Category Archives: Pop music

2013 ➤ Double whammy from the Spandau boys

Spandau Ballet, Genesis books, Spandau the True Story , Paul Simper
❚ BEING REVEALED currently on Facebook, two major Spandau Ballet announcements. First the biography of the band, a superior coffee-table photobook, Spandau the True Story, which records the entire career of the Angel Boys from Islingon, penned by their longtime shadow Paul “Scoop” Simper and published by the prestige celebrity publisher Genesis. It features unseen pictures taken not only by clubland mate Graham “Heroes” Smith, but also by Shapersofthe80s – the team who were there from the start of the New Romantic story.

➢ Spandau the True Story: sign up today at Genesis Publications, “the home of beautiful music books” … Register your interest
without financial commitment

A second announcement tonight heralds the movie Soul Boys of The Western World, a feature-length documentary containing much unseen vintage footage, produced by Grammy Award-winner Scott Millaney who was a founding member of the promo video company MGMM in the 80s just as the British music industry boomed. His company produced over 1,000 pop promos including Video Killed the Radio Star, Vienna, Dancing in the Street and Rio.

“Scoop” Simper, today an executive celebrity writer at The Sun who wrote the film’s treatment, said tonight: “There is wonderful footage of the Spandau mums and dads when they were all still with us. And never-before-seen footage from Los Angeles and Australia when the band were in their pop pomp. All the band have contributed voiceovers.”

Spandau manager Steve Dagger reveals that a case full of early film footage of the band has been discovered recently. This includes offcuts not used in a prominent TV item just before release of the band’s third single Musclebound in March 1981, and aired on the BBC teatime news magazine Nationwide. Just as the phrase New Romantics was coming into wider use by both media and an emerging generation of UK image bands, including Duran Duran, the BBC cameras capture what Dagger calls “priceless cavortings” within Soho’s heaving Beat Route club.

There’s also a whole film sequence in Jon “Mole” Baker’s shop off Carnaby Street, where Spandau members are seen trying on a variety of outfits by the Axiom collective of designers, which were to be shown in a New York runway show two months later, in what became the “First Blitz invasion” of the US, organised by both the band and the former Blitz Kid fashionistas. These Axiom collections received another runway show at Steve Strange’s Club for Heroes in London in the autumn of ’81, by which time the charts were ablaze with new slipstream bands and British street style began to explode.

movie, Scott Millaney, Spandau Ballet, Soul Boys of The Western World,
❏ On tonight’s Jonathan Ross Show Gary and Martin Kemp (pictured below) were talking about their new TV series Gangs of Britain, due to air on the Crime & Investigation Network (Sky 553 and Virgin 237) on Sundays from April 21 at 9pm BST. It’s three years since Spandau Ballet played live together so the killer question is whether they might reunite for another tour? Gary told Ross: “I pretty much guarantee we’ll do it again next year.” Martin added: “I hope so. I’ve never laughed as much as that year [on the Reformation Tour]. Just to have that year of getting your best friends back together was so lovely. I would say it was the best year of my life.”

Jonathan Ross Show,Martin Kemp, Gary Kemp ,TV series, Gangs of Britain

Another Spandau tour? Martin and Gary Kemp give Jonathan Ross a cautious yes tonight. (Viewable on ITV Player for another month. Screengrab © ITV)

TWEET ALONG TO THE KRAYS

❏ Tomorrow night, if you’re viewing the 1990 British movie The Krays on ITV4 at 9pm BST, Martin and Gary Kemp will be tweeting along with the film. Viewers can take part by using the hashtag #KraysLive while watching the brothers recreating the villainy of the English gangsters Ronald and Reginald Kray who led organised crime in the East End of London during the 1950s and 1960s.
➢ Follow Martin @ Twitter
➢ Follow Gary @ Twitter

Spandau Ballet, limited edition, lithograph, prints, True, Artwork, David Band

EXCLUSIVE PRINTS OF TRUE ARTWORK

❏ New on sale at the Spandau store is a limited edition 20 x 20-inch lithographic print embossed onto the highest quality 270gsm uncoated paper of the True album artwork by Spandau friend David Band, a Scottish artist who also designed sleeves for Altered Images and Aztec Camera and sadly died in Australia in 2011. Reproduced to celebrate Spandau’s 30th anniversary of their No 1 hit, each print is hand-signed (not reproduction signatures) by all members of Spandau Ballet, and hand-numbered by a professional scribe in a run of only 500 prints.

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➤ Searching for that last kiss
 on the third anniversary of McLaren’s death

My lips are open wide
Stretched so far apart
Searching for that last kiss
With my hands pressed tight to my heart

A thousand hungry flowers
Loving you for hours and hours
Soon smothers me so tenderly

A thousand kisses say goodbye
And then they say you’ll never die
A lonely fanfare blew
And then they sing to you

A thousand kisses say goodbye
And then they say you’ll never die
A lonely fanfare blew
And then they sing to you

– Revenge of the Flowers
© Chrysalis Music Group, Sony/ATV Music Publishing

Revenge of the Flowers,Malcolm McLaren, Françoise Hardy, video,album, Paris,◼ MALCOLM McLAREN died three years ago today and is remembered on his website by his partner Young Kim with these lyrics from Revenge of the Flowers, a track from the concept album Paris… In 1994, he recorded his own music and words through performances by such prominent French stars as Françoise Hardy, seen above in the Duncan Ward video of 1995 singing Revenge of the Flowers. The album was essentially a love letter to the city he was to make a home in his final years. At AllMusic Stephen Thomas Erlewine’s verdict is: “The heavily orchestrated cabaret jazz backdrops tend to accentuate the sleaziness of McLaren’s words. And that’s what makes the record perversely fascinating: every element is so poorly conceived and executed that the entire thing appears to be an intentional joke.”

Punk, From Chaos To Couture ,New York, Metropolitan Museum , exhibition

A Chanel punk-inspired look from 2011. Photo © David Sims courtesy of the Metropolitan Museum of Art

➢ Punk: From Chaos To Couture is the next Costume Institute exhibition at the New York Metropolitan Museum of Art, May 9–Aug 14 – British photographer Nick Knight is the creative consultant on a show that examines punk’s impact on high fashion from its birth in the early 1970s, including a Couturier Situationists section dedicated to Malcolm McLaren and Vivienne Westwood. All presented as an immersive multimedia, multisensory experience, the clothes will be animated with period music videos and soundscaping audio techniques. Wow.

UPDATE APRIL 2013: A DEATH MASK FOR MALCY

Malcolm McLaren, Highgate Cemetery, bronze, death mask , Nick Reynolds

McLaren bronze death mask by Nick Reynolds

McLaren’s ostentatious memorial in Highgate Cemetery, unveiled this month, is inscribed “Better a spectacular failure than a benign success”. The black granite headstone holds a bronze death mask commissioned from Nick Reynolds, the sculptor, harmonica player and former Royal Navy diver, who has captured McLaren’s “trademark sneer”. Update 2017, in a Radio 4 programme about his trade the sculptor claimed: “I didn’t put that on. He actually had the sneer in death. Defiant to the end. . . I did meet McLaren when he was alive and asked him if I could do a cast of his head and he in his own inimitable style told me to F– O–.” Reynolds added: “I did him in the end.”

Reynolds has also cast masks of his own father the Great Train Robber Bruce Reynolds, fellow robber Ronnie Biggs, gambler George “Taters” Chatham, journalist William Rees-Mogg, actor Peter O’Toole and composer Pat Castange. He also owns the death masks of many famous people from Ned Kelly and Napoleon to director Ken Russell. They decorate every wall in his flat.

➢ 2010, What a tear-jerker! McLaren mashes up his own musical ‘Requiem to Myself’ – exclusive to Shapers of the 80s

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2013 ➤ RIP Milo O’Shea: to some Leopold Bloom, to us Durand Durand

O’Shea as the mad scientist Durand Durand in Barbarella, a 41st-century sex-romp made in1968: this was the character who inspired the name of Simon Le Bon’s pop group Duran Duran. Here he is seen at the keyboard of his Excessive Machine, trying to destroy Jane Fonda with simulated lust waves. © Dino de Laurentiis Cinematografica

O’Shea as the mad scientist Dr Durand Durand in Barbarella, a 41st-century sex-romp made in1968: this was the character who inspired the name of Nick Rhodes’s pop group Duran Duran. Here the Doctor is seen at the keyboard of his orgasmatron which he called the Excessive Machine, trying to destroy Jane Fonda with simulated waves of lust. © Dino de Laurentiis Cinematografica

O’Shea as Leopold Bloom: with Barbara Jefford as Molly Bloom in Ulysses (1967). Photograph: Ronald Grant Archive

O’Shea as Leopold Bloom: with Barbara Jefford as Molly Bloom in Joseph Strick’s Ulysses (1967). Photograph: Ronald Grant Archive

➢ Irish stage and screen character actor who appeared in Barbarella, Ulysses, Loot, Theatre of Blood – Michael Coveney tribute at the Guardian, April 3

For a performer of such fame and versatility, the distinguished Irish character actor Milo O’Shea, who has died aged 86, is not associated with any role in particular, or indeed any clutch of them. He was chiefly associated with his own expressive dark eyes, bushy eyebrows, outstanding mimetic talents and distinctive Dublin brogue.

His impish presence irradiated countless fine movies – including Joseph Strick’s Ulysses (1967), Roger Vadim’s Barbarella (1968) and Sidney Lumet’s The Verdict (1982) – and many top-drawer American television series, from Cheers, The Golden Girls and Frasier, right through to The West Wing (2003-04), in which he played the chief justice Roy Ashland… / Continued at Guardian online

O'Shea as chief justice Ashland in The West Wing 2003-04. © NBCU Photo Bank

O’Shea as chief justice Ashland in The West Wing 2003-04. © NBCU Photo Bank

O’Shea as Friar Laurence in Zeffirelli’s Romeo and Juliet, 1968: with Leonard Whiting and Olivia Hussey

O’Shea as Friar Laurence in Zeffirelli’s Romeo and Juliet, 1968: with Leonard Whiting and Olivia Hussey

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➤ Fin Munro plunges into love and takes a walk on the wild side

Bonnie and Clyde

Bonnie Elizebeth Parker and Clyde Chestnut Barrow: the gangsters enjoyed a long-standing relationship, but never married

❚ MORE NEW SOUNDS THIS WEEK from Fin Munro, the London-based deejay, producer, musician and founder of Bad Sex, a “cutting-edge, controversial and entirely hedonistic edgy club night”. Five months ago he launched an electro-synth duo with drama-studies graduate Charlotte Mallory. Her voice wafted languidly over one lovey-dovey song titled Way to the Heart, but brought rather more attack to another titled Friend/Lover – “Don’t want to be a friend/ I want to be a … lover” – in a very 80s layered mix of harmonies topped with a drum snap.

The act’s name, Thief, took as its promotional image the famous last snapshot taken in 1933 of Bonnie and Clyde, before their lethal police ambush as leaders of a notorious American gang of outlaws and murderers. Their exploits were romanticised in the 1967 biopic produced by the 29-year-old Warren Beatty, who also starred alongside Faye Dunaway. Thief’s Facebook page is plastered with a score of other baddies from history. So what’s that all about?


➢ Listen to Friend/Lover at Soundcloud

This week comes Satine Repeat. Could this curious title possibly be referencing Duchess Satine, the human female pacifist from the Star Wars saga with a soft spot for Obi-Wan Kenobi with whom she set out heroically to warn the Galactic Senate of the menace presented by Death Watch? Or possibly not.

This time Charlotte is telling Fin “You cannot have my love” over his brittle and pacily syncopated rhythms. Charlotte’s austere voice delivers the odd dying fall – “You’re dragging me dow-ow-ow-own, dow-ow-ow-own” – one of Fin’s familiar lyrical devices last heard in his previous band Lu-u-u-ux. All of which does prove quite mesmeric. Of course, Satine did meet a tragic end at the point of Darth Maul’s dark sabre…

Thief, Fin Munro, Charlotte Mallory,Satine Repeat

Latest pic of Thief, April 2013: Fin and Charlotte


➢ Listen to Satine Repeat at Soundcloud
➢ Thief at Facebook

Fin Munro,badsexclub, clubbing,deejay

Fin Munro: turntablist returns to songwriting

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2013 ➤ Remembering why Mick Ronson’s talent deserves to be celebrated

David Bowie, Mick Ronson

The day they signed to RCA, 1971: David Bowie and Mick Ronson in New York

➢ Tonight April 1: Songwriter Gary Kemp marks the
20th anniversary of the death of “the man who rode shotgun to Ziggy”– 10pm, BBC Radio 2, then on iPlayer

“That’s my Jeff Beck” – David Bowie after hearing
Ronson playing in The Hype, 1970

❏ Mick rose to fame as lead guitarist and music arranger on David Bowie’s albums, the missing link in creating the Bowie sound – those signature riffs. “As a guitar god, Ronno inspired a whole generation of guitarists,” says Spandau Ballet’s Gary Kemp. Mick was a born collaborator and all-round nice guy, and his amazing ability for interpreting and arranging songs soon found him in demand from some of the biggest names in rock, starting with Lou Reed on his album Transformer. Another outstanding Ten Alps documentary (worth hearing over a hifi system) sees a stellar cast of musicians including Chrissie Hynde, Tony Visconti, Ian Hunter, Trevor Bolder and Woody Woodmansey explaining why Mick is such an important figure in British rock’n’roll, while Kemp narrates… In 1992, diagnosed with cancer, Mick produced Morrissey’s album, Your Arsenal. The same year, Ronno’s final live performance was playing All the Young Dudes at The Freddie Mercury Tribute Concert.

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