Category Archives: book launch

2025 ➤ The New Romantics history book currently turning heads

Photography, fashion, clubbing, exhibitions, Social trends, Swinging 80s, Youth culture, newbook, New Romantics, Blitz Club, Blitz Kids,

Nightlife Rebels: my new book published September 2025

❚ DURING THE SWINGING 80S two seasoned eye-witnesses watched Britain’s young ignite a glittering New Romantics revolution… As a Fleet Street journalist I explored their intriguing carnival of style-setting cults across Britain, Paris and New York, while straight-up photographer Derek Ridgers captured the libertines in their dark dens.

Our new illustrated hardback NIGHTLIFE REBELS reveals the candid history of the Blitz Club’s hedonists who insisted “One look lasts a day”. It has gone on sale in the shop outside the Blitz Club exhibition at London’s Design Museum. Alas, it is not available online, only in this shop. We hope to broaden availability soon. Contact us at Nightlife.Rebels@shapersofthe80s.com

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2025 ➤ Finally a candid insight into the glittering New Romantics revolution

Photography, fashion, clubbing, exhibitions, Social trends, Swinging 80s, Youth culture, newbook, New Romantics, Blitz Club, Nightlife Rebels, Blitz Kids, Derek Ridgers, Kim Bowen, David Johnson, John Maybury,

Contributors to Nightlife Rebels: Derek Ridgers, Kim Bowen, David Johnson and John Maybury. (Photo by David Jenkins)

❚ DURING THE SWINGING 80s two seasoned eye-witnesses watched Britain’s young ignite a glittering New Romantics revolution… Myself David Johnson as a Fleet Street journalist explored their intriguing carnival of style-setting cults across Britain, Paris and New York, while straight-up photographer Derek Ridgers captured the libertines in their dark dens.

Our new illustrated hardback NIGHTLIFE REBELS reveals the candid history of the celebrated Blitz Club’s hedonists who insisted “One look lasts a day”. Featuring unseen photos, stats, a unique timeline and Who Really Was Who.

Last week the book’s four chief contributors gathered for a team picture at London’s Design Museum where an exhibition about Blitz culture runs for six months and our book is on sale in its shop – The Design Museum

WHAT EACH OF US SAYS ABOUT THE 80s

“Some nights it was like walking into Hieronymus Bosch’s Garden of Earthly Delights” – Photographer Derek Ridgers, top left

Photography, fashion, clubbing, exhibitions, Social trends, Swinging 80s, Youth culture, newbook, New Romantics, Blitz Club, Blitz Kids,“A full night-time economy flourished around these clubs where graphic designers, artists, deejays, writers, producers and musicians of every kind refined and developed their skills by working with club-owners” – Stylist and costume designer Kim Bowen, former Queen of the Blitz, second left

“In the shabby Blitz wine bar on Tuesdays precocious 19-year-olds presented an eye-stopping collage, posing away in wondrous ensembles, emphatic make-up and in-flight haircuts. This spectacle shouted newness” – Journalist David Johnson, third along

“Being photographed served as a kind of affirmation that your particular ‘look’ set you apart as a somebody” – Video artist John Maybury, and former Blitz star, pictured right

Photography, fashion, clubbing, Social trends, Swinging 80s, Youth culture, newbook, New Romantics, Blitz Club, Blitz Kids, David Johnson, Design Museum, Blitz Club exhibition,

There’s our book on the second shelf at the Design Museum: Dare we assume the two lads thumbing through the options might have been Blitz Kids back in the day? (Photo by Shapersofthe80s)

➢ Previously at Shapersofthe80s: Here’s an extravaganza of a show to confirm the Blitz Kids’ place in history

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2025 ➤ In a busy week, Derek Ridgers relives his addictive past

Photography, books, talks, nightlife Derek Ridgers, Yasmine Akim, Hollywood Reporter, Cannes

Jasmine on Carlton Beach in Cannes, 1988: captured by Derek Ridgers

❚ MY PAL THE STRAIGHT-UP PHOTOGRAPHER Derek Ridgers is making headlines this week on two accounts. Yet another book goes on sale, with the unlikely title of Cannes, being as he says himself, “something completely different”. He explains: “One original title option was Nuts In May. It was thought that that reference might be a bit too obscure. I have no idea what the Cannes Film Festival is like these days, I haven’t been there for nearly 30 years, but it was certainly more than a bit nuts, at times, back in the Eighties and Nineties.”

The Hollywood Reporter has splashed on a major review of Derek’s book from IdeaLtd, in which the picture we see here is typically full-on, showing Jasmine on Carlton Beach in 1988. “There’s the sun, sea, beach, girls, crowds, the beautiful French Riviera… and you’ve got famous film stars wandering around all over,” says our author. “For a photographer, it’s utterly addictive.”

➢ See several more of Derek’s Cannes photographs
at the Hollywood Reporter

Having also said “After 45 years, I can afford to lighten up a little,” this week also sees Derek featuring in a talk at London’s major gallery Tate Modern, as part of its Offprint weekend. According to the blurb, Derek sits down with fellow photographer Yasmine Akim to talk about what it’s like behind the camera on the dancefloors of boundary-pushing queer parties, clubs and raves across generations. She has especially documented parties and performances at INFERNO.

➢ Queer Time and Space: Photographing Nightclubs
with Derek Ridgers and Yasmine Akim
(admission free at 4:40pm on Saturday 17th)

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2024 ➤ Welcome to much unseen photography by Duran’s first lensman

Birmingham, books , photography, Rum Runner, Paul Edmond, Duran Duran, Maggie K de Monde, APS Books
❚ ANY FAN OF DURAN DURAN remembers the very first photographs of the band in 1980 as they finalised their line-up which was to win a recording contract by year’s end and secure their first chart hit with Planet Earth. The five musicians were young and handsome and while they emerged as lucky leaders of the New Romantic music and fashion movement based on Birmingham’s Rum Runner nightclub, so local teenager Paul Edmond learned the skills of photography by capturing their frilly shirts. These Pose Age outfits took inspiration from Jane Kahn and Patti Bell’s futurist boutique, but in those DIY days before stylists had been invented, it fell to Paul to inject a sense of cool nonchalance into his images of the budding pop stars as they too practised how best to look a camera in the eye.

➢ Order your set of Duran Duran En Scène,
three volumes of Paul Edmond’s photographs,
direct from APS Books

Four decades later, after selling 100 million records, winning umpteen music awards, and being welcomed into the Rock & Roll Hall of Fame, Duran themselves revel in releasing new material and reworking the old, their latest album being Danse Macabre. How appropriate then that the photographic archive of Paul Edmond – which embraces a wider world of youth culture than only that of Duran – is being published this spring. A trio of books filling 200 A4 pages has been initiated by his sister Maggie K de Monde, herself an all-round song-writer and performer. Nick Rhodes makes a contribution. Advance orders for the £90 package are being invited by APS Books of Yorkshire, with delivery expected in June.

Tragically, Paul himself cannot share this poignant moment because he was killed in a road accident in 2015. He and I became great friends working on the monthly magazine New Sounds New Styles in 1981, for which he took an arresting cover picture of Jane Farrimond and the flamboyant Martin Degville, a pair of Brummie style leaders who both ended up in the band Sigue Sigue Sputnik.

➢ Previously at Shapersofthe80s: 1980, Out of the blue,
Duran’s first gig pictured at the Rum Runner

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth

➢ Previously at Shapersofthe80s: 1981,
New Sounds New Styles: Will it all be over by next week?

➢ Previously at Shapersofthe80s: 2023, Celebrating
Kahn and Bell’s role at the centre of Brummie fashion

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2022 ➤ Martin Kemp on a life full of love but lacking two vital apologies

Martin Kemp, Spandau Ballet, Los Angeles, pop music, live concerts,

Golden years: Martin Kemp escaping fans after Spandau Ballet played at The Palace, Los Angeles, in 1983

❚ MARTIN IS THE YOUNGER BROTHER of the two Kemps, the good-looking one with the easy charm that has opened doors into a television career that included EastEnders. Gary is the older one with such a strong sense of self that as recently as 2017 it wrecked the last of several reunions for Spandau Ballet, by shedding their talented and popular singer Tony Hadley who now thrives with his own band. In 1978 Gary had invited Martin to learn to play bass then join his former school band the Makers 18 months before it was renamed Spandau Ballet and went on to international success.

Today The Guardian interviews Martin Kemp aged 61 about his third book, Ticket to the World: My 80s Story (HarperCollins £11), which sounds more cosy than you might expect following Kemp’s distressing surgery to remove two brain tumours during the 1990s. He can’t stop telling us how much he loves everybody in his life, even after fist fights with Gary. What does he have to say about why Tony Hadley left the band in 2017, after several previous break-ups? ➢ The interviewer Paula Cocozza reports:

“It’s something that I’d never spoken to him about. But I do feel guilty when I look back.” In the book, Kemp stops short of an apology. “Oh, listen,” he says immediately. “I would apologise to Tony, absolutely, for the way that he was treated. I think it was really poor.”

Why doesn’t he pick up the phone and say all this to Hadley? He really sounds as if he wants to. But he says: “I haven’t spoken to Tony for ages. I reach out to him, but I rarely hear back. I send little messages” – he mimes texting – “if I get two words back, I’m happy.

“Tony is lovely,” he says. “He is a lovely man. I will always, always love him, in the same way I love all the rest of the band. But you drift apart, don’t you?”

Nowhere in the interview does the name of Ross William Wild get mentioned, the singer who succeeded Hadley during 2018 following Martin Kemp’s recommendation, and was silently dumped after a trial series of concerts and subsequently contemplated suicide. When might he, too, expect an apology from the band who blanked him?

Spandau Ballet, Ross William Wild, Gary Kemp, Martin Kemp, Steve Norman, pop music,

October 2018: What proved to be vocalist Ross William Wild’s last outing with Spandau Ballet at the Hammersmith Apollo

➢ Previously at Shapersofthe80s: 2020, Singer Ross reveals how Spandau drove him to try ending it all

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