2023 ➤ 80,000 items of Bowie baggage find final resting place in the Olympic Park

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, , archive, David Bowie

Into the archive: 1978 self-portrait sketched and signed by Bowie (detail)


❚ AT THE DAVID BOWIE CENTRE for the Study of Performing Arts fans will soon be able to get up-close to Bowie’s creative genius like never before. From 2025 the Victoria & Albert Museum’s East Storehouse in London’s Olympic Park will house more than 80,000 items amassed during the six decades of the performer’s pioneering career. His archive will be made available to the public, from fans to school children and researchers, thanks to the David Bowie Estate and a donation of £10m from the Blavatnik Family Foundation and Warner Music Group.

The archive features handwritten lyrics, letters, sheet music, original costumes, fashion, photography, film, music videos, set designs, Bowie’s own instruments, album artwork and awards. It also includes more intimate writings, thought processes and unrealised projects, the majority of which have never been seen in public before.

V&A East Storehouse will be a new type of museum experience taking visitors behind the scenes of the stored collections. The new Centre will also support the ongoing conservation, research and study of the archive.

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, archive,

Into the archive: notes for Bowie lyrics created by the Burroughs “cut-up” technique

Highlights include stage costumes such as Bowie’s breakthrough Ziggy Stardust ensembles designed by Freddie Burretti (1972), Kansai Yamamoto’s flamboyant creations for the Aladdin Sane tour (1973) and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997). The archive also includes handwritten lyrics for songs including Fame (1975), “Heroes” (1977) and Ashes to Ashes (1980), as well as examples of the “cut-up” method of generating lyrics introduced to Bowie by the writer William Burroughs. Additionally, the archive holds a series of intimate notebooks from every era of Bowie’s life up to his death in 2016.

Tilda Swinton, one of David Bowie’s friends and collaborators, said: “In 2013, the V&A’s David Bowie Is… exhibition gave us unquestionable evidence that Bowie is a spectacular example of an artist who not only made unique and phenomenal work, but who has an influence and inspiration far beyond that work itself. Ten years later, the regenerative nature of his spirit grows ever further in popular resonance down through younger generations.”

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, costumes, archive,

Into the archive: stage costumes from every decade of Bowie’s career

➢ Read further detail at the official David Bowie website

FRONT PAGE

2023 ➤ Spitting Image puppeteers steal the live stage show in Birmingham

Idiots Assemble, Spitting Image, Birmingham Rep, puppets, theatre,

Spitting Image Saves The World at Birmingham Rep:
Suella Braverman and Rishi Sunak given life by puppeteers wearing grey. (Photo PA)

❚ THE MAJOR MIRACLE about Birmingham Rep’s new show Spitting Image Saves The World is that the move from satirical television to live theatre stage succeeds brilliantly. And hilariously. Not only are the puppeteers visible (though clad in grey from head to foot) while animating their giant plastic caricature heads and arms and indeed lending them “legs” – from superstars to cabinet ministers to royalty. They also execute physical illusions and perform exacting song-and-dance routines that fill the stage. And for the hundred or so celebs depicted, most are voiced by equally superb impressionists. Seldom before have we witnessed a stage show as ambitious as this involving complex scene changes.

As with the Central TV series that created Spitting Image in the Eighties, satire fuels the comedy, while two hours on-stage require a storyline. The mission improbable is quickly identified as rescuing the dicey state of the nation – or more whimsically, “the fabric of society”, epitomised by King Charles III waving a pair of soiled underpants aloft.

➢ Update: Spitting Image the Musical [new title]
opens at London’s Phoenix Theatre 24 May

The puppet heroes recruited to meet the challenge run from a tiny Tom Cruise to Ru Paul, Stormzy, Idris Elba, Greta Thunberg, Angela Rayner and a robotic Elon Musk. An adversarial establishment is led by Rishi Sunak in school uniform, Rees-Mogg as a very tall stick insect, a dancing Gove, Javid, Truss, Raab, Patel, Carrie and Boris Johnson and Suella Braverman as a haunted child from The Exorcist. All are mercilessly sent up along with Harry and Meghan, Wills and Kate, Edward, Ant & Dec, Kier Starmer, Nicola Sturgeon, Presidents Xi Jinping, Zelenskiy and Putin. Sir Ian McKellen opens the show as Narrator, while HM QE2 closes it on electric guitar, riffing on Queen’s We Will Rock You.

Click any pic to launch slideshow

Just before the late Queen’s finale, the storyline had run out of steam. The previous three scenes had nothing to add, yet each closed with a red-curtain flourish as if each was the last. They could be cut completely. So too could the many four-letter expletives used frequently throughout the script. These were not laugh-lines, but mainly casual exclamations. Birmingham Rep is proving as foul-mouthed as London’s National Theatre, where its production of Phaedra is lubricated by unnecessary hard-core expletives. Do these theatres really believe swearing somehow ticks the trendy “diversity” box?

One further source of irritation was that of the dozen voices providing vocals during Spitting Image, half of their microphones sounded so fuzzy as to be useless. Words and lyrics were seriously less audible than the other half dozen. Ruinous when wordplay is key. (Coincidentally, the same went for last August’s musical Counting & Cracking which suggests a technical fault might lie with Birmingham Rep as the House, not the individual company performing.)

That said, this Spitting Image show is highly original and is directed by Sean Foley with great imagination (congratulations to Alice Power for those costumes it would be a spoiler to describe). Along with plenty of other show-stopping highlights, Putin’s tap-dance routine deserves a rollicking long future. As do the 12 grey-clad puppeteers. When they stepped down-stage together to take their curtain call – their names arguably unknown to most of the audience – it came as a sudden epiphany to accept that their skills had created every one of the characters and driven the entire performance.

THE PUPPETEERS were Kate Bradley, Paula Brett, Kaidan Dawkins, Bertie Harris, Jojo Lin, Pena Iiyambo, Chand Martinez, Will Palmer, Helen Parke, Rayo Patel, Tom Quinn, Faye Weerasinghe.

Idiots Assemble, Spitting Image, Birmingham Rep, puppets, theatre,

Spitting Image Saves The World at Birmingham Rep: Stormzy and Tom Cruise given life by puppeteers. (Photo: PA)

➢ Idiots Assemble – Spitting Image Saves The World
is live on stage at the Birmingham Rep until 11 March.

Idiots Assemble, Spitting Image, Birmingham Rep, puppets, theatre,

Spitting Image Saves The World at Birmingham Rep: celebrity cast headed by Tom Cruise, as puppets

FRONT PAGE

2023 ➤ Don’t let zeros dazzle you in front of Doig’s broody paintings

Courtauld Gallery, Peter Doig, collecting, exhibitions , fine art , London,

Canal 2023, by Peter Doig at The Courtauld. Photo Fergus Carmichael

❚ EXACTLY 40 YEARS AGO as he was graduating from St Martin’s art school Peter Doig told me: “You’ve got to be an entrepreneur these days”. I was writing a powerful critique of the rot that had set into the UK art-school teaching system as prime minister Thatcher’s education cuts torpedoed creativity. For his generation – just before the YBAs devised their own solution – it was becoming ever more difficult for young artists to make their mark and there was plenty of unrest to report in my 1983 survey for The Face magazine.

So, hasn’t he done well since then?! During the past 15 years key paintings by Doig have sold for record prices in the international market – $11m, $5m, $11m, $12m, $17m, $39m and $29m. Averaging those seven sums, and grossing up to estimate the worth of the 12 paintings in his exhibition opening this week in London, yields their possible total value as $212million.

So when I walked into the Courtauld Gallery this morning to view his 12 newest paintings hung in two modest rooms, all I could think of were the zeros. Was I standing amidst 212,000,000 dollars-worth of art? And how do we square those zeros with Doig’s own expressionist take on magical realism, eerily mesmerising landscapes and striking figurative images in which he, his family and friends appear with smudged features as if in dreamworlds, described by one critic as “a troubled Arcadia”? Even his two self-portraits are unsettling. Multiple perspectives also tease. Half the pictures are enormous, some have taken him years to complete, others look as if they’re unfinished.

Their idiosyncratic visual chemistry reflects the itinerant life of this 63-year-old Scottish-born Canadian who has also lived in Trinidad and London. Painterly is the one word that unites the leading critics in their reviews of Doig, yet he achieves this largely without thick gestural brushmarks, and often with washes that let pigments emerge subtly through others in sea, sky and land, suggesting remembrance of lost times. Many touches refer to the impressionist masters displayed in an adjacent space at the Courtauld.

Courtauld Gallery, Peter Doig, Trinidad, collecting, exhibitions , fine art ,

House of Music (Soca Boat) 2019-23, by Peter Doig at The Courtauld. Photo Fergus Carmichael

His colours can be strong, as in Alice at Boscoe’s, where a vivid jungle of red and green foliage dominates and his daughter slowly emerges as the faintest female form slung in a hammock. Similar contrasts make Music (2 Trees) a haunting rumination featuring his wife and other friends. In contrast, House of Music (Soca Boat) relies on whole swathes of hues to intrigue.

The larger paintings include works that were created in the artist’s studio since returning to London in 2021. One such titled Canal has shady characters loitering on the Regent’s Canal tow-path where his son is having breakfast before an unlikely crimson bridge. Another titled Alpinist casts a skier as a harlequin against a brittle snowy landscape, inviting us to consider why.

So there’s plenty of food for thought before those zeros re-enter the mind’s eye, ker-ching… Coincidentally yesterday morning, Peter Doig was telling Radio4’s Today programme how the artist has little or no say in what millionaire collectors such as Charles Saatchi are prepared to charge or spend as paintings pass from one to another in the secondary market. Recalling that in 2021 his picture titled Swamped sold for $40m (!), he said: “I sold Swamped for £800 and of all the paintings of mine that have sold for £250million, the amount of money I got was less than £64,000… There are a lot of people out there who want to profit off you somehow.”

Only last month Doig was awarded £2.5m by a judge in a United States court following a decade-long dispute with a gallerist alongside a collector who claimed to own a painting made by him as a teenager. Doig denies this and is donating the windfall to a not-for-profit organisation.

Concluding his Today interview, Doig said: “The money’s not what it’s about. It has given me a life I would never have imagined – travel and making connections – but who could have imagined showing [here at the Courtauld Gallery] in the room next to Manet’s Bar at the Folies-Bergère?”

➢ Peter Doig is the first living artist to exhibit
at the Courtauld Gallery since its £57m revamp in 2021.
His exhibition runs until 29 May 2023

Courtauld Gallery, Peter Doig, Trinidad, collecting, exhibitions , fine art

Music (2 Trees) 2019, by Peter Doig: Photo Mark Woods. Copyright Peter Doig. All Rights Reserved. DACS 2023

➢ Peter Doig speaks to Channel4 News
about his London show

Courtauld Gallery, Peter Doig, collecting, exhibitions , fine art , London, Channel4 News,

Peter Doig with his painting of Alice at Boscoe’s on Channel4 News

FRONT PAGE

2023 ➤ Fond farewells to the glorious Queen of the Telegraph fashion pages

Hilary Alexander, tributes, Daily Telegraph, fashion,

Farewell to Hilary Alexander on her retirement in 2011: here’s the spoof front page every good hack deserves to cap their career. Read my own account linked below

“The dizzy industry doyenne” – Obituary at Vogue
https://www.vogue.co.uk/arts-and-lifestyle/article/hilary-alexander-obituary

Fashion editors, tributes, obituary, Hilary Alexander, Suzy Menkes, Anna Wintour

The British fashion triumvirate in their heyday: Suzy Menkes of the International Herald Tribune, Hilary Alexander of the Daily Telegraph and Anna Wintour, editor-in-chief of US Vogue

❚ ONE OF BRITISH JOURNALISM’S greatest characters has died and you won’t hear a word spoken against her – apart from on the hilarious spoof tribute page produced for Hilary Alexander’s leaving party in 2011 after donkeys years as fashion director of the Daily Telegraph, when it enjoyed the highest daily sales among UK quality newspapers. During the 1980s-90s I worked regularly alongside Hilary and also dared go out on the town with her to witness her beaming smile and unique dress sense turn heads in all directions. As British fashion grew in credibility on the world stage, Hilary became one of a triumvirate of British fashion editors the international circuit took very seriously, the others being Suzy Menkes of the International Herald Tribune and Anna Wintour of US Vogue, who have been awarded two OBEs and a DBE by the Queen. Hilary was twice named British Fashion Journalist of the Year. Two enthusiastic obituaries remark that she pursued work like “a Stakhanovite” implying exceptional efficiency.

A memorial service for Hilary’s admirers and colleagues is being held at midday on Monday 12 June at St Bride’s in Fleet Street.

Early yesterday, Hilary’s 77th birthday, she died from a heart attack while in hospital. Our mutual colleague Penelope McDonald recalls the laughs they had enjoyed over the years – especially at the annual Fenwick Christmas shopping evenings to which Hils attracted leading designers. She devoted much time to inspiring and mentoring young fashionistas. In 2002, the artist Georg Meyer-Wiel remembers his graduation show in menswear at the RCA because he met big names such as Mary Quant and Issey Miyake in the company of Hils at the gala.

When I was editing the student edition of the Telegraph in 1988 Hils was keen to shoot a winter fashion feature with students in the coldest place in the UK. Amazingly, according to the Met Office, this proved not to be Scotland but the Tyneside estuary which receives freezing oceanic winds from the east. Consequently there we were in December fitting out some model students at Newcastle’s Uni and Poly with warm winter wear for our pages. In about 2002 my colourful Blitz Kid friend Judith Frankland recalls meeting Hils in Paris at a party for John Malkovich. She says: “I was dressed up as you can well imagine and she came straight over to me and said ‘I have to know who you are’ and smiled and told me to contact her if I was in London. Of course I didn’t have to ask who she was! It’s a good job she hadn’t seen me mere minutes later as my platform departed from the rest of my shoe, grrr!”

Fashion editors, tributes, obituary, OBE, Hilary Alexander, photos,

The umpteen faces of fashion queen Hilary Alexander: click to enlarge this Google set

Paul Hill, foreign desk manager at the Daily Telegraph, also recalls: “She used to organise the Christmas shows in Canada Square, taking over the canteen for the day and putting catwalks in and often filming them for DVD circulation to staff. I was in one (as one of five Elvis impersonators singing appallingly badly All Shook Up) and Hils was everywhere with what started as a full bottle of scotch, but by the end of the show was almost empty and she was a very happy and relaxed director! She would inveigle all sorts of seriously-minded staffers into these annual events, famously Lord Bill Deedes, to dress up – make-up and all – as Mick Jagger to mime along to Brown Sugar.”

In today’s Vogue obituary Anna Wintour says: “Hilary was irrepressible in everything she did. She lived life to the fullest and her reporting on fashion was just as committed. I threw a party for her in Paris when she retired – except she never retired! Hilary could never quite leave an industry that she loved so much.”

Fashion editors, tributes, obituary, OBE, Hilary Alexander, photos,

The fashion front row L-R: Jonathan Newhouse, Anna Wintour, Bill Nighy, Hilary Alexander, writer Lisa Armstrong and Laura Craig at the Mulberry AW 2012 show during London Fashion Week. (Photo © Dave M Benett). Click to enlarge.

In the Telegraph obituary Lisa Armstrong writes: “To sit next to Hilary at the shows was to be treated to an experience that was a unique blend of massage and wrestling match. Bobbing to the music – whatever it was – she was always the first to bounce out of her seat as the models were still filing off the catwalks, the ears of Uncle Bulgaria’s hat flopping away as she stormed the catwalk to get backstage before everyone else. She would do anything to get a story.”

Our set of photos here from a Google search for Hils sums up her eternal exuberance (“I will not stop flying. I will not stop smoking.”). Her home life in Dulwich was surprisingly private. Born in New Zealand, Hils was educated in Hong Kong and, having ended an unfortunate early marriage, she leaves no partner. Her funeral could be a starry event, though my own 2011 tribute in the link below is probably unbeatable!

➢ Previously at Shapersofthe80s:
2011, The incomparable Hilary Alexander makes her own front-page news as she leaves the Telegraph

Fashion editors, tributes, obituary, Vivienne Westwood, Hilary Alexander,

Hilary’s last profile photo posted at Twitter 2022… Hils celebrates her retirement with Andreas Kronthaler and Vivienne Westwood in 2011

➢ “More stamina than teenagers. To sit next to her at the shows was truly an experience” – Daily Telegraph obituary

➢ “A discerning eye for detail and relentless pursuit of a story made her name” – The Times obituary… She was on first-name terms with many designers but never forgot the readers for whom she was writing. “It’s hard for the average person to decide what to wear,” she said. “Our role is to take the threads that come through from the catwalk shows and say ‘This is the way to wear things’.” She saw fashion as more than mere style and was instrumental in making it newsworthy. “It’s not frivolous – any industry that employs half a million people and generates billions a year is a serious news subject.

Fashion editors, tributes, obituary, OBE, HM Elizabeth II, Hilary Alexander,

Fashion royalty: Hilary Alexander was made an Officer of the Order of the British Empire by the Queen in 2013… Hils sports a black silk dress with a jazzy poppy print to coordinate with the OBE ribbon

THE BRITISH FASHION COUNCIL’S
VIDEO TRIBUTE TO OUR HILS

FRONT PAGE

1984 ➤ How SAW pumped up the volume during the Swinging Eighties

Channel5, Mike Stock, Pete Waterman , Matt Aitken, TV, documentary

Matt Aitken, Pete Waterman and Mike Stock in their heyday. (Photo: PA)

❚ DO CATCH THE SIZZLING NEW TV DOCUMENTARY about Stock Aitken Waterman, the three musical geniuses who only had to press all the right buttons for an unknown singer, and inject a dance beat into their music to create one Top 10 hit after another. From 1984 the writing/producing team of Mike Stock, Matt Aitken and Pete Waterman were to publish over 100 hit singles, producing and launching the pop careers of Hazell Dean, Dead or Alive, Bananarama, Sinitta, Princess, Mel & Kim, Rick Astley, Kylie Minogue and Jason Donovan. International stars such as Diana Ross and Michael Jackson, Chic and Depeche Mode became external clients.

The detail of how SAW evolved their production line with Phil Harding at PWL Studios makes for awesome viewing in two programmes of 90 minutes each, the second going out on Channel 5 next Saturday. Pete Waterman compared their output to Motown in the 1960s: “Every five days we had to churn out a hit.”

➢ Stock Aitken Waterman: Legends of Pop – Catch up with the first episode on the C5 website now

FRONT PAGE