Category Archives: Culture

➤ Rottweiler Dawkins croons his way into our hearts and minds

❚ IT’S NOT RAP AS WE KNOW IT, but here’s the music video of the week — Professor Richard Dawkins crooning his anti-creationist taunts like some born-again Craig David. Also known as “Darwin’s Rottweiler”, Dawkins is one of 10 distinguished thinkers remixed into song to spread enlightenment in A Wave of Reason, a musical compilation of soundbites preaching spiritual fulfilment through scepticism. It’s either shrill or lethal depending on your viewpoint, but does teeter on the brink of characterising the boffins as just as zealous as the believers. In its first three days online this vid has scored 120,340 views! (Click through to YouTube to read the “lyrics” in full. And yes, that is Darwin’s tree of life sprouting at 1:55.)

♫ There is a new wave of reason
Sweeping across America, Britain, Europe, Australia
South America, the Middle East and Africa.
There is a new wave of reason
Where superstition had a firm hold ♫
— Richard Dawkins

This is the seventh instalment in the Symphony of Science music video series, which aims to bring scientific ideas to the public in a novel way, through the medium of music. The mission of John Boswell, its Washington-based producer, is to fight people’s growing and irrational addiction to such pseudosciences as astrology and homeopathy. A sad paradox of the first era to be driven by digital technology is that scientists find it necessary to stand up and actively argue that a scientific worldview is as enlightening as blind faith!

Boswell, an electronic musician, was inspired initially by the American cosmologist Carl Sagan who became a global TV superstar during the 1980s, and the series has grown to embrace many other popularisers such as David Attenborough, in distinctly less strident vein than this week’s effort. In January Attenborough starred in The Unbroken Thread, a beautiful and lyrical tribute to planet Earth. Other eggheads in the series include Brian Cox, Jacob Bronowski, Bertrand Russell, Sam Harris, Michael Shermer, Lawrence Krauss, Jane Goodall, Carolyn Porco, Richard Feynman and James Randi, the stage magician and notorious sceptic best known for challenging the “woo-woo” of the paranormal.

➢ Richard Dawkins is an atheist and critic of creationism and so-called “intelligent design”
➢ Join the Brights movement where the worldview is free of supernatural and mystical elements
➢ Dip into The Third Culture at edge.org where the world’s leading scientists, artists and creative thinkers answer a new Big Question every year — in 2010 it was “How is the internet changing the way you think?”

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➤ The Princess known as Julia becomes an art object for sale

Ben Ashton, Princess Julia ,

One of Ben Ashton’s unique Princess Julia hand-painted plates on sale at the House of Voltaire pop-up shop. Image courtesy of Simon Oldfield Gallery

❚ PRINCESS JULIA, deejay, former Blitz Kid and a work of living art in daily life, has now been immortalised in the form of a pair of hand-painted ceramic plates. They are newly created by 27-year-old Slade graduate Ben Ashton, a painter and performance artist whose themes include celebrity and voyeurism. The plates go on sale priced £1,250 each in a pop-up shop being run by Studio Voltaire, a not-for-profit independent arts organisation that provides education and studio space in London. Throughout the month, familiar faces from the arts and fashion worlds will be fronting the shop. Julia herself plans to attend on Sunday 21st.

An exclusive edition of canvas bags with leather details, £120, by Stefania Pramma is available through Studio Voltaire online

The House of Voltaire is a fund-raising outlet open until Dec 4 in the heart of Mayfair selling a diverse selection of limited editions and original pieces by leading contemporary artists. Gift notions include creative Christmas cards by Cary Kwok, editioned T-shirts by Clunie Reid, lambswool blankets by Renee So, a David Noonan screenprint and splendid canvas tote bags by Darbyshire & Spooner.

Studio Voltaire produces portfolios and affordable editions (£50-£100 per print) of such artists as Linder, Cerith Wyn Evans, Spartacus Chetwynd, Mark Titchner, Dawn Mellor, Daniel Sinsel, Ryan Gander, Hilary Lloyd and Mark Leckey. These are on sale through the Studio’s online gallery.

For Ashton himself the portraits of Julia are the start of a year-long collaboration with other creative talents in The Bloomsbury Studio, a subsidised space opened in 2008 by Simon Oldfield, a 32-year-old former lawyer turned gallerist. Part of his gallery’s profits go to support charitable organisations such as the Whitechapel Gallery and the Contemporary Art Society in its centenary year.

➢ House of Voltaire pop-up shop — Upstairs at Rupert Sanderson, 
19 Bruton Place, London W1 (Nov 11-Dec 4, Mon–Sat 11am-7pm, Sun 12-6pm)
➢ Studio Voltaire online gallery and shop
➢ Inquire about Ben Ashton’s work through the Simon Oldfield Gallery where he has a solo show Feb 11-March 19

Joel Croxson,Clunie Reid, House of Voltaire

At the pop-up House of Voltaire: unique works donated by painters such as Joel Croxson, left, and silkscreened 100% cotton T-shirts by Clunie Reid

➢ Watch artist Ben Ashton live in his Bloomsbury studio

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2010 ➤ Index of posts for October

Birth of electro-pop, synth-pop,Makers, Gentry, Spandau Ballet

Feb 1978: The Makers, one day to be Spandau Ballet. Photographed by Gill Davies

➢ Classics of 80s graffiti revived by campaigning collective in New York

➢ Final spin confirmed for the Technics 1200, the DJ’s top turntable

➢ On this day in 1980 Spandau fired the starting gun for British clubland’s pop hopefuls: dada didi daaa!

➢ A second squadron of high-octane British artists zaps the Saatchi space

➢ Facebook may well be the mother of all networks but one man needs to check his maths

➢ Cool 21st-century branding for Channel 4, but when will it junk those clunky Bladerunner idents?

➢ A step up in the world for graffitist Eine, thanks to Potus and lady friends who shop in high places

Molly Parkin, John Timbers

In her heyday: Molly aged 29 at her first art exhibition. Photographed © by John Timbers

➢ Miss Parkin regrets that she said no to Cary… and can’t wait to meet Orson, Lee and Walter

➢ How Keith Richards’s life of debauchery became an inexplicable sign of alien invasion at The Times

➢ 30 years ago today: First survey of their private worlds as the new young trigger a generation gap

➢ 2011: Sade comes home to tour UK but even a cheap seat will cost you £158 !

➢ 1980: The day Spandau signed on the line and changed the sound of British pop

➢ 1980: Rik and pals detonate a timebomb beneath another kind of strip for Soho

➢ 1976: When Iain met Stephen, London traffic stopped and St Martin’s stood still

➢ Britain’s top hatter, Stephen Jones OBE, celebrates 30 years of Jonesmanship

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➤ A second squadron of high-octane British artists zaps the Saatchi space

❚ TODAY’S NEW STARS OF BRITISH ART are quieter and more thoughtful than the YBAs in the Sensation survey of 1997 — this was the progressive critic Waldemar Januszczak’s verdict in June on Part 1 of the millionaire Charles Saatchi’s latest survey when it opened in London. “A rousing exhibition, Saatchi’s best for many a year,” he wrote. Part 2 of Newspeak, British Art Now, opens to the public today and it too proves to be another sprawl of hits and misses, yet the hits do unsettle and send a tingle through your aesthetic nerve. Shapersofthe80s has chosen a dozen of the more hyper-intense images for the gallery below.

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For the sake of balance, let’s give the caustic old traditionalist his turn. Even after he “walked sickened away” from the 1997 Sensation show, Brian Sewell has actually conceded that “Saatchi did more for British contemporary art and the economic blossoming that it engendered than all the Tates, the Arts and British Councils put together.” Yet faced with the 2010 selection, he pronounced Newspeak Part 1 to be “Oldspeak rather than new, and we have seen it all before… The Newspeak group are hardly new kids on the block, for all have substantial exhibition histories, many of them international, yet very few have reached further than the low levels of skill, aptitude and common sense demonstrated every year in exhibitions mounted by students in the benighted art schools up and down the land.”

He concluded: “Newspeak is at best cliché, kitsch and the ironic subversion that is the joke so often played by the post-postmodernist… One might reasonably conclude that British art is dead.”

Shapersofthe80s sides with Januszczak in finding more experiment and curiosity than indifference at Newspeak. Januszczak identifies the Saatchi touch thus:
“What Saatchi has always done, and what Tate Modern can never do, is back hunches with cash. The Tate doesn’t have any FU money. Its investments are our investments. Which is why it remains so chronically and conspicuously image-conscious. When it comes to rewriting agendas, the Tate is a scaredy-cat. Saatchi, on the other hand, is not.”

Of Newspeak, he concludes: “[The] clash of new and old, scientific and irrational, experiment and belief, is typical of the show’s prevailing mood.”

❏ Newspeak: British Art Now — Part 2 runs at the splendid new Saatchi Gallery in Chelsea, October 27-Jan 16, 2011
➢ “One might reasonably conclude that British art is dead” — Brian Sewell’s review of Part 1 in the Evening Standard, June 3, 2010
➢ “Britain still has talent” — Waldemar Januszczak’s review from the Sunday Times Culture, June 6, 2010

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➤ A step up in the world for graffitist Eine, thanks to Potus and lady friends who shop in high places

❚ “I WAS IN MY STUDIO CUTTING OUT A STENCIL, Friday night about 10 o’clock and the phone rang… It was Anya Hindmarch and she said ‘Samantha Cameron’s a big fan of your work’, and I kind of thought, Yeah right, and she said ‘David is looking for a painting to give to the most important man in the world, I can’t say his name but think America. Would you be interested?’ I was like, Yeah!”

Eine Signs,21st_Century_City, Obama, David Cameron, Potus, art

21st Century City by Eine: spray paint and black gloss on canvas, 39x27 inches. © Eine Signs, London

So now we know. Today a new video reveals that the go-between who helped fix the official gift of “hoodie art” from the British prime minister to Potus, leader of the Western world, was handbag designer Anya Hindmarch. We discovered in July during David Cameron’s first trip to Washington as PM that the gift was a painting titled Twenty First Century City, by a graffiti artist whose adopted tag is Eine, and who is regarded in the East End of London as one of the founders of Britain’s street-art movement, alongside Banksy. More important, he was said to be one of the PM’s wife SamCam’s favourite artists.

Yes but, no but … OK, we discovered then that the 39-year-old graffitist’s real name was Benjamin Flynn who’d spent his teens as a hooded tracksuit gang member, had a racy record of convictions for criminal damage and had taken a year to complete 200 hours of community service.

Anya Hindmarch,LootTote,

Hindmarch Loot tote bag in canvas, decorated by Eine, aka Ben Flynn, £145. It is claimed that “Eine is doing for letters of the alphabet what Banksy did for rats and smiley policemen”

Even so, what hasn’t really been spelt out is that much earlier Flynn had collaborated with Anya Hindmarch to design a spring collection of trendy tote bags that drew on his street-cred. The bags feature prominently among the luxury accessories illustrated on the Hindmarch website, and as Eine he had even painted the windows of her upper-crust Sloane Street store during March. Just his luck that Anya turned out to work in the same upmarket retail sector as the PM’s wife, who was also a friend.

 

The nice irony is the clash of classes. Not only is SamCam the daughter of an 8th baronet, raised on a 300-acre Lincolnshire estate, but Hello magazine also reports that she is the great-great-great-great-great-great-great-great granddaughter of Charles II and his mistress Nell Gwyn. The Sunday Times Rich List compiler Philip Beresford has put the “combined family wealth of David and Samantha Cameron at £30m plus”. Ben Flynn on the other hand, was so hard-up two years ago that he had to move home from London to Hastings with his wife Joanne and three children, Spike, 5, Sunny, 2, and Story, 2. On top of which the millionaire Camerons expected him to donate his chosen painting, valued in the marketplace at £2,500.

“Cameron seems quite a positive kind of guy and Obama’s a dude. I would probably have had issues if it had been for Bush” — graffitist Ben Flynn

Still, the compensation for Flynn was overnight global fame, which has brought him a string of commissions, several trips abroad, and enhanced price tags on his work. In the video by Anthony Austin and Charlie Inman, Flynn’s verdict is direct: “My phone didn’t stop ringing for about a month — interviews and television. It changed my life. David Cameron, I love him.”

➢ Ben (Eine) Flynn’s online gallery
➢ Revealing interview with Flynn by blogger Ashley Morrison

Middlesex Street, London,graffiti, Eine

Alphabet City, Middlesex Street, just up from Petticoat Lane, London’s famed Sunday market: artist Eine spent months persuading shop owners to allow him to spraypaint their shutters. Photograph by Steve Cotton

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