Tag Archives: Pete Postlethwaite

➤ Index of posts for January

Boy George, John Themis, Bishop Porfyrios , icon,

Two-way exchange: Bishop Porfyrios reclaims his church’s 300-year-old icon of Christ in London, while as a thankyou, Boy George receives a modern version of Christ Pantokrator (right) from composer John Themis. Photo © AP

➢ George Michael celebrates his golden years of Faith

➢ Reliving the Blitz: two pocket fanzines and a request from Rusty Egan

➢ “Too posh for pop” — Grandpa Waterman condemns two decades of musicmakers

➢ 1981, Why naked heroes from antiquity stood in for Spandau on their first record sleeves

➢ Ferry backed by three bass players, Roxy back on the road — how cool is that?

Japan pop group, Mick Karn, Hammersmith Odeon , 1982, Sounds ,Chris Dorley-Brown

Karn onstage at Hammersmith Odeon, November 17, 1982: Japan’s final UK tour. Photographed for Sounds © by Chris Dorley-Brown

➢ 1981, The day they sold The Times, both Timeses

➢ George makes saintly gesture over stolen icon

➢ 1981, How Adam stomped his way across the charts to thwart the nascent New Romantics

➢ Life? Tough? At the Blitz reunion, Rusty delivers a message to today’s 20-year-olds (TV news video)

➢ The unknown Mr Big behind London’s landmark nightspot makes his return to the Blitz

➢ Va-va-vooom! goes the world’s smallest portable record player

➢ F-A-B! Thunderbirds stamps are go!

➢ Julia and Gaz share their secrets for ageing disgracefully

Return To The Blitz , Steve Strange, Rusty Egan, Red Rooms, Blitz Kids, New Romantics

Motormouths back in action: Strange and Egan interviewed on BBC London news in the club where they once reigned. Such were members’ powers of self-promotion at the Blitz, Egan said, that it was the 80s equivalent of Facebook Live!

➢ 2011, Strange and Egan return to the Blitz to kick off the 20-tweens

➢ 200 new acts tipped for the new year in music

➢ Most popular bits of Shapersofthe80s during 2010

➢ Farewell Mick Karn, master of the bass and harbinger for the New Romantics

➢ Prescott says Postlethwaite’s Brassed Off speech inspired New Labour in 1997

➢ Discover Ubu while Christopher Walken takes flight to Fatboy Slim

➢ Happy New Year from Frosty The Snowman and The Ronettes — and hear the smash that changed the sound of 60s pop

➢ List of posts for December 2010

The Ronettes, Phil Spector, Frosty the Snowman, Be My Baby, Wall of Sound, 1963

The Ronettes in 1963: beehive hair-dos and producer Phil Spector


➤ Prescott says Postlethwaite’s Brassed Off speech inspired New Labour in 1997

Responding today to news of the death of actor Pete Postlethwaite, the former deputy prime minister John Prescott, has credited the 1996 film Brassed Off — about the struggles faced by a colliery brass band after the closure of their pit under a Conservative government — as the inspiration for a Labour regeneration programme for coalfield communities

Lord Prescott writes…

❚ I FIRST SAW BRASSED OFF in June 1997. The story, loosely based on the Grimethorpe Colliery Band, was moving but it was Pete Postlethwaite’s speech right at the end that had a deep effect on me. His character, band leader Danny, after spending his life wanting to win the national brass-band trophy, symbolically turns it down because he knows it’s the only way he can get publicity for the 1,000 miners who were sacked from his pit…

➢ Continue reading Pete Postlethwaite: an actor who
made others act — by John Prescott at Guardian online

❏ Tribute — In 2008, Pete Postlethwaite fell victim to the director Rupert Goold in his absurd updating of Shakespeare’s King Lear at the Everyman Theatre in Liverpool. At the actor’s prompting the production was revised slightly before moving to London’s Young Vic in 2009. The staging still hit the heights of am-dram self-consciousness, but Postlethwaite’s performance [see video trailer below] rose above his surroundings to be intensely affecting, as an abject monarch who seemed more a vulnerable man of the people.

❏ Daniel Day-Lewis, who played Postlethwaite’s son in 1993’s In the Name of the Father (for which they both earned Oscar nominations), and co-starred with him in 1992’s The Last of the Mohicans: “Pos was the one. As students, it was him we went to see on stage time and time again. It was him we wanted to be like: wild and true, lion hearted, unselfconscious, irreverent. He was on our side. He watched out for us. We loved him and followed him like happy children, never a breath away from laughter.”

Postlethwaite was acclaimed for other performances in films such as Stephen Spielberg’s The Lost World: Jurassic Park, Baz Luhrmann’s Romeo and Juliet and Bryan Singer’s The Usual Suspects.

➢ A face we won’t forget — Pete Postlethwaite, who died on Sunday, was one of our finest actors. Guardian film critic Peter Bradshaw recalls the unwitting role he played in the Northern Ireland peace process
➢ Blessed with one of the most remarkable faces of any British actor this past half century — Daily Telegraph obituary


Pete Postlethwaite,Tristram Kenton, King Lear