Tag Archives: Concert

➤ Steve Norman steers Cloudfish into an edgier urban groove

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[See Sep 21 update below]

❚ “YOU KNOW WHAT MEN ARE LIKE when they get a new bit of kit — it’s like Christmas.” This is Spandau Ballet sax player and all-round percussionist Steve Norman reliving his teenage kicks. “I’m loving my latest toy. It’s a guitar pedal-board with all the bells and whistles. As a guitarist, when you’ve got sounds at your feet — in literally one stomp of the box — you can go from the driving funk of the Isley Brothers to the more soulful sound of George Benson.”

We tend to forget that Steve was playing rhythm guitar as a co-founder of Spandau when they became the Blitz Club’s house band in 1979 with synthesisers well to the fore. Ten years of international chart fame saw him picking up almost any instrument that was needed in the five-piece outfit, most notably the saxophone, on which he was self-taught. His solo breaks became as much a part of Spandau’s stadium sound as Tony Hadley’s bel canto baritone. By the time they were belting through their 2009–10 reunion tour, Gary Kemp was introducing Steve as “The most soulful saxophone this side of Young Americans”!

Right now Steve has three reasons to be jumping. He’s back in training for the first Cloudfish gig in ages: this is his five-piece band with Shelley Preston, ex of Bucks Fizz, partnering on vocals. Second, his new box of tricks is beefing up his funky guitar-playing with “all those wa-wahs and overdriven solo sounds”. And third, he’s back in the songwriting groove, and audiences at the Cloudfish gig in Holland in November will be the first to hear some numbers that have not yet been recorded.

Steve says: “One’s called Kinda Wonderful and another is called Star. It’s a bit dancey — mad for blues guitar, mad for a groovy drumloop. Everything I do tends to have soul running through it. Even if there are heavy guitar riffs, there’s always an element of soul in there. I’d call it funky lounge music. There’s a lot more edge to Cloudfish these days. These songs are groovier. We’ve moved away from the chillout thing.”

Cloudfish,Steve Norman , Shelley Preston, Max Brothers, Arnhem,

Making funky lounge music: Steve Norman and Shelley Preston as Cloudfish

Steve reckons his return to England after living on the sun-soaked Mediterranean island of Ibiza for 12 years has cranked up the Cloudfish tempo.

“I had this conversation with Paul Tucker of the Lighthouse Family and he agrees with me. Living in Ibiza takes the edge away and makes everything fluffier! I noticed when I got back to the UK I got drawn towards more urban sounds and lo-fi and started messing sounds up for the sake of it. Shelley likes that on her voice, too.”

The outing on November 6 is a toe in the water, proposed by a promoter based in Arnhem who feels Holland and neighbouring Germany have been starved of the Norman talent for too long. It’s bad luck that Cloudfish’s regular percussionist Joe Becket has a prior date in London and can’t make it — his friendship with Steve goes back before Spandau’s 1990 tour. (Steve’s longstanding mate Deuce reminds us that Steve met Joe at a legendary Sunday clubnight called Passion at La Valbonne in Maidenhead in 1988. As host Deuce had the bright idea to invite Joe, “through the haze of strawberry-flavoured smoke, to play along with the deejay’s tunes, to maybe make things more danceable. And thus, ‘Joe Bongo’ was born”. )

For Arnhem, Steve says: “It turns out our bass player Joe Holweger is also a fantastic drummer so he’s stepping in, and we’ve gone for Kerim Günes on bass. Henry Broadbent on keyboard is another mainstay — he’s done a fair bit with Kula Shaker, too — which makes five of us onstage, as usual.”

With the gig being on a Sunday evening, British fans keen to sample the new Cloudfish sound will need to overnight in Arnhem (last week Shapersofthe80s worked out the cost of three ways to get there), but the good news is that it’s a beautiful part of Holland for a sightseeing weekend. Tasty beer too.

Nevertheless, the burning question remains: What about a UK gig? To which Steve says: “Definitely, you’ve got to play your home town. But we want to see how this one goes first.” Right, we’ll take that as half a promise.

➢ Support Steve Norman by clicking on his new official page at Facebook and visit his own website steve-norman.com

➢ Visit the Cloudfish official page at Facebook to keep up to date with the band’s news

➢ Buy tickets for the Nov 6 Arnhem gig at Six Degrees

➢ Spandau Ballet’s website always being updated

❏ Sep 21 update: Next week Steve will be in Arnhem, Holland, on promotional duty for his Cloudfish show at Max Brothers on November 6. Fans can meet him at a meet-and-greet session 19:00–20:00 hrs at the Cafe De Schoof, Korenmarkt 37 on Thursday Sep 29. The next day, you can hear a live interview with Steve on Optimaal FM between 09:00–11:00 hrs, also available via webplayer at Optimaal FM

❏ Sep 21 update: The competition to meet Steve in Arnhem in November is to be decided today and the winners wll be announced online at Six Degrees Promotions

Spandau’s last stand, Newmarket racetrack 2010: a bongo burst from Steve in the concert finale. Photographed by © Shapersofthe80s

Spandau’s last stand, Newmarket racetrack 2010: 19,000 people in the audience and Steve can always spot the right camera — yes, Shapersofthe80s

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2011 ➤ The other design festival running alongside London Fashion Week

Reddress,London Design Festival,Aamu Song,York Hall ,World Design Capital Helsinki 2012,

Reddress at York Hall: 550 metres of fabric which can accommodate 200 people in its folds in an event space in East London — plus shop

➢ Kate Burton writes at her LFH blog:

“ ❚ TODAY MARKS THE BEGINNING of London Fashion Week. I am intrigued by the interactive installation and performance space that comes in the form of a huge red dress — Reddress — which is part of this year’s London Design Festival.

The installation — sponsored by The Finnish Institute at Bethnal Green’s iconic York Hall — features a dress designed by Aamu Song which sets out to examine the role between performer who resides within the dress and audience by inviting us to enter pockets concealed within the dress and to become part of the experience…

➢ London Fashion Week programme Sep 16–21, 2011

➢ REDDRESS is an installation and performance space designed by Aamu Song. It will host a series of evening concerts and daytime events in East London, Sep 22–25.

➢ Aamu Song and Johan Olin run their own Com-pa-ny of artists and designers in Helsinki.

➢ London Design Festival hosts nine days of design events all across town, Sep 17–25, showcasing the UK’s world-class creative community.

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➤ “Yes this is a Wag rerun” — Sullivan on his Sussex alternative to London’s carnival

Chris Sullivan, Wag club, Jon Baker, nightclubbing, Swinging 80s,West Dean Festival,

Sullivan then and now: the Wag club host in his painted pavilion in 1983 and, right, deejaying for Jon Baker’s Jolly Boys concert in New York this spring

❚ NOT ONLY IS ADAM ANT TOPPING THE BILL on Saturday but half-price tickets were still available today to followers of Chris Sullivan, joint host for 19 years of Soho’s legendary Wag club which he founded in 1982. This bank-holiday weekend Aug 26–28 he plays deejay and music programmer at the three-day West Dean Festival near Chichester in rural West Sussex. The knees-up 90 minutes from London will be a “nice alternative” to the annual Notting Hill Carnival, he says. In fact, “a Wag rerun… for parents”!

As undoubtedly the most influential club host of the 80s, as well as vocalist in the crazy Latin band Blue Rondo à la Turk, Sullivan commands one of the fattest contacts books in clubland. So while this weekend’s festival across two stages and late-night café bar aims to celebrate all aspects of the arts, it’s no surprise that the day-long live music is designed to attract the aficionado. Friday headliners are Natty Bo and The Top Cats, plus The Third Degree … Saturday boasts the reborn Adam Ant and his band The Good The Mad & The Lovely Posse, plus Polecats, Dulwich Ukulele Club, and 80s warehouse deejay Phil Dirtbox … Soul singer James Hunter headlines on Sunday.

When I reminded 51-year-old Sullivan that the locals are billing it as “A magical escape for all the family” he was keen to promise this would not put a damper on the fun. “Kids go to bed at 9-10ish and when there’s a few of them they look after each other with the supervision of one adult maybe. Meanwhile we let rip in the knowledge that they are near and we save money on babysitters and have a right old beano.”

That’s the Wag spirit! In fact, beano was the very word he used in 1983 when my report in The Face rounded up the four hottest nightposts in the swinging New London Weekend. The Wag had been open less than a year and his pitch was: “We’d like people to come in with a sense of beano and to leave with hangovers and blisters on the feet.”

Chris Sullivan,Christos Tolera, Blue Rondo à la Turk, pop group, nightclubbing, Swinging 80s,

Sullivan and Christos Tolera in 1981: vocalists with Blue Rondo à la Turk, photographed for The Face by Mike Laye

Despite his origins in the Welsh Valleys and being built like a rugby player – “I’m six foot two and sixteen stone” — Sullivan’s unswerving sense of personal style got him into two London art schools while his exuberant warehouse parties during 1978-9 established him as a pivotal tastemaker in the post-punk vacuum. It goes without saying that his two passions were music and clothes. And that his wit was as quick as silver.

By 1980 he was the highly articulate pathfinder for the non-gay men’s team putting the Blitz Kids in the headlines. The ultimate soundbite “One look lasts a day” was Sullivan’s. Here was a New Romantic dandy whose ever-changing attire referenced every movie matinee idol from zoot-suited gangster to straw-hatted playboy to Basque bereted separatist. Here was an MC who along with his deejay contemporaries displaced electronics in favour of funk — drawn initially from his own collection of 7-inch singles — at a string of creative weekly club-nights, St Moritz, Hell, Le Kilt and then the Wag in the huge premises that had been known as the Whisky-A-Go-Go since the Swinging 60s.

During three helter-skelter years British music trended from punk, Bowie, electro-pop and mutant disco back to James Brown and funk. “Things moved so fast then, that the 80s heralded a completely new era,” Sullivan said. The claim he will not make is about his own enormous circle of influence. Back in the dark age before mobile phones the defining measure of his social clout came from Steve Dagger, manager of Spandau Ballet. He gave me the priceless paradigm: “You could put Sullivan outside a public lavatory, announce a party and within two hours you’d have a queue of 500 people paying £3 to get in.”

Few other individuals on the London scene of the early 80s had a greater impact than Chris Sullivan on shaping the intimate relationship between sound and style in the private worlds of the new young.

Blue Rondo gig 1982: zoot-suited fans mashing up a dancefloor in Bournemouth. Photography by Shapersofthe80s

Under his partnership with Ollie O’Donnell, who himself had already made a clubland institution of Le Beat Route, the Wag eventually ran seven nights a week to become Soho’s coolest hangout for artful posers and musical movers and shakers. In Sullivan’s own words, the place “basically predicted the future of music for the next 15 years” which gratifies him no end.

The club’s unique appeal was a reflection of his sub-cultural instincts, which were refined as a teenage graduate of the Northern Soul scene during the 70s. The Wag also proved a mighty kick in the teeth for the smug ruling elite in the rock press — those “white middle-class punks who couldn’t dance and hated black music” and whose vitriolic attacks on Blue Rondo undermined industry faith in his stylish seven-piece band and their jazzy Latinised funk.

Blue Rondo à la Turk was a dream project inspired after Sullivan made “one of those mad trips” to the black clubs of New York in 1980: “I wanted to start a band that would play the music I could dance to — a mix of Tom Waits meets Tito Puente meets James Brown, and all a bit off-kilter.”

Rondo were a bizarre multi-racial troupe of live musicians who also boasted wild dancing feet and tapped into like-minded audiences who’d misspent their youth on Britain’s underground soul circuit, a mighty fanbase either unknown to or utterly scorned by the rock press. His band were born entertainers and their first album, Chewing the Fat, was easily the most inventive of 1982. Not long ago Sullivan vented his spleen to me: “Those middle-class twits in the music press hated us because we had the effrontery to play dance music and we weren’t black, but also because we dressed up onstage — which basically became the remit for the next two decades. The press were all-powerful in those days and some took it upon themselves to make us their whipping boys.”

Well, the magnificent seven in Blue Rondo were precursors of the wags Sullivan named a nightclub for: “The wag from the 20s was a bit of a cad, wore monocle and spats, was a mean dancer and very much the ladies’ man.” Musically, his Soho nightspot was the most progressive venue of the 80s. Nowhere else came close. “I knew from day one we were selling a Saturday night nobody else was doing — a really hip club which played all manner of black dance music.” Only last month before deejaying at the Southbank’s Vintage festival, Sullivan wrote: “The Wag is important because it opened funk and black music to a huge, new crowd of people which still prevails. We were one of the first to do it and it’s still going on.”

➢ Mention Sullivan’s name at the gate for 50% discount on the West Dean Festival tickets or mail chris [@] sullivan60.co.uk

Adam Ant ,The Good The Mad & The Lovely,pop group,West Dean Festival,

80s hero Adam Ant: on the road this year with The Good The Mad & The Lovely Posse, pictured by Marc Broussely

West Dean Festival, Polecats, rockabilly ,rock group,

80s rockabilly band The Polecats: scheduled to play West Dean Festival, photographed last year by Steve Wadlan

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2011 ➤ Hadley’s US debut wows New York and fills the room with love

Tony Hadley band, US debut, Irving Plaza ,NYC, video,John Keeble,Richie Barrett

Chant No 1 by special request: Tony Hadley onstage last night in New York with Richie Barrett on guitar (verbalalchemy video)

❚ LAST NIGHT AT IRVING PLAZA IN NYC Tony Hadley rattled through a 17-strong set list on which seven were Spandau Ballet hits, and this reviewer, The G, was impressed with the rockiness of the other numbers he covered …

Tony Hadley band, US debut, Irving Plaza ,NYC, video,John Keeble,Richie Barrett

John Keeble: laying down the tempo last night in NYC (verbalalchemy)

I had a blast seeing Tony Hadley’s first ever solo show in the United States! The former lead singer of Spandau Ballet has just launched his first solo tour of America and it kicked off at New York’s Irving Plaza on August 13, 2011.

Tony Hadley looks and sounds great. He hits all the high notes and sounds as great as he did in the 1980s when Spandau Ballet ruled the airwaves. Over the course of his show, he played quite a few covers of some of his favorite songs, performed some beloved Spandau Ballet songs and also performed a new song called My Imagination. As Tony promised in a recent interview with According2g, the song is a rocker.

In between, the crowd was shouting “We love you Tony” and there was a lot of love in the room…

➢ Continue reading Tony Hadley’s first US solo show – a review by New York music and arts blogger, The G at according2g.com

➢ VIEW ♫ HD video of Chant No 1 live by Tony Hadley last night in NYC (by verbalalchemy)

❏ At Tony’s Facebook page Hoory Kajajian-Yeganeh writes: “Great show @ Irving Plaza last night. What a voice! What a fabulous performance! Thank you :) ”
❏ Terry Hunter writes: “He was BRILLIANT. No one like Tony…anywhere, EVER.”
❏ Tony Thomas writes: “Tony knocked it out of the park that night. Great show.”

CATCH-UP FEATURES

➢ US-preview on Tony and tour dates here at Shapersofthe80s

➢ “We want to show people what we’re made of” — Tony interviewed by the North County Times ahead of his band’s San Diego gig on Aug 18

➢ Spandau Ballet, the Blitz kids and the birth of the New Romantics

UPDATE, CHICAGO AUG 14: TONY’S VERSION OF RIO

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❏ At Tony’s Facebook page Heather Ann Cummings writes: “Hi Tony, Saw your WONDERFUL concert at North Halsted Market Days, Chicago, Sunday afternoon. The best! Your group was so good too. Thank you for taking the time to sign your photo and interview that appeared in this week’s Windy City Times. Your song choice was amazing and Through the Baricades had me with tears in my eyes. I’ve also adopted your song Live, Let Live and Love as my mantra and am passing it on.”
❏ Heidi Herman writes: “Tony, you were scorching in Chicago today. Your voice is so beautiful and powerful and the same time — amazing! I still can’t believe I saw you perform after all these years of being one of your most adoring fans. My friend and I were impressed with your charm, wit, and sincerity. You are classy gentleman and so very humble for someone so talented and well-known. Thank you, Tony.”

AUG 16, THAT’S LIFE: A BLISTERING CLOSE TO TONY’S SHOW AT HOUSE OF BLUES, HOLLYWOOD

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❏ At Tony’s Facebook page Glenisha Jones writes:“Iam floating on a cloud after seeing Tony Hadley perform for the first time! It was amazing, fun, brilliant & it will be in my heart forever :) Tony hasn’t changed. He is still handsome & his voice is even more beautiful. Thank you Tony for coming to LA.”

Tony Hadley, US tour,setlist, House of Blues Los Angeles,

Setlist for Tony Hadley at House of Blues Los Angeles, Aug 16 (posted at Facebook by Rissa Dodson)

❏ Kedric Hubbert writes: “Saw u last nite in Los Angeles. U were amazing. I got my 2 fave songs To cut a long story short & Lifeline. My friend marc were in the front singing all the words. Come back soon & bring john (again) & maybe even steve, martin & gary along for the ride… brilliant show. Thank u!”
❏ Jill Bonnell writes: “Fabulous show last night at House of Blues Sunset Strip”
❏ Richard Peacock writes: “Thank you again for coming back to the States to spend a night with your true fans. I can’t believe I had the honor of seeing one of my teen idols live on stage… for me it was exactly like seeing Elvis live and in person. Only in a very English way. We love ya Tony.”
❏ Cleo Dla writes: “You definitely rocked tonite at the HOB show in LA. Loved the set but wished you could have played another hour. You still sound incredible after all these years. I hope you return soon. Have a kick ass rest of the tour” =)

AUG 18, MAINSTAGE AT RAMONA, SAN DIEGO, CA

➢ Breakfast TV interview and acoustic version of True
at KUSI San Diego, August 18

❏ Sean Duggan writes at Facebook: “Great show tonight. Small crowd, but that just made it all the better.”
❏ Liz Witkowski writes: “Tony, John and the band, thank you, gentlemen, for a fantastic concert. What a beautiful gift.”


❏ Phonecam-video above by patiently88: “That’s right Tony, I’m publishing your concert via YouTube, as he pointed out near the end of the song.”

➢ Upcoming interview with Tony, August 21 with J J Buchanan on FM 88.5 KSBR in Southern California — The Eighties Experience radio show starts at 8pm PST (GMT -8 hours).

AUG 20, Absolutely 80s Music Festival, Las Vegas

Fremont Experience, Las Vegas, Tony Hadley, US tour, pop music,

Tony Hadley in Las Vegas: wowing them at the Fremont Experience on his US tour, Aug 20. Picture from T’s Facebook album

❏ Wendy Chouinard writes at Facebook: “Thank you for such a great show in downtown Las Vegas, Tony. Remember to use a humidifier when you come back into town.”
❏ Michael Vigil writes:“Tony, thanks for your fantastic, heart-felt performance in Las Vegas last night. You were amazing. Good to see John Keeble as well. You guys didn’t disappoint despite the Las Vegas heat. A memorable hot August night. Thanks so much.”

Tony Hadley , John Keeble, Las Vegas, US tour,patiently88, video

JK signing after the Vegas show: video grab by patiently88 who also shot the Suspicious Mind vid in Ramona

❏ Nils Arvidsson writes: “Thank you for a fantastic show in Vegas last night. Tony, you are the man. You kept your suit on in spite of the temp being right around 100 degrees. You sir, are one debonair guy! Next time you come to Vegas I hope it’s a bit cooler for you. Cheers.”
❏ Anna Prado-Frias writes: “Amazing show in Vegas. Thank you so much for the chat w/my husband and I. Also for the picture. Can’t wait for the next performance and CD. Best of luck on your future shows.”
❏ Tim Mancuso writes: “Great show — caught Tony Hadley in Las Vegas — WOW, what a talented singer and performer. 1st time back to the States since 1986 with Spandau Ballet — was blessed to hear him and see the show. Thanks for giving it all you had Tony, was most excellent.”
❏ Lisette Garcia-Kohler writes: “Yes, Las Vegas really loved you. What an amazing night! One I will never forget since so many memories were relived with your songs. Thank you, thank you, thank you.”

AUG 21, RED DEVIL LOUNGE, SAN FRANCISCO

❏ Shivaun O’Neill writes: “Awesome show at Red Devil Lounge tonight; thank you for playing in San Francisco.”
❏ Phyllis Mesquita writes: “Great show at Red Devil last night, hope you return.”
❏ Stu Sperling writes: “Saw the concert last night at Red Devil Lounge. They put on a great show. Tony has an amazing voice. Side note, my wife and I were walking around Union Square this afternoon and spotted drummer John Keeble. We walked over to tell him how great the show was. He could not have been nicer. Hope they come back to the states soon.”
❏ Nellie Jones writes: “Thank you for being so kind to your fans and letting us take pictures with you. You have barely aged — you wouldn’t be another Dorian Gray would you? Hope to see you back at the Red Devil Lounge soon. Feel free to bring the other band members as well.”

➢ NEXT STOPS — Sep 2, Rewind Scarborough UK… Sep 4, Cantazaro, Italy… Oct 26–Nov 4, various dates in Australia… Nov 12, Abu Dhabi

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2011 ➤ Open your wallet for a Vintage sting on London’s Southbank

Princess Julia, Chris Sullivan, deejays, Vintage 2011,Southbank Centre, clubbing

Vintage deejays at Vintage 2011: original Blitz Kids such as Princess Julia and Chris Sullivan will be spinning the vinyl to recreate legendary 80s club soundtracks from the Blitz to the Wag

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❚ VINTAGE 2011 IS A MUSIC AND DRESS-UP festival indoors at London’s Southbank Centre (so without the mud), curated by Wayne and Gerardine Hemingway. This three-day party from Friday July 29 celebrates seven decades of British cool from the 1920s to the 80s. Taking its lead from the Festival of Britain (1951), the blurb says there is no single creative focus, just hours of music, fashion, film, art, design and dance each day.

Vintage 2011 , SBC, RFH,Wayne Hemingway,London, Southbank Centre , music, fashion, festivalAll levels of the Royal Festival Hall are transformed into a multi-venue playground, with ten vintage nightclubs such as The Soul Casino, Let it Rock, The Torch Club and The Leisure Lounge. New this year are The Studio, Prohibition Room, The Bunker Club and the North South Divide. In total there’ll be 70 live performances, 150 deejays, exclusive catwalk shows with Jo Wood and Pearl and Daisy Lowe; decade specific make-overs; vintage food and cocktails and 250 sellers at the vintage marketplace. Each day sees a major Revue in the main auitorium: Heaven 17, Alan Wilder and Thomas Dolby, for example, in Friday’s Electronic Revue… Percy Sledge in Saturday’s Soul Revue… David McAlmont, Sandie Shaw and more in Sunday’s Hit Parade.

Sue Tilley, Leigh Bowery, biographer

Sue Tilley: catwalk show celebrating 80s nightlife

Now take a deep breath. On the Friday at 6pm Cavalcade of the 80s is a catwalk fashion show presented by Sue Tilley, Leigh Bowery’s biographer and Lucian Freud model. Sue says: “Bodymap are showing about six outfits with models including Barry Kamen and Les Child… There is going to be an Antony Price dress… Kim Jones is lending some Leigh Bowery originals… Rachel Auburn is recreating one of her outfits. And there’s the second performance this year after 28 years of the 80s club sensations The Trindys.” The models will include friends from the 80s plus new club kids Daniel Lismore and Felicity Hayward. [“My idea of the 80s” — Sue Tilley interviewed at Dazed Digital]

On Saturday the RFH Penthouse venue goes “back to the futurists” and the New Romantic Blitz Club era with 80s three genuine Blitz Kid super-deejays Princess Julia, Jeffrey Hinton and Mark Moore.

At her blog The World of Princess Julia, the doyenne of clubland deejays gives a quick rundown on how she graduated from the Blitz Club cloakroom to the wheels of steel and says of Vintage: “I think I’ll play a mixture of music that has played a part in my deejay career. It will range from post-punk electronica, disco, retro pop, dance and anything else I find at the bottom of my handbag.”

➢ View slideshow of previously unseen 80s pix by Shapersofthe80s at ClashMusic

Classic Album Sundays and Bowers & Wilkins present the Best British Albums at Vintage in four two-hour listening sessions each day in the St Paul’s Pavilion. At 7.30 on Saturday Mark Moore will be introducing Joy Division’s Closer album and the record will be played in its entirety (from vinyl of course) over fab B&W audio kit.

Chris Hill, Robbie Vincent, clubbing,funk, soul DJs, dance music,

Funk royalty: Chris Hill (left) plays the Vintage festival, but what about Robbie Vincent?

For Sunday night in the Penthouse Chris Sullivan — the original Wag Club host for 19 years and Uber-Shaper of the 80s — recreates the funkier, post-Romantic spirit of Le Beat Route (1980–83, zoot suits) and the Wag (1982+ ripped jeans and Celebrity Squares) along with other gods among dance deejays Paul Murphy and Jay Strongman (who also plays Warehouse on Friday and Let It Rock, Saturday).

Over in the Soul Casino the funk legend that is Chris Hill joins the legends who are Norman Jay and Colin Curtis. Tsssss! Have the Hemingways got any inkling of exactly how many galaxies of star quality they have booked?

In all likelihood, Sullivan says: “There might well be a bit of dancing.” When asked what he’s going to play first to get feet kicking, he responded: “Might well be one of THE great recordings, Eddie Kendricks – Keep on Truckin. Lyrically it’s just there. What a Bobby dazzler!”

Ticket prices are frankly a sting, starting at £60 (wince!), since you are the star turn at this DIY event, but dedicated followers of fashion not yet squeezed by the recession aren’t likely to complain.

➢ Ticket without evening show £60, with Vintage Revue from £75 upwards, Fri–Sun July 29–31, full details at the Southbank Centre

➢ July 22 update: We should celebrate Britain’s role in clubbing — Wayne Hemingway in the Independent, sadly getting his London club memories muddled

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