➤ Steve Norman steers Cloudfish into an edgier urban groove

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[See Sep 21 update below]

❚ “YOU KNOW WHAT MEN ARE LIKE when they get a new bit of kit — it’s like Christmas.” This is Spandau Ballet sax player and all-round percussionist Steve Norman reliving his teenage kicks. “I’m loving my latest toy. It’s a guitar pedal-board with all the bells and whistles. As a guitarist, when you’ve got sounds at your feet — in literally one stomp of the box — you can go from the driving funk of the Isley Brothers to the more soulful sound of George Benson.”

We tend to forget that Steve was playing rhythm guitar as a co-founder of Spandau when they became the Blitz Club’s house band in 1979 with synthesisers well to the fore. Ten years of international chart fame saw him picking up almost any instrument that was needed in the five-piece outfit, most notably the saxophone, on which he was self-taught. His solo breaks became as much a part of Spandau’s stadium sound as Tony Hadley’s bel canto baritone. By the time they were belting through their 2009–10 reunion tour, Gary Kemp was introducing Steve as “The most soulful saxophone this side of Young Americans”!

Right now Steve has three reasons to be jumping. He’s back in training for the first Cloudfish gig in ages: this is his five-piece band with Shelley Preston, ex of Bucks Fizz, partnering on vocals. Second, his new box of tricks is beefing up his funky guitar-playing with “all those wa-wahs and overdriven solo sounds”. And third, he’s back in the songwriting groove, and audiences at the Cloudfish gig in Holland in November will be the first to hear some numbers that have not yet been recorded.

Steve says: “One’s called Kinda Wonderful and another is called Star. It’s a bit dancey — mad for blues guitar, mad for a groovy drumloop. Everything I do tends to have soul running through it. Even if there are heavy guitar riffs, there’s always an element of soul in there. I’d call it funky lounge music. There’s a lot more edge to Cloudfish these days. These songs are groovier. We’ve moved away from the chillout thing.”

Cloudfish,Steve Norman , Shelley Preston, Max Brothers, Arnhem,

Making funky lounge music: Steve Norman and Shelley Preston as Cloudfish

Steve reckons his return to England after living on the sun-soaked Mediterranean island of Ibiza for 12 years has cranked up the Cloudfish tempo.

“I had this conversation with Paul Tucker of the Lighthouse Family and he agrees with me. Living in Ibiza takes the edge away and makes everything fluffier! I noticed when I got back to the UK I got drawn towards more urban sounds and lo-fi and started messing sounds up for the sake of it. Shelley likes that on her voice, too.”

The outing on November 6 is a toe in the water, proposed by a promoter based in Arnhem who feels Holland and neighbouring Germany have been starved of the Norman talent for too long. It’s bad luck that Cloudfish’s regular percussionist Joe Becket has a prior date in London and can’t make it — his friendship with Steve goes back before Spandau’s 1990 tour. (Steve’s longstanding mate Deuce reminds us that Steve met Joe at a legendary Sunday clubnight called Passion at La Valbonne in Maidenhead in 1988. As host Deuce had the bright idea to invite Joe, “through the haze of strawberry-flavoured smoke, to play along with the deejay’s tunes, to maybe make things more danceable. And thus, ‘Joe Bongo’ was born”. )

For Arnhem, Steve says: “It turns out our bass player Joe Holweger is also a fantastic drummer so he’s stepping in, and we’ve gone for Kerim Günes on bass. Henry Broadbent on keyboard is another mainstay — he’s done a fair bit with Kula Shaker, too — which makes five of us onstage, as usual.”

With the gig being on a Sunday evening, British fans keen to sample the new Cloudfish sound will need to overnight in Arnhem (last week Shapersofthe80s worked out the cost of three ways to get there), but the good news is that it’s a beautiful part of Holland for a sightseeing weekend. Tasty beer too.

Nevertheless, the burning question remains: What about a UK gig? To which Steve says: “Definitely, you’ve got to play your home town. But we want to see how this one goes first.” Right, we’ll take that as half a promise.

➢ Support Steve Norman by clicking on his new official page at Facebook and visit his own website steve-norman.com

➢ Visit the Cloudfish official page at Facebook to keep up to date with the band’s news

➢ Buy tickets for the Nov 6 Arnhem gig at Six Degrees

➢ Spandau Ballet’s website always being updated

❏ Sep 21 update: Next week Steve will be in Arnhem, Holland, on promotional duty for his Cloudfish show at Max Brothers on November 6. Fans can meet him at a meet-and-greet session 19:00–20:00 hrs at the Cafe De Schoof, Korenmarkt 37 on Thursday Sep 29. The next day, you can hear a live interview with Steve on Optimaal FM between 09:00–11:00 hrs, also available via webplayer at Optimaal FM

❏ Sep 21 update: The competition to meet Steve in Arnhem in November is to be decided today and the winners wll be announced online at Six Degrees Promotions

Spandau’s last stand, Newmarket racetrack 2010: a bongo burst from Steve in the concert finale. Photographed by © Shapersofthe80s

Spandau’s last stand, Newmarket racetrack 2010: 19,000 people in the audience and Steve can always spot the right camera — yes, Shapersofthe80s

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➤ Martin Kemp in the hot seat talking about food hell and gothic horror

Saturday Kitchen, TV, cookery, Martin Kemp, James Martin

Cookery tips and chat: James Martin grills Martin Kemp on Saturday Kitchen (BBC)

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❚ CATCH UP WITH MARTIN KEMPguesting on today’s Saturday Kitchen, a cookery show in which he chatters away to the host James Martin who’s rustling up the grub. They warm up deciding “food hell” for him is beef — “I never eat it. I just don’t see it, not that I’m worried about eating beef but in my mouth it feels like a piece of rubber.” Martin gets into his stride around the 28-minute mark when a really genial conversation ensues. Talk ranges from his homegrown tomatoes, to appearing on Jackanory at the age of seven, playing video-games with his son and his new life as a film director. Inevitably he gets in a plug for his psycho-chiller, Stalker, that opens next month. “It’s horror in an old-style gothic way, something along the lines of Single White Female. It’s not how many ways can you murder someone within five minutes. It’s a real story and a great piece of acting…”

➢ VIEW Saturday Kitchen, Sep 17, on BBC iPlayer for one week

➢ Martin Kemp talks to FrightFest TV in August about his directorial debut, Stalker

➢ Catch up on Stalker coverage of interviews and
trailer at Shapersofthe80s

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2011 ➤ The other design festival running alongside London Fashion Week

Reddress,London Design Festival,Aamu Song,York Hall ,World Design Capital Helsinki 2012,

Reddress at York Hall: 550 metres of fabric which can accommodate 200 people in its folds in an event space in East London — plus shop

➢ Kate Burton writes at her LFH blog:

“ ❚ TODAY MARKS THE BEGINNING of London Fashion Week. I am intrigued by the interactive installation and performance space that comes in the form of a huge red dress — Reddress — which is part of this year’s London Design Festival.

The installation — sponsored by The Finnish Institute at Bethnal Green’s iconic York Hall — features a dress designed by Aamu Song which sets out to examine the role between performer who resides within the dress and audience by inviting us to enter pockets concealed within the dress and to become part of the experience…

➢ London Fashion Week programme Sep 16–21, 2011

➢ REDDRESS is an installation and performance space designed by Aamu Song. It will host a series of evening concerts and daytime events in East London, Sep 22–25.

➢ Aamu Song and Johan Olin run their own Com-pa-ny of artists and designers in Helsinki.

➢ London Design Festival hosts nine days of design events all across town, Sep 17–25, showcasing the UK’s world-class creative community.

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➤ The clubs are alive to the smells of music

Sencity, multisensory, music event,indigO2,aroma jockeys, disco

Aroma jockey on the Sencity case: two fans, a load of fragrances, and a heaving dancefloor in Rotterdam

❚ YES, YOU SEE HERE AN AROMA JOCKEY. What we can’t show are the vibrating dancefloors and vests when Sencity London introduces Britain to its first “multisensory music event” on October 8 at the indigO2 club in the mighty Greenwich dome. This Dutch nightlife creation can be enjoyed by deaf as well as hearing music fans in the 1,500-capacity space. VJs and text jockeys display dynamic visualisations of lyrics from performers, while sign dancers accompany the acts to translate lyrics and emotions of the music into British Sign Language.

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➤ Crooner Bennett defers to the rootsy tigress that was Amy Winehouse

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❚ IT’S PRETTY CLEAR who is the jazz singer in this much-anticipated video (above), released today. The old croaker Tony Bennett may be the last living legend in the crooner tradition, but he is utterly outclassed by the astonishing retro inflections of Amy Winehouse. She was his fan, so the 1930 standard Body and Soul, written for another showbiz legend Gertrude Lawrence, makes a noble epitaph for Amy. However, look to any number of earlier performances on video to appreciate the full measure of her sinuous, soulful, contralto voice, her body and her soul. She sang, as the Guardian obituary said, “as if her heart were damaged beyond repair”. Watch, as one example, her live acoustic version of Love is a Losing Game in 2007 (below) through to its ineffable conclusion.

Amy Winehouse Foundation launches
on her 28th birthday

➢ From today’s Daily Telegraph:
The Winehouse family have launched the foundation to mark what would have been the singer’s 28th birthday. Her mother Janis said: “We want to give money to projects that make a direct difference. It is a source of great comfort to know that Amy would be proud of this.”

One of the first major sources of income for the Amy Winehouse Foundation will be from her duet with Tony Bennett, which is released today. It was given its first play on the Ken Bruce show on Radio 2 this morning. Winehouse’s father Mitch said: “Amy was very generous and we kept coming back to the thought of how much she loved children. It seemed appropriate that the focus of our work should be with young people, those who are vulnerable either through ill health or circumstance.

Amy’s last studio recording

Amy Winehouse , Back to Black, albums, best-sellers,❏ The duet with her 85-year-old hero Tony Bennett, and titled Body and Soul, was Amy’s last recording. Released today by Columbia Records, the song was laid down on March 23 at Abbey Road Studios in London for Bennett’s upcoming Duets II album.

Amy was found dead at her flat in north London on July 23. Her critically acclaimed second album Back to Black, produced by Mark Ronson and Salaam Remi, was much more Motown-flavoured R&B than her jazz-influenced debut, Frank, which won an Ivor Novello Award and prompted Billboard to describe her voice as “astounding”. Released in 2006, Back to Black reached No 1 several times in the UK, No 7 in the US, and yielded five hit singles aching with explicit and heartfelt lyrics, most notably Rehab. Renewed demand during the past month sent it back to No 1 to become the UK’s best-selling album of the 21st century.

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