Category Archives: Social trends

➤ Status update: QueenLiz2 goes live on Facebook, though Her Maj will not be abused

Fully connected: No of course it’s not Her Maj, just one of the Queen’s impersonators. Photograph © by Mark Bourdillon

❚ NOT BAD — THE ROYAL FAMILY HAS MADE 209,000 friends in its first three days on Facebook. Rebranding what she has along called “The Firm” as The British Monarchy (TBM), Her Majesty Queen Elizabeth II this week opened for business on the web’s biggest social network where democracy in action means that, although we cannot strictly become Her Majesty’s “Friend” as with every other Facebook member, we can express her popularity by clicking on the notorious “Like” button. Nor can we “poke” the Queen or Prince Philip in the jargon of getting acquainted online, but we can certainly scrawl on their wall, though the First Footman of the Interweb reserves the right to remove offensive comments. Indeed, he was kept on his toes on Monday heading off a stream of republican abuse that included the phrase “scrounging layabouts”.

Queen Elizabeth II, Johnson Beharry, VC

Here We are today: meeting Lance Corporal Johnson Beharry, holder of the Victoria Cross (VC), Britain’s highest award for gallantry

Innovations include an exclusive “Near Me” application which will enable British citizens as well as Al-Qaeda to track the Queen’s every move on a searchable map of the United Kingdom. The Court Circular, the topical record of official royal engagements produced by the royal household, is also available on Facebook. For the past 200 years The Times and two other newspapers have enjoyed this privilege.

The TBM Facebook group is however reluctant to share the monarch’s intimate tastes such as those reported in yesterday’s Times and elsewhere: that the Queen’s favourite tipples are gin and Dubonnet; that her TV viewing includes The Bill (a police soap), and Kirsty’s Home Videos (compilations of the British public at play) which she asks her servants to tape when she’s busy, as well as re-runs of horse-racing; and that her cornflakes reside in a Tupperware container on the breakfast table.

An aide said: “Facebook is probably the last bastion of social media the royal household had not yet entered, and the Queen is keen to be fully signed up to the 21st century. The important thing about Facebook is its international reach, as the Queen is head of state in 16 countries.” The 84-year-old Queen uses a mobile phone, has her own private email address, surfs the web and ventured into online networking in 2007 by launching TheRoyalChannel on One’s Tube, sorry, YouTube, followed by @BritishMonarchy on Twitter last year and Flickr this summer.

Royal.gov.uk remains the official website of The British Monarchy which represents all 17 “working members” of the Royal Family. It confirms their official surname as Mountbatten-Windsor, and reminds us that the traditional greeting from men is a neck bow (from the head only) whilst women do a small curtsy. Otherwise, a handshake is fine.

➢ The British Monarchy at Facebook

LOOK WHO WON GONGS THE OTHER WEEK

Brian Cox, Vicki Michelle, ’Allo, ’Allo, University of Manchester, British Monarchy,investiture

Stars of TBM at Facebook: Brian Cox, TV meteor and professor of particle physics at the University of Manchester, displays his OBE (Officer of the Order of the British Empire) following an investiture ceremony at Buckingham Palace in October when the Queen honoured him for services to science. A Facebook comment asked: “What about his achievements as keyboard player for D:Ream?” The actress Vicki Michelle, best known for her role as the saucy French waitress Yvette in the BBC comedy series ’Allo, ’Allo (1982-92), won the MBE (Member of the Order of the British Empire) for charitable services. Her catchphrase when being clinched in the kitchen was: “Ooooooh, René.” © Press Association

FRONT PAGE

➤ Killing a king tells you who you are — so do your haircut and shoes

execution, painting,1649,Banqueting House , King Charles I

One of Schama’s six epic moments in British history: the execution of King Charles I in 1649, painted by John Weesop. Source: The Gallery Collection/Corbis

The Look, Rock & Pop Fashion❚ SHAPERS OF THE 80s? A STROLL DOWN MEMORY LANE or an antidote to complacency about the present? Let’s hope the vintage yarns on the inside pages of this website provide a constant foil to the topical blog posts on the front. Even on the pop-cultural timeline, parallels deliver insights: parallels between the Swinging 60s and the Swinging 80s, and what feels highly likely in 2010 to become the Swinging Tens. The signposts to every British youth cult since World War Two have always been the haircut and the shoes, as we’re constantly reminded at that absorbing online version of the book The Look: Adventures in Rock & Pop Fashion. So keep your eyes open.

What caused this momentary validity-check was an exhilarating read in today’s Guardian headlined “Kids need to know they belong”. Don’t wince when you hear that it amounted to a vigorous exhortation to schools that are failing to teach to the hilt the dreaded H-word, history. The history of how we came to execute our king, for example, gets short shrift from the national curriculum.

“Irreverent freedom” is a special aspect of life in Britain. “The endurance of rich and rowdy discord” is another. This was telly-don Simon Schama getting into his eloquent stride. Who needs history, he asked? Our children, of course, if they are to know who they are, and whose imaginations risk being held hostage in the cage of eternal Now… In full fig, Schama succinctly listed the benefits of examining the past:

To the vulgar utilitarian demand, ‘Yes, all very nice, I’m sure, but what use is it?’, this much (and more) can be said: inter alia, the scrutiny of evidence and the capacity to decide which version of an event seems most credible; analytical knowledge of the nature of power; an understanding of the way in which some societies acquire wealth while others lose it and others again never attain it; a familiarity with the follies and pity of war; the distinctions between just and unjust conflicts; a clear-eyed vision of the trappings and the aura of charisma, the weird magic that turns sovereignty into majesty; the still more peculiar surrender to authority grounded in revelation, be that a sacred book or a constitution invoked as if it too were supernaturally ordained and hence unavailable to contested interpretation.

➢ Read My vision for schools by Simon Schama
— six key events from the past that no child should miss out on

King Charles I, execution, warrant

Death warrant of King Charles I (1649): Showing the signatures and seals of 59 of the commissioners who tried Charles I, including that of Oliver Cromwell. This document directly led to the execution of the king, the abolition of the monarchy, and the consequent establishment of a republic to govern England for the only time in its history, between 1649 and 1660. © Parliamentary Archives

FRONT PAGE

➤ 20 gay kisses in pop videos that made it past the censor

❚ CENSORSHIP! OH DEARIE ME! Digital Spy reports this weekend that the lavish video for Firework — the single currently No 4 in this week’s UK chart by American singer-songwriter Katy Perry — has been censored for British television channels. The ludicrous widescreen promo, which they say “plays out the song’s message of self-belief” (yuk), shows fireworks shooting from Perry’s chest, and from the bodies of prancing extras. More shocking, apparently, are the pyrotechnic depictions of a mugging, a cancer patient, a woman giving birth and two men kissing. The two-second “gay kiss” has been pixelated, presumably to save embarrassing the children, in a version of the video directed by Dave Meyers for delivery to TV channels under a cross-promotional deal with Deutsche Telekom. The European telecommunications group recruited fans from all over Europe to appear in the video when it was shot in Budapest.

It’s all too much. Why, this weekend too, fansites have been twittering that Katy Perry and BFF Rihanna got into an argument over Katy’s new hubby, the amoral buffoon Russell Brand (double yuk). The only good news is that Katy has at least vowed never to strip for Playboy.

Katy Perry, Firework, pop video, censorship,gay kiss,

Fireworks in Firework: British TV viewers see only a pixelated version

According to the star herself, Firework is influenced by Jack Kerouac’s novel about male bonding, On the Road. Digital Spy’s reviewer Nick Levine even accords the song the accolade of being a “straight up self-empowerment anthem”. Pass the sickbag, James.

OK, OK, boys and girls. In Frankie Goes to Hollywood’s immortal words, relax. For any TV viewers feeling deprived of the knee-trembling kiss in the Perry video, which is of course viewable in full 1080p HD on YouTube, there’s plenty more where that came from. The web is replete with more pop videos flaunting gay kisses than mum and dad might wish for. The following links round up the most notorious from both genders — four are viewable only behind age-restricted gateways. And because it’s so darn funky, Shapersofthe80s has thrown in the Pet Shop Boys’ most notorious Bruce Weber video for Being Boring, which contains naughtiness on any number of levels, but you’re going to need gimlet eyes to spot the gay kiss. You’re very welcome to propose your own favourite pop kisses. Thanks to Jobe, we’re up to 20 vidz now.

Lady Gaga, Telephone, pop video, gay kiss

Lady Gaga: a jailbird’s perk in the video for Telephone

Lady Gaga, Stephen Gately, Boyzone, Blink-182

Pop smackers: Lady Gaga in Lovegame, Stephen Gately in Boyzone’s Better, two vamps in Blink-182’s I Miss You

♫ Christina Aguilera’s Beautiful

♫ Lady Gaga’s Lovegame

♫ Lady Gaga’s Telephone

♫ Blink-182’s I Miss You

♫ Peter Doherty’s Last Of The English Roses

♫ Black Eyed Peas’ I Gotta Feeling

♫ Yehonathan’s On a Hot Summer Night

♫ Adam Lambert tongue-diving in concert

♫ Tatu’s All the Things She Said

♫ George Michael’s Outside (uncut)

♫ Matt Alber’s End of the World

♫ Kylie’s All the Lovers

♫ The Strokes’ Juicebox

♫ Paul Oscar’s International

♫ Madonna’s American Pie

♫ Scissor Sisters’ Filthy/Gorgeous

♫ Boyzone’s Better

♫ Pet Shop Boys’ Being Boring — a film by Bruce Weber

Pink, Raise Your Glass, gay kiss, pop video
♫ In at No 19 (thanks, Rob): Pink’s Raise Your Glass — “Don’t be fancy, just get dancey”!

♫ And one more makes 20 (thanks, Jobediah Ingram): Macklemore & Ryan Lewis’s Same Love

++++++

➢ Read on in the New York Times:
For Gays, New Songs of Survival

“These artists represent a new wave of young (and mostly straight) women who are providing the soundtrack for a generation of gay fans coming to terms with their identity in a time of turbulent and confusing cultural messages.”

➢ Elsewhere at Shapers of the 80s… Update Nov 2011 – Firework falls out of UK chart after 58 weeks

FRONT PAGE

2010 ➤ Index of posts for October

Birth of electro-pop, synth-pop,Makers, Gentry, Spandau Ballet

Feb 1978: The Makers, one day to be Spandau Ballet. Photographed by Gill Davies

➢ Classics of 80s graffiti revived by campaigning collective in New York

➢ Final spin confirmed for the Technics 1200, the DJ’s top turntable

➢ On this day in 1980 Spandau fired the starting gun for British clubland’s pop hopefuls: dada didi daaa!

➢ A second squadron of high-octane British artists zaps the Saatchi space

➢ Facebook may well be the mother of all networks but one man needs to check his maths

➢ Cool 21st-century branding for Channel 4, but when will it junk those clunky Bladerunner idents?

➢ A step up in the world for graffitist Eine, thanks to Potus and lady friends who shop in high places

Molly Parkin, John Timbers

In her heyday: Molly aged 29 at her first art exhibition. Photographed © by John Timbers

➢ Miss Parkin regrets that she said no to Cary… and can’t wait to meet Orson, Lee and Walter

➢ How Keith Richards’s life of debauchery became an inexplicable sign of alien invasion at The Times

➢ 30 years ago today: First survey of their private worlds as the new young trigger a generation gap

➢ 2011: Sade comes home to tour UK but even a cheap seat will cost you £158 !

➢ 1980: The day Spandau signed on the line and changed the sound of British pop

➢ 1980: Rik and pals detonate a timebomb beneath another kind of strip for Soho

➢ 1976: When Iain met Stephen, London traffic stopped and St Martin’s stood still

➢ Britain’s top hatter, Stephen Jones OBE, celebrates 30 years of Jonesmanship

FRONT PAGE

➤ Classics of 80s graffiti revived by campaigning collective in New York

graffiti, Subway Art History,Joan of Arc, Hand of Doom, Martha Cooper ,Henry Chalfant

Joan of Arc at a warehouse along a Brooklyn canal: the graffiti collective Slavery is paying homage to a 1980 work that read “Hand of Doom”. © Robert Wright for The New York Times

[From the New York Times, October 26, 2010]

❚ ANYONE WHO HAS BEEN LOST in the last few weeks around the southern reaches of the Gowanus Canal in Brooklyn could be excused for experiencing a powerful Koch administration flashback. On the wall of a brick warehouse there, a huge mural unfurls itself, a loving, seemingly spray-by-spray re-creation of one of the more infamous pieces of graffiti ever to ride the subway: a 1980 work by the artist known as Seen that covered the length of a No 6 train car with the ominous phrase “Hand of Doom”.

It is the work of a newly formed collective of (mostly) former graffiti writers in their 20s and 30s, who have embarked on an unusual citywide campaign to summon 50 or more of the most famous pieces of old-school graffiti out of the history books and back onto the streets. The project, called Subway Art History, is unusual not only because the artists are making the pieces with the permission of businesses, schools and other perhaps nostalgic owners of blank vertical space, but also because of the nature of the pieces themselves. They are expressions of homage in a subculture that has almost always been defined by fierce competition, intense striving for originality and a kill-the-elders attitude toward the past.

“In graffiti it’s like a teenage thing: No way am I going to become my father, no way am I going to make anything that looks like anyone else’s. — Then, of course, you become your father,” said a 32-year-old former graffiti writer who helped form the collective.

➢ Read Graffiti of New York’s past, revived and remade
— in the New York Times

❚ View video — 25th anniversary of Subway Art, bible of the graffiti movement, by Martha Cooper and Henry Chalfant:

➢ The book: Subway Art, bible of the graffiti movement

FRONT PAGE