Category Archives: Youth culture

➤ Steve Strange: deciphering the pen portraits of the man of masks

Toyah Willcox, Steve Strange

Click on image to view BBC vintage video from 1981: Toyah Willcox interviews Strange in Robin Hood guise

◼ ONE OF STEVE STRANGE’S TALENTS was persuading the press to believe in his latest wheeze, however fantastic. He had a way of convincing himself that a story was already written and a mission achieved before he had pressed the accelerator and set off. This irritated as many journalists as it amused and many were consequently very sceptical of his next big announcement – like saying he’d booked a big American star to do her first live promotional performance in Britain at his crowning glory, the Camden Palace, capacity 1,410. But in fact he had and she did, and in June 1983 the unknown Madonna was launched singing to backing tapes for half an hour.

The myths surrounding Steve were always the stuff of self-promotion. Today, he would say, I am Robin Hood, tomorrow Ruritanian Space Cadet, the next day Marionette with the mind of a toy. A compulsive man of masks presents a tricky subject for the scribblers obliged to capture that life once it is spent, so we must tiptoe through the obituaries like a minefield, and beware of tripping over Steve’s much-spun versions of history that were pure fantasy. Even national newspapers seemed to fall for many of the dreams he spouted, as well as the exceedingly vague memories committed to his 2002 book, Blitzed.

➢ Read extracts from the obituaries inside Shapersofthe80s: As the mainstream writers lead you through those New Romantic years, see if you can spot the porkies

BOY GEORGE’S OWN TRIBUTE TO HIS RIVAL

➢ At Shapersofthe80s: Original Blitz Kids say farewell to Steve Strange, their host, pivot, style icon, friend

FRONT PAGE

➤ Steve Strange RIP: the great provocateur who led from the front and inspired a generation

Visage ,Blitz Club,Steve Strange ,Blitz Kids, New Romantics, nightclubbing, tributes

The early Visage outside the Blitz Club in 1979: Steve Strange (second right) and from the left, Rusty Egan, John McGeoch, Barry Adamson, Billy Currie, Dave Formula and Midge Ure. (Picture © Sheila Rock)

SO FAR ONLY A FEW SERIOUS COMMENTATORS HAVE glimpsed STEVE’S WIZARDY…

➢ Tom Ewing in today’s Guardian:

The reruns of 1980s Top of the Pops on BBC4 will provide an opportunity to see the change Strange and his friends wrought – a pop scene becoming funnier, more dramatic, and more delightful to look at with each week. By 1981, and Strange’s move to a new venue, Club For Heroes, pop music looked and sounded quite different than when he’d arrived, and he’d played a huge part in the change. Nobody in pop is trusted less than the fashionable. But a generation of small viewers learned more about glamour, improvisation and style from the pop music of Steve Strange’s generation than from anything else on TV, or in real life.

Strange kept making music and running clubs, but the records he left behind – fantastic as they often were – are still only half the story. Steve Strange was important not just as a pop star from a particularly colourful scene, but as one of pop’s secret architects. . . / Continued at Guardian online

Steve Strange, Steven Harrington, Blitz Kids, New Romantics,

Leather-clad Steve Strange photographed in 1982 by Helmut Newton

➢ Neil McCormick in today’s Daily Telegraph:

Strange was a significant figure . . . his influence behind the scenes proving crucial to the newfound confidence and flamboyance of post-punk British pop in the Eighties. . . Dance music became cool again, synths reigned supreme, with Strange amongst the chief instigators of a fresh colourfulness and extravagance that brought fun and glamour back into pop, giving impetus to a flashy, eccentric scene that ultimately inspired the second British musical invasion of America.

His death from a heart attack at 55 may only leave a tiny mark on pop music but Strange himself had already made a much bigger mark. To those who knew, Strange was a genuine pioneer, an inspiration to a generation. . . / Continued at Telegraph online

➢ LISTEN to broadcaster Robert Elms – one of the original Blitz Kids – paying tribute today on BBC London 94.9:

This working-class kid orchestrated London for a couple of years. He was a worker of people, a creator of ideas, a cultural agent provocateur. . . down-to-earth, funny, scurrilous. . . And he made things happen. He played London like a musical instrument

➢ More memories of the man behind the make-up
– by ‘Betty Page’:

I interviewed Steve just before Visage’s first album was released, fully expecting to meet an arrogant 20th-century version of Beau Brummell. He was modelling the Little Lord Fauntleroy look – porcelain face make-up, tumbling curls and two finely drawn black dots placed on the tip of his nose completed the look. I told him that I wished I had the patience to apply such an immaculate maquillage.

“I’ll get up as early as it takes to get my face right,” he replied. “No matter how big the hangover.”

Now there’s dedication. That’s what it takes to be A Creation. I no longer feared that the room was too big for the three of us – Steve, his reputation and me. He was just a sweet working-class boy from Wales who liked to dress up and party. . . / Continued at Berverleyglick.com

18 FEB UPDATE: SULLIVAN’S SOHO RADIO SHOW

I had the immense pleasure of dedicating my radio show today to my old partner in crime and friend since early teens Steve Strange and rounded up some of his best friends to tell us some great Strangie stories including Princess Julia, Jennie Matthias of the Belle Stars, Glen Matlock of the Sex Pistols, Jeanette Calliva who ran Double Bass and The Bank with him. A real honour to do as it was a privilege to be his good friend for 40 years. He was a complete and utter maverick. He had balls the size of basketballs. He didn’t know when to stop and he never knew when the night had ended. Steve’s greatest achievement was that he sussed out he could become notorious being himself in every way and he made a living out of it.

➢ Previously at Shapersofthe80s:
Nowt so Strange as Steven John Harrington, 1959–2015

FRONT PAGE

➤ Nowt so Strange as Stephen John Harrington

Steve Strange, Steven Harrington, Blitz Kids, New Romantics, nightclubbing, Swinging 80s, London, fashion, pop music, Visage, tributes

Steve Strange: Precocious club host and the face of synth band Visage, he changed British nightlife for ever

RIP Steve Strange
28 May 1959–12 Feb 2015

King of the Posers, Leader of the Blitz Kids,
co-founder of the Blitz Club,
PIED PIPER FOR THE NEW ROMANTICS,
catalyst for London’s fashion and pop
explosion in the 1980s

“ I chose to become famous and I work very hard at promoting myself. For me going out at night is work ”
– Steve Strange,
speaking to the Evening Standard in 1983

Iain R Webb, original Blitz Kid, later fashion editor of The Times and other publications, pays tribute to Steve Strange, who died in Egypt earlier today:

Steve gave us somewhere to go and beyond the crazy costumes and caked on make-up (maybe because of the…) made us each believe we had someone to be. He burned bright and we followed that light like moths to a flame – Billy’s to Blitz to Hell to Club For Heroes to Camden Palace… Oh, how we danced. His maverick spirit will never fade

Kim Bowen, stylist and former Queen of the Blitz Club, says:

“ You did create the stage on which
we all appeared ”

Andy Polaris, original Blitz Kid, and vocalist in Animal Nightlife, says:

It’s always a shock when you hear news that snatches away part of your youth. Steve Strange was not only a colourful character who had always left an impression on my teenage years. He was also a pivotal player in transforming London nightlife, along with deejay Rusty Egan. Their Tuesday nights at Billy’s club gave birth to the Blitz Club that influenced a generation of designers, musicians and artists. It’s remarkable the amount of creative talent that emerged from these clubs. It’s important to acknowledge that without Steve’s input a lot of these creative synergies might have never happened

Midge Ure, synth pioneer with Ultravox and Visage and driving force behind Band Aid, said:

Steve and Rusty created a movement in London. The Blitz and the subsequent Blitz Kids grew into a massive movement in the UK associated with fashion and image and photography. You could stand in the Blitz Club and look around you and there’d be future journalists and film-makers and writers and musicians, and a young Boy George taking coats at the coat check. There was something really vibrant about that, and they were responsible

Above: Steve Strange and three other Blitz Kids handpicked by David Bowie star in his 1980 video for Ashes to Ashes

➢ Read my history of Steve Strange, the Blitz Kids and the birth of the New Romantics at The Observer

➢ Previously at Shapersofthe80s:
1980, Strange days, strange nights, strange people – my invitation to the party that would last five years

➢ Previously at Shapersofthe80s:
1982, Strange takes six cutting-edge British fashion designers to show their wares to the French

Steve Strange, Steven Harrington, Blitz Kids, New Romantics, nightclubbing, Swinging 80s, London, fashion, pop music, Visage, tributes

Steve Strange in 1980: wearing Willy Brown’s Modern Classics, photographed by Derek Ridgers

➢ Previously at Shapersofthe80s:
1983, Posing with a purpose at the Camden Palace – the ultimate expression of Strange & Egan’s clubbing prowess

FRONT PAGE

➤ Kerpow! Splat! Remix wizard Rusty unleashes all barrels on the music industry slackers

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, conference, Aston University, Soundcloud , Pop music, EDM, synthesiser,

Jan 2015: Rusty Egan ranting, sorry, lecturing at Aston University

◼ DID ASTON UNIVERSITY KNOW WHAT IT WAS DOING inviting deejay Rusty Egan to talk at an academic conference? The drummer and co-founder of the legendary 80s Blitz Club has dedicated his life to promoting electronic dance music so is uniquely qualified to spout on Germany’s seminal synth band at the world’s first scholarly gathering devoted to Kraftwerk and the Birth of Electronic Music. Conference organiser Dr Uwe Schütte claimed: “They are the most important band in the world in the way they changed music.”

Having been among their early disciples, Rusty was besotted enough to go hunting through Germany in the 70s in search of experiments in synthesised pop. His lifelong mission, he believes today, has shown “how Kraftwerk turned into Planet Rock turned into house music and what we know now as dance music.” He tells how he found the world’s first sampler in a German village called Wächtersbach, spent 12 hours making his first mash-up there and “never got paid for that record, not one dime”.

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, Pop music, EDM, synthesiser,

Sampling in Wächtersbach, 1979: ‪Rusty Egan‪ with Ian Tregoning making Wunderwerk with Franz Aumüller‬

Rusty made good with bands such as Rich Kids and Visage, in the face of the fat-cat indolence that prevailed in the torpid British music industry of the 70s, so last month’s platform enabled the now 57-year-old Rusty to settle a few scores by naming and shaming the rip-off merchants who, he says, have nicked his arrangements over the years and never paid a penny for them. By his own account, one of the guilty villains Rusty had paid £500 a day responded to his accusation saying: “Yeah but you should have kept the floppy disk.” Another lesson in the school of hard knocks.

The Aston “lecture” is described by one of the 200 delegates as “more of a comedy routine” and by Rusty himself as “Welcome to my insanity”. It’s now on Soundcloud for all to hear, and is typical of many an hour I’ve spent in Rusty’s kitchen trying to follow his uniquely entertaining stream-of-consciousness which randomly leaps from one story to the next while you work out that 20 years separates them. Early in his talk he says “I’m just mad on sound – it wasn’t a case of double paradiddle” illustrating his point with a beatbox break. So you have often to do a bit of Sherlockian deduction to finish his thoughts for him. His splenetic outbursts and ripe language (parental guidance advised) testify both to his indignation at the greed that characterises sections of the pop fraternity and to his own honesty, which even his friends suspect might be charming naivety.

Here’s his first rant:

In my experience record companies have never ever had any idea about creating music or creative people… I spent years not having any respect whatsoever for any guy in a satin jacket with Ace written on it with a briefcase with tour passes on it, long sideburns, dark glasses and a handlebar moustache, saying “Hi! I’m from your record label”. He was the last guy in the world you wanted to talk to and you had absolutely nothing you wanted to say to him.

VERDICTS BY RUSTY’S FANS AT FACEBOOK

Chi Ming Lai You will be in stitches.
Mat Mckenzie‪ This is a fantastic listen Rusty! ‬
Clive Pierce‪ Bravo… Absolutely riveting.‬
Anver Hanif‪ The knowledge and vision are superb.‬
Derek Quin‪ Rusty, you have been a massive influence on my music heritage. When I heard you speak at Aston it reinvigorated me.
Iris Peters‪ Great fun to listen to.
Jon Lowther‪ You and François Kevorkian defined the evolvement of electronica and the DJ. You have managed to maintain your passion, creativity and faith in an industry that fails. ‬
Mats From‪ I literally LOL’ed many times listening to thi‬s.

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, Pop music, EDM, synthesiser,

Kraftwerk’s pioneering drummer Wolfgang Flür: Rusty meets his hero in Dusseldorf more than 30 years after he first went in search of synth. . . “I was 22 when I met Ralf Hütter and Florian Schneider and spent the evening explaining that future clubs will be playing music made by machines – what must they have thought!”

➢ Previously at Shapersofthe80s: 1980, One week in the private worlds of the new young when London blazes with creativity

➢ Previously at Shapersofthe80s: How three wizards met at the same crossroad in time – an inside scene-setter on the forces shaping the Swinging Eighties

RUSTY’S LATEST ELECTRONIC MIX

➢ Update from Spandau Ballet: Legendary deejay and friend of the band Rusty Egan has been confirmed as the support for all of the Soul Boys of the Western World tour UK & Ireland shows

FRONT PAGE

➤ Spandau fan Jan says Yes that’s me shinning up the drainpipe in 1982

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

8 May, 1982: Now identified! A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

◼ A 30 YEAR-OLD MYSTERY HAS BEEN SOLVED. At the climax to Spandau Ballet’s first national tour in 1982 fan mania broke out on a level comparable to the 1960s. When their single Instinction crashed into the UK charts with freshly injected energy from producer Trevor Horn, three extra tour dates were added in May. After the show in Liverpool, the creative birthplace of British pop music, a crowd of about 500 fans mobbed the stage door at the fabled Empire theatre. A shadow had only to fall across the band’s dressing room window for screams to erupt in the street.

Two girls then decided to shin the drainpipe and beat the window with their handbags until they were let in. I was in the crowd snapping their daring climb, but for years the girls’ identities remained unknown. Now, the first teenager helped through the window and into Martin Kemp’s arms has been in touch with Shapers of the 80s to admit ownership of that handbag after all these years. She is Janet Gargan who still lives in the area and, naturally, is planning to see the band at Liverpool’s Echo Arena next March on their 2015 tour.

She emailed saying: “I had no idea your pic ever existed or that anyone remembered the drainpipe incident. Until recently, it had remained a family story but just goes to show your past can haunt you at any time. This really has been a blast from the past. I was at school at the time and I climbed up there with my school friend Jeanette, although it’s been many years since I’ve seen her.

Spandau Ballet, New Romantics, Blitz Kids, Empire theatre, Liverpool, Swinging 80s, fans,

Triumph! Jan tells her friends she and Jeanette made it into Spandau Ballet’s dressing room at the Empire, 1982. Snapped by © Shapersofthe80s

“I wanted to meet Tony Hadley and my friend was crazy about Martin Kemp. I do remember the boys being in complete shock about what we had done and signed all our merchandise. They gave us a drink (soft of course!) and sent us on our way – not down the drainpipe thankfully! I have thought in recent years how utterly gentlemanly they all were and very kind to us.”

The second climber Jeanette fell into the arms of sax-player Steve Norman. He retells the story on ITV’s recent bio-show True Gold: “We heard this tapping noise at the window and this girl had climbed the drainpipe to get a look at the band two floors up.” Tony Hadley adds: “It was like being the Beatles – mass hysteria.”

To cap it all, Jan has another revelation to make. “Spandau Ballet played in Liverpool again during the True tour of 1983 when the same friend and I left the concert early and headed to the Atlantic Tower hotel where we knew they were staying. Lots of fans turned up there but we befriended two elderly guests of the hotel who took us in under the guise of being ‘grand-daughters’. We were so worried about our cover being blown that we jumped into the lift of the hotel as fast as we could and as the doors closed we turned around to find the band in the lift! It was Tony Hadley who recognised us and said ‘You are the two girls who climbed the drainpipe last year!’ This was definitely a crazy experience but all true. It’d be great to know if the band remember that encounter too.”

Looking back now, Jan describes those adventures as hilarious though fraught with sheer determination. “It wasn’t unusual for me to go to great lengths to meet people at that time. The same friend and I also met Depeche Mode when they played Liverpool in the 80s – yes, staying in the same hotel. They were supported by Matt Fretton and we sat in the hotel having a chat with the band when a lady came out of the function room and asked if we would all like to join their party for her daughter’s 18th! Of course it would have been rude not too!”

Today Jan the ardent pop fan makes her living as a social worker and, according to a friend, “spends all her time helping other people”. For professional reasons she did not want her photograph to be published and, even though I thought I’d found her on Facebook, this turns out to be somebody else of the same name.

Spandau Ballet, New Romantics, Blitz Kids, Atlantic Tower hotel, John Keeble, Martin Kemp, Liverpool, Swinging 80s, fans,

Mobbed again a year later, 1983: Martin Kemp and John Keeble sign autographs through the fence at the back of Spandau’s Liverpool hotel. Snapped by © Shapersofthe80s

➢ Previously at Shapersofthe80s: More on 8 May 1982 – the return of The Scream to British pop


➢ 1982, How Spandau put Peter Capaldi on the road to play the new Doctor Who

➢ Jan 17 update: Shock change to Spandau Ballet’s North America live tour 2015 – Spandau’s world still tour kicks off 23–25 Jan in California, but with other US and Canada concert dates rescheduled for April–May. The European leg kicks off in Dublin 3 March. Click through for complete list

FRONT PAGE