Tag Archives: Spandau Ballet

1981 ➤ Ballet on Broadway, leading the British invasion of America, spring 1981

On this day 30 years ago, 21 Blitz Kids, average age 21, took Manhattan by storm. Spandau Ballet provided the new British electropop, the Axiom design collective provided the radical London fashion show, while Tina Turner and Robert de Niro joined the coolest audience in New York City to witness the new sounds and new styles of Swinging London…

 Spandau Ballet, Blitz Kids, Jim Fourratt, Axiom fashion,Sade Adu,British invasion,

First published in the first issue of New Sounds New Styles in July 1981

Click here to read what happened for seven days in May
when the Ballet hit Broadway

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➤ Index of posts for March

depeche mode, Remixes 2,electro-pop,

Three faces engraved by a life in rock: Depeche Mode’s Andy Fletcher, Dave Gahan and Martin Gore have between them survived depression, addiction, mental instability, attempted suicide, divorce and fatherhood

➢ 2011, Adam Ant reveals his terrifying years in purgatory

➢ Martin Kemp’s live tutorial via bass cam

➢ 2011, Clarke and Wilder pile in for Depeche Mode’s ultimate remix album

Mick Karn, Peter Murphy, Dalis Car, pop music

Mick Karn and Peter Murphy: teamed as Dalis Car in 1984

➢ Mick Karn takes a last journey in Dalis Car 2

➢ Anna’s Army — how the English-born editor of Vogue became her own global brand

➢ Crazee or crazed? David Lynch’s view of Duran’s live concert from within his hellish cave

➢ 1932–2011, Liz Taylor — Hollywood glamour to a T

➢ 2011, Despite sniffy critics, ultimately Duran’s best album since their glory years

➢ Smartphones become UK shoppers’ essentials

➢ 2011, Spandau and Duran square up for battle just like the old days

➢ Gary Kemp puts his neck on the block — Spandau ‘the best live British band of the Eighties’

➢ Haunting video catches grim carnage of the Japanese tsunami

➢ 1981, The day Duran’s fortunes really took flight — 30th anniversary of Planet Earth

➢ Kid Creole’s in pink so he’s ready for the funk

Duran Duran, 2011, All You Need Is Now, YouTube, live stream, pop music

Duran Duran earlier this year: US and European tours, plus a live concert stream. Picture courtesy duranduran.com

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➤ Martin Kemp’s live tutorial via bass cam

Martin Kemp, Spandau Ballet, Reformation tour, bass guitar, video diary, Vimeo, Fight For Ourselves, Jonny Kline
❚ SHOT ON TOUR somewhere in Europe last year for Jonny Kline’s video tour diary. Spandau Ballet’s bass player Martin Kemp clamped a camera to his guitar to grab this down-the-neck lesson in fingerwork…
➢ VIEW ♫ Kemp’s nine-minute clip recently posted at Vimeo
Somewhere in the background Tony Hadley’s unmistakable voice is giving us Fight For Ourselves. In the opening shots Steve Norman introduces the band members — and yes, that’s his saxophone trying to steal the limelight later.

Martin Kemp, Spandau Ballet, Heaven, 1980, PX

Ever the showman: Martin Kemp clad in PX at Spandau's Heaven concert, 1980, bass held high in anti-rock pose. Photographed by © Shapersofthe80s

Kemp’s instrument of choice is a British Wal bass and it’s surprising to recall that right from the start he maintained: “I learnt to play bass in order to get into the group, not because I liked music.” These days, as he grooves away onstage Martin steers his bass fondly like an old jalopy, nicely improvising and developing themes of his own, where many bassists think all they have to do is underline a thumping beat.

Back in the early 80s he said: “I hate bass players — most of them just blend in and don’t add anything. I’m a showman. Some bass lines I’ve written are really catchy: I’m proud of Lifeline because you hear people humming it, not the hookline! The essence of the Spandau sound is melody, Tony’s voice obviously, Steve’s sax lines, Gary’s top line, my bass lines. We all think in terms of melodies.”

➢ Jonny Kline’s video tour diary in Amsterdam
➢ How Roman Kemp helped his dad Martin to pick up the bass again

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2011 ➤ Spandau and Duran square up for battle just like the old days

Spandau Ballet, 2009, press conference, HMS Belfast, pop music, free CD

Spandau Ballet in 2009: answering our questions at their reunion press conference

❚ EVEN AS A UNIQUE CD COMPILATION of Spandau Ballet’s landmark hits is set for massive free distribution with The Mail on Sunday next weekend, Duran Duran announce a global concert live online at YouTube only days later, along with their own album release on CD. It could be the 80s all over again when the two arch-rival bands vied for the title of leaders of Britain’s New Romantics movement. So which veteran band will score the bigger hit in 2011?

Duran Duran, 2011, All You Need Is Now, YouTube, live stream, pop music

Duran Duran earlier this year: US and European tours, plus a live concert stream. Picture courtesy duranduran.com

Spandau’s special-edition CD features 12 tracks — half, including True and Gold, are remastered from their originals, with six live tracks coming from their show at London’s Sadler’s Wells in 1983, including the club anthem Chant No 1. The cover-mounted disc will be delivered free across Britain with every copy of the MoS, presumably because its marketing director expects Spandau to boost the paper’s circulation well past its average of 1,924,589 copies. Last Sunday Gary Kemp recalled the 80s for MoS readers: “It was madly competitive as we were all tribal. Duran Duran wanted to be more successful than us, we wanted to be more successful than ABC, or Culture Club, or Duran themselves. We spurred each other on.”

Duran Duran, David Lynch,poster,YouTube,Amex, Unstaged,concert, Los Angeles,Meanwhile today, Duran Duran announce that David Lynch — fabled director of the movies Eraserhead and The Elephant Man — has been enlisted to direct a live DD concert to be streamed online on March 23/24 to launch the second season of Unstaged, a music series sponsored by American Express and Vevo. Amex has pushed this internet venture to team breakthrough artists with influential filmmakers using interactive social media as the outlet (full details at Billboard).

During a Facebook Live chat from SXSW John Taylor admitted that how Lynch intended to video the show was still a mystery but “we know it’s not going to look like any concert film has looked before”. Audiences around the world will be able to switch between the director’s high-definition main stream and alternate “Lynchian” artistic viewpoints when they tune into YouTube on Wednesday in the US at 10pm EDT / 7pm PDT — which is Thursday at 02:00 UTC. The concert will also be rebroadcast for the UK on YouTube at 7pm on March 24. (Check here for regions where Unstaged will be viewable live. The Los Angeles concert will then remain online for a month.)

Can Duran attract a bigger audience than Spandau’s 2million Mail readers? With their US tour starting this week, DD’s comeback album is released in the US as a physical disc next Tuesday. The video of its title track All You Need Is Now has scored 629,689 views since it was posted on YouTube on Dec 20, so it’s anybody’s guess how many fans will tune in for the live webcast. What’s yours?

WHAT THE RIVAL BANDS SAY

Talking up the imminent free CD, Spandau Ballet told last week’s Mail on Sunday what the tracks meant to them…

Spandau Ballet, Reformation tour, John Keeble, Dublin

John Keeble: Dublin sound-check as Spandau’s Reformation tour kicks off 2009

Martin Kemp “We gave Instinction to producer Trevor Horn who really turned it on its head. It became a monster.”

Steve Norman on Lifeline “We knew we couldn’t stay an underground band for ever – the mainstream pop charts beckoned and we knew we had to deliver. Cue smiles and kisses to camera!”

John Keeble “Only When You Leave was the lead single from the Parade album as the band established a more rock-based edge. It opened doors to a new group of fans and gave me the chance to rock a bit harder on the drum kit.”

Tony Hadley “Sadler’s Wells was one of the best venues for us. It was an intimate gig and perfect to showcase tracks from our album True, such as Foundation – a slice of white soul-boy funky pop – Communication – a great upbeat number – and Pleasure, which really captures the essence of the era.”

Duran Duran ,All You Need Is Now,Nick Rhodes, video

Nick Rhodes: last November's video for the comeback single, All You Need Is Now. Courtesy duranduran.com

Over in the States, Duran founder and keyboardist Nick Rhodes discusses the David Lynch webcast with Billboard today:

“The stranger it is, the more beautiful it will be. What appeals to us very much about working with David is that we like the way he thinks about things and how he’s always gone out on a limb to make things different. He works completely outside of the system, and that’s what we try to do. I think the combustion between us and David should create something that nobody’s ever seen before, something mysterious and magical and surprising.”

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➤ Gary Kemp puts his neck on the block — Spandau ‘the best live British band of the Eighties’

Gary Kemp, interview, Mail on Sunday, Spandau Ballet
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“I’m going to stick my neck out and say that we were the best live British band of the Eighties. Spandau Ballet’s records are an important part of the evolution of British pop music, and I’m enormously proud of them. We were part of the golden age of pop. We were a gang who made records.”
— Gary Kemp on Spandau Ballet in their heyday
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➢ Read today’s bold interview with Spandau’s songwriter Gary Kemp in the Mail on Sunday … In the zoot-suited shadows of Le Beat Route club, student journalist Dylan Jones — today the editor of GQ magazine — watched Kemp shoot the video that would launch Spandau Ballet to stardom. Thirty years later, they meet again

Jones writes:
Kemp’s band was more than just timely – the music they made was genuinely groundbreaking. No, the critics were not kind, painting them as dim, inner-city mannequins, yet their songs resonated with a generation of young men and women who were determined to explore social mobility in much the same way that their parents did in the 60s. Their most important record from this early period was Chant No 1 (I Don’t Need This Pressure On), a song that mirrored Ghost Town by the Specials.

“Chant No 1 was all about urban paranoia,” says Kemp. “I wanted to make a Soho film-noir song, something that was evocative of an urban experience. Dark shadows, dark corners. A fear of living on the edge in an urban environment as a young man. The early 80s were rough for most people, and I wanted to reflect that in the song. It’s a very dark track and one that mirrored the economic plight of the time.”

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