➤ All milk and honey as Paxo and Dawkins dispute myth versus truth

Jeremy Paxman, Richard Dawkins , Newsnight,Magic of Reality , interview,

Paxman v. Dawkins on Newsnight: nine priceless minutes of television (BBC)

❚ TOP-CLASS NEWSNIGHT INTERVIEW LAST NIGHT! Did you know “Darwin’s Rottweiler”, aka the evolutionary biologist Professor Richard Dawkins, could laugh? Or that British television’s one-man Spanish Inquisition, Jeremy Paxman, could even contemplate a honeyed whisper? Well not only did the pair dance through a good-humoured sparring-match about the poetic merits of fairytales and/or science — “the false” versus “the true” in the Prof’s universe — but each managed to make the other laugh.

Paxo kept the debate brisk with his cogent interventions, though when he suggested that religions tend to make societies hang together, the Prof riposted with a smile: “You don’t believe that, do you?” As rewarding a TV interview as you’ve seen in ages; nine priceless minutes well worth catching on the iPlayer.

Magic of Reality, book title, Richard Dawkins, Dave McKean,Dawkins has written a new book called The Magic of Reality which is aimed at the young as a warning against “believing in anti-scientific fairytales”, whether those are myths from ancient civilisations or, if we need reminding, religious doctrines such as creationism. Last night’s TV parley was careful not to revisit the Prof’s pet topic published as his 2006 book The God Delusion, which he calls “probably the culmination” of his campaign against religion.

When Paxo maintained that mythology makes for better stories than straight fact, Dawkins said he wasn’t knocking storytelling, but genuinely thinks man’s evolution is more exciting and poetic than, say, Judeo-Christian myth. “We started off on this planet, this speck of dust, and in four billion years we gradually changed from bacteria into us. That is a spell-binding story.”

Some might say Dawkins the militant atheist was being unreasonably reasonable! He genially confessed he finds the Bible’s Book of Genesis affecting — “as a story, as long as you don’t think it’s true. The trouble is that 40% of the American people think it’s literally true”.

➢ Newsnight for Sep 13 is available on the iPlayer for a week

➢ The Magic of Reality: How we know what’s really true, by Richard Dawkins (Bantam Press £10) — Novelist Philip Pullman says: “It’s the clearest and most beautifully written introduction to science I’ve ever read.”

➢ The non-profit organisation the Richard Dawkins Foundation for Reason and Science (RDFRS) was founded in 2006

Lalla, a footnote to history

Doctor Who, Lalla Ward, Tom Baker, Douglas Adams, Leisure Hive,

Lalla Ward and her Doctor Who, Tom Baker: on Brighton beach filming The Leisure Hive episode (1980)

Richard Dawkins, tie, Lalla Ward,❏ Prof Dawkins mentioned last night that the extracts from his book were being read on Newsnight by “Lalla”. This refers to Lalla Ward, once the wife of actor Tom Baker, the fourth and most memorable Doctor Who from the 1970s, opposite whom she played Romana the Time Lady. It was her long-standing friend Douglas Adams, a Monty Python and Doctor Who scriptwriter best known as the cult author of The Hitch-Hiker’s Guide to the Galaxy, who in 1992 introduced Lalla to his good friend Dawkins, and they married within the year. The joker and the boffin had formed a brilliant Doug & Dick double-act, appearing at sci-fi and no-fi science gatherings where they would robustly debate the merits of technology (Doug) and evolutionary theory (Dick). Not many people know that apart from being a nifty illustrator, embroiderer and knitter, Lalla makes all of hubby’s batik ties which are decorated with zoological imagery. Last night he was wearing one showing a fierce bird of prey diving to the attack.

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1922–2011 ➤ Richard Hamilton: second thoughts about his definition of Pop Art

Swingeing London 67,Richard Hamilton,  Tate,Robert Fraser  ,Mick Jagger

Swingeing London, a great modern history painting from the Swinging 60s: in the back of a police car on their way to court Hamilton’s art dealer Robert Fraser and Rolling Stone Mick Jagger sit shielding their faces against the media glare. The image is based on a press photograph published in the Daily Sketch and the title is deliberately spelt with an E, referring to the judge’s pronouncement on the “swingeing sentence” he handed down as a deterrent after both were convicted on drugs charges. For many, this occasion typified the moral backlash against the liberalisation of the 1960s. (Above, detail from Swingeing London 67 (f) 1968-69, acrylic, collage and aluminium on canvas © Richard Hamilton, in the Tate collection)

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❚ “ RICHARD HAMILTON, the most influential British artist of the 20th century, has died aged 89. In his long, productive life he created the most important and enduring works of any British modern painter… Hamilton has a serious claim to be the inventor of pop art… Driven by intellect and political belief, Hamilton created undying icons of the modern world.”
➢ Read Jonathan Jones at The Guardian online

IN 1957 HAMILTON DEFINED THE EVERYDAY
COMMONPLACE VALUES OF POP ART…

“ Pop Art is:
Popular (designed for a mass audience)
Transient (short-term solution)
Expendable (easily forgotten)
Low cost
Mass produced
Young (aimed at youth)
Witty
Sexy
Gimmicky
Glamorous
Big Business ”

❏ His definition appeared as part of a long rumination on post-war art in a letter to Peter and Alison Smithson, published online at Warholstars.org, but taken from The Collected Words 1953–1982 by Richard Hamilton (Thames & Hudson 1982)

IN 2002 HE ADMITTED WHERE HE WAS WRONG

➢ John Tusa interviewed Hamilton for Radio 3 — Listen and read the transcript at the BBC website

Richard Hamilton, pop art , painter, John Tusa, interview

Hamilton: a lesson learnt from Warhol

TUSA:“Your definition hasn’t, as you said, stood the test of time because pop art as we now know it and as it became, has ended up being anything but transient, expendable and commercial. It’s been in a way co-opted by the systems and the commercialism of the fine-art world itself.”

HAMILTON: “When I made that list I thought what are the characteristics of what we call pop art, and then I listed them, big business and so on; the record system, Hollywood and all the other things. Then I looked at this list that I had made, which had nothing to do with fine art or anything that I was painting or doing and said, is there anything in this list which is incompatible with fine art? And my answer was no, except for one thing and I said, Expendable. Now, is fine art expendable? And I thought, no; I can’t quite stomach that. Everything else, OK, but expendability as a throwaway attitude is not something that can be acceptable as pop art, and I was proved wrong. Warhol approached art from the point of view of expendability, so I admire him enormously for having brought my attention to the fact that I was wrong.”

HAMILTON AS COMMENTATOR ON
A FABLED DRUGS BUST

❏ Hamilton’s Swingeing London series of paintings and prints were his response to the arrest of his art dealer Robert Fraser and his imprisonment for the possession of heroin. This followed the now fabled police raid on a party at the Sussex farmhouse of Keith Richards, of the rock group the Rolling Stones, in February 1967. There they found evidence of the consumption of various drugs and in June, Fraser and Mick Jagger (the band’s lead singer) were found guilty of the possession of illegal drugs. This gave rise to the sarcastic newspaper headline “A strong sweet smell of incense” which Hamilton incorporated into a huge collage of the resulting newspaper cuttings which he titled Swingeing London 67 — Poster.
➢ Read Keith Richards’ account of this raid and the truth about the infamous Mars bar

❏ Video above: This Is Tomorrow (1992), clip from a C4 television documentary by Mark James in which the Father of Pop Art Richard Hamilton talks about his time as a tutor to pop star Bryan Ferry at Newcastle University art school

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2011 ➤ Tony Hadley sings out for the 67 Brits who died on 9/11

Update: Tony Hadley sings the National Anthem in the British Garden, NYC. Photographs by Luke LoCurcio and John Meese

Update: Canadian prime minister Stephen Harper, Canadian first lady Laureen Harper, British consul-general Danny Lopez and Australian consul-general Phil Scanlan stand for each country’s national anthem

❚ IN NEW YORK TODAY AT 13h30, the British vocalist Tony Hadley sings the National Anthem, God Save the Queen, at the memorial concert marking the 10th anniversary of the 9/11 attacks on America. In the presence of Danny Lopez, HM consul-general in New York, the event is being held in The British Garden, Hanover Square in Lower Manhattan, NYC,  which was created with the endorsement of the British consulate-general to honour the 67 British subjects lost in the 2001 attacks on New York and Washington. They were carried out by 19 hijackers seizing four planes, taking nearly 3,000 lives. President Barack Obama said that the tenth anniversary would be a day of “service and remembrance”. White House guidelines emphasise the theme of resilience, and warn of future attacks.

Providing the music along with Tony Hadley are InChorus, The Lothan & Borders Police Choir and Tayside Police Choir, The West Yorkshire Police Brass Band and the Allied Forces Foundation Pipes and Drums.

This year an invitation from Her Majesty the Queen to include Australians in the memorial has been gladly accepted by Australian prime minister, the Hon Julia Gillard. In New York Australian consul-general Phil Scanlan joins Canadian prime minister Stephen Harper among distinguished guests at the memorial concert, and the official memorial site includes a dedication to the Australian and Canadian victims of the 9/11 attacks, as well as British and American. The motto of the garden reads “Reflect, Remember, Rebuild”. As explained by Danny Lopez, this signifies that New York City is moving on but not forgetting. Following the ceremony, a gala fundraising dinner is being held on September 12, and funds raised will go toward the ongoing conservancy of the Garden.

Tony Hadley writing at Facebook today at 11:11

Here in New York City for today’s 9/11 Memorial Concert at the British Garden in Hanover Square. I feel very proud to be asked to come over to sing our National Anthem. Thanks to all the British Police I met in Brooklyn last night at the first ever block party that I have been to. It was fantastic. Cheers lads and lasses.

9/11, Memorial Concert, British Garden, Hanover Square, NYC, Tony Hadley, Danny Lopez,

British Garden, Hanover Square, New York, Julian Bannerman,

The British Garden is a modern classic, here photographed in 2010 by Alliance for Downtown New York: sinuous lines are formed by benches and voluptuous topiaries at Hanover Square, in Lower Manhattan. The space was designed by landscape architects Isabel and Julian Bannerman, best known for their work for the Prince of Wales at his Highgrove home. It features City of London-style bollards, paving quarried in Scotland and Wales and benches produced in England and finished in Northern Ireland. All that remains to complete the scheme is the planned stone sculpture by Anish Kapoor.

British Garden , Hanover Square,  New York, Prince Charles, Duchess of Cornwall

First day of their American visit 2005: His Royal Highness The Prince of Wales, Royal Patron of the British Memorial Garden Trust, and HRH The Duchess of Cornwall visit the British Memorial Garden in Manhattan

British Garden, Hanover Square,  New York, Prince Harry

Prince Harry plants a magnolia bush as part of New York City’s Million Trees NYC initiative in the British Garden in New York, 2009. Photograph by Richard Drew/AP

British Garden Hanover Square, New York

Official opening on July 6, 2010: Her Majesty Queen Elizabeth II meets local luminaries after cutting a red ribbon to open the British Garden. Photographed by Spencer T Tucker

➢ Gardens of peace — a Daily Telegraph appreciation of the British Garden in New York

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2011 ➤ Kraftwerk now: from machine music to visions in 3D

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Wallpaper magazine,october 2011, Kraftwerk, Ian Schrager, 3D video,Munich,concerts

3D cover by Kraftwerk: view with blue-red glasses supplied with the mag

❚ THE ELECTRONIC BAND KRAFTWERK exploded into the hippy haze of 1970 and filled the air with an insistent machine-made beat that spoke of the future. Indisputably, the German four-piece formulated a revolutionary kind of non-guitar music that reshaped the thinking of musicians as diverse as Bowie, Afrika Bambaataa, Coldplay, New Order, Johnny Marr, Franz Ferdinand and Radiohead. New genres such as house, synth-pop and techno were heralded by the 1974 hit album Autobahn.

Today, however, the pioneering Ralf Hütter (a Beach Boys fan) and his usually reclusive pals slip out of their comfort zone to become guest editors on the October issue of Wallpaper magazine, which features a new portfolio of Kraftwerk imagery in 3D. Oops!

Of necessity in print, they have chosen the vintage blue-red 3D technology from the 50s to create ten graphics as double-page spreads. Yet however hard you try to flatten the glossy and flexible magazine, the deep gulley down the middle beams out its own distracting reflections! (The images might well improve if viewed on the iPad edition.) Successful, they are not: 70s minimalism always teetered tinglingly on the brink of being boring, and creatively Kraftwerk’s bland graphic renderings of autobahn, calculator, PC, pills, robots, cyclists and the band themselves say nothing new. They wouldn’t guarantee a pass degree at a British art school. Disappointingly, the 3D effects grab you in only two illustrations — one of breaking glass, another of a car’s dashboard radio — prompting the message to Ralf, especially at the age of 65, that, as graphic artists, his band may have seen better days.

There’s much more value in a brief evaluation by the leading British designer Peter Saville of how Kraftwerk opened his horizons to the European cultural canon.  The advantages of the analogue era, he reasons convincingly, can be fully appreciated only now, from the perspective of the digital age.

➢ Electronic Sound Pictures — It could be that Kraftwerk’s specially developed multi-channel 3D video installation may offer a more immersive gallery experience. Fans will have to travel to Germany, to the Kunstbau at the Lenbachhaus, Munich, where the exhibition runs Oct 15–Nov 13. There’s also an accompanying book, Kraftwerk 3D, with 3D-glasses.

♫ First Kraftwerk concerts for two years will be held at the Alte Kongresshalle in Munich, October 12–13. Seats from £260 via Guardian Tickets.

♫ Kraftwerk’s Kling Klang Machine No 1 — 24-hour interactive music generator as an app for iPhone/iPad

➢ VIEW VIDEO: Kraftwerk and the Electronic revolution: Prism Films documentary, 2008

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SCHRAGER ANNOUNCES THE PEOPLE’S HOTEL

Ian Schrager, Public hotels, Wallpaper magazine, interview

Schrager: delivering a wake-up call

❏ Incidentally, the October issue of Wallpaper also interviews Ian Schrager, notorious partner behind Studio 54, the definitive New York nightclub of the 70s, who was jailed for income tax evasion. He later went on to invent the “boutique hotel” along with its “lobby socialising” and philosophy of “hotel as lifestyle” that has been ripped off by hoteliers across the globe.

At 65, with millions in the bank, he is about to launch his new Public hotel chain in Chicago. Business writer John Arlidge reports that “the master tastemaker senses the universe is turning on its axis again, just as it did when old-fashioned class divisions that ruled New York nightlife were swept away, enabling him to create Studio 54”. Schrager insists that there’s “a new simplicity” and “it’s structural”. He argues that many big hotel chains have failed to keep up with the consumer. The essential-services-only Public brand, he says, “will be an entirely new class of hotel that will be a big wake-up call to the industry”.

➢ Public Chicago begins previews on September 12

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➤ What it’s like working with Martin Kemp

Stalker, blackandbluefilms, video,Martin Kemp,horror

Pop star turned film director: Martin Kemp with the Stalker camera crew

➢ VIEW A BEHIND-THE-SCENES VIDEO from Stalker featuring Jane March and Anna Brecon talking about their director (UK release October 17)

➢ Stalker updates: trailer, interview with the producers

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