Tag Archives: Phil Spector

➤ Index of posts for January

Boy George, John Themis, Bishop Porfyrios , icon,

Two-way exchange: Bishop Porfyrios reclaims his church’s 300-year-old icon of Christ in London, while as a thankyou, Boy George receives a modern version of Christ Pantokrator (right) from composer John Themis. Photo © AP

➢ George Michael celebrates his golden years of Faith

➢ Reliving the Blitz: two pocket fanzines and a request from Rusty Egan

➢ “Too posh for pop” — Grandpa Waterman condemns two decades of musicmakers

➢ 1981, Why naked heroes from antiquity stood in for Spandau on their first record sleeves

➢ Ferry backed by three bass players, Roxy back on the road — how cool is that?

Japan pop group, Mick Karn, Hammersmith Odeon , 1982, Sounds ,Chris Dorley-Brown

Karn onstage at Hammersmith Odeon, November 17, 1982: Japan’s final UK tour. Photographed for Sounds © by Chris Dorley-Brown

➢ 1981, The day they sold The Times, both Timeses

➢ George makes saintly gesture over stolen icon

➢ 1981, How Adam stomped his way across the charts to thwart the nascent New Romantics

➢ Life? Tough? At the Blitz reunion, Rusty delivers a message to today’s 20-year-olds (TV news video)

➢ The unknown Mr Big behind London’s landmark nightspot makes his return to the Blitz

➢ Va-va-vooom! goes the world’s smallest portable record player

➢ F-A-B! Thunderbirds stamps are go!

➢ Julia and Gaz share their secrets for ageing disgracefully

Return To The Blitz , Steve Strange, Rusty Egan, Red Rooms, Blitz Kids, New Romantics

Motormouths back in action: Strange and Egan interviewed on BBC London news in the club where they once reigned. Such were members’ powers of self-promotion at the Blitz, Egan said, that it was the 80s equivalent of Facebook Live!

➢ 2011, Strange and Egan return to the Blitz to kick off the 20-tweens

➢ 200 new acts tipped for the new year in music

➢ Most popular bits of Shapersofthe80s during 2010

➢ Farewell Mick Karn, master of the bass and harbinger for the New Romantics

➢ Prescott says Postlethwaite’s Brassed Off speech inspired New Labour in 1997

➢ Discover Ubu while Christopher Walken takes flight to Fatboy Slim

➢ Happy New Year from Frosty The Snowman and The Ronettes — and hear the smash that changed the sound of 60s pop

➢ List of posts for December 2010

The Ronettes, Phil Spector, Frosty the Snowman, Be My Baby, Wall of Sound, 1963

The Ronettes in 1963: beehive hair-dos and producer Phil Spector

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➤ Happy New Year from Frosty The Snowman — and The Ronettes

TURN UP YOUR VOLUME BEFORE YOU
CLICK HERE TO VIEW A VIDEO MONTAGE OF
♫ ♫ FROSTY THE SNOWMAN . . .

The Ronettes, Phil Spector, Frosty the Snowman, Be My Baby, Wall of Sound, 1963

The Ronettes in 1963: beehive hair-dos and producer Phil Spector

➢ WHILE WE’RE WITH THE RONETTES, WHAT’S THE SMASH THAT CHANGED THE SOUND OF 60s POP?
♫ ♫ CLICK TO VIEW VIDEO …

Ronettes, Be My Baby, Phil Spector, Wall of sound, 1963

❚ BRIAN WILSON OF THE BEACH BOYS has declared Be My Baby by the Ronettes his own all-time favourite, and the greatest pop record ever: “The choruses blew me away.” Whoa-oh-oh-oh-ohhh! In August 1963 it changed the game entirely. Be My Baby swept into the charts with a lush new approach to orchestration called the “Wall of Sound” that was to bring down a cleaver between rock and pop. Both however were infected by the sheer musicality introduced by its creator, the record producer Phil Spector. He layered pianos, guitars, reeds, brass and most daringly strings, adding studio overdubs and echo, plus any number of people on percussion — famously, castanets. His own description was “little symphonies for the kids”.

Be My Baby, Ronettes, Phil Spector, Wall of sound, PhillesBe My Baby took 42 takes to complete, and its spine-tingling intro is unbeatable. The Ronettes’ original has been immortalised in the Grammy Hall of Fame and the Library of Congress for being the quintessence of the dense Spector sound that influenced all who followed, including The Beatles on Let It Be, and the output of Trevor Horn in the 1980s.

The song was co-written by one of the many writing partnerships based in New York’s Brill Building — Ellie Greenwich and Jeff Barry — with a few finishing flourishes added by Spector. The Ronettes themselves were three hot girls from Spanish Harlem, the sisters Estelle and Ronnie Bennett (who later married Spector), and their cousin, Nedra Talley. Their trademarks were beehive hair-dos, eye makeup in the Cleopatra style and tight skirts. Spector signed the Ronettes to his Philles record label and subsequently managed them. Other smash hits included Baby I Love You, The Best Part of Breaking Up, and Walking In the Rain with Spector’s classic storm effects (covered memorably by the Walker Brothers in 1967).

♫ ♫ View video of Brian Wilson playing Be My Baby live — In Q Magazine’s 1001 Best Songs Ever Wilson said: “This is a special one for me. What a great sound, the Wall of Sound. Boy! First heard this on the car radio and I had to pull off the road, I couldn’t believe it. The choruses blew me away; the strings are the melody of love. It has the promise to make the world better.”

♫ ♫ John Lennon covers Be My Baby

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