Tag Archives: Tony Hadley

➤ Singer Tony Hadley wins royal gong for his services to charity

Tony Hadley, TH Band, pop music, Spandau Ballet, New Year Honour, MBE, singer

Tony Hadley MBE, still on-stage at 59 and proud of his work ethic

◼ THE POP SINGER TONY HADLEY, who came to fame fronting Spandau Ballet in the 1980s, has been appointed an MBE (Member of the Order of the British Empire) in the 2020 New Year honours list. The annual awards recognise the outstanding achievements of individuals across the UK population and two other pop stars named included activist Sir Elton John who was made a Companion of Honour (CH) for services over five decades to music and to charity. The singer and actress Olivia Newton-John was raised from OBE to DBE (Dame Commander of the Most Excellent Order of the British Empire) for services to charity, to cancer research and to entertainment.

Big Tone, aka Anthony Patrick Hadley, was honoured for charitable services to Shooting Star Chase Children’s Hospice Care, which provides palliative care to families with children who are not expected to reach the age of 19 because of illness, genetic conditions or incurable disease.

Trust executive vice-president Karen Sugarman tweeted this week: “I cannot be more thrilled or proud that at last @TheTonyHadley has been recognised in the Queen’s #NewYearHonours for his charitable work. We were privileged to nominate him @SSChospices for his work as Vice-President. Congratulations Tony on your MBE from us all.”

In 2017 Hadley tweeted that, due to circumstances beyond his control, he was no longer a member of Spandau Ballet. Having met during their teens at Dame Alice Owen’s grammar school in North London, the band first split in 1990 and worked together during two year-long reunions in 2009 and 2014. At the age of 59, he is the first among them to be honoured with an award from the sovereign.

Great Yorkshire Brewery, Tony Hadley, Gold, lager, pop singer,

Tony Hadley in 2014: developing a lager called Gold with the Great Yorkshire Brewery

Tony’s father, Patrick Hadley, worked as an electrical engineer for the Daily Mail, and his mother, Josephine, worked for the local health authority. He is proud of his work ethic, which he says was instilled into him from a young age by his parents. In 2011 he said in an interview with The Daily Telegraph: “Since leaving school I’ve never been unemployed or claimed benefits. My Spandau days didn’t make me rich, or as well-off as people might think. What I was earning went towards buying a lovely family home in Muswell Hill and bringing up my three children. In fact, 2008 was my best-ever earning year. At that point we were doing in excess of 220 shows a year.”

Of the 1999 dispute with Spandau’s Gary Kemp, which resulted in Hadley, John Keeble and Steven Norman suing for royalties, he said: “Spending 23 days in the High Court was a strain and an expensive way to learn about the law. It cost me hundreds of thousands.”

Later, in 2006 Hadley became a co-owner of the Red Rat Craft Brewery which produced Hadley’s Blonde. The business closed in 2013, after which he became associated with The Great Yorkshire Brewery, which issued a lager called Gold and a pale ale called Moonstone IPA. This association has since ended.

These days Tony is a regular live performer with his own line-up, the TH Band who in 2018 gave a superlative performance at the London Palladium. Shapersofthe80s reported: “His evident pleasure on-stage paid tribute to the songs written for his rich baritone voice and which fit him like favourite gloves. We heard familiar Spandau classics fizzing with new energy and melodic detail – numbers such as Chant No 1 and Only When You Leave moved along at a pace. Equally impressive was the other half of his set-list which showcased his own consummate solo album Talking to the Moon and other covers.”

Tony Hadley, pop music, TH Band, London Palladium, Talking to the Moon, UK tour,

Tony Hadley and his band: making magic at the London Palladium, October 2018

➢ 2020, Hadley’s busy New Year kicks off with February
dates in the Far East and Australia

➢ Previously at Shapers of the 80s:
2018, Hadley v Spandau – Whose superb band is paying
tribute to the other?

➢ Previously at Shapers of the 80s:
2017, Tony Hadley pulls the plug on Spandau Ballet

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1979 ➤ Spandau’s manager Steve Dagger tells of two offers to sign his band at their debut

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Spandau Ballet’s debut beneath festive bunting: left, Steve Strange in PX frills introduces the new band at the Blitz Christmas party in December 1979… Tony Hadley supercool in collar, tie, waistcoat and overcoat, Martin Kemp in jaunty trilby with Steve Norman beyond. Dagger’s blog seems unaware of these photos and after seeing them here at Shapersofthe80s, Gary Kemp recalls “being terrified while playing the little Yamaha CS-10, that we wouldn’t get away with it. Apart from many of the songs that made up our first album we also played Iggy Pop’s Fun Time and On Her Majesty’s Secret Service”

On the 40th anniversary of Spandau Ballet’s debut
performance at London’s Blitz club spearheading
the post-punk new wave, the band’s manager
Steve Dagger publishes his eye-witness account…

❏ On the 5th of December 1979, Spandau Ballet was born. After a year in metamorphosis and following a successful preview show two weeks before at Halligan’s rehearsal studios, when they were named by journalist and broadcaster to be, Robert Elms, Spandau Ballet emerged onto the stage and into the world at the Blitz on the occasion of Steve Strange and Rusty Egan’s Christmas party in 1980 [1979 surely – Ed].

Much has been written about the Blitz and its extraordinary position as a cultural funnel at the beginning of the 80s. But Spandau Ballet’s two performances there and subsequent meteoric rise to success did much to drive this tiny club and its spectacular cliental [clientele? – Ed] into the headlines and its ethos into popular culture and serve as the template to the 80s.

What happened that night?

No band had played before at a Steve Strange/Rusty Egan event, so the audience was not used to seeing live music in this context. Music was normally provided by Rusty Egan’s DJing, an extraordinary montage of epic electronica which seemed to give a tantalizing glimpse of a future we were all going to take part in.

How would “Spandau Ballet” be received? The preview show had gone incredibly well, so a handful of our friends and key faces on the scene had seen the band already, liked them and spread the word. But it was an impossibly cool crowd. Whether they were fashion students, artists, embryonic designers, wannabe writers, film directors or just London’s coolest of the cool night people, they all had an opinion of themselves and everything else.

The usual crowd was supplemented by a sprinkling of older cognoscenti, a Chelsea crowd who had become aware of the Blitz scene. The likes of Keith Wainwright, uber-cool hairdresser of Smile; artist Dougie Fields to name but a few, plus some musicians who had been drawn to the Blitz. Richard Burgess of Landscape (Spandau Ballet producer to be), Midge Ure of Ultravox and Billy Idol, Steve Severin of Siouxsie and the Banshees and Marco Pirroni of Adam & The Ants.

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Spandau Ballet’s second Blitz date, January 1980, despite Dagger’s belief on his blog that this pic shows the band’s debut. Most are sporting bow ties – Gary Kemp on synth at left, Tony Hadley as vocalist, with Steve Norman and Martin Kemp on guitars held high in their anti-rock stance. Churchill gazes out from his photo on the rear wall

So the battle lines were drawn and into the valley [of] death… Actually, the band were much less nervous than they had been for the preview show and also excited about playing in “their” club. When Rusty’s music stopped and they got onto the tiny stage there was a degree of anticipation and curiosity. I think the band realised collectively it was now or never and they seized the moment and started to play confidently and with a bit of swagger. Some of the audience danced, some applauded but almost everyone watched.

Tony sang brilliantly. The set which included most of the songs on “Journeys to Glory” fitted the club. Spandau Ballet fitted the club. “To Cut a Long Story” sounded like a massive hit.

Halfway through the set I was feeling quietly confident and was standing by the mixing desk next to the sound engineer when I became aware of a man standing next to me. He spoke to me.
“Who is this band?”
“It’s Spandau Ballet,” I said.
The new name sounded f*cking great.
“Which record label are they signed to?”
“They aren’t signed.”
“Who is their manager.”
“I am,” I said proudly.
“Well I am Chris Blackwell and I own Island Records, and I would like to sign them.”

First gig as Spandau Ballet… 5-0 up. Another man approached me. He was Danny Goodwin from Peninsula Music Publishing. He wanted to sign them too.

Spandau Ballet, Blitz Club, New Romantics, Steve Strange, London, Heritage award,The band finished their set. I could not wait to go backstage into the tiny dressing room to talk to them. We had all worked very hard for this moment. They were about to become a very important band. The only band that could play in the Blitz. The most important club in the world at that time. Everyone in the Blitz that night was hugely complimentary and positive about them.

We owned the space, we had claimed it. We were about to go through the looking glass and our lives were never going to be the same. The next day, I spoke to Chris Blackwell on the phone and arranged to meet him in a pub. He was softly spoken, charming and very cool. He owned the coolest record label in the world – Bob Marley, Roxy Music, Traffic, Free, Spencer Davis – and he wanted to sign Spandau Ballet. Now. He even gave me a list of lawyers he recommended to act for the band.

It all felt a little strange but somehow like it was all supposed to happen like this. I felt unbelievably relaxed and comfortable, empowered, and the band very confident, entitled energised. Uncrowned Princes of pop culture all of a sudden. We turned him down. But that is another story.

© Steve Dagger
First published today at Spandau Ballet’s website

➢ Previously at Shapers of the 80s:
1980, Strange days, strange nights, strange people

Spandau Ballet,Evening Standard, Blitz Club, New Romantics, Steve Strange

Steve Strange’s first interview with the Evening Standard, 24 Jan 1980, telling us of Spandau Ballet’s second performance that day

RARE VIDEO OF THE BLITZ A-BUZZ:

❏ You won’t find much authentic filmed footage inside the Blitz Club because so little exists and many posts claiming to show the Blitz at YouTube do not. The brief but glorious clip we see above captures the visual excess of its dancefloor in Spandau Ballet’s 2014 biopic Soul Boys of the Western World. The interiors come from Lyndall Hobbs’ short doc about London tribes called Steppin’ Out, shot in the summer of 1979. The first half-minute here comes from a TV report showing Blitz Kids gathering outside Sloane Square underground station to celebrate Steve Strange’s 21st birthday aboard a Circle Line train on 28 May 1980. We hear Martin Kemp voicing the sequence which zooms in on him at 23 seconds. The black-and-white stills collaged into the segment are Shapersofthe80s originals, and the closing seconds are from LWT’s 20th-Century Box.

Spandau Ballet, Blitz Club, New Romantics, Heritage award,

Heritage award from the Performing Rights Society: In September 2014 Spandau Ballet returned to the site of the Blitz Club to see a plaque installed remembering their debut. The club’s original neon sign was also present for the photoshoot

SPANDAU RECALL THE BLITZ IN 2014:

➢ Previously… 1980, The Invisible Hand of Shapersofthe80s
draws a selective timeline for the unprecedented
rise and rise of Spandau Ballet

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➤ Hadley v Spandau: Whose superb band is paying tribute to the other?

Tony Hadley, pop music, Lily Gonzalez, London Palladium, Talking to the Moon, UK tour,

The Hadley Band: making magic at the London Palladium

WHEN IS A TRIBUTE BAND NOT A TRIBUTE BAND? And what is it paying tribute to? Tribute to the first band, or to the singer, or to the songs?

When the star vocalist from the band that’s being tributed jumps ship to lead his own new team of musicians, does he become a tribute to himself? When half his live playlist consists of songs written for the first band, he is clearly paying tribute both to those songs written for him and to that band who made them chart hits half a lifetime ago in the Swinging 80s.

This is the conundrum that the former Spandau Ballet vocalist Tony Hadley found himself enacting last week as he sang to a sell-out audience at the UK’s most prestigious home of live entertainment, the London Palladium. His evident pleasure on-stage paid tribute to the songs written for his rich baritone voice and which fit him like favourite gloves. For a full two hours Tony gave a relaxed performance, smiling, waving and calling out to fans in the audience of 2,300.

It was a blast! But why should hearing Hadley in full fig at the mighty Palladium come as a culture shock? After all, his last tour fronting Spandau Ballet only four years ago revealed that the voice was growing magnificent in its maturity. For his own reasons he parted with his band of schoolmates a year ago. When his seven-date Talking to the Moon tour reached London, his presence dominated the stage, and he paced to all sides to josh with the audience and got on down miming to the drums, just as he once did alongside Spandau’s John Keeble.

The fact is that Hadley’s voice was very much the signature of the Spandau sound for 38 years. His former bandmates have recruited Ross Wild as their new vocalist and hit the road with their Next Line tour, also this month. So, with Ross having had to learn the entire repertoire of old hits, does all this now mean that he and the original musicians in Spandau have become the tribute band?!?!

Fans of both factions have been very vocal on social media: Tony’s claimed that his voice has taken the Spandau brand with it into the very tight Tony Hadley Band. At the Palladium, we heard familiar Spandau classics fizzing with new energy and melodic detail – numbers such as Chant No 1 and Only When You Leave moved along at a pace. An acoustic version of I’ll Fly For You delivered quite an electric treat as a seated duet with percussionist Lily Gonzalez.

In the Spandau camp, supporters have welcomed Ross as a rejuvenating new broom after seeing how he has raised the Ballet boys to fighting form. Though his voice has surprising range, it’s his lighter register that has woven gentle poetry into the more emphatic lyrics, for example, in Through the Barricades.

What we can say with confidence is that suddenly Britain boasts two superb bands at the heights of their powers, both refreshing a back catalogue that was in need of new life. If you like this blue-eyed soul music, you have more choice than ever now to enjoy it. And on Monday Spandau gives Ross his big chance to win over more fans at the huge Apollo Hammersmith, as he has already done at five concerts in Italy and Holland.

Tony Hadley, pop music, London Palladium, Talking to the Moon, UK tour,

Hadley at Palladium: fluffing the lyrics to Chant No 1

MEANWHILE BACK AT HIS PALLADIUM TRIUMPH. . .

❏ Big Tone took care not to spoil the genial mood with any remarks about splitting from Spandau – except laughing loudly after forgetting the words during a high-octane version of Chant No 1, then after finishing Highly Strung, just shrugging “I still don’t know what it’s about”. To Cut A Long Story Short was first to get the mums and dads to their feet. Despite Tony describing the many white-haired couples as “blokes dragged along by wives”, many of those men were happily rocking on their feet and mouthing the lyrics. During Spandau’s chart-topping True, Tony merely pressed the right button to initiate a very funny singalong by everyone present.

Equally impressive was the other half of his set-list which showcased his own consummate solo album Talking to the Moon and other covers. Tone’s giant cadences were most assured on vibrant numbers such as Tonight Belongs to Us, and Every Time, and Skin Deep, and several poignant songs that seemed to echo his own independence: Unwanted, and Take Back Everything, and What Am I? – not forgetting his classy closing number, Sinatra’s That’s Life.

On every level of presentation and execution, the Hadley show was superlative. He was utterly at ease fronting his supporting musicians, each of whom found plenty of sequences to let their individual virtuosity shine. For the record it’s right that they should share the credit for a magnificent evening of sheer music: Tim Bye on drums, Phil Taylor on keyboard, Phil Williams on bass, Richard Barratt on guitar, Simon Willescroft on saxophone, Lily Gonzales on percussion and backing vocals. Tributes all round, in fact!

Tony Hadley, pop music, Lily Gonzalez, London Palladium, Talking to the Moon, UK tour,

Hadley at Palladium: mums and even dads on their feet for Big Tone

➢ Tony Hadley makes further UK appearances in the Stepback The 80s Tour with Bonnie Tyler, Chesney Hawkes, and ABC – and on next year to Holland

➢ Click for Tony’s own website . . . and his US agent

➢ Previously at Shapers of the 80s:
2017, Tony Hadley pulls the plug on Spandau Ballet

➢ Previously at Shapers of the 80s:
2018, Dad band Spandau preen with pride for Ross their newly adopted son

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➤ How one fan came 11,000 miles for those Spandau smiles

Rebecca Slight, Spandau Ballet, Ross William Wild, Gary Kemp,pop music, tour dates, Fabrique Milano,

Spandau Ballet play Fabrique Milano on Tuesday: Rebecca Slight’s up-close photo of Ross William Wild and Gary Kemp

THE PICTURE ABOVE CAPTURED Spandau Ballet’s return to live performance in Milan this week. It was taken by New Zealander Rebecca Slight who flew 11,000 miles to London to crash with her sister who lives here, then immediately flew off to Milan for the band’s opening gig in its Next Line tour. Talk about super fandom, because she’s also booked in for the big London gig on Monday.

Rebecca tells Shapersofthe80s: “I’m lucky to have the world’s most tolerant husband at home who totally understands. I bought a ticket to Hammersmith while casually chatting to him in the kitchen – he had no idea what I was up to. Lucky he loves me! Milan was not originally in the plan but then my sister suggested the short flight since I had already come so far. And thanks to the beauty of the internet, I had friends in Italy to meet.”

What impressed her most about Spandau’s comeback performance? “The camaraderie, the smiles, the ease with which Ross Wild has fitted into the group. The whole band look so happy, especially Steve who was bouncing around like a little kid! Ross has an amazing stage presence and fabulous vocal range. The sound is a bit rockier and it has a freshness in it that just invigorated the crowd in Milan.”

She adds that she’s a bit gutted she couldn’t get here early enough to see Tony Hadley’s Palladium show but she’s off to Nottingham for the Stepback the 80s concert tomorrow so will see Big Tone singing there. “Totally wish I was seeing more of Spandau’s European gigs but I’ll still be meeting up with my favourite Spandettes at Hammersmith before heading home next week to real life in Glen Eden.”

Real life for Rebecca involves being a seemingly sensible married middle-aged suburban mum and hospital lab technician – “yeah but running away from my responsibility at home to hobnob with the 80s stars of my youth!” She does have previous: last May she hopped over to London to catch Steve Norman and his band, hence the selfie also pictured here. “His shows in May were sublime,” Rebecca says. “Steve is a gent and his girlfriend Sabrina is an angel.”

Steve Norman,Rebecca Slight, selfie, pop music, London

Previous form: New Zealander Rebecca Slight’s selfie taken with Steve Norman last May in London

❏ Odd tickets are still available at £43 and £68 for Spandau Ballet on Monday at London’s Apollo Hammersmith through Spandau’s own store.

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➤ Milan says Ciao to snazzy Ross now fronting the flash dads of Spandau Ballet

Spandau Ballet, Ross William Wild, Martin Kemp, John Keeble, Fabrique Milano, pop music, interviews, tour dates

Last night at Fabrique Milano: singer Ross William Wild fronts the new Spandau line-up, alongside Martin Kemp and John Keeble

LAST NIGHT FIVE STARS WERE REBORN. Spandau Ballet returned to the international tour circuit with a long nostalgic set for an audience of 3,000 in Milan’s vast Fabrique music space. For their rebirth in fashion-conscious Italy, the leaders of the UK’s New Romantics movement during the Swinging 80s pulled out the stops: the dads flaunted floral beach shirts and zhooshy silky jackettis. Up front, their new boy-wonder vocalist Ross William Wild – recruited from Britain’s stage-musical circuit at the appetising age of 30 – dressed both down in Ts with street-cred ripped jeans and up in skimpy black leatherette. All radiated evident joy to be back onstage in this handful of dates titled The Next Line to test the temperature for bigger plans next year.

Tonight they play Rome, then Padua, Utrecht and Tilberg, then home on Monday facing a 3,600 audience at London’s Apollo Hammersmith where tickets at £57 and £155 are still available through Spandau’s own store.

Monday’s event Backstage Live presented by Pips Taylor will be streamed online from 19:45 to 20:30 GMT via YouTube and Facebook. Fans are invited to suggest funny and creative questions to put to the band by emailing in advance to nick [at] moonlightmile.co.uk

Spandau Ballet, Fabrique Milano, pop music, interviews, tour dates, Steve Norman , Gary Kemp

Looking sharp at Fabrique Milano: Steve Norman and Gary Kemp

Spandau Ballet, Fabrique Milano, pop music, interviews, tour dates, Steve Dagger

Milan last night: Manager Steve Dagger adds to the smiles all round after the Spandau Ballet tour launch. Front right is keyboardist Toby Chapman

Spandau Ballet,pop music, interviews, tour dates, Ross Wild, John Keeble

Wherrrrre’s Johnny? Missing from available Milan photos, Spandau drummer John Keeble – pictured instead in rehearsals with his new bro Ross. Plus the playlist

ROSS TELLS ALL IN RECENT INTERVIEWS

❏ In a frisky chat with Graham Norton on Radio2 [from 2h04], Ross told listeners that singer Tony Hadley’s exit leaves “an awesome legacy” but it wasn’t just a matter of him playing a role as Hadley: “As a kid, all I wanted to be was lead singer of a band. It’s liberating now to just be myself and sing as me.”

❏ Pre-show buzz included this lively and reflective interview with Ross and Steve Norman [above] for FaceCulture in Holland, plus a massive picture splurge on Spandau in The Sun last Friday:

Guitarist Gary Kemp insists the band are stronger after surviving Tony Hadley quitting as lead singer. Brother Martin adds: “We should be so lucky to play together and have that opportunity. In the end, we’re a family. We might be a dysfunctional family, but whose isn’t?”

Tony may no longer be part of Spandau’s plans but they insist they are all back on good terms, with Tony also recently making contact after a bereavement within Steve’s family. Steve says: “He was straight on the phone and that cut through everything. None of the grievances came into it. We’re old mates. . . / Continued at Sun online

Bang Bang Romeo, Spandau Ballet, pop music, interviews, tour dates,

Bang Bang Romeo who are supporting Spandau’s gigs: vocal powerhouse Anastasia Walker, Ross Cameron (guitars) and Richard Gartland (drums)

❏ “An absolute honour” – so say Yorkshire’s female-fronted soul rockers Bang Bang Romeo who will be supporting Spandau in Holland, as well as in London on the 29th. The trio represent a strong voice for the LGBT community.

➢ Previously at Shapers of the 80s:
2018, At Ross’s showcase debut, dad band Spandau preen with pride for their newly adopted son

➢ Previously at Shapers of the 80s:
2018, Shock claims about the secret role of Shapers of the 80s in the rise and rise of Spandau Ballet

➢ Elsewhere at Shapers of the 80s:
1980, Who was really who in Spandau’s break-out year, penned by the Invisible Hand of Shapers of the 80s

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