Tag Archives: Video

2012 ➤ Can this be the year Pulp and Jarvis start delivering classic reissues?

Jarvis Cocker, US tour, dates,Pulp, playlist, Spilt Milk,pop, Spain

National treasure: Jarvis Cocker on the road again this year with the original members of Pulp. Photographed by Shannon McClean

❚ ARE THEY MAD? They’re letting Jarvis Cocker into the States in April, with his Britpopping band who reunited last year! Following those hugely popular festival dates in Europe, and several in the UK which re-established Jarvis as the single most credible face of indie pop, Pulp in the US kicks off April 11 at Radio City Music Hall, storms into two Coachellas, sidles over to San Francisco, and that’s not all… parachutes into Spain again in May, so get booking!

On top of which, the retro-obsessive site The Second Disc reports the historic background to remastered reissues on Feb 20 of Pulp’s first three albums on the Fire Records label, on which the band spent a tempestuous and frustrating decade into the 90s. The awesome and undeniably strange albums It (1983) and Freaks (1987) and Separations (1991-2) have been expanded to include a host of non-LP singles and B-sides. Fire claims: “They cover a staggering sonic range from the pastoral, acoustic sounds of It, to the darkly romantic Freaks and the disco-tinged Separations. They point to Jarvis Cocker’s varied sources of musical inspiration and show a band in the process of finding their own unique voice.”

Cocker’s exceptional and seeringly honest song-writing skills were finally endorsed when the distinguished literary house of Faber published his lyrics last year under the title Mother, Brother, Lover. Read more about his creative coming of age and view Jarvis in a video interview where he protests: “If I’m a national treasure, dust me off.”

Y SUS CONCIERTOS INCLUYEN ESPAÑA

➢ Pulp, confirmados para el festival murciano SOS 4.8 — Pulp estarán en el SOS 4.8 de Murcia. Sí señor. Finalmente era verdad. Tras semanas de rumores, un misterioso anuncio en su twitter en el que dejaban caer que habría más conciertos de Jarvis Cocker & co en 2012 tras su exitosa reunión el año pasado (actuación en el Primavera Sound incluida), y la confirmación de su presencia en Coachella, el festival murciano se ha llevado el gato al agua en cuanto a fechas en España… / El informe siguió en crazyminds

Jarvis Cocker, US tour, dates,Pulp, playlist, Spilt Milk,pop, Murcia,Berlin, Melt festival

Together last July at Berlin’s Melt festival: the original Pulp line-up fronted by Jarvis Cocker

➢ Jarvis Cocker creates a playlist
— Mm-mm, ten tunes chosen by Pulp frontman and sampled by Calum Sager — Spilt Milk exclusive

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1938–2012 ➤ Blues icon Etta James dies after influencing everyone from Janis Joplin to Beyoncé

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➢ Etta James won six Grammy awards, has a star on the Hollywood Walk of Fame and was portrayed by Beyoncé in her 2008 biopic. Read her obituary at MTV and view a life in photos

Etta James, the legendary singer whose career spanned six decades (and just as many musical genres) and whose voice has influenced everyone from Janis Joplin and Bonnie Raitt to Christina Aguilera and Adele, died today after a lengthy battle with leukemia. She was 73 years old.

Best known for hits like At Last, All I Could Do Was Cry, Tell Mama, Something’s Got a Hold on Me and Good Rockin’ Daddy, James learned to sing in church, and first recorded professionally as a member of the all-girl doo-wop group the Peaches, with whom she’d score a No1 hit (The Wallflower, an answer to Hank Ballard’s Work With Me, Annie). Soon after that song’s success, James left the group and toured with the likes of Little Richard and Johnny “Guitar” Watson. She’d subsequently sign with Chicago’s Chess Records in 1960, where her powerful contralto was featured on a string of crossover classics that spanned R&B, soul, gospel, blues and even rock… / continued online

TODAY BEYONCÉ PAID TRIBUTE

Etta James, blues, singer ,Cadillac Records, Beyoncé Knowles, movies

Etta James in the 1960s, and as portrayed in the 2008 musical Cadillac Records by Beyoncé who also produced the film

This is a huge loss. Etta James was one of the greatest vocalists of our time. I am so fortunate to have met such a queen. Her musical contributions will last a lifetime. Playing Etta James taught me so much about myself, and singing her music inspired me to be a stronger artist. When she effortlessly opened her mouth, you could hear her pain and triumph. Her deeply emotional way of delivering a song told her story with no filter. She was fearless, and had guts. She will be missed.

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➤ Rolling Stone puts Ziggy on its cover but has nothing new to say about ‘How Bowie changed the world’

❚ THERE’S A BREATHLESS FOUR-PARAGRAPH teaser online at Rolling Stone magazine’s website in an attempt to sell the February 2 issue. It’s headlined How David Bowie Changed The World. Yet it promises nothing we haven’t read a million times before. Instead, try our own tribute on Bowie’s 65th birthday, linked further down this post.

Rolling Stone magazine, David Bowie,Bowie changed the world, Rise & Fall of Ziggy Stardust, glam-rock, Major Tom,We Can Be Heroes,Angie Bowie, New Romantics, Blitz Kids, Bowie's Bequest, ➢ Here’s the best Rolling Stone can find to say about Bowie:

He phoned Angela in London, asking for her help: witches intended for him to impregnate one during Walpurgis Night. He later said Satan was living in his indoor swimming pool. David needed an exorcism (“I really walked into other worlds,” he later said), and Angela got him one – though it was by way of a long-distance phone call. “David was never insane,” Angela wrote. “The really crazy stuff coincided precisely with his ingestion of enormous amounts of cocaine, alcohol and whatever other drugs.” In any event, the rite may have helped break Bowie’s fear of a fiend possessing him. “It was time to get out of this terrible lifestyle I’d put myself into, and get healthy,” he later said. “It was time to pull myself together … / Continued online at Rolling Stone

❏ Update Feb 8: Now this Bowie issue has reached the UK, Mikal Gilmore’s account of the Ziggy phenomenon proves a workmanlike retelling of the familiar, but is oh-so relentlessly downbeat. He even cites an alleged quotation from 1998: Bowie is supposed to have said that, “Without Iman, I’d have put my head in the oven by now”. It’s a cheap shot because the quote has never been attributed, so counts for nothing more than hearsay. Rolling Stone claims a circulation of 1.45m.

David Bowie, 65th birthday, New Romantics, Ziggy Stardust, glam-rock
➢ Here’s what Shapersofthe80s had to say on his recent birthday:

As a cultural lightning rod Bowie has bequeathed insights into the realm of the imagination. As a performer he has delivered a repertoire of life-skills through a cast of mythical personalities invented for himself as a popstar, from the self-destructive Ziggy Stardust and the amoral Thin White Duke, to his romanticised “Heroes” (his own quote marks added to emphasise self-awareness). Through their formative years, Bowie invited his acolytes to do A…. and B…. and C…. / Read on to discover what

➢ With 12 early videos, Shapersofthe80s asks where each of these turning points in Bowie’s career might otherwise have led him

➢ Try also Strange Fascination by David Buckley (2005) — “One of the most authoritative Bowie books you’re ever likely to read” (Mojo)

➢ The Complete David Bowie, by Nicholas Pegg (2011) — “I can’t imagine how this book could be better… the definitive read for Bowiephiles” (Uncut)

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➤ DJ Mark Moore’s 40 tracks and 8 albums from the old year

❏ “A bit late but here are my faves of 2011. I actually think 2011 has been a great year for music but, more so now than ever, you just had to get through a hell of a lot of dross to find the good stuff.” Moore places S.C.U.M. at number 4.

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➢ Other picky people’s year-ending Best Ofs in music of all styles

PS — 100 MORE FROM DAZED & CONFUSED

❏ Listen online to the mammoth 6½ hour Top 100 Dazed & Approved tracks of 2011 which is pretty wild, they say… starting with Africa HiTech, AlunaGeorge and A$AP Rocky all the way to WU LYF, Zola Jesus and Zomby.

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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➤ Johnny Marr takes his own personal flight to the moon — on his new Fender

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Johnny Marr, Signature Jaguar, Fender,guitars

Take me to the moon: Marr with his new Signature Jaguar

❚ YES, THIS IS ONE MASSIVE product plug but, wow, Johnny makes it also sound like a mighty love affair. From his fame with The Smiths, Johnny Marr is indisputably the maestro of the UK rock guitar sound of the 80s. Today on his blog he introduces his own bespoke guitar, the Johnny Marr Signature Jaguar, which he has spent years developing with Fender, the Arizona instrument maker.

This 14-minute video amounts to a low-key masterclass by one of the all-time greats in his field. In a play-through of all the Jag’s functions and switches, Johnny details what goes into customising a guitar to meet the individual musician’s needs. He has dealt with each little niggle that has irritated him over the years, the biggest being the jazz switch, he says, which was prone to being thrown at the wrong moment.

Johnny concludes: “For someone who’s grown up from being a little boy thinking that guitars are the greatest object in the world bar none, to have designed your own is a little bit like designing the spaceship that went to the moon.”

His verdict: “It sounds like I’m supposed to sound, I think.”

➢ Read more at Johnny Marr’s blog

➢ Every detailed spec of Johnny’s instrument a guitar geek
could want

Johnny Marr, signature Jaguar ,Fender , Guitarist magazine,Bill Puplett ,John Moore ➢ In issue 351 of Guitarist magazine — “We sit down with Johnny, his tech Bill Puplett and designer John Moore to discuss what makes the Johnny Marr Signature Jaguar so different”

➢ Another video interview from 2007 as Johnny Marr discusses his penchant for 1963 Stratocasters (and why he called his son Nile)

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