Category Archives: Youth culture

➤ Searching for that last kiss
 on the third anniversary of McLaren’s death

My lips are open wide
Stretched so far apart
Searching for that last kiss
With my hands pressed tight to my heart

A thousand hungry flowers
Loving you for hours and hours
Soon smothers me so tenderly

A thousand kisses say goodbye
And then they say you’ll never die
A lonely fanfare blew
And then they sing to you

A thousand kisses say goodbye
And then they say you’ll never die
A lonely fanfare blew
And then they sing to you

– Revenge of the Flowers
© Chrysalis Music Group, Sony/ATV Music Publishing

Revenge of the Flowers,Malcolm McLaren, Françoise Hardy, video,album, Paris,◼ MALCOLM McLAREN died three years ago today and is remembered on his website by his partner Young Kim with these lyrics from Revenge of the Flowers, a track from the concept album Paris… In 1994, he recorded his own music and words through performances by such prominent French stars as Françoise Hardy, seen above in the Duncan Ward video of 1995 singing Revenge of the Flowers. The album was essentially a love letter to the city he was to make a home in his final years. At AllMusic Stephen Thomas Erlewine’s verdict is: “The heavily orchestrated cabaret jazz backdrops tend to accentuate the sleaziness of McLaren’s words. And that’s what makes the record perversely fascinating: every element is so poorly conceived and executed that the entire thing appears to be an intentional joke.”

Punk, From Chaos To Couture ,New York, Metropolitan Museum , exhibition

A Chanel punk-inspired look from 2011. Photo © David Sims courtesy of the Metropolitan Museum of Art

➢ Punk: From Chaos To Couture is the next Costume Institute exhibition at the New York Metropolitan Museum of Art, May 9–Aug 14 – British photographer Nick Knight is the creative consultant on a show that examines punk’s impact on high fashion from its birth in the early 1970s, including a Couturier Situationists section dedicated to Malcolm McLaren and Vivienne Westwood. All presented as an immersive multimedia, multisensory experience, the clothes will be animated with period music videos and soundscaping audio techniques. Wow.

UPDATE APRIL 2013: A DEATH MASK FOR MALCY

Malcolm McLaren, Highgate Cemetery, bronze, death mask , Nick Reynolds

McLaren bronze death mask by Nick Reynolds

McLaren’s ostentatious memorial in Highgate Cemetery, unveiled this month, is inscribed “Better a spectacular failure than a benign success”. The black granite headstone holds a bronze death mask commissioned from Nick Reynolds, the sculptor, harmonica player and former Royal Navy diver, who has captured McLaren’s “trademark sneer”. Update 2017, in a Radio 4 programme about his trade the sculptor claimed: “I didn’t put that on. He actually had the sneer in death. Defiant to the end. . . I did meet McLaren when he was alive and asked him if I could do a cast of his head and he in his own inimitable style told me to F– O–.” Reynolds added: “I did him in the end.”

Reynolds has also cast masks of his own father the Great Train Robber Bruce Reynolds, fellow robber Ronnie Biggs, gambler George “Taters” Chatham, journalist William Rees-Mogg, actor Peter O’Toole and composer Pat Castange. He also owns the death masks of many famous people from Ned Kelly and Napoleon to director Ken Russell. They decorate every wall in his flat.

➢ 2010, What a tear-jerker! McLaren mashes up his own musical ‘Requiem to Myself’ – exclusive to Shapers of the 80s

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2013 ➤ Remembering why Mick Ronson’s talent deserves to be celebrated

David Bowie, Mick Ronson

The day they signed to RCA, 1971: David Bowie and Mick Ronson in New York

➢ Tonight April 1: Songwriter Gary Kemp marks the
20th anniversary of the death of “the man who rode shotgun to Ziggy”– 10pm, BBC Radio 2, then on iPlayer

“That’s my Jeff Beck” – David Bowie after hearing
Ronson playing in The Hype, 1970

❏ Mick rose to fame as lead guitarist and music arranger on David Bowie’s albums, the missing link in creating the Bowie sound – those signature riffs. “As a guitar god, Ronno inspired a whole generation of guitarists,” says Spandau Ballet’s Gary Kemp. Mick was a born collaborator and all-round nice guy, and his amazing ability for interpreting and arranging songs soon found him in demand from some of the biggest names in rock, starting with Lou Reed on his album Transformer. Another outstanding Ten Alps documentary (worth hearing over a hifi system) sees a stellar cast of musicians including Chrissie Hynde, Tony Visconti, Ian Hunter, Trevor Bolder and Woody Woodmansey explaining why Mick is such an important figure in British rock’n’roll, while Kemp narrates… In 1992, diagnosed with cancer, Mick produced Morrissey’s album, Your Arsenal. The same year, Ronno’s final live performance was playing All the Young Dudes at The Freddie Mercury Tribute Concert.

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➤ Bowie at V&A: more than a rock star, Bowie reveals the process of art and design

David Bowie ,V&A exhibition, Davie Jones, Manish Boys, 1960s,Denmark Street, Tin Pan Alley,joesalama,YouTube

The first room at the V&A exhibition gives this glimpse of a pre-Bowie Davie Jones, aged 18, possibly filmed in Tin Pan Alley, London, in 1965… Click on pic to read the full story by Shapersofthe80s and view the home movie discovered in 2011

➢ 1965, Teenage Bowie flashes priceless smile to an amateur cine camera – read how the clip was found

V&A, review,exhibition, Geoffrey Marsh, David Bowie Is,

The V&A’s new exhibition David Bowie Is: “a grand stage for an inspirational artist who reshaped a generation”

MAR 20: PROFESSOR OF FASHION IAIN R WEBB
ON THE OPENING PARTY

❏ Just spent a blissed out evening at the V&A David Bowie is exhibition. It blew my mind! It is indeed a remarkable show… and to see all those pretty things that I’ve looked at in photos over and over again over the years is something akin to a religious experience… Not only is the clever curation of memorabilia and associated artefacts an inspiration (a lipstick stained tissue anyone?) but I got to personally thank both Mr Mick Rock and Mr Kansai Yamamoto for their wondrous workloads that helped transport me from village idiot to le freak! As the post-show party relocated from the V&A museum to The Rembrandt hotel across the road, the assembled fashion freaks, who also included fashion writer Judith Watt and costume designer Fiona Dealey, went crazy when Mr Yamamoto, who was responsible for many of Bowie’s flamboyant stage designs, entered. The fervour that greeted the legendary designer was akin to the Bowie-mania witnessed earlier in the evening when guests queued around the block to attend the private view.

➢ A great read about a great show – Sarah Crompton in the Telegraph, March 18:

In the opening room of the V&A’s new exhibition David Bowie Is, there is a four-second clip of film of a 17-year-old Bowie striding through the streets of Soho. The sun is shining, and as he catches sight of the camera he turns his bright blond head and smiles before vanishing from sight. The film was found on an old Super 8 camera. The amateur cameraman had been filming his wife in the Soho sunlight; it was quite by chance that he caught the nascent superstar. What is extraordinary is how, even then, Bowie behaves like the idol he was to become. If a camera is running, it must want to catch him in its lens. The mystery of David Bowie, the confidence that inspired a quiet boy from Bromley to become one of the most significant artists of his generation, hangs quietly over this entire show…

Geoffrey Marsh, a co-curator, says he is the first musical figure to be examined on such a scale: “This museum was set up to show how art and design work, to reveal the process. Although there have been a huge number of books about Bowie, they are by rock journalists and may not be of interest to the general public. The reason he is interesting is that he is more than a rock star”…

All the exhibits, presented using cutting-edge technology by – among others – the team behind the video projection at the opening ceremony of the Olympic Games, add to that sense of a fertile intelligence, changing constantly, shaping the world. You can see how firmly Bowie was in charge of everything he did.

The sheer grandeur [of the final room] brought tears to my eyes. I felt as I felt when I first saw Bowie live – simply glad to be in the same building as a man who could make music like this… / Full review at Telegraph online

➢ David Bowie is a retrospective exhibition of 300 possessions drawn from Bowie’s personal archive displayed at London’s Victoria & Albert museum, March 23–Aug 11.

David Bowie, NYC,The Next Day,Jimmy King, album charts,

Snowy Bowie, March 20: The Next Day debuts at #1 on charts in 12 countries and tops iTunes charts in 60. This week’s photo by Jimmy King

➢ Bowie is Go! Taster reviews for this week’s record-breaking V&A exhibition

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➤ Who better than PJ to take Timberbloke to task for his new Mirrors video?

Justin Timberlake,Mirrors, Popjustice,review,video ,

Justin in hall of mirrors: Click on pic to run video in new window

♫ Taster of PJ’s verdict on Mirrors:

We admire the way Justin doesn’t appear until the boring bit, thus ensuring that music channels have to play the entire video when, had he featured in the main bit of the song, most of them would have chopped it off after the proper song finishes… His dancing around is a bit silly and there are no two ways about that, sorry… / Continued at Popjustice

MIXES OF THE MOMENT, MARCH INTO APRIL

♫ 2013 has already seen some exciting moments with the triumphant returns of The Knife, Destiny’s Child, Ciara and Justin Timberlake to the OG Sugababes. Now the Dazed April playlist features James Ferraro, MikeQ, The Knife, Sugababes plus new sounds from Bishop Nehru, MikeQ & Brenmar-produced Tigga Calore, Iggy Azalea, Cosmin TRG, James Ferraro and the new one on-cult label L.I.E.S.


♫ This week i-D online teamed up with “the hottest rising label in contemporary dance Blasé Boys Club” to co-host a monthly club night at The Shoreditch Butchery above XOYO. Sebastian Burford played an eclectic mix of dance classics, then deejay MNEK got the dance floor moving with tracks like Montell Jordan’s This Is How We Do It and Fatman Scoop’s Be Faithful. The climax of the evening came in the live performance of Duke Dumont’s new single Need U (100%), with live vocals provided by A*M*E [video interview above]. – More by Declan Higgins at i-D online
plus ♫ the i-D February Mixtape

DJ, Blitz Kids,Rusty Egan, Swinging 80s, clubbing,

Former Blitz Club co-host and deejay Rusty Egan, pictured then and now

♫ Welcome to the Dancefloor: a fresh club set remix from Rusty Egan:

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2013 ➤ Bowie is Go! Tasters for this week’s record-breaking V&A exhibition

+++V&A video trailer for the new exhibition, David Bowie is

➢ David Bowie is the enigmatic title of a retrospective exhibition of 300 possessions drawn from Bowie’s personal archive displayed at London’s Victoria & Albert museum, March 23–Aug 11. Appropriately, this week his first album in ten years, The Next Day, sits at No 1 in the Official UK Album Chart. It’s his ninth UK No 1 album (though spookily neither of his recent singles releases is anywhere near the singles chart). Before the V&A show launches, ticket sales exceed 42,000, more than double the advance sales of previous exhibitions at the museum. A few tickets are still available by booking online, in person in Kensington, or by phone +44 (0)20 7907 7073.

FROM THE BOWIE COMMENTARIAT

➢ David Bowie, the Return – Tony Parsons, Miranda Sawyer and La Roux’s Elly Jackson discuss Bowie’s music and influence for Radio 4’s Front Row (broadcast March 7, available on iPlayer for a year). Presenter John Wilson is guided through the V&A exhibits by the show’s curators Victoria Broackes and Geoffrey Marsh.

David Bowie, V&A exhibition, White Cloth Gallery, Leeds

Brian Duffy’s photography for the Lodger album sleeve 1979. © The Duffy Archive Limited

➢ The Duffy Collection of iconic Bowie images – which include three of his most famous album covers – goes on display May 2–June 4 at the White Cloth Gallery in Leeds LS1 4HT. The show documents Duffy’s special relationship with Bowie over ten years.

➢ A cryptic guide to the typography of Bowie – The V&A exhibition catalogue dissected by Gavin Lucas at Creative Review, 4 March 2013:

Jon Abbott at graphic design studio Barnbrook said of the book David Bowie Is: “We wanted to create an engaging pop-object for an audience who have come to expect the unconventional” … The book’s body typeface, Priori Serif, is one from Jonathan Barnbrook’s own foundry, Virus Fonts. Drawn by Jonathan Barnbrook and Marcus Leis Allion, the typeface was influenced by British typographers Gill and Johnston, and fittingly it found one of its first outings on the cover of Bowie’s 2002 album, Heathen … / Continued at Creative Review

Celia Philo,Brian Duffy,David Bowie, V&A exhibition,

One of the rejected cover shots for the Aladdin Sane album taken by photographer Brian Duffy in 1973. © The Duffy Archive Limited

➢ The day that lightning struck Aladdin – In 1973, Celia Philo directed the photo shoot for David Bowie’s album Aladdin Sane. The result was one of the most iconic images ever created. She talks to Stylist magazine, 2013:

Sometimes, when you’re doing something that you know is going to be good, it’s because it’s come from an extreme end of the spectrum of experience: either it’s incredibly hard work, or it comes together almost effortlessly. The photographic shoot for the cover of Aladdin Sane happened like magic. Its success was the result of a lucky collaboration of people … / Celia Philo, continued at Stylist

David Bowie, V&A exhibition,Lower Third,Swinging 60s,

Setting out as Swinging 60s Mod: Bowie promo shot in 1966 for his first single on Pye, Can’t Help Thinking About Me, with his band The Lower Third which included producer Tony Hatch on piano. The NME decided: “Absorbing melody, weakish tune”

➢ Iain R Webb: How David Bowie liberated my wardrobe – As a 14-year-old boy living in a West Country village, Webb, the former Blitz Kid and fashion editor and now RCA professor, thought David Bowie’s style statements were a gift. And so have generations of fashion designers. Read feature in The Independent, March 16, 2013:

Bowie’s influence on my life has been major, from the fundamental desire to never be labelled or pigeonholed to my profound love of glitter and penchant for a spikey haircut. And I am not alone … / Iain R Webb, continued at The Independent

➢ Glam! The Performance of Style (Feb 8–May 12) is a seriously well-curated multi-media show at Tate Liverpool surveying the 1971–75 phenomenon on both sides of the Atlantic, across the whole spectrum of painting, sculpture, installation art, film, photography and performance. The in-depth survey comes in two halves, drawing a clear distinction between the playful subversion of pop music and fashion that characterised the British glam wave, and the American, which was driven much more profoundly by gender politics. Well worth a daytrip to Liverpool.

➢ 1970, Where to draw a line between glitter and glam: naff blokes in Bacofoil versus starmen with pretensions — analysis by Shapersofthe80s.

➢ How Glam Changed Britain, by Gary Kemp – feature written by the Spandau Ballet songwriter for The Times, Jan 28, 2013.

♫ EXPLORING BOWIE’S MUSIC

David Bowie, V&A exhibition, ,Berlin,Tony Visconti, Hansa Studios

Berlin 1976: Bowie with moustache, Tony Visconti and assistant engineer, Edu Meyer, taken in the control room of Hansa Studios by Meyer’s wife, Barbara

♫ BBC Radio 6Music celebrates the life and work of David Bowie throughout Easter week, March 25–31. Gems from the archive feature concerts and interviews which have not been heard in 30 years.

♫ 2013, Shock and awe verdicts – Shapersofthe80s rounds up critical opinion on Bowie’s born-again single Where Are We Now? and the masterful new album The Next Day – “beautiful, obsessive and deliciously cruel”.

♫ News of special vinyl release at Bowie’s website – His second 2013 single, The Stars, is scheduled for a limited edition vinyl 7inch 45 Record Store Day release on April 20. Backed with Where Are We Now?


❏ Music video for the 1979 song DJ (above) sees Bowie sporting a pink onesie dungaree outfit designed by Willy Brown and walking through London streets being snogged by fans, both boys and girls.

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