➤ Reborn Alison Moyet lets herself off the mainstream leash

Robert Elms ,interview,album, Alison Moyet

No longer “a cheap date”: Robert Elms with Alison Moyet today

❚ ALISON MOYET HAS COMPLETED her eighth solo album, The Minutes, with Guy Sigsworth on production creating a whole new synthesised sound. It is released on May 6 on the Cooking Vinyl label. Today she talked to Robert Elms on his BBC London show about slipping into “electro-jazz” and being able to say No to merely doing more cover versions. “I wanted to play a bit.”

She surprises Robert by saying, yes she is a mainstream artist, but regards herself as an instrumentalist, that her first instrument is “a voice – I love chanson, like Brel or Michel Legrand. But as well as being a voice, I’m an artist where voice is not the main thing, it can be about the lyric or the melody. I don’t always want the voice to be the focus!”

Alison Moyet, the Basildon punk, high priestess of electronic pop and peerless soul singer, set out as Genevieve Alison Jane. An Essex girl born to a French father and English mother, she left school at 16, became famous at 21 as singer in Yazoo, and released her triple-platinum solo debut, Alf, at 23. She found fame hard to handle at such a young age, but hindsight has helped her appreciate those experiences. “For a while in the mid-80s, it was amusing to be a pop bitch, but that changed, and it stopped being enough. Now I am able to put my early work into context and find pleasure in the innocence of it.” Between 1984 and 1987, Moyet was Britain’s biggest female solo star.

➢ Robert Elms interviews Alison Moyet on BBC London 94.9 and plays two singles, 4 May 2013 (last half hour) – on iPlayer for seven days

➢ On video, May 15: Alison Moyet talks to Absolute 80s Martyn Lee about her new album The Minutes

♫ Preview clips from Alison Moyet’s The Minutes, out May 6. The first single When I Was Your Girl is on sale already

➢ The Minutes tour starts Sep 30 in Cork and hits London’s Royal Festival Hall on Oct 15, ends Oct 31

➢ Moyet’s comeback single – ‘my happiest studio experience’

FRONT PAGE

➤ Material Girl Madonna pops up in LA

Material Girl ,Madonna, Macy’s

Material Girl retrospective at Macy’s LA

➢ Sneak glimpse on the Material World blog of the Material Girl Collection on display at Macy’s Los Angeles – “We just got back from our Material Girl Madonna Pop-Up Fashion Exhibit. Where should we start? From Madonna’s iconic never-before-seen fashion pieces like Jean Paul Gaultier’s iconic corset, to the blasting music, to the amazing crowd of Material Girls and Boys – it was a night we’ll never forget”

FRONT PAGE

➤ 20 years ago today the free world wide web was born

❚ TO COMMEMORATE THE 20TH ANNIVERSARY of the web being made available free to all, the international physics laboratory CERN has recreated the world’s first website and posted it today, at its original address and this is it – http://info.cern.ch/hypertext/WWW/TheProject.html The home page provided an explanation of what the world wide web was, and how to use a browser and set up a web server.

The British computer scientist Tim Berners-Lee proposed an information management system in 1989 and had a working version of the web in Dec 1990. The first website built was at CERN within the borders of France and went online on August 6, 1991, but by 1993 some user groups were positioning themselves to try to monopolise the web as a commercial platform. So on April 30, 1993, CERN announced that the world wide web would be free to anyone, with no fees due.

CERN, firsts, website, worldwideweb,

The web’s first home page: click on the image to visit the site at CERN

➢ The World Wide Web Became Free 20 Years Ago Today – By Mark Fischetti, senior editor at Scientific American:
You and I can access billions of web pages, post blogs, write code for our own killer apps – in short, do anything we want on the web – all free! And we’ve enjoyed free reign because 20 years ago, today, web inventor Tim Berners-Lee and his employer, the CERN physics lab in Geneva, published a statement that made the nascent “world wide web” technology available to every person, company and institution without royalty or restriction …  / Continued online

➢ Long live the web: Tim Berners-Lee wrote a treatise for Scientific American in 2010 explaining why the web must remain for ever free:  “The web is critical not merely to the digital revolution but to our continued prosperity – and even our liberty. Like democracy itself, it needs defending.”

INTERNET VERSUS WEB

www13,OEDdefinition

Tim Berners-Lee at the Olympics opening ceremony (Photo: Getty)

Tim Berners-Lee at the Olympics opening ceremony (Photo: Getty)

❏ The internet is a global computer system that provides information and communication facilities, consisting of interconnected networks using standardised communication protocols. In contrast, the web is one of the services that runs on the internet. It is a collection of text documents and other resources, linked by hyperlinks and URLs (addresses), usually accessed through web browsers from web servers. A browser is a so-called “graphical user interface” which simply means an accessible visual entry point into the arcane world of computer coding. Mosaic is the web browser credited with popularising the world wide web and today most popular browsers (Google Chrome, Internet Explorer, Mozilla Firefox) retain the characteristics of the original Mosaic.

In July 2012 Tim Berners-Lee was honoured as the “Inventor of the world wide web” during the Olympics opening ceremony in London where he appeared in person, working at a NeXT computer, the model on which he worked at CERN in 1989. He tweeted the message: “This is for everyone.”

The mighty tweet: Tim Berners-Lee’s message to the world at the Olympics

The mighty tweet: Tim Berners-Lee’s message to the world at the Olympics

➢ EFF asks, How safe is your privacy? CISPA passes out of the House without any fixes to core concerns

➢ CERN’s original Public Domain document of April 30, 1993: “CERN’s decision to make the web foundations and protocols available on a royalty free basis, and without additional impediments, was crucial to the web’s existence. Without this commitment, the enormous individual and corporate investment in web technology simply would never have happened, and we wouldn’t have the web today.” – Tim Berners-Lee, Director, WWW Consortium

FRONT PAGE

1983 ➤ A True romance aboard Spandau’s triumphal Thames riverboat

Spandau Ballet,1983, tour, Gary Kemp

Spandau over Bournemouth, 1 April 1983: Gary Kemp teases the screamers at the Good Friday show in the Pavilion Theatre. © Shapersofthe80s

❚ YES IT’S 30 YEARS SINCE Spandau Ballet scored their only No 1 chart hit single with True, coinciding with their epic “Spandau Over Britain Tour”. By May 3, True the album reached No 1, while the single remained at No 1 as well. The band’s official website is celebrating with a month of recollections from 1983 and asking UK fans to offer their own memories. Naturally Shapersofthe80s was there on the waterfront and has a few inside stories of its own.

The month-long tour ended in triumph at London’s Royal Festival Hall 30 years ago today, on Friday April 29, because True hit the top spot in the UK singles chart and the night before Spandau topped the bill on Top of the Pops – only two weeks after its release. After the London gig there followed a right old knees-up for friends and family aboard a Thames riverboat. As it cast off Shapersofthe80s was onboard and snapped a True romance as Steve “Spiny” Norman took to the dance floor with bass-player Martin Kemp, while Steve’s mum Sheila tried to muscle in. Here are our snaps, never seen before.

CLICK ANY PIC TO LAUNCH CAROUSEL:

The band’s third album True, produced by Tony Swain and Steve Jolley, had preceded the tour and was to yield several chart hits across the world, Gold among them. The tour moved on to Europe in the summer and to North America in the autumn, when Shapersofthe80s will have some wild eye-witness scenes to report – laters…

➢ May 1 update: all five members of Spandau Ballet have agreed to an individual ‘TRUE’ Twitter Q&A session with fans, according to the official Spandau website – Q&A sessions start at 8pm (BST) on the official Spandau Twitter account, not their personal accounts, as follows: Gary May 3, Martin May 6, John May 7, Steve May 9, Tony tbc.

➢ 30th anniversary interview with Gary Kemp
at UK Official Charts website

The Observer OMM Oct 4, 2009

The Observer OMM Oct 4, 2009

HOW IT ALL BEGAN FOR
THE ANGEL BOYS

➢ Read the story of Spandau Ballet,
the Blitz Kids and the birth of the New Romantics
in my feature at The Observer

➢ Photographer Neil Matthews, another friend of Spandau from their earliest days, has been celebrating with an exhibition of his popstar photos titled My 80s Through the Lens, at The Great British Restaurant, 14 North Audley Street, London W1K 6WE. All images can be viewed online and are for sale in limited editions printed on smart archival paper. As well as Spandau, his subjects include Bananarama, Blue Rondo, Bauhaus, Haysi Fantayzee, Malcolm McLaren, The Jam, Nick Heyward, Bow Wow Wow and more.

FRONT PAGE

➤ Synthpop cabaret from a right romantic pair of poseurs

 Terrible Splendour, synthpop,

A Terrible Splendour: the eternal themes of rebellion and shame

➢ If you want to support fresh electropop talent here are A Terrible Splendour – two Londoners called Martin Block and MM Lyle, whose heroes include Duran Duran, Ronny, Japan and Alphaville and they sound a lot like many of them. They say:

A Terrible Splendour are a London-based duo who weave tales of blackmail and despair, of cruelty and of heartbreak. Drawing from the Silver Screen, Romanticism and the New Wave, their sound is a darkly luxurious synthesised pop, fractured through the lens of a cursed Berlin.

Terrible Splendour, synthpop,PoseursTheir live shows are a theatre of love and death, with performances drawing on Weimar-era cabaret. The recent self-made video for their track Victimless Crime displays an aesthetic that references German Impressionist cinema and gothic storytelling.

The band’s debut album Poseurs, is released on the French electronic label Desire, to include a limited edition of 300 copies on white vinyl. It features 11 tracks ranging in style from dissolute disco to sombre cabaret musings. Resolutely modern synth sounds, in turn lush and vicious, combine with lyrics addressing the eternal themes of rebellion, shame and the vagaries of outrage. Plus sparkling new mixes by producer James Aparicio (These New Puritans, Spiritualized).

Er, thassabout it.

FRONT PAGE