Category Archives: nightlife

➤ Day Three of Terry Smith’s unseen photos inside the Blitz Club – exclusive

Nik & Trick Photo Services, Folkestone

The two Welsh soul-boys, one straight, one gay, who shaped the future of 80s clubland: Chris Sullivan went on to run Soho’s Wag club for 19 years… And Steve Strange, whose Blitz legacy landed him and deejay Rusty Egan the mighty Camden Palace in 1982

➢ DAY THREE:
CLICK HERE TO VISIT OUR
GALLERY OF TEN FAB NEW IMAGES
OF THE BLITZ IN 1980

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◼ IN 1980 THE BLITZ CLUB ENTERED its second year: here was your invitation to the Swinging 80s, where daily life would never sound or feel the same again. Paris and New York had taken the cultural lead during the recessionary 70s; now London was to become the creative powerhouse as Britain rode out dark times and its youth culture leapt back into the world spotlight.

In February 1979, the axis of Steve Strange as Tuesday-night greeter and Rusty Egan as deejay had graduated from Billy’s in Soho to the Blitz in Covent Garden. This was a bar decorated with Second World War austerity that was thought to echo the down at heel 70s: bare floorboards, gingham tablecloths, hanging lights with dusty enamel shades, framed pictures of our wartime leader Churchill.

In the post-punk no-wave vacuum, the Blitz’s manager, Brendan Connolly, had been struggling to promote intimate cabaret, and the dressy crowd fostered at Billy’s were cabaret incarnate. Nevertheless it took a full year before the new spirit of optimism expressing itself through fashion caught the attention of the savvy media which in April 1980 included photographer Terry Smith shooting for TIME magazine.

Now in retirement, Terry has exhumed rolls of his film and chosen the best of his colour slides for Shapers of the 80s to publish exclusively. Earlier this week we unveiled 20 of his choice images inside the Blitz and today we showcase a further ten. More to follow on Tuesday.

➢ Previously at Shapers of the 80s:
Days 1 & 2 of Terry’s Blitz pix in colour

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1980 ➤ Unseen photos inside the Blitz Club, exclusively at Shapers of the 80s

Nik & Trick Photo Services, Folkestone

Never before published: Steve Strange, co-founder with deejay Rusty Egan of the legendary Tuesday night at the Blitz in London

➢ DAY ONE:
CLICK HERE TO VISIT OUR
GALLERY OF TEN FAB IMAGES
OF THE BLITZ IN COLOUR

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AN ENORMOUS NEW CACHE of photographs of the Blitz Club in colour has been discovered from the spring of 1980 when the UK media started to take an interest in the Tuesday-night antics of the nightlife posers at Covent Garden’s Blitz Club. They were to become celebrated as the Blitz Kids by some and as New Romantics by others. Until this moment it has been easy to count the number of surviving professional pictures ever taken inside the Blitz during its 20-month life – all of them in black-and-white – and the total doesn’t even approach 100.

Now a call to Shapers of the 80s by the British photographer Terry Smith has unearthed probably 300 more images, commissioned by Time magazine. Many of them are in glorious colour, shedding extra light on the creativity of the night-owls who were in the throes of transforming the fashion and pop landscape of Britain in the Swinging 80s.

Shapers of the 80s today showcases the first of four batches of Terry’s pictures capturing the Blitz in colour, while a selling exhibition of his black-and-white images is preparing to open on 7 June in St Leonards-on-Sea.

➢ Terry Smith/Blitz and Pieces: Unseen Blitz Club Pictures
& 80s Bands runs 7 June–21 July 2018 at Lucy Bell Gallery,
St Leonards-on-Sea, East Sussex TN38 0EJ.
Preview 7 June, 6-8pm

Nik & Trick Photo Services, Folkestone

Blitz Club 1980: Can you name these early New Romantics in the frilly-shirt posse?

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➤ V&A celebrates Steve Strange as the poser who put the pazazz into 80s nightlife

Blitz Kids, New Romantics, fashion, pop music, Swinging 80s, archive, nightlife, Steve Strange, Keith Lodwick, lunchtime lecture, V&A museum,

Giving this week’s V&A Lunchtime Lecture, May 2018: Curator Keith Lodwick in full flow. . . On-screen, Bowie’s Pierrot costume displayed in the V&A’s 2013 exhibition Bowie Is, with Steve Strange and other Blitz Kids pictured in Bowie’s Ashes to Ashes video in 1980

80S POP-STAR FRIENDS OF STEVE STRANGE turned out this week for a unique event at the V&A, the UK’s premier museum of art and design. The weekly Lunchtime Lecture was titled Steve Strange: From Blitz Club to Top of the Pops, and was delivered by Keith Lodwick, curator of Theatre and Screen Arts, to an audience that included singer Clare Grogan, ABC’s Martin Fry and his wife Julie, Jennie Matthias from The Belle Stars and Fifi Russell from Yip Yip Coyote. Steve’s mother Gillian Harrington and his sister Tanya had travelled from Wales with PR Amanda Lloyd to attend the occasion with other family members.

The talk traced Strange’s flamboyant life from Wigan Casino, through glam-rock and punk, to hosting a landmark club-night at Billy’s jointly with deejay Rusty Egan, then another at the Blitz in 1979–80. This was the club-night that Band Aid organiser Midge Ure has described as “the beating heart of the electronic dance music that led the 1980s.”

Strange said of his strict admissions policy on the door: “I wanted creative-minded pioneers who looked like a walking piece of art.” Indeed, the club became Strange’s own catwalk for sporting outrageous outfits by both the leading designers of the day and London’s budding fashion students. Lodwick said: “He once told a journalist ‘I am on stage 24 hours a day’. Steve, who died in 2015, remains one of the enduring figures of the New Romantic period.”

Click any pic below to view larger in a slideshow

Lodwick reminded us of the pop pantheon Strange was joining at the museum when he extended “a huge thank-you to Gill, Tanya and Amanda for being a link in the chain that enabled the V&A to acquire Steve’s archive and costumes two years ago. The family donated mainly clothes from the 2000s – including designs by Vivienne Westwood and Alexander McQueen. Steve’s costumes join those worn by Sandie Shaw, the Beatles, Mick Jagger, Marc Bolan, Jimmy Page, Elton John and Adam Ant.”

We watched two video clips which underlined Strange’s obsession with image-making: the music video for his band Visage’s hit Fade to Grey in which he is transformed into a snake; and a documentary in which milliner Stephen Jones suggests that berets he made for both Strange and for the Princess of Wales coupled them “as a fashion force together”.

Lodwick concluded: “Steve’s legacy will live on for being central to re-energising the club scene in London – pushing forward electronic music, fashion, photography and pop.”

➢ Elsewhere at Shapersofthe80s: Strange days, strange nights – first report on the Blitz from Yours Truly in 1980

➢ Elsewhere at Shapersofthe80s:
2015, Original Blitz Kids say farewell to Steve Strange – read exclusive tributes to the King of the Posers

➢ Read the story of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer, by Yours Truly

Blitz Kids, New Romantics, fashion, pop music, Swinging 80s, archive, nightlife, Steve Strange, Keith Lodwick, lunchtime lecture, V&A museum,

At this week’s V&A talk: Some of the women in Steve Strange’s life. . . From the left, sister Tanya Harrington, Monica Towner, Rachelle Boyle, Eve Ferrett, Kimbo at centre next to Steve’s mum Gill, Jennie (Belle Stars) Matthias (almost hidden at back), Wendy Tiger, Alison Graham, Amanda Lloyd far right

➢ Talks, lectures, conversations and pop-up events at the V&A

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1983 ➤ When The Face led the cultural agenda

art schools, The Face, magazine, fashion, style, music, nightclubbing, cuttings, subcultures, analysis, history, Swinging 80s, London

London,Chris Sullivan, Dirt Box, Mud Club,Wag club,Dencil williams, Phil Gray , Ollie O’Donnell,White Trash,Philip Sallon,Nightlife, Rob Milton, The Face,Swinging 80s, clubbing

The Face No 39, July 1983 © Nick Logan/The Face Archive

◼ 1983 PROVED TUMULTUOUS for British youth culture. By December, London’s leading club deejay Jay Strongman declared “This was the year of Go For It”, after 17 new British pop groups lorded it in the US top 40 chart that autumn, while our spirited fashionistas were making waves around the world, with Princess Diana playing ambassador for the classic designers, and Boy George pushing the wilder extremes of street style. Among major features I wrote for The Face was February’s cover story The Making of Club Culture, and in the Evening Standard Posing with a purpose at the Camden Palace, a centre spread on the runaway megaclub hosted by Strange and Egan.

Nightlife was a burgeoning story as black beats took over dancefloors everywhere and Manchester’s tearaway megaclub was the Hacienda, despite the oppressive clean-up being imposed by the city’s infamous Chief Constable. Clubbers from across the nation swarmed in to create a grand coalition of all the cults – “your complete i-D line-up, minus the Worlds End spendthrifts”. In my January report for The Face one inmate bemoaned Hacienda music as  “too funk-based” though another, a flat-top lad called Johnny Maher, revealed his secret, despite having launched some new indie rock band minutes earlier. “I schtupp to funk,” he said.

The Face, journalism, RCA, government, cuts, costs, education, fine art, painting, printmaking, film-making, music schools, fashion, Henry Moore,

© Nick Logan/The Face Archive

In July The Face published a major piece of reportage, Art on the Run, prompted by numerous friends in fine-art education, and billed it as a “shock report” on the Conservative government’s debilitating squeeze on the art schools. Ironically in the same issue my regular Nightlife column identified the four hottest clubland teams as a Who’s Who in the New London Weekend: “Not since the Swinging Sixties had London nightlife reverberated to such a boom.” These clubs were the unofficial job centres that kept a generation in freelance employment and introduced the verb to vop into the language (derivation: “What are you up to these days?” – “Oh, a Variety Of Projects”). Some of that effort was fuelling the rise of computer games which in the June issue Virgin assured me was “the new pop industry”!

 Oliver Peyton , Brighton, nightclubs, The Can, The Face, reviews

Brighton hotspot 1983: Ian, Oliver Peyton and Kate hosting The Can (Photo Shapersofthe80s)

My Nightlife column in The Face’s October issue featured Brighton’s trendiest hotspot (seconds before the very word trendy passed its sell-by outside the Greater London stockade). The Can was presided over by a young Oliver Peyton with Andy Hale as the deejay breaking funk there. Years later Oliver thanked me for this exposure and said he would never have come up to London and started opening restaurants without The Face’s prompt! (One of the few people who have ever thanked me for writing about them! Cheers, Oliver.)

Jay Strongman , DJ, The Face, magazine, interview

Jay Strongman in 1983: ruling London’s three hottest turntables

By this fertile year’s end I had FIVE indicative pieces of reportage published in the December issue of The Face including a detailed rundown on the new dance music by club deejay Jay Strongman, plus news of the imminent Westwood/ McLaren break-up which I’d scented from body language backstage at their Paris runway show.

The launch of the first London Fashion Week that same October confirmed that British street style was being feted in the international spotlight, yet it begged the question how on earth had this suddenly come about? Click through to our inside page to read the feature investigation that set out to answer such questions, by asking decision-makers in the industry to identify the best of Britain’s young designer talent under the headline Eight for ’84. . .

The Face, magazine, fashion, style, music, Eight for 1984, cuttings, subcultures, analysis, history, Swinging 80s, London

From The Face No 44, Dec 1983 © Nick Logan/The Face Archive

First published in the Evening Standard, Nov 4, 1983

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➤ Celebs turn out for ‘Scoop’ Simper’s pop pantry party

popstarsinmypantry‬, Paul Simper, Unbound publishing, books, pop music, nightclubbing, Swinging 80s, London,

Jacquie O’Sullivan, vocalist partner in hot popsters of December 1993 Slippry Feet, with ‘Scoop’ Paul Simper

FRIEND OF THE STARS (1980s division) Paul “Scoop” Simper threw a launch party for his book Pop Stars in My Pantry (PSIMP) at London’s Union Club on Thursday. He was delighted to be in Greek Street, of all the streets in Soho, because that’s where his story began, at the legendary Le Beat Route club directly opposite…

➢ Click through to full report and pictures from the PSIMP party

popstarsinmypantry‬, Paul Simper, Unbound publishing, books, pop music, nightclubbing, Swinging 80s, London,

Simper with his special Bananarama Award for inspiring their gold album Tea at Mrs Simper’s, presented at the book launch by their manager Peter Loraine. Who can forget Robert De Niro’s Baking, and King of the Crumble? (Photo by Shapersofthe80s)

➢ Previously at Shapersofthe80s:
My pantry, my memoir – ‘Scoop’ Simper relives the flamboyant decadent 80s

➢ Previously at Shapersofthe80s:
1982, Simper tells of Sade’s first foray to New York City

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