➤ The true story of how love helped Gary Kemp write the next line

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❚ WHY DID MUSICIAN GARY KEMP find it so “hard to write the next line” in the biggest smash hit love-song of his career? He was not hobbled by writer’s block, but was tongue-tied in admiration of a “wee Celtic pixie” who sang in a Scottish pop group and starred in the hit British romantic movie of 1981.

At exactly the moment his band Spandau Ballet were desperately trying to rescue their flagging fortunes in 1982, Gary was smitten with the pretty girl. The trouble was that she had two other rivals vying for her affections. Honour required discretion, and his love remained unspoken while the three admirers stood hopefully in line. When his beloved gave Gary a book as a gift, suddenly its “words bubbled up inside, percolating through me”, he said years later. He knew he had to send them back to her in a song “so she’d know it was about her” and for double measure added the tell-tale line “I want the truth to be said”.

books, Lyrics of Gary Kemp,Lyric Book Company,

As it happens the Spandau songwriter has recently published an 88-page coffee-table book, titled The Lyrics of Gary Kemp from Lyric Book Company

Gary pretty much identified his never-to-be sweetheart in the autobiography, I Know This Much, published in 2009, where he convincingly dovetailed the one-sided romance with a sequence of other events to account for the genesis of his band’s first No 1 hit, True. In the light of which, perhaps fans can better relish the song-words, when they are re-published this week in a book titled The Lyrics of Gary Kemp.

The very keen will want to invest in the special limited edition signed personally by Kemp and available exclusively through his own website Garykemp.com. The collection represents a songwriting career that has spanned four decades.

All the lyrics from all his songs for Spandau Ballet, plus his solo album Little Bruises, make up this anthology of 60 tales of love, loss and of course London… from growing up in Soho in the 1970s (Chant No1) to the entirely autobiographical 1983 hit about unrequited love (True) through to bittersweet reflections on life (An Inexperienced Man, the solo single in a Celtic groove, released in 1995).

BMI MillionAir, awards, True, Del Bryant, Gary Kemp, Spandau Ballet

Spandau Ballet’s Gary Kemp and BMI President and CEO Del Bryant: at the 2011 BMI London Awards in October, Kemp received a BMI MillionAir award for the song True. (Photo by Brian Rasic)

Kemp is widely acknowledged as one of Britain’s finest songwriters, and won this year’s prestigious BMI Multi Million Award for True after it notched up 4 million radio plays in the US — a significant achievement for a song released in the 1980s — partly because it embodied enough of “the sound of my soul” to be played on black stations too. The song was written on his bed in his parents’ north London house at the age of 22, while he competed with his mum’s vacuum cleaner. At the awards ceremony, he said he’d never imagined True going on being used in films and TV shows as different as The Simpsons, Modern Family and Ugly Betty.

“If you can write one song that’s still being played 28 years later, you’re lucky! We were playing at a time when a lot of people only bought records, they didn’t buy computer games. Music is much more important to that generation.”

The 88-page coffee-table book, The Lyrics of Gary Kemp, is presented bound in a cloth cover, and the first 250 will be personally autographed.

➢ A regular hardback edition of The Lyrics of Gary Kemp (from The Lyric Book Company Ltd) is also available through Amazon

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1980 ➤ Why Face founder Nick Logan said: Publish and be Dammers

The Face, magazines, style bible, Design Museum, Nick Logan,

Five landmark issues: Without a cover-worthy photo, Nick Logan says of the New Order cover, July 1983, the radical crop was his suggestion. The “Shock report” on Thatcher’s art-school budget cuts was an epic piece of crisis reportage by yours truly. (Guardian collage)

❚ IN 1980, A RESPECTED EX-EDITOR OF NME staked his house on launching a new magazine that was to make style the focus of youth culture, as much as music. The Face was quickly dubbed Britain’s “style bible” and soon ranked among the half a dozen publications that had changed the direction of journalism since the Second World War. On Dec 1 London’s Design Museum announced that it had added The Face magazine (1980-2004) to its permanent collection, among other newcomers, the Sony Walkman and the AK47 rifle.

➢ In today’s Guardian, Nick Logan, the owner and founding editor of The Face, chooses five of its landmark covers, and explains why…

Issue 1, Jerry Dammers cover, May 1980 — This was the launch issue. I knew I could find something more current for a first cover than the Specials. But they embodied everything the magazine aspired to — they had a look, a passion, and great music — so there was never an alternative. In a sentimental way too, I owed 2 Tone a debt for the inspiration to pursue the idea. And, as it was my savings at risk, I could call it what I liked — after all, The Face was to be my escape from a career where too often I struggled to explain myself to publishers or committees. No focus groups here: I was purely, wholeheartedly, following instinct.
/ continued online

➢ The Evening Standard announces the launch of
The Face in May 1980

➢ 30th anniversary of the magazine that launched a generation of stylists and style sections

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2011 ➤ The Hadley bombshell no Spandau Ballet fan will welcome

Tony Hadley,Richie Barrett , O2 World, Hamburg ,Back to the 80s ,concert, live,pop music,

Onstage last Thursday in Hamburg: Tony Hadley with guitarist Richie Barrett and drummer John Keeble. (Photo by RTN)

❚ WE HAVE HEARD ONLY HINTS SO FAR. But today singer Tony Hadley posted a link at Facebook that leaves no doubt. When you click through to photos of his performance in Hamburg last Thursday, a stark message is attached. “Spandau Ballet got together for the last time in 2009/2010 for a farewell world tour.” Nobody in the Spandau circle has yet used the words “last time” and “farewell”. Tactfully they allow us to believe that the future is a place where anything might still be possible. Hadley’s bel canto baritone voice was the most identifiable part of the supergroup’s musical signature in the 80s, and there’s nothing the band’s fans want more than to hear him singing again with his onetime schoolmates.

On Thursday and Friday, Hadley as solo performer was one of five British acts rostered for the Back to the 80s live gigs in Hamburg and Berlin. Above, we see him raising a storm onstage with Richie Barrett, the guitarist in the permanent band that has accompanied him as a singer for 13 years. Behind them on drums we see John Keeble, also a founder member of Spandau.

Heaven 1980: only Spandau's tenth live date soon after their first single had reached No 5 in the UK chart. Tony was still smoking as he sang in those days. Photographed © by Shapersofthe80s

And when the Hamburg concert pictures were published on Friday by the German RTN news agency, this report accompanied them:
Hamburg — Konzert mit Musiklegenden der 80er Jahre war Tony Hadley am 1. Dezember 2011 in der o2 World Hamburg zu sehen. Tony Hadley sorgte mit Spandau Ballet und Songs wie True, Gold oder Only When You Leave für unverwechselbaren Sound und echte Ohrwürmer.

Anfang der 90er Jahre startete Tony Hadley seine Solokarriere. Spandau Ballet taten sich 2009/2010 für einen Abschieds-Welttournee letztmalig zusammen.

The brutal second paragraph translates into English as:

At the beginning of the 90s Tony Hadley began his solo career. Spandau Ballet got together for the last time in 2009/2010 for a farewell world tour.

The two key words in German are more explicit than anything Hadley has issued before about past and future… letztmalig means bluntly “for the last time”. And Abschied undeniably means “farewell, leave-taking, parting”, and in a military context is used to describe an officer who is being retired.

This statement from the Hadley camp removes any ambiguity that lingered in an interview he gave in August, following his first American solo tour. Remember, an argument over royalties split Spandau Ballet asunder in 1990, until they agreed to reunite and tour in 2009. In August the singer said: “It was only ever meant to be a one-off. At the moment there aren’t plans to do Spandau again. You could be waiting 20 years.” Well, now we know that means for ever.

➢ August’s bombshell as Hadley unwinds after US solo tour

➢ Spandau Ballet’s final furlong: the Reformation tour ends at Newmarket racecourse

ONCE MORE — JOHN KEEBLE’S FAMOUS
LAST WORDS AT NEWMARKET IN 2010. . .

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➤ Boy George gives another interview about me, me, me and la-la land

Boy George, George O’Dowd,interview,The Observer,mother, sexuality,outsider,shame,drag,jail,

Boy George: still pouting. Photograph by Magnus Hastings for The Observer

❚ SIX THINGS WE HAVE LEARNED from today’s 2,000-word interview in The Observer Magazine:

1 — George O’Dowd opens his mind the way others open their front door. Not that he answers everything – but he has an unusual emotional honesty.

2 — He recognises the strange dichotomy of drag. “You are wearing a mask, but on the other hand trying to draw attention, so it’s a kind of Look at me, don’t look at me.”

3 — In 2009 he was jailed in Britain after a bizarre case involving the false imprisonment of a 29-year-old Norwegian male escort… Does he have an instinctive emotional response to the episode – perhaps regret or guilt or shame? “No, I don’t think about any of those specifics.”

4 — “When it was time to [leave jail] I was thinking: Oh my God, I’ve got to go out of here and deal with my life. I am not sure I want to leave!”

5 — George loves and admires his mum hugely but steered clear when he was messed up. She saw through him and he couldn’t take the scrutiny.

6 — Only after his father’s death did [his family] achieve a real unity. “I think his death got everyone back together… I think we are a better family than we have ever been. In the past, everyone would turn up for a crisis. Now, we all turn up for dinner.”

➢ Read Catherine Deveney’s full interview with Boy George
at The Observer online

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➢ Turn 2 Dust — a second package of reggae mixes, including this music video mix, is due to be released on Dec 12

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➤ Nathan Barley walks again in Vice’s video serial Dalston Superstars

Dalston Superstars, Vicedotcom, Nathan Barley, video, hipsters,Sam
➢ Click the pic to run the video of Dalston Superstars at Vice.com

❚ IN EPISODE 2 OF DALSTON SUPERSTARS, Vice online’s no-holds-barred East London reality series, Sam, Anna, Maeve, Vee and Stefan try to heal the wounds after last week’s nightclub bust up. Maybe a night out will help? Unlikely, with Dalston’s numero uno sex vixen, Holly Wood, back on the scene. She’s got eyes for Sam — bad luck, Anna!

Dalston Superstars, Vicedotcom, Nathan Barley, video, hipsters✰ Maeve learns from Stefan what a Yoko is.

✰ Sam scores a job as a cool-spotter — “I’m not here to make friends.”

✰ “Holly Wood thinks she is Courtney Love circa 94 but she’s actually more like Courtney Love circa 2010.”

✰ “When you come back from LA it’s sort of like you come back from a sauna”

✰ “Tell me what happened with Jared Leto” — “We were tweeting together so that’s like having a thing.”

✰ Anna stages a tantrum and wins the accolade “badass”.

[No scriptwriter gets an onscreen credit but all words and images above are
© 2011 Vice Media Inc]

➢ Catch up with Dalston Superstars, Episode One — “cool parties, cool people” and a fingerboard skate park

Dalston Superstars, Vicedotcom, Nathan Barley, video, hipsters,Stefan, Maeve

Dalston Superstars: Stefan and Maeve networking f2f in hipster London

❏ Subcultural decryption: Dalston is the area of east London that UK hipsters regard as, like, paradise. Unless they live a mile away in Shoreditch, then Shoreditch.

❏ Subcultural analogy: Nathan Barley was a UK television series featuring hipster role models for Dalston Superstars, like, six years ago

TBH, THE #COMMENTS AT VICE ARE
BETTER THAN THE SCRIPT

❏ “I hope this is a joke because as a joke it’s funny.”

❏ “Hipsters mocking hipsters is like Dawn French mocking fats. Doesn’t work.”

❏ “It’s like, funny thinking it’s not funny, because it’s like funny to like, not realise that it’s funny, but then also it’s not funny but it’s funny to pretend it’s not funny like it is funny, even though it isn’t.”

❏ “Stupid people think it’s Cool. Smart people think it’s a joke: also Cool.”

❏ “ ‘Realness’ is particularly hard to put your finger on.”

❏ “Fashankers ridiculing Fashankers… like double irony… or something.”

❏ “They all need a good wash and for someone to tell them they’re not unique, they’re clones of each other in different colour thriftwear.”

❏ “Sam has perfected the ‘confused gormless stare’. Robert Pattinson will be so pissed.”

❏ “This is not real, blatantly — why do people post serious comments on this?”

❏ “This is the funniest and the saddest thing ever. Funny because it’s hyperbole but sad because it’s only slightly exaggerated.”

❏ “Are these real humans?”

❏ Either that or it’s hashtag fail.

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