1980 ➤ Out of the blue, Duran’s first gig pictured at the Rum Runner

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Duran Duran: Who’s who in this debut line-up on 16 July 1980 onstage at the Rum Runner in Birmingham? (More to the point, who actually took this photo?)

❚ NEVER SEEN BEFORE! Or so I thought a few days ago! This superb colour photo of Duran Duran’s debut gig introducing Simon Le Bon on vocals and Andy Taylor on guitar has just been published on Facebook. The band are captured live on 16 July 1980 at Birmingham’s stylish nightspot the Rum Runner and fans have been amazed at a certain blondness and general skinniness of the performers, but after all their average age is only 20. From the left: Yes Simon is blond, yes “Tigger” John Taylor looks truly gangly on bass, yes Andy is in leopard-print pants, and yes Nick Rhodes is playing the Crumar synth at rear. (Drummer Roger Taylor is sadly not visible.)

This sensational picture arrived on the Durantastic World page at Facebook on the 43rd anniversary of the gig and I was one among many fans who had never seen it before. Yet the DW Admin couldn’t say who took it. One follower, Emma Leigh, attributed the image to a photographer who goes only by his Twitter handle @Birmingham_81 (currently unused) and otherwise remains anonymous! Baffled and amazed by suddenly discovering that any photo of Duran’s live debut existed, I embarked on a prolonged Google search.

As the day went on I actually unearthed FOUR photos of that 1980 gig – now published here on this page – which were buried perhaps unsurprisingly in one official Duran website dating from 2015, and another encyclopedic online history of the band in 2018, so all the more puzzling that they haven’t spread widely across social media circles. The best pic, shown here at the top, has sat in DD’s album page at Facebook since 2015, unforgivably dated wrongly to 12 March 1980, months before Le Bon joined the band.

A second pic was also posted by DD at Facebook in 2018 on the correct anniversary of the debut. This is the frontal view in which we can just see Roger on drums, though really too small to enlarge very successfully. Further googling led us through Not Your Mother’s Playlist, a blog by Christina, a 25-year-old pop culture addict from San Francisco who pictured the key photo without comment in 2019, and on to Duran Compilations which uniquely revealed two further pix from DD’s debut in 2018 while showing all four on one page – see below – again without special comment or hint of a source! This website detailing the band’s unofficial history was “compiled and developed by Ansgar Thomann in dedication to the 40th anniversary of Duran Duran’s birth”. He based the anniversary on 1978, when the idea of DD was born!

All four images make a fascinating testament to DD’s sense of style, especially Le Bon. Sad that nobody seems sure who took these landmark photos.

IMAGES SCARCELY SEEN BEFORE – CLICK TO ENLARGE

Core band members had been employed for a year or more around the Rum Runner by its owners, the brothers Michael and Paul Berrow, as bouncers, deejays and glass collectors, while a series of new musicians were tried out and let go.

Cristina’s NYMPL reports: “In 1978, cool kids Nicholas Bates and Nigel Taylor (who would then become Nick Rhodes and John Taylor) handed the Berrows a demo tape for their fledgling band Duran Duran and the rest is history; they held auditions until D-Squared became a full-fledged band with a guitarist and everything, and the Berrows became their managers.”

She adds: “Guitarist Andy Taylor recounts many interesting things in his book Wild Boy (a fantastic read). He talks about the wild behaviour of the club-goers – how flamboyantly they dressed, how behaviour norms didn’t apply and how sex, drugs, and glam rock were paramount. He also talks about the aptly named ‘Sex Offender’s Room’ (‘People weren’t politically correct, then,’ he writes), where the Durans and the Berrows dragged in a nice fluffy bed in a vacant corner, and then would purposefully walk in on one another when they were enjoying the, uh, intimate company of their guests.”

Simon Le Bon told Quietus in 2011: “I had some pretty amazing sex-and-drugs combined occasions. Which, ultimately, were very rock’n’roll. Just thinking back to the Rum Runner, what a place that was for five guys. . . it was probably illegal. In fact, a lot of it was definitely illegal.”

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DuranCompilations pulls out the plums, 2018: two more new images to make four DD debut pix scarcely ever seen

Once the 1980 line-up was finalised, it then took DD another six months as the club’s house band before landing a contract with EMI. During this time London’s New Romantic heroes Spandau Ballet notched their first chart single before year’s end. In February 1981 DD’s first single Planet Earth charted at number 12 with the phrase “New Romantic” unsubtly woven into the lyrics, while cool London bands refused to subscribe to the term.

Both Spandau and DD followed the image-conscious practice of pioneering stylish music videos with savvy directors such as Russell Mulcahy and Godley & Creme, which fuelled the British invasion of the US by British bands just as MTV was launched in August 1981. The first person we see in Duran’s first video, Planet Earth, is Roger Taylor who also told Quietus: “I think [director] Russell Mulcahy had a bit of a crush on me: ‘OK, get your shirt off, you’re the first one, lie back’.”

Perry Haines, ex-Blitz Kid, producer and first editor of i-D, told me in 1982: “Duran Duran were destined to be mass market. I styled their first photo session in Milton Keynes in frilly Axiom shirts with bolero jackets and silk Antony Price suits. It was a street-level look with the cut and style of Antony.”

Rolling Stone magazine recorded the brothers’ ambition: “They said, We want a good-looking poser band. . . somewhere between Chic and the Sex Pistols.”

COMMENTS AT DW FACEBOOK THIS WEEK:

Bill Rosich: The 16 July set list was: 1, I Feel Love; 2, Girls on Film; 3, Amy a-Go-Go (later Rio); 4, Night Boat; 5, Tel Aviv; 6, Late Bar; 7, Secret Success.
James Barr: It’s funny, but they’re basically in the exact same stage arrangement that they remain in to this day: Simon out front with John on his right and Andy (or the guitar player) on Simon’s left. Nick is then back and to the left and Roger back and to the right.
Lance Lowe: Was there. I played bongos for 5 minutes. It was a jazz dance night. Paul Berrow asked me to stand behind the bongos with the rest of the band for press shots at the Rum Runner. I just wanted to dance to music by Lonnie Liston Smith.

➢ Durantastic World page at Facebook

➢ Previously at Shapersofthe80s: 1981, Birth of Duran’s Planet Earth

New Romantics, Swinging 80s, Birmingham, Duran Duran, Rum Runner,

A broody looking Duran Duran en route to stardom: the band pose outside the glam entrance to the Rum Runner nightspot

➢ Previously at Shapersofthe80s: 2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion
➢ 1981, Inside the Rum Runner nightclub – by the people who were there

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2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Paul Edmond,

Kahn & Bell in their heyday, photographed by Paul Edmond

❚ IT’S GOOD TO SEE how trendsetters in Birmingham have been reminding the world of the city’s reputation for creativity. Only last December people with long memories succeeded at finally getting a blue plaque erected on the site of the legendary nightspot, the Rum Runner, birthplace of the international supergroup Duran Duran during the Swinging 80s, and a vital platform for Annie Lennox, Fine Young Cannibals, Dexys, Fashion and Sigue Sigue Sputnik.

No less famous than the Rum Runner were Jane Kahn and Patti Bell, the fashion duo with their boutique at 72 Hurst Street from 1976 to 1986, which became an epicentre for the alternative music and fashion scene. Their penchant for fantasy and theatricality found them designing hand-made clothing for Duran Duran, the dance group Shock and even Eurovision winners Bucks Fizz. One of their models who worked in the shop as a teenager was the local drag legend Twiggy.

K&B have been described as Birmingham’s equivalent to Vivienne Westwood and the New Romantic magazine New Sounds New Styles observed in 1981: “When similarities to London designers were seen in their collections it was considered that Birmingham had copied London.” This was by no means the case. Duran’s photographer Paul Edmond preferred to describe Patti and Jane as “the queen and princess of the Birmingham New Romantic scene… Patti was the Vivienne Westwood, with Jane as Zandra Rhodes. Jane was perhaps slightly more refined in her fashion design and Patti was the more outrageous one, the most outgoing”.

Even so, in 2006, Duran’s Nick Rhodes created the compilation album Only After Dark to celebrate the music played at the Rum Runner, and lamented with hindsight: “Allegedly this was the UK’s second city, but you couldn’t help but wonder at the gaping disparity with the capital. If this was the second city, what might life be like in the thirteenth?”

Click any pic to enlarge as a slideshow:

In tribute to the iconic designers, an exhibition titled “It’s Not Unusual: a photographic homage to Kahn & Bell” has being curated by the National Trust with input from local photographer Gary Lindsay-Moore, at a quaint terrace of restored shops known as the Back to Backs Museum in Hurst Street. It opens on 9 June though visiting hours are very confusing on the B2B’s complex website so better ring for specific information, as booking seems necessary.

Today no less than in the Eighties, Brum remains Britain’s “second city”, as a focus for a population of more 4 million people in the wider West Midlands, the largest metropolitan county outside the capital. Its fashionable Digbeth scene has been compared to London’s Shoreditch. Likewise Brindleyplace, the Hurst Street village and Broad Street, where a Brummie version of Hollywood’s Walk of Fame once saw large brass stars set into the pavements on both sides honouring local showbiz heroes and institutions. Sadly, this year I counted only a handful remaining. The whole of Broad Street was resurfaced in the recent extension of the metro tram route westwards and most of the brass plates in the Walk of Stars were ripped out.

If we feel rightly sentimental about our past so that a gilded statue of those industrial pioneers Boulton, Murdoch and Watt stands prominently on Broad Street only yards away from the Black Sabbath Bridge – recently renamed after the local rock band – why are David Bintley, Jeff Lynne, the Birmingham Royal Ballet and the Aston Villa Team of ’82 among the only star names to remain embedded in the pavements? To have lost the Walk of Stars as mementoes of the city’s history is a crying shame.

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Walk of Stars, Aston Villa Team of 82,

One of the few surviving brass stars still visible in Broad Street’s Walk of Stars, this one a tribute to Aston Villa FC

➢ It’s Not Unusual exhibition runs 9 June-17 Dec, at B2B Museum at 61 Hurst Street, Birmingham, B5 4TE

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Rum Runner,

The blue plaque finally awarded to the site of the Rum Runner nightclub in Birmingham

Updated 23 July 2023… NEW SOUNDS, NEW STYLES is a live panel discussion just announced for Friday 25 August at 6.30pm in the Birmingham Back to Backs at £5 per ticket. Linking with the museum’s exhibition on Kahn and Bell, this event will explore the culture of the punk and New Romantic scenes in Birmingham in the late 1970s and 80s. The discussion will be chaired by Jez Collins of Birmingham Music Archive and panel guests will include Carl Phillips, Dylan Gibbons and Carol Maye.

➢ Buy NSNS tickets from Birmingham Back to Backs

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Back-to-Backs Museum, National Trust,

Hurst Street’s terrace of vintage shops now home to the National Trust’s Back to Backs Museum in Birmingham

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1983 ➤ A True romance aboard Spandau’s triumphal Thames riverboat

Spandau Ballet,1983, tour, Gary Kemp

Spandau over Bournemouth, 1 April 1983: Gary Kemp teases the screamers at the Good Friday show in the Pavilion Theatre. © Shapersofthe80s

40
YEARS
ON

❚ YES IT’S 30 40 YEARS SINCE Spandau Ballet scored their only No 1 chart hit single with True, coinciding with their epic “Spandau Over Britain Tour”. By May 3, True the album reached No 1, while the single remained at No 1 as well. The band’s official website is celebrating with a month of recollections from 1983 and asking UK fans to offer their own memories. Naturally Shapersofthe80s was there on the waterfront and has a few inside stories of its own.

The month-long tour ended in triumph at London’s Royal Festival Hall 30 years ago today, on Friday April 29, because True hit the top spot in the UK singles chart and the night before Spandau topped the bill on Top of the Pops – only two weeks after its release. After the London gig there followed a right old knees-up for friends and family aboard a Thames riverboat. As it cast off Shapersofthe80s was onboard and snapped a True romance as Steve “Spiny” Norman took to the dance floor with bass-player Martin Kemp, while Steve’s mum Sheila tried to muscle in. Here are our snaps, never seen before.

CLICK ANY PIC TO LAUNCH CAROUSEL
AND NAME THE FACES:

The band’s third album True, produced by Tony Swain and Steve Jolley, had preceded the tour and was to yield several chart hits across the world, Gold among them. The tour moved on to Europe in the summer and to North America in the autumn, when Shapersofthe80s will have some wild eye-witness scenes to report – laters…

➢ May 1 update: all five members of Spandau Ballet have agreed to an individual ‘TRUE’ Twitter Q&A session with fans, according to the official Spandau website – Q&A sessions start at 8pm (BST) on the official Spandau Twitter account, not their personal accounts, as follows: Gary May 3, Martin May 6, John May 7, Steve May 9, Tony tbc.

➢ 30th anniversary interview with Gary Kemp
at UK Official Charts website

The Observer OMM Oct 4, 2009

The Observer Music Monthly Oct 4, 2009

HOW IT ALL BEGAN FOR
THE ANGEL BOYS

➢ Read the story of Spandau Ballet,
the Blitz Kids and the birth of the New Romantics
in my feature at The Observer

➢ Photographer Neil Matthews, another friend of Spandau from their earliest days, has been celebrating with an exhibition of his popstar photos titled My 80s Through the Lens, at The Great British Restaurant, 14 North Audley Street, London W1K 6WE. All images can be viewed online and are for sale in limited editions printed on smart archival paper. As well as Spandau, his subjects include Bananarama, Blue Rondo, Bauhaus, Haysi Fantayzee, Malcolm McLaren, The Jam, Nick Heyward, Bow Wow Wow and more.

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2023 ➤ Join me recalling the heady days of Fleet Street’s newspaper industry

journalism history newspapers, press, library, Evening Standard, Shoe Lane, hot metal,

The Evening Standard newsroom in 1969: viewed from the features desk where Yrs Truly worked… Editor Charles Wintour is just visible on the back bench before the far windows at about two-o’clock [© Shoe Lane archive]

❚ I’LL BE ONE OF FOUR PEOPLE discussing the heyday of Fleet Street newspapers when I worked at the Evening Standard in the 1970s and 80s – on Monday 6:15-7:45pm in the Shoe Lane Library, behind the former Daily Express building on Fleet Street. Remember my trendy column titled On The Line? All free, so do join us.

The day titled Information is Close at Hand is organised by artist Eloise Hawser and it starts 12:30pm with a local walk informed by the working lives of newspaper distributors on Shoe Lane.

From 3:30-5pm there’s Hot Mettle, a hands-on session in the library using 1970s hot-metal printing objects and paraphernalia to create newspaper collages.

Shoe Lane is a back-street deeply connected to the industries producing printed news, the one-time home to the headquarters of the Daily Sketch, the Evening Standard, and the International Press centre. It was also a base for the various allied trades involved in printing and distribution.

Shoe Lane Library is at 1 Little New Street, London, EC4A 3JR. Nearest stations Blackfriars, Chancery Lane and City Thameslink

Journalism, Evening Standard, Shoe Lane, hot metal, library talk, Eloise Hawser, Vic Wilson, David Johnson

Update – Shoe Lane Library talk, L-R: Vic Wilson (Standard distribution veteran), journalist David Johnson and event organiser Eloise Hawser, with the Standard newsroom onscreen

➢ All about the event Information is Close at Hand

Information is Close at Hand, event, Evening Standard, Shoe Lane, hot metal, Eloise Hawser, Mental Fight Club, history newspapers, press, library,

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2023➤ Kemp Bros keep tongues firmly in their cheeks

Gary Kemp, Martin Kemp, comedy, documentary, pop music, television, biopic, Spandau Ballet,

Who Do They Think They Are? Their spoof TV doc traces the Kemp Brothers’ origins back to the inventor of the clothes peg

❚ THREE YEARS AGO the critics divided over a TV “mockumentary” about Spandau Ballet’s Kemp brothers, which Martin summed up as “French and Saunders do Gary and Martin Kemp”. Gary added: “Our traits, but highlighted”. The unexpectedly oddball hour is being repeated on BBC2 tonight.

Their contemporary, Eighties musician Andy Polaris, declared himself a bit of a fan in his own review:

The Kemps All True is a surprisingly deft spoof documentary based on the Spandau Ballet stars’ ill-fated revamp revolving solely around the two charismatic brothers. Chock-full of well-known British cameos (Christopher Eccleston, Daniel Mays, Anna Maxwell Martin), it follows their attempted relaunch including a guest star covers album where ‘Sia’ and the gruff-voiced ‘Rag and Bone Guy’ both murder True, a song they had reserved for a popular girl band.

Gary Kemp, Martin Kemp, comedy, documentary, pop music, television, biopic,Spandau Ballet,

Exclusive preview of new album cover (BBC)

Interwoven are real clips from the band’s history leading up to the current 40th anniversary where they are rudderless and searching for new streams of income including an unappealing-sounding meat replacement vegan product called Wonge and a charitable retirement project. The hour whizzes by due to a cavalcade of witty observations about vintage pop stars (ie, playing private parties for oligarchs for considerable financial rewards and celebrity endorsements for dodgy products), piercing their Photoshop vanity and pretentious public images…   ➢ Continued at Apolarisview.com

Shapersofthe80s published another candid appreciation of the Kemps’ venture into comic territory, which was conceived by its director and writer Rhys Thomas, here:
➢ Previously at Shapersofthe80s: Knife-edge TV doc shows Kemp tongues firmly in their cheeks

Followed up almost inevitably by Spandau’s former vocalist Tony Hadley telling The Sun: “I wasn’t approached and would not have anything to do with it. I’m done. They want me back for good but it ain’t going to happen. I’d rather be happy on my own than be in that band again.”
➢ Previously at Shapersofthe80s: Vocalist Hadley hammers final nail into the coffin of Spandau Ballet

Martin Kemp, Gary Kemp, Rhys Thomas, BBC2, documentary,

Preview of Gary Kemp’s latest work as a portrait painter (BBC)


➢ Click for the quite funny Kemp Bros trailer

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