Punk power: Judith Frankland models her own design Dare To Wear Fur from her collection for The Woman Who Likes to Say Hello. Photography by Denise Grayson. Above left, Pink Power, for the woman who holds her own in a man’s world. Illustration by Manny More
❚ THE GLOVES ARE OFF. Onetime Blitz Kid Judith Frankland aims to return to the couture fashion scene at London Fashion Week in September. During two decades spent abroad, she mixed bespoke design with nightclub promotion which in Italy won her membership of i guerrieri della notte — the warriors of the night.
Today in her fashion blog at The Swelle Life, she declares that ultimately “my passion is for fashion” as she unveils yet another outfit in her new collection designed for “The Woman Who Likes to Say Hello”.
She writes: “The seven outfits are part of a work in progress to be finished very soon in anticipation of presenting a small collection next Fashion Week in London. It is the first I have undertaken in eight years.”
Alongside Judith’s latest chapter in her progress back into fashion, Denise Grayson shoots her in the bold jacket (above) that eyeballs the woman who dares to wear fur (or at least, who dares to fake it).
Regular readers know Judith as one of the faces in the masthead atop Shapersofthe80s — grabbed from Bowie’s 1980 Ashes to Ashes video when she was dressing like a singing nun. So it’s no surprise that the new fur-woman silhouette evokes a more subversively punk spirit in contrast to previous separates in the new collection which combine power motifs with hints of romantic vulnerability. Manny More’s delicious illustration (above left) affirms the feminine bows and understated lace dress of a powerbroker’s outfit for the woman in a man’s boardroom — while the tightly knotted kipper tie provides a slap in the eye for the male chauvinist who is deceived by the notes of pink prettiness.
Judith’s designs demand high standards of tailoring and her ambition is to collaborate with an experienced cutter. She says: “I want to explore the possibilities this can create. I would love to work with a professional pattern cutter and, frankly, I feel they do not get the applause they deserve. We can all play with and drape fabric, but boy, it takes talent to bring that to life.”
In the short-term, Judith’s mini collection is likely to turn a few heads during Newcastle’s first Fashion Week (May 14–21), a citywide initiative to champion the Tyneside Business Improvement District. Then it’s London’s turn.
➢ Review: Judith Frankland experiments with power and femininity