“Anthemic pop” from Burnley: Super8 Cynics were session musicians assembled by vocalist Ady Hall
❚ HERE IS “A UTOPIAN VISION” as an antidote to the reign of Simon Cowell’s production-line X-Factor performers. The Preston-based Laboratory Project makes enormous claims about “supporting artists with integrity, skill and soul to break into the music industry”, backed by studio space and its production and engineering team, plus expertise in marketing and independent brand development. The project was founded in 2008 by Tony Rigg, a hospitality entrepreneur who previously spent 18 months as operations director at the Ministry of Sound.
Tony Rigg: “integrity, skill and soul”
The Lab is concerned to return both creatively and commercially to the roots of a band-led scene and to rekindle passion in the music-making that it promotes. The creative division claims to deliver “unparalleled music and multimedia experiences via a record label which represents a coalition of artists as a complete rethink of what a label should be for today”.
Rigg has said: “It has become more important how music looks than how it sounds. The X Factor is an extremely effective, headline grabbing, money-making machine. For many artists it is incredibly difficult to get original music heard. The Laboratory Project exists for the people who want something more from music.”
This weekend the label launched Taste Masters 2, its second eclectic compilation CD with 11 tracks of music “derived from human performance, solo artists and collaborations” — 80 musicians who include The Salford Jets, Jimmy Docherty and Antistar, as well as bands who had not previously released their work commercially such as Super 8 Cynics, Straightlaces, China White and Dresden. The original 14-track Taste Masters compilation album has been available for download since October and included Drama King, Evenhand, Fez, The Horn Brothers, Our Day Remains, Helvelyn 2 and Osiris.
The Hacienda today: the former nightclub’s dancefloor is a carpark beneath a block of flats. Click image to run rare video footage as Tony’s son Oliver Wilson reflects on the legacy of his father’s nightclub
❚ BIG NEWS OUT OF MANCHESTER, recently named the UK’s live music capital by the PRS. After a week or two of wrinkles comes a smart new website and the very clear announcement: “Haçienda Records is the official digital label of FAC51 The Haçienda and based exclusively at fac51thehacienda.com. Crossing all forms of indie and dance genres, the label has initially been an outlet to publish the output of Peter Hook but with the new revamp and full establishment of the label, Haçienda Records is also gearing up to release new and established artists on a monthly basis.”
❏ May 18–28, 2011 — Haçienda Records launches its new website with an exhibition of original memorabilia titled The Haçienda Then and Now, at the Richard Goodall Gallery in Manchester. Some FAC51 artworks on show are for sale at the gallery, along with original club posters.
Industrial light and magic: Ben Kelly’s design for the Haçienda interior in its heyday — plus that treacherous step onto (or off!) the dancefloor. Two views, idealised as silkscreen prints by Morph & Ben Kelly 2011, available through paulstolper.com
MUSIC HIGHLIGHTS TO PREVIEW AND PURCHASE
❏ Haçienda Records initiates a new cataloguing series that starts with HAC 001, Man Ray’s Summer 88 EP (Jan 2010). The new website contains all Man Ray and Freebass releases to date, plus Basement Jaxx, 808 State and many other Factory mixes.
❏ Man Ray’s new EP Tokyo Joe (Hac 006), released exclusively on the website, is a reworking of the version made for the opening of The Factory club in Manchester in February 2010.
❏ The Light’s debut EP 1102 /2011 is released May 16.
❏ Graeme Park, the Haçienda’s resident Saturday night deejay in the 80s, contributes a mix of classic and modern acid house and disco, as Then Haçienda Now, plus his Vinyl Fixation Vol 1.
❏ “Mancunian Rock Royalty” Hooky and Rowetta presided over world premieres of The Light’s rendition of Atmosphere and the unreleased Joy Division track Pictures In My Mind Friday on BBC 6 Music’s Radcliffe And Maconie Show, April 29.
❏ Haçienda Record’s releases for June and July are Humanizer’s This Tiny Universe EP, and Richie G’s Baum…./Titten, a double header of German and underground resistance-style instrumental techno.
Face of Factory: Steve Coogan plays Tony Wilson in the all too ironic docu-drama, 24-Hour Party People
❚ BASSIST PETER HOOK was a co-founder of the rock band Joy Division in 1976, originally named Warsaw, with vocalist Ian Curtis, guitarist Bernard Sumner and drummer Stephen Morris. After the death of Curtis in 1980, the band reformed as New Order. Joy Division’s debut album, Unknown Pleasures, was released in 1979 on Tony Wilson’s nascent label Factory Records, the story of which became the most priceless rollercoaster ride in UK rock history. The label attracted a roster of idiosyncratic acts, plus luminous talents such as graphic designer Peter Saville and architect Ben Kelly who created the landmark nightclub the Hacienda, which opened 29 years ago next Saturday, dubbed with its product number FAC51, and with Hook as co-owner. All are parodied in Michael Winterbottom’s 2002 film 24 Hour Party People, and some feature in Anton Corbijn’s 2007 film Control about the life of Curtis.
In 2009 Hook told the tale of FAC51, in The Hacienda: How Not to Run a Club, in a very personal memoir of the 80s which is far sadder, funnier, scarier and stranger than anyone could imagine. The Sunday Times Culture review called him “a born anecdotalist”. i-D has an interview here. In 2010, Hook opened a new venue in Manchester, FAC251, in the former office of Factory Records designed by Kelly. This week the digital record label follows.
+++ ❚ HERE’S A NEW SLIDESHOW compiled by Ian Whittington, the original deejay at the Dirtbox — London’s itinerant underground warehouse party run by Phil X and Rob Y, which started life in March 1982 over an Earl’s Court chemists shop. By 1983 it was one of the four key club-nights that defined The New London Weekend in The Face magazine. In among the soulboys, soulgirls and rockabillies, look out for a young Sade, her musicians Stuart and Paul (then in the band Pride), Boy George and George Michael … Ian says the Nina S soundtrack was played at the Dirtboxes in London Bridge, King’s Cross, Stockwell Green, Titanic, Wandsworth and Bournemouth.
On this day 30 years ago, 21 Blitz Kids, average age 21, took Manhattan by storm. Spandau Ballet provided the new British electropop, the Axiom design collective provided the radical London fashion show, while Tina Turner and Robert de Niro joined the coolest audience in New York City to witness the new sounds and new styles of Swinging London…
First published in the first issue of New Sounds New Styles in July 1981
Two richest under-30s: mezzo-soprano Katherine Jenkins, 30, and moonlighting Girl Aloud Cheryl Cole, 27
❚ THE TEASE TASTERS HAVE BEGUN for this year’s Sunday Times Rich List, which publishes on May 8. Today the UK’s new pop millionaires were announced with the 30-year-old Welsh mezzo-soprano Katherine Jenkins (worth £13m – $21m) topping the richest ten, only two of whom are male. In descending order this year’s other rich kids are: Cheryl Cole, Leona Lewis and Katie Melua with £12m each; Joss Stone £9m; Charlotte Church, Craig David £8m; Paolo Nutini £7m; Adele (see video below), Lily Allen, Natasha Bedingfield, Duffy, Amy Winehouse £6m.
All these artists fall into the category of “Richest British and Irish music stars under 30”, which is of course a sideshow to the main list of music-industry big-hitters. The top ten music millionaires is always headed by boring impresarios (big leap by Simon Cowell this year), so down at No 4 Paul McCartney remains the richest performer with £495m of assets ($812m), way ahead of the other veterans Elton John £195m, Mick Jagger £190m, Sting £180m, and Keith Richards £175m — all of whom have longevity in their favour. Sudden additions to the Rich List music millionaires include Brian Johnson (£50m), the lead singer of the rock band AC/DC, and John McColgan and Moya Doherty (£70m), husband and wife co-founders of Riverdance.
Among stars from the Swinging 80s, only George Michael (£90m – $147m), Mick Hucknall and Kylie Minogue survive, with their fortunes consolidated now at £40m each.
❏ In the separate list of the UK’s richest people aged under 30, three filmstars lead the performing arts, Daniel “Harry Potter” Radcliffe at No 4 (worth £48m – $79m), Robert “Twilight” Pattinson at No 8 (£32m), and Keira “Pirates” Knightley (£30m). Princes William and Harry limp in at No 10 with a fortune of £28m derived from land and inheritances from their mother, Diana, and the late Queen Mother. (The boys’ grannie, HM Queen Elizabeth, is herself only moderately wealthy by UK millionaire standards, sitting at No 257 in the main Rich List and valued at £300m – $491m. The richest man in Britain for the past seven years has been Lakshmi Mittal, boss of the world’s largest steel producer, whose family is today worth £17,514m – $28,677m, despite massive losses after the global financial crisis.)
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 925 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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