Category Archives: Social trends

➤ Smith & Sullivan sign off We Can Be Heroes with a sigh

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Graham Smith: signing advance copies of We Can Be Heroes between coffee and cake today at Soho’s Society Club. Photographed by Shapersofthe80s

❚ THE BOOK OF THE DECADE has arrived and early buyers of the 2,000-copy first edition had it in their hands today. The photo-story of 80s clubland, We Can Be Heroes, felt reassuringly hefty to the touch and we finally discovered the page size to be generous at 235 x 280mm. The five-colour printing gives intensity especially to the black-and-white photography on the high-gloss paper and author Graham Smith’s verdict on the quality was simple: “Stunning.” Collaborator and 80s club-host Chris Sullivan breathed a sigh: “We got there in the end.”

The 320 pages of story-telling and voxpops from perhaps 100 contributors will raise plenty of smiles when the postman delivers the book during the next week. Even if you’ve read Shapersofthe80s from top to bottom, you’ll find as many more quotes and insights from the original Blitz Kids themselves. Deejay Jeffrey Hinton reminds us in the book: “People think this was a premeditated scene but it was not. It was childlike, thrown together. We didn’t do it for the money, we were innocent. It’s all so marketed today.”

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Ringleaders who shaped the style of the 80s celebrated in We Can Be Heroes: Chris Sullivan, Fiona Dealey, Lee Sheldrick, Stephen Linard and Kim Bowen — the rebels within St Martin’s School of Art, all photographed by Graham Smith

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Bournemouth was the destination on bank holidays: good-natured hijinks brought London clubbers to the south-coast resort, and Smith has included many of their snaps in We Can Be Heroes

While the main images reveal just how small in number was the coterie who initiated the sounds and styles of the 80s, Smith has supplemented his own portfolio of pictures with many snaps from clubland wags themselves whose ambitions were liberated by the spirit of collaboration inspired in 1980. Nevertheless, designer Fiona Dealey makes a valid point in the book: “When anyone has written about the Blitz it has been by the same few blokes giving the same old soundbites with never a mention of what the women were up to. The Blitz was our youth club and I feel they hijacked it.”

Today John Mitchinson, the book’s publisher, said he was reasonably confident that a commercial edition of Heroes might follow in the autumn of 2012. In the meantime a limited number of copies of the first edition are still available only from Unbound Publishing.

➢ 1976–1984, Creative clubbing ended with the 80s — we profile three of the bright sparks behind We Can Be Heroes and how they shaped the decade

➢ View Shapersofthe80s video — Chris Sullivan telling his “ribald tales of excess” from the Blitz era at a launch party for We Can Be Heroes… with Graham Smith and Robert Elms on video too

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Chris Sullivan signing today: “Now people can see the book itself we might shift a few more copies.” Photographed by Shapersofthe80s

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➤ Dalston Superstars get down with a Poundland People’s Christmas feast

Dalston Superstars, Nathan Barley,Vice dotcom,video,mockumentary,hipsters ➢ Click the pic to run video of Dalston Superstars Ep 4 at Vice.com

❚ EPISODE 4 OF DALSTON SUPERSTARS, Vice online’s “structured reality” series about hipness in Hackney, is a Christmas special, which means sex, drugs and sausage rolls. Will the wildest Christmas party Dalston’s ever seen solve the gang’s problems, or just add to their hangovers?

Dalston Superstars, Vicedotcom, Nathan Barley, video, hipsters✰ Stefan: “Dad found my Tumblr and freaked out and he cut me off”

✰ Sam considers whether it’s right to throw a recession party

✰ Maeve becomes a working girl and discovers what “the Occupy Wall Street thing” is all about

✰ Anna thinks she wants to do fashion styling

✰ Stefan and Maeve transition to the working class

✰ Vital vocab: get gaddafied, satanic Mean Girls, ghetto-fabulous snacks

[No scriptwriter gets an onscreen credit but words and images above are
© 2011 Vice Media Inc]

EP 4 #COMMENTS AT VICE ONLINE…

Dalston Superstars, Vice dotcom, video, reality TV,  mockumentary, hipsters❏ Vasilisa Forbes, Photography and Multimedia “This was a really emotional one.”

❏ Charlie Mass, European Institute of Design “I’m from australiaN.”

❏ Laura O’Reardon, Senior College “Maeve, get a job you user.”

❏ Daniel Heronneau, Wallington County Grammar School for Boys “Vee looks like Kreayshawns dj Lil Debbie.”

❏ Jimmy Dallas, Preston, Lancashire “thisiswanknow”

❏ Jack Van Cooten, CEO at Banana Hill “Awesome”

❏ Huw Williams, Central Lancashire “I just envisage a coked up editor screaming at staff: It IS funny! They’ll get it eventually, you’ll see!”

❏ Robsta Hendricks, London “Brilliant. From living West travelling East to living East working West Gastro part time, I get it. Well done.”

❏ Thibaud Guerin-Williams “In Richmond VA this is real.”

❏ Pierre Chambaud, London “how can I be a part of dis gang?”

❏ Grant Armour, Sarfend High School for Dudes, Uni. Sussex, da blud behind da wkd #christmasmixtape “these outta town muthafuckas in efes think they run the game, they going to get it in the knees. we about to blow the roof off alibi in 2012 mane. smokin big damn dank.”

❏ Sean Otley, Manchester “dalston s.s = toss.”

❏ Rich ‘Catface’ Brooks, UCLAN “Chris Morris did this seven years ago, but much better, and aimed at Vice.”

AND NOW THE #christmasmixtape

❏ Update Dec 24 By popular demand, here’s a mere taster of the download featuring largely Grant Armour [see comments] available at, like, #christmasmixtape

Catch up with Dalston Superstars #PREVIOUSLY

➢ View DS Episode One — “cool parties, cool people” and a fingerboard skate park

➢ View DS Episode Two — numero uno sex vixen, Holly Wood, has got eyes for Sam — bad luck, Anna!

➢ View DS Episode Three — art collective NoiNoiNoi mount “an experiment in cosmic dissonance” in E8

➢ Feedback and coverage of Dalston Superstars at Shapersofthe80s (this series is not gonna lie down)

SEMIOLOGY CORNER

❏ Subcultural decryption: Dalston is the area of east London that UK hipsters regard as, like, paradise. Unless they live a mile away in Shoreditch, then it’s Shoreditch. (Hoxton is SO yesterday.)

❏ Subcultural analogy: Nathan Barley was a UK television series featuring hipster role models for Dalston Superstars, like, six years ago… Not to mention the even holier Mighty Boosh (2004–7).

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2011 ➤ I danced in Bowie’s Jean Genie video but have never seen it, says his friend Wendy

Wendy Kirby,David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddi Burretti

Wendy Kirby aged 19: as Freddie Burretti’s flatmate, she met the Bowies at the Sombrero club’s trendy Sunday feasts in Kensington — “We were the people always round David’s house”

❚ “I WAS AT THAT TAPING,” said Wendy Kirby on Facebook earlier today. “But I never got to see the video,” she told Shapersofthe80s by phone later. She was talking about the longlost recording of David Bowie singing Jean Genie on Top of the Pops in 1973 — 38 years “Missing Believed Wiped” — and due to be screened tonight on BBC2 for the first time since.

Wendy was one of a posse of Bowie’s friends he’d asked to accompany him to BBC TV Centre because, she says, he was feeling nervous — “If you can believe that! He comes across as very confident, but he was always very shy and didn’t really want to go on Top of the Pops. Angie was the one with all the energy.”

Wendy Kirby,David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddie Burretti,

Wendy Kirby this year: “Amazing to see myself on Top of the Pops after all this time!”

When we spoke today Wendy was mildly surprised at all the fuss over the video she’s never seen, but then, even as a 14-year-old schoolgirl she was a regular in the audience for Top of the Pops so had grown pretty blasé.

About five years later she’d become one of Bowie’s “piss-elegant champagne-drinking” entourage after meeting David and Angie at the Sombrero disco (strictly speaking, called Yours or Mine, beneath the restaurant El Sombrero in Kensington High Street) during the Hunky Dory period when he was wearing the Mr Fish man-dress and had long cascades of blond hair. All that was lopped and dyed red by Suzi Fussey for the Ziggy persona which made him a star. On Jan 3 1973, Wendy donned a black fishtail dress “with an exceedingly low back” plus a long blonde mermaid wig, and stepped into Studio 8 and onto the dancefloor for Top of the Pops in company with her flatmate Freddie Burretti (Bowie’s costume designer for whom Moonage Daydream was written), Angie Bowie and panda-eyed Daniella Parmar whose constantly changing hair colour had convinced Bowie “of the importance of a synthetic hair colour for Ziggy”.

David Bowie, Missing Believed Wiped, Jean Genie,1973,Top of the Pops,BBC, Mick Ronson, John Henshall, Spiders from Mars,Wendy said: “We were the ‘young dudes’ who shaved off our eyebrows just for camp, because you could paint them on higher up — that gave us a strange unearthly look which David adopted. He was always open to suggestions and went through our wardrobes like a magpie!”

Bowie name-checked his friends in the lyrics of the glam-rock anthem All the Young Dudes in 1972: Wendy’s stealing clothes/ from Marks and Sparks/ And Freddi’s got spots/ from ripping off the stars from his face/. When David told her, she replied: “You could at least have made it Harrods!”

She added: “Thing is, the fame happened seemingly overnight. People had thought of David as a one-hit wonder with Space Oddity, then suddenly in 1972 Starman was a hit and everything went from ordinary to unreal. Nothing was the same again.”

Wendy had no idea whether the cameras had caught them dancing in the Jean Genie video newly discovered and due for broadcast tonight. “Pan’s People had done their dance number and were heading out of the studio when David went onstage. They all stopped to watch his act and were mightily impressed. I remember a couple of them were wearing red fox-fur coats…”

David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddie Burretti

Freddie Burretti and Daniella Parmar photographed by Mick Rock

Wendy Kirby,David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddie Burretti, Angie Bowie

Here’s the proof broadcast tonight for the first time in 38 years! Wendy and Daniella Parmar dancing on Top of the Pops in 1973, just behind Mick’s guitar. (Videograb © BBC)

❏ Update at 8pm: “Yes, that’s me between David and Mick, the girl with a ton of make-up, huge eyelashes and the red flower in the hair — we piled on tons of everything then. That’s Daniella dancing next to me. Amazing to see myself on Top of the Pops after all this time! I’ve never seen this before. And I haven’t seen David perform live since… Those were great days and I was too young to appreciate them.”

Of Bowie’s Sombrero posse, today Wendy lives in West London and Daniella in Worthing. Freddie Burretti (born 1951, raised as Frederick Robert Burrett in Hackney) was also aka Rudi Valentino while fronting Bowie’s 1971 phantom band, the specially created Arnold Corns. His talents were better expressed as Freddie Burretti, making Ziggy Stardust’s outfits from the first quilted jumpsuit onward. He died while living in Paris in May 2001. The male escort Micky King recorded the Bowie song How Lucky You Are, among others, and according to Bowie was gruesomely murdered by a client some years later.

Wendy Kirby,David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddie Burretti

Very Swinging London, early 70s: Wendy Kirby in a black wig. Her friends among Bowie’s young dudes included Daniella Parmar, hairdresser Antonello Parqualli and Sombrero face, Micky King

➢ Where to draw a line between Glitter and Glam – naff blokes in Bacofoil versus starmen with pretensions

AND HERE IS THE ‘LOST’ BOWIE VID AT YOUTUBE

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➤ Dalston Superstars pit Shoreditch irony against beanie brigade realness

Dalston Superstars, Vicedotcom, video,hipsters,mockumentary
➢ Click the pic to run video of Dalston Superstars Ep 3 at Vice.com

❚ IN EPISODE 3 OF DALSTON SUPERSTARS, Vice online’s “structured reality” mockumentary series about who’s more hip than who in Hackney, this week’s highlight is an exhibition of work @ Wagwan Studios. An infamous art collective called NoiNoiNoi from Dalston E8 describe themselves as “an experiment in cosmic dissonance”, and produce installations collaged from photos and consumer brands which are spookily close to the art stuff in galleries throughout the east London postcodes of E1, 2 and 8. Also this week …

Dalston Superstars, Vicedotcom, Nathan Barley, video, hipsters✰ Vee says “Just say no to capitalism: uncapitalise.”

✰ Sam and Anna’s relationship is on the rocks.

✰ Dweeby Stefan becomes Captain Scarlet, psychedelic astronaut, then gets confused about the meaning of reality — “We’re real, right?”

✰ “All the boys want… lipstick paradise.”

✰ Just wait for the punchline when Stefan says “I think I know a little something about art…”

[No scriptwriter gets an onscreen credit but words and images above are
© 2011 Vice Media Inc]

EP 3 #COMMENTS AT VICE ONLINE…

❏ Tom McArthur, Breaking News Editor at Msnbc “This is like an episode of Nathan Barley that’s been plagiarised by humourless German students.”

❏ Beth Wrays, photographer “would everyone over the age of thirty stop going on about nathan f***ing barley, who gives a toss! your not cool!”

❏ Daniel Worrall, Uni Sussex “I’m 23. Nathan Barley was ahead of its time :-p Bloody Hipsters”

❏ Carly Jeannette Skone, Seattle, Washington “This is the most retarded thing I’ve ever seen!”

❏ Allan Struthers, Top Commenter, BRGS “The title music for this is really awesome.”

Dalston Superstars, Vicedotcom, video

Art collective NoiNoiNoi: “an experiment in cosmic dissonance” (videograb from Dalston Superstars)

➢ Catch up with Dalston Superstars, Episode One — “cool parties, cool people” and a fingerboard skate park

➢ Catch up with Dalston Superstars, Episode Two — numero uno sex vixen, Holly Wood, has got eyes for Sam — bad luck, Anna!

❏ Festive question for the producers — As Top Commenter Struthers notes, some great tracks backing Ep3 of Dalston Superstars but… where’s the free Christmas download of tunes from the show, such as Grant Armour’s theme tune Dalston Riddim, and Mum Dad I’m moving to Dalston, by DJ Platinum ft Decland’n’Karl? … Update Dec 23: By popular demand, here’s a taster of the download at, like, #christmasmixtape

❏ Subcultural decryption: Dalston is the area of east London that UK hipsters regard as, like, paradise. Unless they live a mile away in Shoreditch, then it’s Shoreditch.

❏ Subcultural analogy: Nathan Barley was a UK television series featuring hipster role models for Dalston Superstars, like, six years ago… Not to mention the Dalston-based absurdist series The Mighty Boosh (2004–7) — its four way crimp-off (below) led by Noel Fielding and Julian Barratt, says it all for the coolest of the cool.

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1980 ➤ Why Face founder Nick Logan said: Publish and be Dammers

The Face, magazines, style bible, Design Museum, Nick Logan,

Five landmark issues: Without a cover-worthy photo, Nick Logan says of the New Order cover, July 1983, the radical crop was his suggestion. The “Shock report” on Thatcher’s art-school budget cuts was an epic piece of crisis reportage by yours truly. (Guardian collage)

❚ IN 1980, A RESPECTED EX-EDITOR OF NME staked his house on launching a new magazine that was to make style the focus of youth culture, as much as music. The Face was quickly dubbed Britain’s “style bible” and soon ranked among the half a dozen publications that had changed the direction of journalism since the Second World War. On Dec 1 London’s Design Museum announced that it had added The Face magazine (1980-2004) to its permanent collection, among other newcomers, the Sony Walkman and the AK47 rifle.

➢ In today’s Guardian, Nick Logan, the owner and founding editor of The Face, chooses five of its landmark covers, and explains why…

Issue 1, Jerry Dammers cover, May 1980 — This was the launch issue. I knew I could find something more current for a first cover than the Specials. But they embodied everything the magazine aspired to — they had a look, a passion, and great music — so there was never an alternative. In a sentimental way too, I owed 2 Tone a debt for the inspiration to pursue the idea. And, as it was my savings at risk, I could call it what I liked — after all, The Face was to be my escape from a career where too often I struggled to explain myself to publishers or committees. No focus groups here: I was purely, wholeheartedly, following instinct.
/ continued online

➢ The Evening Standard announces the launch of
The Face in May 1980

➢ 30th anniversary of the magazine that launched a generation of stylists and style sections

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