➤ Boy George flashes the cheekbones and gives the pop scene a tongue lashing

Boy George ,Turn 2 Dust , video,tolerance,Decode Records,Club Lotus, Macau,
♫ CLICK TO VIEW the video for Boy George — Turn 2 Dust (Official)

❚ GET AN EYEFUL OF THOSE long-lost cheekbones! Hello! We haven’t seen you since the late 90s. Well, Boy George has been Twittering away for months about his fad diets, his gym routine and doing 100 squats at a time, and this week he unveiled the result — at least from the neck up. And yes, this studio video for Turn 2 Dust does suggest that a few pounds seem to have been shed.

Boy George ,Turn 2 Dust , video,tolerance,Decode Records,

Turn 2 Dust: two dancers among many turns in Boy George’s video

OK the camera is angled from above looking down throughout the three-and-a-half slickly edited minutes. OK he’s shot wearing black and artfully lit in a black void. OK somebody has been paid a fortune to get the maquillage just so. But hey. It’s a start. Welcome to the muscle marys club, George.

This reggaefied version of the highly danceable Turn 2 Dust derives from the track on his MP3 album Ordinary Alien released in March. It’s one of those heartfelt, political George numbers about the outsider “with only truth as my defence” and it pleads for tolerance: “All hatred must turn to dust.” And there’s a break, just for a moment, where you could swear the voice is Bowie’s, oh yes. This very cool video is shot in a no less cool London nightspot, the Lightbox, where George threw his 50th birthday party last June.

The vid is promoting an MP3 package of 11 remixes released this month. To underscore the song’s message, the video features a provocatively camp cast of comic clubbing characters, so it is no surprise that George can scarcely keep a straight face. Cheekbones and all.

MENTION OF LADY GAGA’S NAME
SETS GEORGE OFF, KERPOW!

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❏ Yesterday Boy George was in Macau, the administrative region of China famed for its casinos, to present a deejay session at Club Lotus, preceded by this live videoed press conference. When a journalist asked whether his current musical collaborations might include Lady Gaga, the question seemed to trigger a good-humoured but impassioned rant [scroll forward to the 4-minute mark]. Here’s just a part of it…

I’m more interested in working with people in the dance field. I’m talking about house music, not pop. I’m not really involved in pop music — I haven’t been for a long long time. I don’t have anything to do with the modern pop scene. It’s not for me. It’s an alien thing to me. I just don’t get it, don’t feel part of it, don’t understand it. The dance world is more fun — you have more freedom… Pop music is very restricted. Everybody is making the same record, everybody is using same vocal sound, nobody’s singing about anything any more, it’s all crap…

That’s a very extreme statement but that’s how I feel. There’s nobody speaking to me in pop music. Everybody just wants to wear the fur coat and drink champagne and talk rubbish. Where’s the David Bowies? Where’s the Boy Georges? Where’s the passion? There isn’t really any.

QUIZZED ON THE PRICE OF HIS £499 PHOTOBOOK

Boy George ,Club Lotus, Macau,King of Queens ,coffee-table book,photography, Kitchen Sink Publishing, ❏ Boy George has a chunky 18×12-inch coffee-table picture book titled King of Queens coming out on Dec 12 in a limited edition of 999 signed copies, which includes a 10-inch vinyl anthology of unreleased music, all in a clamshell clothbound case, from Kitchen Sink Publishing, price £499. At the Macau press conference a journalist thought this was very expensive. George replied:

“ It’s 90 pages of photographs, very personal things from my collection, things people have never seen, a beautifully bound collectors’ book. It’s very expensive. But you don’t have to have it. It’s like saying you should put down the price of a Porsche because I want to have it. You know, some things in life, you can’t have.

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➤ Aaaah, bricolage, stealing and pasting — all the fun of postmodernism on show at the V&A

Grace Jones, maternity dress,Jean-Paul Goude , Antonio Lopez, V&A, blockbuster, exhibition, Postmodernism,bricolage,

Branding the V&A exhibition: Grace Jones in a maternity dress, 1979, designed by Jean-Paul Goude and Antonio Lopez © Jean-Paul Goude

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➢ View Sarfraz Manzoor’s Guardian video in which he meets co-curator Jane Pavitt and others at the V&A’s new show in London, poses such questions as “What does Grace Jones’ maternity dress have in common with a Day-Glo toaster and a chair made from a gas pipe?” and elicits these insights…

❏ The godfather of postmodernism, architect Charles Jencks, dates the end of modernism and hence birth of postmodernism to the blowing up of Pruitt-Igoe, a housing estate in Missouri from the 1950s, based on Le Corbusier’s work. It was demolished on March 16, 1972 — “at 3.32pm, a fact repeated so often it became a social truth”.

❏ The ceramicist Carol McNicoll admits she realised as a student in 1985 that suddenly “decoration was fine and people liked it — no more bentwood — lots of silly plastic”.

❏ Co-curator Glenn Adamson says: “Postmodernism culminates in the act of performance. It’s is all about adopting a pose: you wouldn’t have Lady Gaga without Grace Jones.”

➢ Postmodernism: Style and Subversion 1970–1990 runs at the Victoria & Albert Museum in London, Sep 24–Jan 15, 2012

➢ Discover the many forces that shaped deconstruction, structuralism and postmodernism, from Derrida, Foucault, Lyotard, Rorty, Baudrillard, Jameson

➢ Patrick Hannay reflects on the waste and diversion of energy by a movement that purported to cure a cultural malaise — at the Times Higher Education supp

➢ The Victoria & Albert Museum’s latest blockbuster-style exhibition is … “both a horrible mess and a hypnotic snapshot embracing some unspeakably hideous pieces of furniture alongside some sublime drawings and film clips” — Edwin Heathcote at The Financial Times

“It’s Po-Mo … postmodern … all right, weird for the sake of weird” — The Simpsons

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➢ “The Consensus of Stasis: Rationalism and Sontagist camp”
— one of five million meaningless essays randomly generated since 2000 by the Postmodernism Generator

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➤ None is more singular than the chap who knows his Stephen Potter (*wink*)

Middle Class Handbook,Mercurial,conversation,pedantry,grammar,Not Actual Size
➢ From today’s Middle Class Handbook, a blog written under the auspices of a London-based creative agency called Not Actual Size — although since it was begun in 2009, it has taken on a certain life of its own, with regular contributions from people who who are not directly connected with the company.

*wink* — The Theory and Practice of Gamesmanship: Or the Art of Winning Games Without Actually Cheating, by Stephen Potter, illustrated by Frank Wilson (published by Hart-Davis in 1947)

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➤ Ten killer videos to celebrate Duran’s return to the live stage this week

Duran Duran play Girl Panic! live at the Coachella music & arts festival, April 17,  2011

Girl Panic! directed for Genaro.tv by Alan Hughes, a professional graphic designer in the UK

❚ ON FRIDAY DURAN DURAN resume their North American tour, which was interrupted in May by Simon Le Bon’s vocal problems. From Sept 23 in Everett, WA, they weave their way to Atlantic City on Oct 29.

➢ Rescheduled North American tour dates at Duran Duran’s website

➢ Eleven UK concerts run from Nov 30 in Brighton to Dec 17 in Newcastle — plus Dec 20 in Dublin

➢ Catch up on the Duran world comeback tour when it stalled in May — with links to the Unstaged online concert March 23 at the Mayan theatre, Los Angeles, plus vital links to tour dates and video interviews

Duran Duran’s live version of The Man Who Stole A Leopard ft. Kelis, directed by David Lynch for Unstaged, Mar 23, 2011

Elegant French production of The Man Who… directed by Jethro Massey, with Faith Anne Gosselin, Sorrel & Massimiliano, Mocchia Di Coggiola

Animation of The Man Who… by a production group in Second Life dedicated to use machinima as a medium for telling stories. Producer, Rafale Kamachi

The Man Who… recast as PG-rated kitchen-sink psycho-drama from Russia: scripted, directed, edited by Nina Urmanova. (Some gratuitious bloodshed.)

Mediterranea uploaded by garibaldino2 in Italy

Blame The Machines set to an immaculate print of the 60s sci-fi movie Barbarella (with glimpses of the crazed scientist Dr Durand-Durand who prompted the band’s name at the keyboard of his orgasmatron in which Jane Fonda is being pleasured). Uploaded by MrChuckChapman in the USA

Winning version of Blame The Machines for Genaro.tv directed by Sebastian Mihailescu, currently studying at the Caragiale National Academy of Theatrical Arts and Cinematography in Bucharest, Romania

Winning Russian animation of Being Followed for Genaro.tv directed by Aleksey Khruslov of Kakadu Collapse

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2011 ➤ Highlights from Princess Julia’s London Fashion Week

Eleanor Amoroso , Blow Presents, SS2012,

Tied, taped and belted: London based “knitwear” designer Eleanor Amoroso was showing her second collection since graduating from Westminster last year. Photography © Matt King

❏ Sep 19: In the flurry of off-schedule London Fashion Week events Vice magazine sent onetime Blitz Kid, now international club deejay Princess Julia to review the Blow Presents line-up for Spring Summer 2012. Julia reports from St Luke’s Church on Old Street: “Eleanor Amoroso featured trails of thread and chunky strips of gigantic rope, precisely covering the girls’ modesty, but exposing almost everything else. Big knickers are essential here…”

➢ Julia’s pointer — “The kufi is seriously in”

➢ Read Julia’s full report on Blow Presents at Vice Style

➢ Blow Presents is a platform for young emerging design talent and avantgarde fashion

➢ More shows at Matt King Photography

Princess Julia,Illamasqua,makeup,World Of Princess Julia, blog, Alex Box,

A new look for the Princess by Alex Box for Illamasqua. Photography Jem Mitchell

AND AT THE WORLD OF PRINCESS JULIA BLOG…

❏ Sep 20: My London Fashion Week Moments where Julia decides: “Giles Deacon’s show topped it all off for me, totally camp, dresses with trains trailing (I want one), swan headdresses by Stephen Jones, sexy silver ensembles, m’lady shapes and party puffs.”

➢ Read Julia’s account of modelling for Illamasqua — “I realize I’m part of the Joan Collins school of presentation”

➢ Illamasqua asks Julia how she likes the Anita Berber look from the 1920s Weimar Republic

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