➤ Now David Bowie’s landlady tells her story of the lodger from Mars

David Bowie , Mary Finnigan, book, pop music, biography, Psychedelic Suburbia, 1969, Space Oddity, Beckenham Arts Lab,

David Bowie at home in Beckenham in 1969, where he became the lodger and lover of Mary Finnigan. (Photo by Ray Stevenson/Rex)

◼ AS A STRUGGLING FOLK SINGER David Bowie was 22 years old and living with his parents in south-east London when, by chance, he met journalist Mary Finnigan, eight years his senior, and moved into her flat in Foxgrove Road, Beckenham, where she lived with her two children from an early marriage.

They became lovers and launched a successful folk club which became the iconic Beckenham Arts Lab at The Three Tuns pub (now a Zizzi restaurant) on the High Street. Mary’s new book, Psychedelic Suburbia, offers new insights about Bowie in 1969, the year in which his first single Space Oddity reached the pop charts. Today The Independent runs a fabulously revealing extract:

We do not observe landlady-lodger conventions. I am happy with this arrangement – we share tincture of cannabis and Lucy’s deliveries of high-quality hashish. We share the space, cook and eat together. And a few days after he moves in, David and I sleep together.

The seduction is a work of art and takes me totally by surprise, when I come home one Saturday evening after a shift at The Sunday Times (edited in those days by my friend and journalistic mentor, Harry Evans). Usually I return to a messy kitchen and a sink full of dishes, showing evidence of baked beans, fried egg and tomato ketchup. But on this occasion, interesting cooking smells greet my arrival, the kitchen is clean and tidy, with the table laid for two plus flowers, candles and incense. The kids are fed, washed and tucked up in bed.

After a spliff and a nice dinner, David creates a nest of cushions on the floor of his room. He settles me into it and places speakers close to my ears on each side. Then he plays me a selection of his current favourite musical influences. Some are obscure, others well known – Jacques Brel, for example, and mind-blowing stereo phasing from Jimi Hendrix. . . / Continued at The Independent online

David Bowie , Mary Finnigan, book, pop music, biography, Psychedelic Suburbia, 1969, Space Oddity, Beckenham Arts Lab,

Friend, lover and landlady: Mary Finnigan and her personal new book about living with Bowie

“ Living from hand to mouth, David also does
casual shifts from time to time at Legastat, a copying office in central London ”
– Bowie as a Brook Street temp ?!?!

David Bowie , Mary Finnigan, book, pop music, biography, Psychedelic Suburbia, 1969, Space Oddity, Beckenham Arts Lab,
➢ Psychedelic Suburbia: David Bowie and the Beckenham Arts Lab by Mary Finnigan (£14.95, Jorvik Press) out now

➢ Previously at Shapersofthe80s: Weird and wonderful new Bowie – his Blackstar man is set to blow our minds, this Thursday

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2016 ➤ Shakespeare announces tour dates for US comeback

William Shakespeare, First Folio, US tour, Folger

400th anniversary of William Shakespeare’s death: the Folger Shakespeare Library in Washington, DC, owns 82 copies of his First Folio! (Photo: Folger)

➢ 400 years after his death, Shakespeare’s First Folio goes on tour, NPR reports:
One of the world’s most precious volumes starts a tour on Monday, in Norman, Okla. The Folger Shakespeare Library in Washington, DC, is sending out William Shakespeare’s First Folio to all 50 states to mark the 400th anniversary of the bard’s death. Published seven years after he died, the First Folio is the first printed collection of all of Shakespeare’s plays. Of approximately 750 copies of the First Folio that were printed, 233 survive. The Folger has 82 of them — the largest collection in the world. . . / Continued at NPR online

“The Folger has 82 First Folios” !!!

➢ Dates for the year-long touring exhibit of the First Folio from coast to coast

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➤ Steve Strange remembered by Martin Kemp

Steve Strange, tribute, Martin Kemp, New Romantics. Blitz Kids,Swinging 80s, London, nightlife

Steve Strange, right, and Martin Kemp at Tokyo Joe’s in London in 1981. Photograph by Robert Rosen/Rex

➢ Spandau Ballet bassist Martin Kemp recalls the Visage frontman, nightclub host and New Romantic pioneer who kickstarted his band’s career – in today’s Observer:

It’s lovely being asked to talk about Steve now, because I couldn’t right after he died. I’d start, but then I’d just burst into tears. He was one of my best friends and he created a big part of my personality. He showed me how exciting life could be, but how you could be a decent person with it. I also genuinely believe that everything that the 80s was, he started it. What people wore, how they did their hair, the decade of excess – that was all him. . .

Steve Strange, pop music, gravestone

Steve Strange’s gravestone erected 18 December in Porthcawl, South Wales

We were both working-class boys who had always wanted to do something else and here he was, doing it brilliantly. I looked up to him. He’d set up punk gigs back home in Wales, came up to London to work for Malcolm McLaren, and now he was carving out his own path away from punk. . . He succeeded because he was smothered in charisma. It drew everyone to him – the working class and the middle class loved him, but even the most upper-class people were immediately in the palm of his hand.

London made Steve, but it wasn’t good for him. He was a very intelligent man, but he got scrambled and crossed the line with drugs. . . The saddest thing is that I could see the end of Steve’s story long before it had been told. I’d waited for the phone call for years, so it wasn’t a shock. But to go to his funeral in Wales… it was incredibly sad. . . / Read the full tribute at the Observer online

➢ Previously at Shapersofthe80s:
Original Blitz Kids say farewell to Steve Strange – read exclusive tributes to the King of the Posers

➢ Read the story of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer, by Yours Truly

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➤ “How it should be” bombshell from Hadley to Spandau

Tony Hadley, Lorraine Kelly , Spandau Ballet, reunion, bombshell

Spandau Ballet singer Tony Hadley talking to Lorraine today. (Picture: Rex Shutterstock/ITV)

◼ METRO REPORTS TONY HADLEY talking to Lorraine Kelly today on ITV: “Spandau’s on hold, that’s kind of one of the reasons I did the jungle [TV show],” Tony said of the 80s chart-toppers. With the 2015 world tour ending only recently, he admitted that a future reunion shouldn’t be ruled out. “We’re really great friends and we’ll get back together every three or four years – which is how it should be.”

Which is how it should be !!!

➢ Lorraine Kelly full interview at ITV with video clip from Shake Up the Happiness

➢ Tone’s solo Christmas Album features 16 festive classics with that suave Hadley flavour, priced from £8.99 through the retailer of your choice

➢ Spandau fans have been here before. Read Tony’s equivalent bombshell from 2011

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➤ Thanks to Neil McCormick for the only Bowie Blackstar review we need to read

Blackstar, album, David Bowie, jazz, pop music, video,Johan Renck , reviews,

Late-life melancholy with jazzy modulations: Bowie in messianic mode in the video for the album’s title track Blackstar

➢ With an album as rich and strange as Blackstar, Bowie is well and truly back from beyond, reports Neil McCormick, Daily Telegraph music critic, 18 December 2015:

For his 27th studio album, has Bowie gone jazz? On first listens to Blackstar, released on 8 January, Bowie’s 69th birthday, it certainly sounds like rock’s oldest futurist has dusted down his saxophone. They are tooting, parping, wailing and gusting all over the place, occupying rhythmic, atmospheric and lead parts, with guitars and keyboards intermingling in a weave of supporting roles.

Donny McCaslin, David Bowie, jazz, Lazarus, Blackstar

Donny McCaslin: Bowie’s new-found friend

The saxophone was Bowie’s first instrument, which he started learning in his pre-teens inspired by a bohemian, jazz-loving elder half-brother, Terry Burns. Bowie once said that, aged 14, he couldn’t decide if he wanted “to be a rock’n’roll singer or John Coltrane”. Even in his rise to rock fame, Bowie remained a creature of the jazz age, at least in the sense of the boundary-crashing freedom that characterises his work.

A new single, Lazarus, released today, may kick off in the vague realm of contemporary music, with spectral guitar and stuttering rhythms calling to mind the young British trio the xx, but it is not long before those saxophones are sighing and the beat is fragmenting. Just about holding it together are the familiar tones of Bowie’s teeth-gritted, tight-chested whisper of a vocal, proclaiming it is This way or no way / You know I’ll be free / Just like that bluebird / Now ain’t that just like me? Sure sounds like jazz to me. . .

What Bowie has created with this hardcore jazz crew, though, is not something any jazz fan would recognise and is all the better for it. At its best, free jazz is amongst the most technically advanced and audacious music ever heard but it can be uncompromisingly difficult to listen to for the non-aficionado. The improvisational elements that make it so gladiatorial and hypnotic live can make it over complex and inaccessible on record. Bowie’s intriguing experiment has been to take this wild, abstract form and try to turn it into songs. Blackstar is an album on which words and melody gradually rise from a sonic swamp to sink their hooks in. It is probably as close as free jazz has ever got to pop. . . / Read the full review at Telegraph online

◼ IN AN UNNERVING SIMULATION OF BOWIE’S VOICE, the star of Bowie’s new musical Lazarus, Michael C. Hall, sings its title track for the CBS Late Show (below) the day it is released as a single. The maestro himself is watching the show at home in his armchair. How meta-modern is that?!

➢ Bowie fulfills his jazz dream – Listen to an NPR Music interview with the two main characters who accompany Bowie on this new adventure in music – his longtime friend and producer Tony Visconti and his new-found friend/saxophonist and band leader Donny McCaslin.

➢ Nov 23, more background revelations in Rolling Stone – “We were listening to a lot of Kendrick Lamar,” says producer Tony Visconti. “The goal was to avoid rock & roll”

➢ PLUS: The Blackstar album reviewed track by track by Neil McCormick

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