

14  ➢ Steve Strange takes fashion to the French — six British designers rock Le Palace in Paris (1982)

15  ➢ Posing with a purpose at the Camden Palace — power play among the new non-working class (1983)

16  ➢ Who are the New Romantics? — A mainstream deejay’s guide published by Disco International (1981)

Spandau Ballet, 1980

Houseband of the Blitz club: at the London megaclub Heaven Spandau Ballet play their tenth live date on 29 Dec 1980. From left, Steve Norman, Tony Hadley, Martin Kemp, Gary Kemp, plus John Keeble on drums. © Shapersofthe80s

17  ➢ They said it — landmark quotes about the decade of change by the people who made it happen

18  ➢ Rich List puts George Michael top of the popstars from the un-lucrative 80s (2010)

19  ➢ Comeback Shard comfy as ‘Auntie Sade’ — an enduring star who made 2010 her own

20 ➢ Robbie Vincent: 35 years as master of hot cuts and getting our “rhythm buds” going (2011)

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