Monthly Archives: Jan 2014

2014 ➤ Reunion in the air for Culture Club – again

Culture Club, reunion, 2014,Mikey Craig, Roy Hay, Jon Moss, Boy George, pop music

January 2014: George with his old band-mates from Culture Club – clockwise, Roy Hay, Mikey Craig and Jon Moss (photo from Facebook)

➢ Boy George posts a new pic at Facebook Jan 31, and says:
Had a little writing session with the Club last week. Four degrees of pout! The plot thickens.” … His website adds: “Expect a new album and a tour from Culture Club by the end of 2014.

❏ The last time George announced a Culture Club reunion (2011 New Year’s Eve gig in Sydney, Australia) Jon Moss was also photographed in the studio rehearsals, but he couldn’t be there on the night. Update Feb 2014: In an entertaining new interview on YouTube (below) Jon explains why at around 12 minutes…

➢ 2014 George adds six new UK dates to his This Is What I Do tour including London Indigo

➢ George announces his new website, Jan 29 and Club Culture Radio, his new monthly podcast

Culture Club, 1982,Mikey Craig, Roy Hay, Jon Moss, Boy George, pop music

Early incarnation of Culture Club in 1982: described by George at Facebook as Mikey’s difficult “jumper” period

➢ Boy George at Facebook, Jan 24:
A lot of people don’t know I’m a DJ but I’ve been doing this for 30 years! They say, Oh you’re not the Boy George from the 80s though are you? and I say Yeah, there’s only one; it would have been dangerous to make two! The fan comments are even sharper, eg, “Do you do private weddings?”

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2014 ➤ Spandau together again as their ‘surprise’ movie is slated for Texas premiere

Spandau Ballet, Botanic Gardens, New Romantics, Blitz Kids, Birmingham.

Kilted leaders of the New Romantics in 1980: Spandau Ballet plus their entourage of Blitz Kids travelled to Birmingham’s Botanic Gardens to play their eighth live date. (Photograph by Shapersofthe80s)

[Updated Feb 12]

❚ WITH A TITLE AS ZEALOUS AS any of their New Romantic songs from 1980, Soul Boys of the Western World is the documentary movie about the time Spandau Ballet became the musical leaders of London’s underground clubland. For two years they were the trendiest creatures on the planet as they reshaped British music and fashion, believe it. The 102-minute biopic is to be premiered on March 12 in the 24 Beats Section of the prestige new-media conference SXSW in Austin, Texas, running March 7–16. To complete the first reunion of the whole band since their 2010 tour ended, singer Tony Hadley will be flying out to join Gary, Martin, John and Steve at the screening.

Fans who imagine they can gate-crash, however, will be seriously stymied by the price of registration for the film programme which increases to $650 the later you book. Before travelling to Austin, Spandau fans are advised to ensure they have secured a ticket. Hints from the Spandau team suggest there may be more news soon.

Spandau Ballet, New York, Underground club, 1981

1981 footage found: Spandau’s first New York performance recovered after this cameraman was traced. Photographed by © Shapersofthe80s

The film contains no present-day pontificating from the band’s famously garrulous entourage of talking heads, only through vintage film footage telling their story as it unfolds. Steve Dagger, Spandau’s manager and its sixth member since the band was created and now the film’s co-producer, is impressed and excited by the extensive research which has been fanatically pursued for the past three years. Initiated by archive producer Kate Griffith, this has turned up many true gems of previously unseen footage even of the landmark “First Blitz invasion of America” with the Axiom fashion collective in 1981 which was located in only the past three months. Offcuts from footage of the band’s followers shot in Le Kilt club for BBC Newsnight were also discovered in a box that remained unopened for 30 years. There are also clips from the band’s home movies.

Songwriter Gary Kemp is over the moon at the painstaking finesse of the production led by Scott Millaney, one of the iconic producers of 80s pop videos. Kemp said last week: “People should be really knocked out by some of the material we’ve discovered.”

Director George Hencken aims to takes audiences through the cultural, political and personal landscapes of Britain as the Swinging 80s burst from the recessionary gloom of the 70s. Soul Boys Of The Western World explores life inside the bubble of global superstardom when British pop music ruled the world. Spandau Ballet themselves believe the film to be “a brutally honest story of how friendships can be won, lost and ultimately regained”.

documentary, film, Soul Boys of the Western World, Spandau Ballet, SXSW, Texas, premiere, pop music, Swinging 80s, London, fashion, nightclubbing, New Romantics, Blitz Kids,

Nomad warriors on the streets of north London, 1981: Spandau Ballet dressed for their Musclebound video. Martin Kemp called his the Mad Monk outfit. (Promotional pic for the documentary film, Soul Boys of the Western World)

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➤ Thief duo take a trip into the 90s

Fin Munro, Charlotte Mallory, electronic music, pop, Thief, concert, review, London, Hoxton Bar

Thief in Hoxton: languid romance from vocalist Charlotte Mallery. (Photography Shapersofthe80s)

❚ A DECADE SHIFT HAS MOVED Thief’s sound into another era of Britpop. Wednesday’s live set of half a dozen numbers at the Hoxton Bar and Grill suggests that the electro duo’s early 80s vibe has acquired the garagey feel of the 90s, while still evincing languid romance.

Mesmeric hints of Sade layered with essence of Massive Attack result in laid-back electronic lounge music with kickin’ beats and bleeps. The single Friend Lover becomes a mildly melancholy love song as delivered by its lyricist, drama-studies graduate Charlotte Mallory, yet it is propelled by the optimistic harmonics and percussion of Fin Munro, keyboardist, deejay, producer and London club-host. As they told radio deejay Gary Crowley in an interview last month, their songwriting partnership pursues the themes of soul and emotion, complicated feelings and unrequited love.

An EP is planned for release within the next couple of months. Meanwhile catch Thief again on Thursday Jan 30 at The Notting Hill Arts Club.

Fin Munro, Charlotte Mallory, electronic music, pop, Thief, concert, review, London, Hoxton Bar,

Thief in Hoxton: electronics by Fin Munro, vocals by Charlotte Mallery. (Photography Shapersofthe80s)

➢ Listen to Thief interviewed by 80s pathfinder Gary Crowley – Tuesdays at 7pm on Amazing Radio (not forgetting his Music Machine, Saturdays at 6pm on BBC London)

➢ Fin Munro interviewed at Farah, Feb 6:
We’re a two piece, Charlotte sings and I play the music. We’ve been influenced by bands like Sade, Everything but the Girl, but also more recent acts like SBTRKT, James Blake and Purity Ring. We’re an electronic band but we definitely have influences of soul and R&B in our songs… / Continued online

➢ Charlotte Mallory blogging at Huffington Post, Feb 6:
Fin and I first met at a house party four years ago. He’d just been to see The XX at Maida Vale studios earlier that day, so was feeling musically inspired to start something new. Although we didn’t form Thief that year, we began sending each other music we liked and kept in contact while I was studying at Sussex Uni in Brighton and he was DJing and running club nights in London… / Continued online

FRIEND LOVER AT SOUNDCLOUD

Don’t Let Go (En Vogue Cover) AT SOUNDCLOUD


➢ Previously at Shapersofthe80s: Fin Munro plunges into love and takes a walk on the wild side

➢ Thief at Facebook

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➤ Double whammy for cabaret comeback Eve

Eve Ferret ,David Stewart, Stray,  London Short Film Festival , ICA

Eve Ferret in David Stewart’s film, Stray, which is in the London Short Film Festival January 10-19, at the ICA. The LSFF is an annual event that showcases some of the best short-film making talent in the UK

❚ TODAY’S HOT NEWS from cabaret artiste, Eve Ferret:

I hate crowing but I want to share with you that we have got into the London Short Film Festival with a film called Stray which was my concept and art direction alongside Mark Summerfield… Blah Blah and I appear alongside Dudley Sutton, Jenny Runacre. The director is the wonderful David Stewart. It is being shown on January 12 under Left Field And Luscious at the ICA of all places. You can see a trailer for it here.

Plus I just got Best Comeback The Stage (as you know, I hadn’t performed for over 15 years) which I think is blinkin hilarious as it makes me sound like return of the 50ft woman and my Fabaret is back on again on Sundays January 12 and 19 at the fabulous Crazy Coqs in London – tickets via Brasserie Zedel or 0207 734 4888. “Oh the ferret is a crowing.” I’m gonna be whacked with a wet fish for doing so but there you go. Love Eve xx

Eve Ferret Fabaret

Former Blitz Kid Eve Ferret in her recent Fabaret in London

➢ More about Eve at the Blitz club

litz club cabaret , Biddie & Eve, James Biddlecombe ,Eve Ferret, Blitz Club

Blitz club cabaret duo James (Biddie) Biddlecombe and Eve Ferret snapped in 1977 by artist Richard Walker

http://youtu.be/RrHw5j53igo

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➤ Mr Porter asks the expert about: bomber jackets

Chris Sullivan, video, bomber jackets, fashion, style, YouTube

Click on the picture to view Sullivan’s video in a new window

CHRIS SULLIVAN, STYLE JOURNALIST and legendary former director of Soho’s Wag club, suggests why bomber jackets transcend the notion of fashion – “which is rather unbecoming for any man over the age of 30”. . . In the UK during the second world war a cottage industry sprang up of American servicemen getting their A2s copied by English tailors. Sullivan says: “You can have a bomber jacket for 30 years and still keep wearing it because it will always look good.”

➢ Previously at Shapersofthe80s: Sullivan tells the ribald tale of the mayhem he helped cause in clubland

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