Category Archives: London

➤ The day Gary Kemp reduced hard-nosed Guardianistas to tears

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◼ AS WITH ANY ARTICLE AT THE GRAUNIAD about New Romantic cheerleaders Spandau Ballet, the resulting comments published online are always riotously entertaining. This is the one band that really winds up Guardianistas to a pitch of fury. When the 80s band announced their reunion tour in 2009, Michael Hann declared how much he’s always loathed them in a Graudina music blog which then provoked 342 comments — 342! — most of them apoplectic. How many other bands can claim such a following?

books, Lyrics of Gary Kemp,Lyric Book Company,

As it happens the Spandau songwriter has recently published an 88-page coffee-table book, titled The Lyrics of Gary Kemp from Lyric Book Company

Today for no apparent reason, the Guranaid runs an item about how Gary Kemp and Steve Norman made Spandau’s 1983 No1 hit True, in which lyricist Kemp admits: “I’m still berated for the line Take your seaside arms, but it’s straight out of Lolita by Vladimir Nabokov.”

Readers of Shapersofthe80s already know that the song was inspired by Kemp’s unrequited pash for poppette Clare Grogan — he was 22, she was 18 — who fronted an 80s band of Scottish cuties called Altered Images. On the same page, Steve Norman deconstructs his self-taught sax solo which has a key change in reply to Grover Washington’s Just The Two of Us.

All of which strangely prompts tearful blubbing at the Graun, rather than the usual explosion of acerbic outrage. Specimen comments follow after this gratuitous excuse to run a video…

VIDEO OF DARLING CLARE IN HER HEYDAY,
NOT TO MENTION SWIVEL-HIPS TICH

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➢ Meanwhile back to today’s Grauniad Online:
❏ Nietzsche39 (who else?) notes: “You don’t bastardise Nabokov. Seaside arms is absurd. Seaside limbs is genius.”

❏ Nepthsolem moans: “It always sounds to me like See side arms, as though referring to the service revolver I imagine was issued to all New Romantics, but sadly never used on TOTP.”

❏ DeeSawdeley says: “I always thought it was seaside aunt, which (for those of us with a seaside aunt, anyway) makes much more sense. Bet he wishes he’d written that now!”

❏ Stolencar comments: “Note also he says she gave him a copy of Lolita not that she had read it.”

❏ To which Vastariner responds: “There’s a picture of her reading it on the front of the Best Of Altered Images compilation released in 1991. Some might call me obsessed for knowing that, or because I have a username taken from one of her lyrics… etc etc.”

❏ From another planet, Golgafrinchan sobs: “I had unrequited love for Clare Grogan, still do to be fair. If you’re reading this Clare, get in touch, there’s still time.”

❏ DameHedwig adds: “I’ve often told my son that if things had worked out for me, Ms Grogan would be his Mum.”

❏ And Mccaugh: “As for the sublime Miss Grogan, well, just how many times did we go and see Gregory’s Girl? Helped, of course, by the fact that it ran at the Dominion Cinema in Edinburgh for three years non-stop.”

❏ Finally Bloodydoorsoff tells a despicable and blatant untruth about darling Clare, so you’ll just have to go to Grunadia Online to see it. And plenty more.

John Gordon Sinclair, Scott Neil), Clare Grogan, Glasgow Film Festival ,Gregory’s Girl

Glasgow Film Festival 2010: Darling Clare seen with Gregory’s Girl sidekick John Gordon Sinclair. In 1994 — sorry, lads — she married bandmate Stephen Lironi in Glasgow and today the couple live in Haringey, London, with their adopted daughter. (Photography by © Scott Neil)

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1928–2012 ➤ Sassoon’s revolution: No teasing. No hair spray. Just the cut.

Vidal Sassoon,the bob, Mary Quant, hairstyles

1963: Sassoon creates the “bob” on designer Mary Quant. (Photo: Getty)

“He revolutionised not just hair but fashion” — model-turned-Vogue fashion editor Grace Coddington

Vidal Sassoon , Albert Hall,

Comeback 1975: Vidal Sassoon between two contrasting examples of his hairdressing for a teach-in at the Albert Hall, where he returned to hairdressing after a five-year break. (Photograph by Tim Graham / Getty)

➢ The Daily Telegraph reports the death at 84 of celebrity hairstylist Vidal Sassoon, whose 1960s wash-and-wear cuts freed women from the tyranny of hairspray…

Vidal Sassoon, who was found dead at home on Wednesday, was at the cutting edge – literally and metaphorically – of hairdressing. His sharp, geometric, low-maintenance 1960s hairstyles revolutionised his craft, sounding the death knell for the stiff, set hairdos of the 1950s. An astute businessman, he made a fortune from his salons and products, and became a household name. “I wanted to eliminate the superfluous and get to the basic angles of cut and shape,” he said… / continued online

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❏ Craig Teper’s 2010 documentary Vidal Sassoon: The Movie follows the true rags-to-riches tale of how a boy from a London orphanage went on to open his own Bond Street salon in 1958 and — influenced by the Bauhaus designs he had studied — he create the “shape” that became his signature cut, the five-point bob. It revolutionised hairdressing. His geometric wash-and-wear cuts marked the end of the beehive and the bouffant hair styles of the 50s. Admirers included the Duchess of Bedford, model Jean Shrimpton, actor Terence Stamp, and film star Mia Farrow. In 1963 he devised the classic “bob” for fashion designer Mary Quant, who called him the “Chanel of hair”. By 1964 he’d gone international by opening his first salon in New York.

Vidal Sassoon, Movie

Sassoon The Movie: the London crimper freed women from 50s bouffants by pioneering the low-maintenance hairstyles that defined the 60s

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➤ Shapersofthe80s is declared an “invaluable website” by British historian

“winter of discontent” ,  Leicester Square, strikes,

Britain’s infamous “winter of discontent” that brought down the Labour government in 1979: as public service workers went on strike, rubbish piled-up even in London’s Leicester Square

Seasons in the Sun,Battle for Britain, Dominic Sandbrook, books, history, Allen Lane,❚ AN “INVALUABLE WEBSITE” — this is the verdict on Shapersofthe80s by historian Dominic Sandbrook, author of the rich new cultural analysis, Seasons in the Sun: The Battle for Britain, 1974–1979. It’s a doorstep of a book, yet highly readable, which reveals numerous upbeat aspects to the chaotic decade many write off as worthless.

Chapter 31 is especially inspirational! Sandbrook gives generous credit to key characters who Shapersofthe80s has long maintained deserve recognition as movers and shapers pivotal to the energy of the 80s. And, having quoted chunks from our own texts, the historian gives due acknowledgement in his extensive bibliography. Indeed, the scope of his research is more impressive than for much other contemporary history, as Sandbrook not only cites political and economic mandarins, but also sifts fine detail from popular culture and eye-witness reportage across the whole social spectrum.

Sandbrook writes: “Behind the lurid news stories, the late 1970s were the decisive point in our recent history. Across the country, a profound argument about the future of the nation was being played out, not just in families and schools but in everything from episodes of Doctor Who to singles by the Clash. These years marked the peak of trade union power and the apogee of an old working-class Britain – but they also saw the birth of home computers, the rise of the ready meal and the triumph of a Grantham grocer’s daughter who would change our history for ever”

Seasons in the Sun is the fourth title in Sandbrook’s survey of postwar Britain. His unstuffy combination of high and low life is behind the BBC2 series The Seventies currently viewable live and on iPlayer.

BBC2 series The Seventies,Seasons in the Sun ,Dominic Sandbrook

Sandbrook’s Seasons in the Sun forms the basis of the current BBC2 TV series The Seventies

REVIEWS OF SEASONS IN THE SUN

❏ “The first three volumes of Dominic Sandbrook’s epic history of Britain between 1956 and 1979 were exceptionally good. The fourth, Seasons in the Sun, is magnificent … marked by its pace, style, wit, narrative and characterisation as by its exhaustive research.” — Roger Hutchinson, Scotsman

❏ “Sandbrook has created a specific style of narrative history, blending high politics, social change and popular culture … his books are always readable and assured, and Seasons in the Sun is no exception … Anyone who genuinely believes we have never been so badly governed should read this splendid book.” — Stephen Robinson, Sunday Times

1977, Jayaben Desai, Grunwick, strike, picket

August 1977: Jayaben Desai, treasurer of the strike committee at the Grunwick photo-processing plant, had been picketing for a year, supported by white, male trade unionists while postmen blocked the company’s mail. (Photograph by Graham Wood/Getty)

EVEN WIDER PERSPECTIVE FROM LEADING PLAYWRIGHT

➢ Playwright David Edgar draws together the Sandbrook quartet in The Guardian, May 9, 2012: The 1970s was the moment when our century arrived… As Sandbrook insists, the women’s liberation movement was as much about Hull’s fishermen’s wives and female machinists at Ford Dagenham as feminist activists disrupting Miss World. In 1971, workers campaigning against the closure of Upper Clyde Shipbuilders borrowed the student tactic of the sit-in. As 1970s chronicler Andy Beckett argues, the gay groups who stood shoulder to shoulder with trade unionists outside Grunwick prefigured an alliance which “would become commonplace in the decade to come”. The identity politics that were to become such a satirised feature of the left of the 1970s arose not just out of campus and culture but class war… / continued at Guardian online

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2012 ➤ How guitar wizard Bert taught two million young Brits to “play in a day”

Bert Weedon, “Mr Guitar” ,Play in a Day ,tutor,Eric Clapton,

ERIC CLAPTON, the only three-time inductee to the Rock and Roll Hall of Fame, once said: “I wouldn’t have felt the urge to press on without the tips and encouragement that Bert’s book gives you. I’ve never met a player of any consequence that doesn’t say the same thing”

➢ On his death, The Guardian pays tribute to Bert “Mr Guitar” Weedon, author of the novice guitar players’ bible which has sold over two million copies since it was published in 1957 …

The manual Play in a Day was the bible for generations of budding guitarists in the 1950s and 1960s. Its author was Bert Weedon, an unassuming dance-band musician whose unpatronising approach made him Britain’s earliest expert on the instrumental niceties of rock’n’roll. Weedon, who has died aged 91, was among the first British musicians to incorporate into his style the innovations of American country and western, boogie and rock’n’roll guitarists.

Hank Marvin, Paul McCartney, George Harrison, Brian May and Eric Clapton were among those whose introduction to the guitar was strumming through the exercises in Weedon’s tutor books. McCartney’s testimony was typical: “George and I went through the Bert Weedon books and learned D and A together … / continued online

❏ Herbert Maurice William Weedon, guitarist, born 10 May 1920; died 20 April 2012

➢ Play in a Day is still in print — details at Bert Weedon’s own website where he offers plenty of tips and hints

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2012 ➤ East London hipsters: leave your mark on Dazed’s instant history map

Jamie Hawkesworth,Dazed & Confused ,Secret History, East London

Photographed by Jamie Hawkesworth, clockwise from top left: Elijah Butterz, Nasir Mazhar, Tracey Moberly, Kathryn Ferguson, Yang Du, Martine Rose, Missy the dog, James Edson, Charlotte Jansen

➢ Kicking off its Secret History of East London project, the May issue of Dazed & Confused “asks a host of creatives, pioneers and dreamers whether rising rents, silicon roundabouts and a surfeit of artisinal [sic] coffee means that it’s all over for the creative inhabitants of east London”.

The young photographer Jamie Hawkesworth was asked to capture parts of the creative community — portraits of the artists, designers, musicians, publishers etc working from the area — and for his own memories of east London: “I’m always inspired by people that have a really strong character, a real sense of being and an expressive personality that comes across in the slightest of touches.” See above for the result.

Dazed Digital invites you to map your memories on its interactive timeline

Secret History ,East London ,dazeddigital,Cantaloupe

At Dazed Digital: a few hundred yards adrift, a black cross marks the fabled Cantaloupe where boys and girls learned the cruel facts of life about Shoreditch in the 90s


➢ Being taught the rules of London in the Canteloupe [sic] — See black cross added today by Duncan to Dazed Digital’s map. He says: “When I first moved to London in 1998 from Manchester, in fact my second day I think it was, I was in the back of the Canteloupe on Charlotte Road in Shoreditch and got talking to a guy from Manchester who told me the ‘rule of London’ being that you have to be brutal and move through social groups until you find YOUR people … taking the ones from a group you like the most and then surfing through people because London runs deep. It was a ‘big city’ chat. I didn’t really follow the advice, but I remember the advice like it was yesterday… Today (17th April) I walked past the Canteloupe and it has just closed, being refitted…”

Secret History ,East London ,dazeddigital,Cantaloupe,restaurants

Since November 1995 scruffy old Cantaloupe has been the benchmark of cool among the artisan streets of the Wild East: “as essential to Shoreditch as misunderstood haircuts, bubbling new musical hybrids and devil-may-care debauchery”

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