Category Archives: New Romantics

2011 ➤ The unknown Mr Big behind London’s landmark nightspot makes his return to the Blitz

Return to the Blitz, Eve Ferret, Mike Brown, Blitz club, Steve Strange

Reunited last night after 30 years: the reclusive founder of the Blitz wine bar, Mike Brown, and the cabaret singer Eve Ferret who first tasted stardom there. (Photograph © by Shapersofthe80s)

❚ BIGGEST SURPRISE AT LAST NIGHT’S Return to The Blitz party, thrown by Steve Strange, Rusty Egan and Rose Turner, was the arrival from Spain of the brains behind the original bar that became the crucible for New Romantic nightlife back in 1979. International man of mystery Mike Brown has always been described by those who worked for him in the late 70s as very private, and indeed he must be the only person among us to generate nil Google results. Nobody was more thrilled to see him for the first time in 30 years than actress and singer Eve Ferret, who made good in cabaret at the Blitz. It was almost a This Is Your Life moment as the pair lingered fondly in each other’s arms.

Biddie & Eve, James Biddlecombe, Blitz club

One-man cabaret: Biddie on-table at the Blitz wine bar in 1977

It was Brown who had the shrewd idea of buying the four-storey Victorian house at No 4 Great Queen Street in 1976 and opening a wine bar there. “I felt like a change from the recruitment business which I was running,” he said last night. “And I’d been watching a World War Two movie about Churchill which gave me the idea for a Blitz theme.

“I remember it was black and white and showed Londoners down in the Underground shelters whilst the bombs were dropping. More than the actual horror of the damage that was being inflicted, it was the way Londoners banded together that lingers. I remember thinking that I lived on the fourth floor of an old building divided into six flats yet I didn’t know any of the occupants.”

Mike ran his main business in nearby Lincoln’s Inn Fields, and his soft spot for nostalgia was well known to the Blitz staff — barmaid Sally Marks says she imagined he would have been a fighter pilot in another life. Hence the Blitz’s utilitarian wartime decor: bare floorboards, green and cream paintwork, red-gingham tablecloths, hanging enamel lampshades, which were never dusted. Famously the walls were lined with portraits of Churchill and WW2 posters in the declamatory graphics of the period: “Careless talk costs lives” and so on.

Blitz club, Mick Hurd, Richard Jones, Eve Ferret, Brendan Connolly , Sally Marks

Dressing up for the Blitz wine bar’s Come as your Wildest Dream party, 1977: Mick Hurd, Richard Jones as Thunderbirds heroes, with Eve Ferret… and, right, manager Brendan Connolly with barmaid Sally Marks. (Polaroids © by Mick Hurd)

Mike said: “I am a great lover of traditional pie-and-mash and decided that the food theme would be along the lines of bangers-and-mash. The menus looked like old wartime ration books and we had our own wine labels made up.”

Despite having the Irish charmer Brendan Connolly as manager, and the dashing Peruvian Mario Testino behind the bar (as well as Sally, Ian Harington, Mike Roskams, Mick Hurd, Roy Brentnall, Paul Frecker and many, many others), the Blitz with its gorblimey menu wasn’t frankly much of a success. As the oil crisis squeezed western economies in the austere 70s, so London nightspots started resorting to cabaret to attract custom. Coinciding with a menu upgrade, the first performers to make their name at the Blitz were the song-and-dance duo Biddie & Eve.

Slim, camp and Bowie-esque James “Biddie” Biddlecombe started at the Blitz singing solo, accompanied by pianist Richard Jones (later an opera director). Along came buxom redheaded Eve Ferret whose laughter could shake a cocktail. Their riotous partnership was inevitable. Biddie recalls: “Initially we would perform in the middle of the floor three nights a week. By 1978 we’d grown so busy they decided to build us a stage.” Sally says that one night when Island Records boss Chris Blackwell turned up with Bob Marley, the godfather of reggae was persuaded to get up and do a number.

Biddie & Eve, Eve Ferret, James Biddlecombe, Blitz club, London, 1970s

The 1978 relaunch, now with a stage: flyer for Biddie & Eve’s regular thrice-weekly cabaret

With Brendan’s encouragement, Biddie-life-and-soul helped establish a reputation for themed costume events with titles such as Come as Your Wildest Dream, or Stars of Film and TV, so the Blitz rapidly attracted, in the language of the time, an “up for it” party crowd, which included the likes of Tim Rice and Janet Street-Porter from the swank media haunt Zanzibar along the street. Then in February 1979, in walked Steve Strange and his competitive brand of teen cabaret on Tuesdays and the rest is New Romantic history.

The Blitz bar closed when Mike sold the building in 1981 “because after five years I’d had enough”, by which time Strange & Egan had upscaled their ambitions to Club For Heroes over on Baker Street. And Mike went back to recruitment. He said: “It is very humbling to know that there is still such interest in the Blitz Kids. They were a great bunch and it was a very exciting time.”

Shirlie Holliman,Eve Ferret,John Keeble, Martin Kemp, Blitz club

Spandau delegation at Return to the Blitz 2011: John Keeble, Martin Kemp and Shirlie Holliman catch up with Eve Ferret, second right. (Photograph © by Shapersofthe80s)

➢ Rusty Egan’s set list for Return To The Blitz
reunion party, 15 Jan 2011

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On this day in 1980 ➤ Spandau fired the starting gun for British clubland’s pop hopefuls: dada didi daaa!

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Nov 13, 1980: chart entry qualifies Spandau for their first Top of the Pops

◼ TODAY’S THE DAY THE HOTTEST NEW BAND OF 1980 released their debut single 30 years ago. Inside a year, Spandau Ballet had clicked with clubland’s coolest fan base, played only eight bookings, refused to make any demo tapes but instead spent that year winding up the media and the music industry with word-of-mouth rumours of a youth movement right behind them.

Steve Norman

Kilt-wearing Steve Norman’s lace-ups

On October 10 Spandau signed an unprecedented deal with Chrysalis, on October 27 they released To Cut a Long Story Short driven by a monophonic synthesiser: Daa-didi dada dada di-di dada didi daaa! On November 15 the single entered the chart. Bingo – Top of the Pops.

In 1980, for every new band firing up their ambition in the wings, Spandau acted as a fuel injection system. For electro bands who had been nibbling at success  — OMD, Simple Minds, Japan, Ultravox — here was the bandwagon. And they jumped on board.

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➢ Full timeline of Spandau Ballet’s wind-up year from tease dates to Top of the Pops in 12 months!

HERE’S THE VIDEO FOR Spandau’s ORIGINAL, NOW IN HD…

➢ My full history of the birth of the New Romantics
in the Observer Music Monthly

➢ Elsewhere at Shapers of the 80s: 190+ acts who set the style for the new music of the 1980s

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JULY ➤ 30 or so years ago today

ON THIS DAY IN 1977…

July 9 — Donna Summer No 1 with I Feel Love

ON THIS DAY IN 1979

July 4 — Blitz Kid Dencil Williams does Donna Summer at the Embassy Ball

ON THIS DAY IN 1980…

Gaz Mayall, Gaz's Rockin Blues, clubbing,LondonJune30-July 12 — Spandau Ballet play the Papagayo club in St Tropez: one booking but 12 gigs by playing nightly except Sundays.
July – Jane Kahn & Patti Bell open their shop in Great Gear Market, London
July 3 — Gaz Mayall starts his Rockin’ Blues on Thursday nights at Gossip’s club, Soho – London’s longest running club-night is still going strong at the St Moritz in Wardour Street
July 13 — Spandau Ballet’s Scala concert airs on London Weekend Television

ON THIS DAY IN 1981…

July 2 — Video for Spandau’s Chant No1 is shot at Le Beat Route
July 3 — New York Times carries first report of a mystery cancer killing gay men, much later identified as HIV/Aids
July 5-6 — Police attacked in riots at Toxteth, Liverpool
July 9 — Depeche Mode play Regency Suite, Chadwell Heath

ON THIS DAY IN 1983…

July — Mud Club moves to Fouberts, off Carnaby Street
July 7 — Jimmy the Hoover debut on Top of the Pops … Sade plays the Wag club

ON THIS DAY IN 1984…

July 3 — Spandau Ballet’s album Parade goes straight in at No 2 in the charts

WELCOME ➤ TO THE SWINGING EIGHTIES

In 1980 a youth movement began reshaping Britain.
Its stars didn’t call themselves New Romantics, or the Blitz Kids – but other people did. This writer was there and these words and pictures tell the tale.

David Bowie

◼︎ As a decade, the 1970s spelt doom. British youth culture had been discredited by punk. A monumental recession followed the Labour government’s “winter of discontent”, threatening the prospect of no jobs for years ahead.

Swinging 80s, London, history, blitz club, blitz kids, theblitzkids, theblitzclub, cult with no name, billy’s, gossip’s, nightclubs, fashion, pop music, steve strange, rusty egan, boy george, stephen jones, kim bowen, stephen linard, chris sullivan, robert elms, perry haines, princess julia, judi frankland, darla-jane gilroy,fiona dealey, jayne chilkes, derek ridgers, perry haines, terry jones, peter ashworth, lee sheldrick, michele clapton, myra, willy brown, helen robinson, stephane raynor, melissa caplan,Dinny Hall, Kate Garner, rachel auburn, richard ostell, Paul Bernstock, Dencil Williams, Darla Jane Gilroy, Simon Withers, Graham Smith, Graham Ball, christos tolera, sade adu, peter marilyn robinson, gaz mayall, midge ure, gary kemp, steve dagger,Denis O’Regan, andy polaris, john maybury, cerith Wyn Evans, iain webb, jeremy healy, david holah, stevie stewart, worried about the boy,Yet from this black hole burst an optimistic movement the press dubbed the New Romantics, based on a London club called the Blitz. Its deejay Rusty Egan promoted the deliberately un-rock sounds of synthesised electro-pop with a beat created for the dancefloor, while drumming in a studio seven-piece called Visage, fronted by the ultimate poser, Steve Strange. He and other fashionista Blitz Kids were picked by Bowie to represent their movement in his 1980 video for Ashes to Ashes (above). But the live band who broke all the industry rules were five dandies with a preposterous name: Spandau Ballet.

As the last of the Baby Boomers, the Blitz Kids were concerned with much more than music. In 1980 they shook off teenage doubt to express all those talents the later Generation X would have to live up to — leadership, adaptability, negotiating skills, focus. Children of the first era of mass TV, these can-doers excelled especially in visual awareness. They were the vanguard for a self-confident new class who were ready to enjoy the personal liberty and social mobility heralded by their parents in the 60s.

For Britain, the Swinging 80s were a tumultuous period of social change when the young wrested many levers of power away from the over-40s. London became a creative powerhouse and its pop music and street fashion the toast of world capitals. All because a vast dance underground had been gagging for a very sociable revolution.

★++++++★++++++★

“From now on, this will become the official history”
– Verdict of a former Blitz Kid

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Below: View Blitz Club host Steve Strange in all his poser glory in the promo video for Fade to Grey (1982), also starring the club’s cloakroom girl, Julia Fodor, aka Princess

CLICK HERE to run the anthemic 80s video ♫ ♫ from Spandau Ballet and feel the chant:

nightlife, st moritz, club for heroes,le kilt, wag club, beat route,hacienda, cha-cha, holy city zoo, rum runner, camden palace, scala cinema, studio 21,crocs, le palace, white trash, fac51, Dirt Box, mud club, batcave, barbarella's, croc's, electro-pop, synth-pop, Chant No 1, kid creole, blue rondo, animal nightlife, visage, duran, depeche mode, ultravox, human league, gentry, ABC,soft cell, bolan,vince clarke, haysi, wham!, mclaren, heaven 17, yazoo, foxx, omd, bauhaus, phil oakey, jay strongman, Martyn Ware, martin fry ,altered images, 20th-century box, vivienne westwood, PX, axiom, body-map , foundry, sue clowes,demob, seditionaries, acme attractions, i-D, the face, new sounds new styles, Korniloff, andrew logan, kahn & bell, biddie & eve, toyah,

July 2, 1981: Shooting the video for Chant No 1 at Le Beat Route club in Soho, “down, down, pass the Talk of the Town”. Photograph © by Shapersofthe80s

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1980 ➤ Strange days, strange nights, strange people

It is January 1980 – out of the blue comes Steve Strange’s call
to join the late-night party that would run for years.
It turned into the Swinging Eighties. . .

Blitz, Christine Binnie, Jennifer, Iain R Webb, Julia Fodor

Performance art at the Blitz Club’s Easter Pageant 1980: Julia Fodor leads Jennifer Binnie and sister Christine (“Miss Binnie” the artist), both clad in sackcloth, in their first performance piece at the club. The girls sing Death Where is Thy Sting?/ Oh grave where is thy victory?/, an anthem they had learned as choir girls, and are passing out Cadbury’s Cream Eggs in an act of communion. (The sack dress had won Steve Strange’s January competition at Witchity’s to predict what people would be wearing in the 80s, long before Miss B created the notorious Neo-Naturists and threw away her clothes.) The allusion to crucifixion, left, seems to nod toward St Sebastian though it does not explain how the victim, fashionista Iain R Webb, would eventually secure the fashion editorship of The Times some years after this tableau was created. Blond-quiffed, white-faced Stephen Linard (extreme right, rear) is evidently pushing the Regency fop look this season. (Photograph courtesy of http://www.homersykes.com and published in the Sunday People 15 June)

First published in the Evening Standard, 24 Jan 1980:

❚ OF ALL THE BRIGHT YOUNG TIDDLERS in one small, though turbulent London pool, Steve Strange is the Big Fish. His is the pool the new Tatler magazine calls the 80s Set whose exploits it reports after its pages on solid old pedigree Society, under the section headed The Other Society. Only under-21s qualify for the 80s Set and by day you can be anything (broker’s runner, Tesco till-girl) but by night you must put on your Look.

King of the posers: London club host Steve Strange in Willy Brown workwear with Vivienne Lynn. (Photograph by © Derek Ridgers)

Steve was born with his (at 20, he resembles Marc Bolan’s baby brother), so he emerged as a natural arbiter of who has the Look and who hasn’t. And for a couple of years he has been positioned on the doors of the Right Places vetting entrants and ensuring exclusivity for the 80s Set.

At Billy’s in Dean Street he fronted a David Bowie lookalike night. Then the Blitz wine bar in Covent Garden gave him Tuesdays, which he still calls an Electro-Diskow where everyone has to dress to high-tech standards and create new dances to electronic music.

Witchity in Kensington kept imploring him to stage a party a month for them but that place, he says, “looked like a coal-cellar”, so he demanded, as Big Fish should, that they smarten up and improve their sound system. Triumphantly, next Thursday, Steve hosts an 80s prize ball there (admission £2, plus your Look).

Tonight, however, he begins a wild new night at the Blitz. Thursdays from now on will be cabaret night on a strictly Liza Minnelli level (a Bowles Club, perhaps?). Everyone must dress in Berlin/Pigalle/Vegas style and the band, Spandau Ballet, will attempt to combine vocals akin to Sinatra with “dance music for the future”. Believe it or not, Frank Sinatra and Shirley Bassey, says Steve, are very big with under-21s.

“We’ve already booked a fire-eater and what I want are more acts like strippers and jugglers,” he says, urging aspiring acts to contact him at the Blitz.

Understandably, our Big Fish’s ambition has really been fired and in his next breath he’s saying: “Two nights a week at the Blitz aren’t enough. London is just waiting for a good Saturday place – I mean, where do kids spend their Saturday nights? The Scala Cinema. I’m ready to start somewhere like New York’s Mudd Club. I’m only looking for the right backer…”

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Second date at the Blitz: Spandau Ballet pictured on 24 Jan 1980 (by Derek Ridgers)

Spandau Ballet,Evening Standard, Blitz Club, New Romantics, Steve Strange

Steve Strange’s first interview with the Evening Standard, 24 Jan 1980, telling us of his new cabaret night on Thursdays

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