Category Archives: Social trends

2011 ➤ Rutter’s anthem affirms romance of the royal wedding

royal wedding, anthem, John Rutter, This is the day,

Choirs of Westminster Abbey and Her Majesty’s Chapel Royal, during today’s wedding of Prince William and Catherine Middleton

❚ VYING WITH MANY VISUAL TREATS TODAY at the wedding of Prince William and Catherine Middleton in Westminster Abbey was the well chosen and home-grown music. Three pieces were drawn from every Sloane’s wedding favourite, Hubert Parry, the 19th-century composer who knows how to tug at toff heartstrings. Despite which, he does rank among England’s finest and is best known for his rousing hymn Jerusalem, which inevitably followed the prayers today.

John Rutter, composer,

Spiritual: John Rutter

But to modern ears, the musical highlight was a soaringly beautiful choral anthem that followed the bride and groom’s marriage vows and preceded the Bishop of London’s address. Titled This is the day which the Lord hath made, the romantic three-minute piece was specially commissioned by the Dean and Chapter of Westminster for this service. Its uplifting theme wove together words from four Psalms (as published in The Book of Common Prayer) including these from Psalm 121 — “the sun shall not burn thee by day: neither the moon by night”.

The music was written by the English composer John Rutter (b 1945) who is also a conductor, editor, arranger and record producer with his own label, Collegium Records. The past day has seen reaction to the new anthem cause an immediate surge of hits at Google. Dr Rutter is said not to see himself as predominantly a composer of sacred music though he has set many psalms and carols and much of his work has a spiritual dimension. Most of his choral work has been subsequently transformed with an orchestral accompaniment so with luck this elegant piece too might be released in this way.
Listen here to the new anthem, as sung at the wedding by the choirs of Westminster Abbey and Her Majesty’s Chapel Royal, St James’s Palace, conducted by Mr James O’Donnell, organist and master of the choristers, Westminster Abbey. The organ is played by Mr Robert Quinney, sub-organist, Westminster Abbey.

➢ Among the music choices for the royal wedding, one was a stroke of genius — Chris Chivers singles out Parry’s Blest Pair of Sirens in The Guardian

APRIL 30 SOCIAL MEDIA UPDATE

❚ WHETHER YOU’RE A MONARCHIST OR NOT, the rest of the world went ape for the royal family yesterday. By 11am BST, 10 of the top 20 Google searches in the US related to the royal wedding. Likewise on Facebook, the top 10 keywords trending as public status updates in the US and UK were all wedding-related, led by Royal Wedding, Prince William, Prince Harry, Kate Middleton.

Grace Kelly , Prince Rainier

1956: Grace Kelly and HSH Prince Rainier of Monaco © Corbis

The royal wedding swept Twitter’s worldwide trending topics Friday morning. During the bishop’s address, all ten were related to the wedding: royalwedding, rw11, casamentoreal, William & Kate, QILF, Sarah Burton, Grace Kelly, Westminster Abbey, Rutter, Abadia.

By way of translation — “casamentoreal” and “abadia” mean “royalwedding” and “abbey,” respectively, in Spanish. QILF is a play on the acronym “MILF,” where “mother” is replaced with “queen.” Sarah Burton, number six, is the designer of Kate’s dress, and the creative director of British label Alexander McQueen. Kate’s dress and look were likened to those of the Hollywood actress Grace Kelly, who married the Prince of Monaco in April 1956. Number nine, Rutter, refers to John Rutter, who composed the anthem played during the wedding.

➢ The Official Royal Wedding photographs

Official Royal Wedding photographs,2011,Hugo Burnand,William & Kate,

The royal wedding group in the throne room at Buckingham Palace, April 29, 2011. The Duke and Duchess of Cambridge are flanked by their respective family members and attendants. Front row (left to right): Grace van Cutsem, Eliza Lopes, HRH the Duke of Edinburgh, HM the Queen, Margarita Armstrong-Jones, Lady Louise Windsor, William Lowther-Pinkerton. Back row (left to right): Tom Pettifer, HRH the Duchess of Cornwall, HRH the Prince of Wales, HRH Prince Henry of Wales, Michael Middleton, Carole Middleton, James Middleton and Philippa Middleton. Photograph: Hugo Burnand

FOURTH HIGHEST ‘KETTLE EFFECT’ EVER IN UK

INTERNATIONALLY, the advance estimate predicted two billion people would tune in to Friday’s TV coverage of the Royal Wedding between Prince William and Kate Middleton, though this figure has yet to be confirmed. About 8,500 journalists were in London for the event.

Princess Eugenie, Princess Beatrice , royal wedding ➢ IN THE UK, across the whole BBC, 34.7m viewers tuned in to watch some part of the wedding, including a million people online using BBC iPlayer. There was a peak of 6.1m viewers watching the coverage on ITV1 as the service began, the commercial broadcaster reported. Sky News had a peak of 661,000 viewers at 11am, with roughly one million people using its website.

➢ YouTube’s live feed brought the BBC’s pictures to a global online audience through its Royal Channel — which was the 23rd most-visited YT channel of the day, but trailed behind America’s Next Top Model and Top Gear.

➢ Surge in electricity demand suggests record television ratings — Daily Telegraph report
The surge in demand for electricity in the UK at the end of the royal wedding was the fourth-highest ever caused by a televised event. National Grid said that, when the couple reached Buckingham Palace after the ceremony at 12.40pm, demand for electricity increased by 2,400MW — the equivalent of nearly a million kettles being turned on at the same time. The surge was a third higher than that recorded after the wedding of Prince Charles and Lady Diana Spencer in 1981, which registered 1,800MW when 28m people had been watching in the UK.

Prince William, Kate Middleton, royal weddingThat dazzling dress effect: National Grid also registered a 1,500MW drop in demand when viewers had their first glimpse of Catherine Middleton’s wedding dress as she got into her car to the abbey — with such a drop (rather than a surge) indicating that people were flocking to their televisions rather than carrying on with more electricity-hungry activities.

Electricity demand surges do not directly correlate with TV ratings, because they indicate how many people got up to switch their kettles on to make a cuppa — rather than the total number of people watching to begin with.

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➤ Dear oh dear! Thoughtless Cameron PM swats women’s 200-year struggle from the history books


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Votes for Women, campaign,Emmeline Pankhurst , 1914, David Cameron, "Calm down dear"

Votes for Women campaigner Emmeline Pankhurst being arrested at Buckingham Palace, May 1914 © Museum of London

❚ LANDMARKS ON THE ROAD TO WOMEN’S RIGHTS

1832 Reform Act, The People’s Charter 1838, John Stuart Mill, On Liberty, The Subjection of Women 1861, women’s suffrage 1865, women’s rights, Millicent Fawcett, The Cat and Mouse Act 1913, hunger strikes, death of Emily Davison, Emmeline Pankhurst, Representation of the People Act 1918, Franchise Act of 1928

➢ History lesson for the attention of David Cameron PM

➢ Boorish Cameron gaffe provokes media storm
➢ Calm down, David Cameron and get your facts right at PMQs — says Howard Stoate MP

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➤ OMG and LOL — it’s the slang gang sheening their way into the English dictionary

Charlie Sheen,

The real deal: troubled actor Charlie Sheen in one of his many recent TV appearances, here opening up to Andrea Canning on ABC

ONLINE TODAY THE URBAN DICTIONARY boasts that it has clocked up 5,762,970 definitions since 1999, a space of 12 years. Its contributors are mostly aged under 25. In contrast, the Oxford Engish Dictionary, bedrock of the language since 1928, boasts only 600,000 entries plus probably as many more variations on headwords, drawn from all of literature.

DrJohnson, slang, OED, English language

Sam Johnson: no time for cant

Have we all stopped talking proper? Has slang become the ephemeral new lingua franca of digital social media?

While the great and good-humoured Dr Johnson, creator of our first enduring English dictionary in 1755, enjoyed robust slang he would exclude low social neologisms as “cant”. The writing is on the wall in today’s Guardian. One linguistic historian declares that the internet is now the future for lexicography, but what he really means is tweeting and texting. Here’s the gist of Johnny Davis’s feature…

❚ THE OTHER WEEK the two dudes who created South Park were on TV recalling how they had attended the Academy Awards in drag, hairy-chested on the red carpet in knock-off gowns inspired by Ralph Lauren and Versace. They’d found the courage to overcome earlier cold feet.

Trey Parker , Matt Stone, South Park

Parker and Stone: sheening at the Oscars

“We did some Charlie Sheening and we were fine,” Trey Parker explained. “We were just sheening our heads off,” agreed Matt Stone.

The social media went to work. “Apparently sheening is a new verb,” tweeted one viewer. “The new name for wasted,” wrote another. In fact the new name for wasted had already been recorded three months earlier by Urban Dictionary, the online open source directory of slang phrases and neologisms. Sheening, it says, is “an alcohol and blow extravaganza, sometimes ending in a hospital stay and/or death. Referencing the amazing behaviour of the actor Charlie Sheen.”

Sheening was not the only example of slang to make the news recently. Days after the South Park pair appeared on TV, The Oxford English Dictionary published its latest online update. Included for the first time were the internet-era initialisms OMG, BFF and LOL. Sexting was in there; as were Wags and muffin top (“referring to a protuberance of flesh above the waistband of a tight pair of trousers, cf, spare tyre, love handle”).

“Someone wrote that the OED finally thinking muffin top worthy of including was a bit disturbing,” says Urban Dictionary’s founder, Aaron Peckham, from his home in California. “Like your dad suddenly deciding that Whassup! was worthy of repeated, loud public use.”

➢ Click to read Johnny Davis, In praise of urban dictionaries
— in The Guardian April 21, 2011

➢ NEW WORD OF THE MOMENT AT
THE URBAN DICTIONARY TODAY

GOOGLEHEIMER’S
The condition where you think of something you want to Google, but by the time you get to your computer, you have forgotten what it was. Very prevalent in the 420 community.
(eg — I’ve got Googleheimer’s so bad that between the garage and the office, I forgot what I was going to look up)

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➤ Did London’s £15m security cameras really fail to record attack on Boy George’s best friend?

Philip Sallon, nightclubbing, homophobic attacks,

Birthday party 2010: clubworld entrepreneur Philip Sallon seen last November at Home House, courtesy pandemonia99.blogspot.com

❚ LAST WEEKEND BANG ON PICCADILLY CIRCUS one of London nightclubbing’s most familiar superstars — a leading club promoter and party planner for the past 30 years — was beaten senseless at about 3.30am. Police say two people kicked him in the head repeatedly and ran off. They fractured his skull. So far, however, neither the Metropolitan Police nor Westminster City Council have reported any surveillance video footage of the incident. On Piccadilly Circus.  The most famous, most brilliantly lit traffic roundabout in our 24-hour capital city.

Philip Sallon, club promoter, party planner

Sallon as few of us have ever seen him, pictured last year by Nigel Howard

Tuesday’s Evening Standard carried the headline: Boy George appeals to catch attackers of ‘oldest and closest friend’. The report said: “Philip Sallon, 59, a flamboyant figure on the West End club scene, is recovering in hospital after the assault near Piccadilly Circus in the early hours of Saturday. Mr Sallon, from St John’s Wood, who founded the Mud Club in the Eighties, was stamped on and kicked in the head and suffered broken bones in his face.”

The fact that Sallon is an overtly gay man has raised suspicions that the attack was motivated by homophobia.

Pop star George O’Dowd told the Standard: “I am very upset. He is my oldest and closest friend. He is a colourful character but certainly not aggressive. He is not someone who would have got into a fight. He is a bit like me and just goes out on his own.”

➢ Meet at the Eros statue on Piccadilly Friday night/Saturday morning April 15–16, from midnight to 03:30 to distribute witness appeal flyers, to talk to potential witnesses and to show your support. Alice Shaw, Tamara Adair, Benjamin Till have organised the Facebook group Supporting Philip Sallon.
➢ April 8 update: Guardian Online reports a change to the precise location where Sallon was attacked. “The victim was found outside Ripley’s Believe It or Not exhibition,” police told The Guardian. This is housed in the triangular building once known as the London Pavilion, directly across Shaftesbury Avenue from Gap, which was mentioned in early reports.

April 16 update — Only about 30 of the 127 Facebookers who said they would attend this morning’s rally had arrived when Sallon sympathisers carrying posters bearing the victim’s photo departed from the Eros steps just after midnight to seek witnesses in nearby streets. One of the three Westminster policemen accompanying them was vague about where Sallon had been found on April 2. He seemed to think Sallon had staggered north to Regent Street before collapsing, whereas the Standard had police reporting he was found outside Gap and The Guardian outside Ripley’s, which has five security cameras on various parts of its Piccadilly facades. Among many building works in progress around the Circus, five more CCTV cameras can be seen within line of sight of Eros himself, which makes it all the more surprising that no footage of the attack has come to light.

George appealed for witnesses to come forward: “The police are dealing with it but apparently there is no CCTV footage.”

The scandalous irony is that half a mile away, Westminster Council celebrates the glory of its CCTV system with a plaque in Meard Street, Soho, on the wall of the former nightclub “Gossips formerly Billy’s”. This legendary cellar club is where Sallon and O’Dowd’s generation gave birth to the once-a-week clubnight that transformed British clubbing at the dawn of the 80s, and made London a dance destination for the young people of Europe. [Read The Making of UK Club Culture, from The Face, 1983]

The inscription on the plaque, which was unveiled only last year, pays tribute to the late Ian Wilder, a Westminster councillor: “In recognition of his pioneering work in proposing Westminster’s Wi-Fi system, this site can be seen throughout the world 24/7”. Opposite the plaque, a Wi-Fi enabled camera hangs from a lamp-post so that the world may view the reasonably tranquil pedestrian walkway that is Meard Street. Seemingly, Piccadilly Circus which teems with people and traffic most nights at 3am does not qualify for such 24/7 surveillance.

CCTV,Westminster Council, Meard Street, Soho, security, WiFi

Visible on camera 24/7: Westminster Council’s plaque in Meard Street

Councillor Wilder saw how wireless technology was being deployed during a visit to the United States. In 2004 he initiated the installation of a pilot wireless network and four wireless TV cameras in Soho, portable enough to be moved to potential troublespots and slung from lamp-posts without attracting attention. They cost a fifth as much as traditional fixed-line CCTV cameras.

Within two years, the Wireless City Project had become a network of 40 wireless cameras, and in Soho, eight remote monitoring stations, as well as mobile applications for food and licensing inspectors, housing estate officers, and parking attendants. These cameras were integrated into Westminster’s existing £15million monitoring system of wired CCTV cameras. The council has long believed that its street surveillance network is one of the most efficient in the world, capturing high-quality, scalable data that can provide viable evidence in the law courts.

A video report at Guardian Online shows us inside Westminster’s CCTV control centre, where a supervisor talks confidently about being able to identify “aggressive beggars, illegal street trading — we can see it all” while enjoying “full talkthrough with police on the ground”. And yet. No sign of two thugs beating Philip Sallon unconscious, apparently. He is still in hospital.

Meanwhile in today’s Evening Standard fashion editor Laura Craik cites the police statistic that homophobic incidents in London have increased by 28 per cent over the past four years — “and that only reflects the ones that were reported”.

❚ @BoyGeorge on Twitter “My friend was brutally attacked & hospitalized on Saturday in Piccadilly, someone called an ambulance? Was it you?” — If you witnessed Philip Sallon’s beating last Saturday at about 3.30am, contact Westminster Serious Violence Team on 0207 321 9315, ref 65 1803/11, or Crimestoppers on 0800 555 111.

Philip Sallon, George O'Dowd, 1980

Philip Sallon with George O’Dowd, 1980: as mentor and guiding light, Sallon gave George his first break as a deejay at Planet’s nightspot and urged him to form a pop group. Photographed at one of Paul Sturridge’s houseparties in Harlesden

➢ Who’s who in the New London Weekend — The Face in 1983 picks Philip Sallon’s Mud Club as one of the four prime movers making London swing again

➢ View video of The Cruella Diaries — Philip Sallon in performance mode… “I’m wearing British ethnic at the moment”

➢ June 8 update: Wise-cracking Sallon shimmies back onto London’s party scene

Siouxsie Sioux, Steve Severin, Bromley Contingent, Philip Sallon, punks, Bill Grundy

Epic picture of the Bromley Contingent, 1976: Cricklewood-born style leader Philip Sallon wears plastic shorts, second right. The Bromley Contingent were the core Sex Pistols fans who popularised early punk looks. They included Siouxsie Sioux, Steve Severin, Simone Thomas and Simon “Boy” Barker who appeared on teatime TV when the Pistols were interviewed by Bill Grundy in December 1976. Between them they uttered a series of expletives live on-air, achieved lift-off for the punk movement and catapulted Grundy out of his job. (Photographed © by Ray Stevenson)

➢ 2012 update: Six rewrites punk history with an outlandish claim about the Not-Really-From-Bromley Contingent

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➤ A swelle hello from upstart Judith, returning in an explosion of colour

Blitz Kids, David Bowie,Ashes to Ashes , Judith Frankland

Blitz Kids chosen by Bowie to star in his Ashes to Ashes video, 1980: Darla-Jane, Steve, Judith and Elise with Bowie at centre as Major Tom. © EMI

❚ WE ALL REMEMBER DESIGNER Judith Frankland’s nun-like appearance in David Bowie’s Ashes to Ashes video in 1980 alongside Steve Strange who was wearing her infamous black wedding dress. Tomorrow Judith unveils her first women’s collection in eight years at the Holy Biscuit gallery in Newcastle upon Tyne, in a week-long show by a mixed group of women artists. She says her new outfits are designed for “The Woman Who Likes to say Hello!”

Judith Frankland, fashion, Holy Biscuit gallery, Newcastle

Judith’s flyer illustrated by Manny More

They are joyous explosions of colour that, she insists, “come from within my well travelled head” — and here we’re talking the shock tactics of an eternal punkette, whose own looks veer between the immaculate cool of revue star Bea Lillie and the fruitiness of dancer Carmen Miranda. At the height of the Blitz club’s notoriety, Judith’s playful yet tailored outfits adorned Steve Strange as vocalist with Visage to become some of the most distinctive styles of the New Romantics movement. Most memorable was the taffeta jacket with medieval flourishes on the cover for Fade to Grey.

Judith Frankland, Milan, clubbing, Pussy Galore,

Milanese night warrior: Judith during her Pussy Galore hostess era, 1989-96

Where did the last 30 years go for Judith? She has lived more lives than the rest of us ever will, in a whirl of bespoke design partnerships and nightclub promoting from Vancouver to LA to Milan to Paris, fuelled by acerbic wit and a mighty big heart. With such landmark clubs as Pussy Galore and Chocolat City, the Italians branded her one of “i guerrieri della notte” — the warriors of the night.

In the end she returned to Tyneside to look after her ailing mum, and only now has she found the time and energy to return to the fashion fray. Judith’s last business was based in Paris and that’s where she plans to return next year. The new Winter 2011/12 collection is a modest calling card that exploits a secret stash of “school-blazer fabrics” in stripes and vibrant colourways. Judith has suffused uniform wool suitings with a positively romantic glow.

With the left hand, she has been contributing to a smart new blog called The Swelle Life, run by writer-photographer Denise Grayson. Here in her own uninhibited confessional style, Judith pays generous tribute to the inspirational circle of friends she has acquired on her travels.

Judith Frankland, fashion,nun,Sound of Music

Judith’s nun look from 1980, left, echoed in 2011, right. After fashion, her second passion is the film The Sound of Music. “I hate revisiting the past,” she maintains, but for her Swelle Life blog, she couldn’t resist accessorising this vintage German skirt with her own nun’s collar and cuffs. Photographs by Derek Ridgers and Denise Grayson

Judith Frankland, Paris, 2002

From Judith’s 2002 collection while living in Paris: her apartment in rue Montorgueil just by Les Halles converted into a showroom during fashion week

Judith Frankland, Christian Lacroix , fashion

A couture original: When Shapersofthe80s visited Judith’s Old Curiosity Shoppe of a home last summer, she showed off the latest treasure acquired from her local thrift shops, this Lacroix coat, priced 25 pence! Photographed © by Shapersofthe80s

➢ HERE’S HOW JUDITH INTRODUCED HERSELF
AT THE SWELLE LIFE BLOG

I’m an upstart and a woman like many who loves — and in my case lives — fashion and the world that lurks around it, a world I have stepped in and out of all my life. I have an excitable, excruciatingly inquisitive mind; I never stop thinking, plotting and some would say talking! I am not a lover of the term ‘On trend’; I like to say ‘On form’. Micro mini to maxi. If it feels right on the day I’ll wear it — no sheep mentality for me. I mix bargain buys, charity shop finds and my own creations.

 Denise Grayson, Judith Frankland,The Swelle Life, fashion,Winter 2011-12

Judith models her Hello! look for Winter 2011/12: day wear and evening wear giving new life to school-blazer suitings. Jewellery from the designer’s own massive collection. Photographed © by Denise Grayson

London’s Cafe Royal, 1980: Judith’s graduation show from Ravensbourne college of art caused a sensation with a glamorous evocation of the 50s in black and white taffeta, brocade, velvet and satin. Its climax was this black wedding dress worn by Sheila Ming, gloriously crowned by Stephen Jones’s veiled head-dress made of stiffened lace on a metal frame. Blitz club host Steve Strange was later to wear it in David Bowie’s video for Ashes to Ashes. Photographed © by Niall McInerney

Ashes to Ashes, video, Judith Frankland, David Bowie, fashion, Blitz Kids

On the beach at Hastings filming Ashes to Ashes: Judith (right) in the ecclesiastical habit Bowie had seen her in at the Blitz, with Steve Strange (second left) in Judith’s black wedding dress he’d also worn that night (head-dress by Stephen Jones). Elise and Darla-Jane wear their own outfits. What with the shingle and the quicksand and Steve trying to outrun the bulldozer, Judith says the wedding dress was completely destroyed. © EMI

➢ An Eclectic Mix of Arts & Design runs April 8–15 at the Holy Biscuit gallery in Newcastle upon Tyne. Join Judith for a chat at the preview this Friday 6–8pm. Others showing are Tutu Benson, Anne Johnson, Helen Moss, Sheelagh Peace, Susan Stanton, Jill Stephen

➢ Update — Judith’s new collection for Winter 2011–12 reviewed

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