Category Archives: Youth culture

➤ F-A-B! Thunderbirds stamps are go!

Gerry Anderson ,Supermarionation,Thunderbirds, Captain Scarlet, Royal Mail, stamps

Half a century of Supermarionation: Gerry Anderson, Captain Scarlet and Thunderbird 2

❚ TODAY THE ROYAL MAIL (AND THE TIMES’S FRONT PAGE) honour 50 years of Supermarionation by 1960s puppetmaster Gerry Anderson with a set of “lenticular” postage stamps that appear to move — no strings attached. When tilted, the stamps create the illusion of movement to show the launch of the four main Thunderbirds vehicles, along with Captain Scarlet, Stingray and other Anderson shows. Each frame has been drawn by Gerry Embleton, illustrator of 1960s comic TV Century 21, and these are Royal Mail’s first motion stamps to be printed with microlenticular technology.

Stingray, Gerry Anderson

Stingray’s evil Masterspy: looks like Rains, talks like Lorre

F-A-B: The Genius of Gerry Anderson is the full title of the stamp issue and Gerry Anderson MBE, 81, who lives in Henley, says he feels “incredibly proud”. The stamps feature characters who first arrived on TV screens in the 1960s, beginning with Mike Mercury and Professor Beaker in Supercar, 1961. The scifi space adventure Fireball XL5, piloted by Colonel Steve Zodiac and Robert the robot, followed in 1962 and Stingray in 1964.

The idea for the Thunderbirds international rescue organisation was inspired by a real-life mining disaster and Lew Grade’s ATV backed the first series in 1964 which made stars out of Lady Penelope, her pink Roller and her chauffeur Parker. Captain Scarlet and the Mysterons followed in 1967, and Joe 90 in 1968. All enjoyed revival as TV cults during the 80s and in the 90s the children’s show Blue Peter was showing audiences how to build their own Tracy Island. Anderson also wrote and delivered a treatment for a James Bond movie, elements of which eventually informed The Spy Who Loved Me, 1997.

➢ See the full F-A-B set of stamps at Royal Mail

➢ ASK BRAINS HOW LENTICULATION WORKS

Thunderbirds, Gerry Anderson, stamps, Royal Mail, Brains

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2011 ➤ Strange and Egan return to the Blitz to kick off the 20-tweens

Return To The Blitz , Steve Strange, Rusty Egan, Red Rooms, Blitz Kids, New Romantics

Motormouths back in action: Strange and Egan interviewed on BBC London news last night in the club where they once reigned. Such were members’ powers of self-promotion at the Blitz, Egan said, that it was the 80s equivalent of Facebook Live!

❚ FED UP WITH BEING IMPERSONATED by the many lookalike websites online, Steve Strange and Rusty Egan have resolved their differences to collaborate on a brand-new official Blitz club website at:
theblitzclub, Return To The Blitz, New Romantics,website,logo
The partnership of Strange as greeter and Egan as deejay famously hosted the Blitz club-nights which launched the New Romantic fashion and electro-pop movement in 1980, and opened the door for much more sparkling new music during that decade. Last night the legendary motormouths blagged themselves a couple of valuable minutes on London’s TV news to announce a reunion party actually at the site of the original Blitz, then a Covent Garden wine bar which these days is an after-hours saucy gentlemen’s club called The Red Rooms (pictured above). And though the BBC presenters banged on about a 30th anniversary, any original Blitz Kid knows the club actually opened in 1979.

Rusty Egan, Steve Strange, theblitzclub, Blitz club,Derek Ridgers

Then and now: Egan and Strange photographed in 1979 at the Blitz by Derek Ridgers, and yesterday, Jan 7, 2011

Not one to let that stand in the way of a party, Strange says: “The furniture may have changed but there is no doubt we are heading back to our spiritual home.” Next Saturday night the Blitz partners wrap up three celebrations in one shebang, with live entertainment thrown in.

The Return To The Blitz party both celebrates their reunion and launches their website. It is an evening-only event from 8pm to midnight, with Rusty and Princess Julia on the decks while Steve and Rosemary Turner are hosting. In addition, from 7.30pm (doors open 7pm), Jus Forest will be reading from her book Remembering Eden, which is a celebration of Ultravox’s 30th anniversary tour.  Jan 15 itself was chosen to mark the day in 1981 when the single Vienna was released — the hit single that established Ultravox as the driving force for the new wave of electronic music. During the previous couple of years their vocalist Midge Ure and keyboard player Billy Currie had also played crucial roles in creating new music tailored to the Blitz club through the studio group Visage, which was fronted by Strange as vocalist.

Quilla Constance

Quilla Constance photographed by Simon Richardson

Performances on Saturday include a set by the new livepop band Paradise Point, whose bassist is Roman Kemp, son of Martin whose own band Spandau Ballet were launched from the Blitz in 1979. We’re also promised Quilla Constance, an electro-punk singer and lap dancer who will no doubt be taking advantage of The Red Rooms’ dance-poles.

True to the New Romantic ethos that insisted “the band holds a mirror up to the audience”, Rusty says: “The real stars are the people who come, dress up, dance and enjoy electronic 80s music at its best.” He is shrewdly inviting guests to “hit me with your own Top 10 — tunes I would hear in the Blitz club if it were open now … Current acts I like are LCD Soundsystem, Gossip, Muse, La Roux, The xx, Amy Winehouse, Lady Gaga.”

➢ Tickets are now sold out for Return To The Blitz (with Paradise Point & Special Guests) on Jan 15, 2011. Contact Rusty with playlist suggestions through the new website

➢ Remembering Eden – 30th Anniversary Tour Book celebrates the return of Ultravox, the synth-pop pioneers, to the live stage in 2009-10. Compiled by Jus Forrest and Helen Waterman, it tells the band’s story from the 80s right through the Return to Eden 2 tour, with interviews by Rob Kirby, fan reviews and many previously unpublished photos.

➢ Listen to Robert Elms interview Rusty Egan on BBC London about the Blitz club and how the new sounds he played were the springboard for a musical sea-change… “Steve Strange and me, we’re like chalk and cheese. I’m music, Steve’s fashion. But it’s obvious: music and fashion, you’ve got to have them together.”

Blitz Kids, George O'Dowd, Kim Bowen, Julia Fodor, Lee Sheldrick

Stars of the Blitz in 1980: George O’Dowd, Kim Bowen, Julia Fodor, Lee Sheldrick. Photographed © by Derek Ridgers

OTHER TAKES ON THE BLITZ BY SHAPERSOFTHE80s

➢ The story of Spandau Ballet, the Blitz Kids and the birth of the New Romantics — at The Observer

➢ On this day in 1980 Spandau fired the starting gun for British clubland’s pop hopefuls: dada didi daaa!

➢ Who are the New Romantics, what are their sounds, and how do they dance?

➢ How real did 1980 feel? Ex-Blitz Kids give verdicts on the TV play, Worried About the Boy

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2010 ➤ Most popular bits of Shapersofthe80s during the past year

Worried About the Boy, Blitz club, George O’Dowd, New Romantics, 1980, London

London’s Blitz nightclub recreated for Worried About the Boy, 2010: George with his fictionalised circle of friends, Marilyn, Christopher, Sarah, Mo and Dawn © BBC

❏ During its busiest month, May 2010, Shapersofthe80s was viewed more than 18,000 times. Among the top stories that month was How real did 1980 feel? an extended post in which we hear verdicts from many of the original Blitz Kids depicted in the BBC’s TV play about George O’Dowd, Worried About the Boy, screened on May 16.

❏ The most popular page of all with 5,661 views last year was the who’s who among the Blitz Kids which, like so many parts of this website, keeps on growing.

❏ After Google and Facebook, one of the most popular specific sources of visitors to Shapersofthe80s was DJhistory.com which says it is “where clued-up DJs, record collectors and unshaven misanthropes gather to chat”. Right on, or should that be Kewl? Whateva.

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2010 ➤ Index of posts for December

Duran Duran, 80s, pop

The early Duran Duran: discovered by invitation in 1980

➢ 80s shapers win 2010 New Year Honours for fashion, music and walking in space

➢ 1980 secrets revealed about the SAS, arming Afghanistan and death of the tanner

➢ 1980, As Spandau play in Heaven, all around we can hear the new sounds of 1981

➢ 1980s, So many shapers shaped the decade that people think was all down to Margaret Thatcher — key books of the year

John Lennon death, Daily Mirror, people magazine, 30th anniversary
➢ What larks! Festive fun and games and British ways to make merry

➢ A jolly festive tree by Andrew Logan

➢ 2010, Duran no turkey: here’s the Bacofoil video and two new tracks premiered at East Village Radio

➢ 1980, How Duran Duran’s road to stardom began in the Studio 54 of Birmingham

➢ A feast of Bowie-ana served in waffeur-thin slices

➢ Whatta they like? Essex reality stars shake their vajazzles in the face of Hollywood

➢ 1980, The Lennon we knew: unfulfilled talent with a genius for making friends the world over

Adam & The Ants, David Bowie, Swinging 80s,Top Of The Pops
➢ 1980, The week the Swinging 80s clicked into gear

➢ Live online now, mad hatter Stephen Jones

➢ This £5m iPhone has to be a spoof! Yes, that’s $7.8m or €6m or 52m Chinese Yuan or 245m Russian Rubles

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1980 ➤ As Spandau play in Heaven, all around we can hear the new sounds of 1981

Spreading the New Romantic message, including clothes by PX: Spandau Ballet play Heaven, Dec 29, 1980. Photographed © by Shapersofthe80s

❚ SIX WEEKS IN THE CHARTS with their debut single, To Cut a Long Story Short, on this day in 1980 Spandau Ballet play at Heaven, the biggest disco in London, and probably in Europe. Their average age is 20. A year after their unveiling at the Blitz club, this is still only the band’s tenth public date, and only their second concert since signing to Chrysalis in October. Their policy is to maintain an air of exclusivity, to thwart the backward rock press by playing admission-by-invitation dates in nightclubs rather than conventional rock venues, and to rely on stylish videos to stress the message that here was a new generation of new sounds and, equally important, new styles. Take it on trust that for the whole of 1980 Spandau Ballet had been the most achingly fashionable pop group on the planet, dressed by the designers of the moment. Significantly, as the first club band to win a record deal, they had been the only New Romantics to appear on Christmas Day’s year-ending edition of Top of The Pops, the BBC’s flagship music show. (Yes, Adam and the Ants also appeared, but he was “glam-punk”, important distinction, as Marco Pirroni confirms.)

On Dec 20, Visage, the Blitz club’s seven-piece studio line-up had entered the singles chart with Fade to Grey. The same week saw Le Kilt’s Christmas party, the new New Romantic club that had opened almost as soon as Steve Strange’s clubnights at the Blitz had ceased. Le Kilt’s co-host Chris Sullivan had murmured something about putting together a band he called Blue Rondo à La Turk. Not to be outdone, i-D’s cub editor Perry Haines had mentioned not only a band he was managing, Alix Sharkey’s Stimulin, but tonight in Heaven he now talks of his involvement with Duran Duran, the Rum Runner house band we’d all run into at Spandau’s November show in Birmingham.

Depeche Mode, Daniel Miller, Dreaming of Me, synthpop

Basildon’s finest: Depeche Mode recorded their first single, Dreaming of Me, in December 1980, after a verbal contract with Daniel Miller’s synth-driven label Mute

Here too is Daniel Miller, an anarchic electronic musician with his own label called Mute and a recording studio in an old church where he had set up all his synthesisers. Only last night he’d been watching Depeche Mode, an unsigned teenage band from Essex, playing the Bridge House pub in east London where they were regulars — he’d heard them play their technopop tune Dreaming of Me, helped them record it and they’d all agreed it would make a great first single.

All round us in UK clubland platoons of amazingly young bands making dance music were lining up to storm the charts in the New Year. By the spring, Spandau Ballet was staging the first Blitz invasion of America with a live concert plus fashion show by a gang of Blitz Kids whose average age was 21. During 1981 the group decided against a tour as being “too rocky”, and played only 10 live dates in the whole year — OK, plus a fortnight at the Ku club in Ibiza that summer, which counted as one booking. While the movement took root, staying cool seemed to suit the style of the times.

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