❚ MORE AVANT THAN THE AVANT GARDE is this blistering display of individuality from Yohji Yamamoto at Paris Fashion Week. His daring menswear for spring-summer 2015 hurls princely nobility together with vagabond grunge. His mix of rich and distressed fabrics with abstract cutting sets a subversive new silhouette that is both tailored and casual. Yohji’s East meets West kaleidoscope collides patchworks, dyes, chambrays, straps, pinstripes, scarves and hats. It makes for strong stuff. [All photography from Vogue online]
❚ THE 56-YEAR-OLD STAR of The Comic Strip, The Young Ones and The New Statesman has died suddenly at his home in London. Long before his TV stardom, I met Rik Mayall in November 1980 in pursuit of the first magazine feature about the achingly funny team putting the Comic Strip’s new wave of “alternative comedy” on the map. Here is that first feature about them, with my own pictures:
➢ Mark Lawson pays tribute to a dangerously funny man … “The savage charisma that Mayall projected in his TV comedy roles led the director Richard Eyre to cast him, in 1985, in a National Theatre production of Gogol’s political satire The Government Inspector”
➢ Saturday update by the GSA media centre: “ Bad news first is that we have lost the iconic and unique Mackintosh library. This is an enormous blow and we are understandably devastated… Mackintosh was not famous for working in precious materials. It was his vision that was precious and we are confident that we can recreate what was lost as faithfully as possible. ”
➢ GSA fire appeal launched by Edinburgh College of Art: “ A report on BBC News at Ten carries footage but no further developments. The windows of the hen run are clearly badly damaged with mullions and transoms destroyed in places, but how badly will the Library have been damaged? … ”/ Continued at GSA website
TMWSTW: Bowie’s ambitious album to be updated in live performance by Tony Visconti and Woody Woodmansey’s band Holy Holy
➢ David Bowie’s website announces: “ Tony Visconti and Woody Woodmansey perform David Bowie’s classic The Man Who Sold the World album with supergroup Holy Holy. Keep reading for further details of this and Holy Holy’s debut 45 with a Bowie cover on the B-side, not to mention a few words from a clearly excited Tony and Woody regarding the event. [Today’s update: After the Sept 17 London gig, a second performance is announced for Sheffield, Sept 18.]
“ David Bowie’s seminal album The Man Who Sold the World, produced by Tony Visconti, was recorded in 1970. It is unusually sonically heavy and dystopian for a Bowie album, with lyrical themes including annihilation and a totalitarian machine. The sound combines riff-laden heavy rock with futurist synth sounds and Visconti’s innovative production techniques.
“ Tony Visconti says: “I’ve rarely played anything as ambitious and demanding as the music of that great batch of songs conceived by David Bowie. With Woody Woodmansey and Mick Ronson, two of the finest musicians I’ve had the pleasure of recording and playing with, we set out to create something both new and classic, we called it our Sgt. Pepper. David gave us a chance to bring our unique talents to the table and we made up our parts within David’s framework. Mick forced me to listen to Jack Bruce, however, and told me ‘That’s what great bass playing was all about’. I got it, lead bass playing – as a guitarist this came natural to me. With David as our charismatic frontman we were Young Turks determined to spin heads and change the world of music… ” / Continued at davidbowie.com
Tony Visconti on bass, and Woody Woodmansey on drums, will be joined by this stellar Holy Holy line-up: Glenn Gregory (Heaven 17), lead vocals Steve Norman (Spandau Ballet), sax, guitar, percussion and vocals Erdal Kizilcay (David Bowie, Iggy Pop, Freddie Mercury), keyboards and vocals James Stevenson (Generation X, Scott Walker, Gene Loves Jezebel), guitar Paul Cuddeford (Ian Hunter, Bob Geldof), guitar Rod Melvin (Ian Dury, Brian Eno), piano Malcolm Doherty (Rumer), 12-string guitar and vocals Lisa Ronson (A Secret History), vocals Maggi Ronson backing vocals and recorder Hannah Berridge Ronson backing vocals, recorder and keyboards
➢ Bowie collaborators Woody Woodmansey and Tony Visconti will lead a 12-strong ensemble, says The Guardian: “ Woodmansey said the time was right to revive the album that first brought him, Visconti and Bowie together, and that it would be a fitting tribute to Mick Ronson, the guitarist and musical genius behind Bowie’s most successful run of albums, who died in 1993. The Man Who Sold the World was the first album Mick Ronson and I played on, our first even in a proper London studio, yet it never got played live,” Woodmansey said. “It was the forerunner of what we could do sound-wise, and we just let rip. We spent three weeks recording [it] because we were creating the songs as we went… ” / Continued at Guardian Online
The day they signed the deal for Hunky Dory in 1971… In a band called Hype, Bowie, Visconti and Ronson (right) created a sound that led to The Man Who Sold the World. And that meant the future was hunky-dory
➢ At Facebook Spandau Ballet’s Steve Norman confirms: “And if that’s not enough, there’s a brand new track scheduled for release on the day of the gig, We Are King. I can’t wait!” A little bird says Steve himself wrote it as the Holy Holy debut single, backed with their cover version of Bowie’s Holy Holy.
❑ Not forgetting possibly the definitive performance of the title track The Man Who, with Klaus Nomi. This thrillingly exact video is (for rights reasons) available to view only in the V&A’s touring exhibition, Bowie Is, which is currently at Martin-Gropius-Bau, Berlin, Germany, until August 10, later visiting Chicago and next year Paris.
“ The honest appraisals given by Professor Louise Wilson – head of the MA fashion course at Central Saint Martins, London, who has died aged 52 – trained a generation of British designers who, in turn, shaped the course of contemporary fashion across a 20-year span. They include Alexander McQueen, Christopher Kane and Mary Katrantzou.
“ Louise listed one of her recreations in Who’s Who as “voicing one’s opinion”. Passing the door to her office at Central Saint Martins, you could not help but be assailed by them. “It looks like a Halloween costume made by a drunk mother one wet night in October”, is one that sticks in the mind. Her powers of observation were underscored by a studied appreciation of how clothes could express themselves all the better if only they were coherent in their design… ” / Continued at Guardian online
There was a saying at St Martins: “If you can survive Louise’s comments, you’re ready to go into the world.”
Stella McCartney on Twitter: “What an inspiration and force in fashion. No one will ever replace you because you were a true one off. r.i.p xx Stella”
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 925 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE
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