Category Archives: Culture

➤ Sussex hosts its first boutique green-field jazz festival

Love Supreme Festival,, JazzFM, Jools Holla, Bryan Ferry, Nile Rodgers, Courtney Pine, Jools Holland, Glynde Place,

Rodgers, Ferry and Kiwanuka: Stars announced for the 2013 Love Supreme Festival

❚ BRYAN FERRY IS TO BE the Saturday headliner of the first Love Supreme Jazz Festival taking place July 5–7 2013. Four stages present a mix of jazz, soul and blues against the picturesque backdrop of Glynde Place, the Elizabethan manor house in East Sussex, 11 miles from Brighton.

Ferry said: “I am looking forward to incorporating material from my latest album The Jazz Age in the set at the Love Supreme Festival. This will be the first time the Bryan Ferry Orchestra will have played live in the UK and we will be adding vocals to several of the jazz arrangements as well as being joined by members of my regular band.”

Love Supreme Festival,, JazzFM, Jools Holla, Bryan Ferry, Nile Rodgers, Courtney Pine, Jools Holland, Glynde Place, Headlining on the Sunday will be Jools Holland & his Rhythm & Blues Orchestra who has announced that Roland Gift, the Fine Young Cannibals front-man, will be his special guest vocalist alongside Ruby Turner and Louise Marshall.

Also appearing: disco megastars Chic ft Nile Rodgers, Courtney Pine, Michael Kiwanuka, Branford Marsalis Quartet, Gregory Porter, White Mink, Portico Quartet, Roller Trio, GoGo Penguin, Robert Glasper Experiment, Andreya Triana and Naturally 7.

Courtney Pine CBE said: “Playing concerts in front of a live outdoor audience is a huge thrill for the improvising musician. The concerts feature a fantastic cast of world-class jazz musicians which I am proud and very humbled to be joining. This Love Supreme Jazz Festival will be banging!”

➢ Love Supreme Festival 2013 in association with JazzFM: Upgrades available to luxury tents, pods and wagons

FRONT PAGE

2013 ➤ Want to know the future of nearly everything? Vice magazine has the answers

Vice magazine, future, forecasts, Football , Africa, Drugs , Architecture,Crime, internet, fashion, clubbing,politics,culture,guitars, cool

Boombox clubber: “attempting to look like their MySpace profile”

➢ So, Vice Future Week – what is it? – Alex Miller, Editor-In-Chief, Vice UK, writes: “Well it’s a series of blogs (or essays – that’s how I’ve explained it to people who I’m intimidated by) about THE FUTURE.” Right ºOº. Fortunately, the essays mostly prove compelling, so here are a few online soundbites from Alex’s more focused commentators…

➢ In The Year 2022: Looking Back at the Decade – “The Islamic Republic of Catalonia seemed new and scary to a lot of people, but Islamic city-states are hardly an innovation in Spain. Prime Minister Boris Johnson was such a laughline ten years ago, like Mayor Boris Johnson before, that I think most people were prepared for it…”

onesie,fashion,Vice magazine, future, forecasts,

Soft fashion: weighing us down

➢ Things That Need to Die Before British Culture Can Move Forwards – “British culture is in a weird place right now. Teenagers are buying their drugs on the internet, but getting their clothes from Hollister. Hardbody MCs are beefing with each other about the merits of Ed Sheeran, and Mail Online’s Sidebar of Shame is a cultural staple on which careers are born and killed… There are many facets of our culture that are really weighing us down. The albatrosses slowly breaking our necks, the clips on our cultural wings. So let’s name those things: gentrified fun… cocaine… bedroom vanity… consensus cool… soft fashion…”

➢ The Future of Fashion – “I’d like to think I’d be braced for the following bombs to drop in the next decade: China is set to rise from consuming only ten per cent of the world’s international luxury goods, to 44 per cent… The internet means that very specific city-based subcultures are catching on globally… Shops “will become more like showrooms”… The effect new browser systems will have on fashion will be similar to how East London venue Boombox was “a nightclub full of people attempting to look like their pictures on MySpace”. People will “try to look 3D, or like a computer”…”

Vice magazine, future, forecasts, politics,consensus, cool

Inevitable: Prime Minister Boris Johnson and consensus cool. (Illustration by Julia Scheele)

➢ The Future of Guitar Music – “Guitar music, despite my best efforts, isn’t dead… Somehow, according to industry insiders at Radio One, NME and (that most respected and time honoured bastion of rock’n’roll) Kiss FM; without it ever having gone anywhere, the guitar is on its way BACK… Last year, Jack White, Linkin Park, Bruce Springsteen and Matchbox Twenty all scored Billboard number one albums in the US, while The xx, The Vaccines, The Killers and Muse all enjoyed number one records over here…”

➢ Other topics at Vice include Future of Football… Africa’s rise… Drugs… Architecture… Crime…

FRONT PAGE

➤ The Bowiesconti proxy has spoken: only second-hand interviews from here to eternity

interview, David Bowie,Tony Visconti, Where Are We Now?, Next Day

The Bowiesconti proxy: silent pop star plays puppet in the hands of his ventriloquist producer Visconti

❚ SHOCK HORROR REVELATION in today’s Times. David Bowie has been a member of Alcoholics Anonymous though seems to have abstained from drink 23 years ago. This is the bonus ball among many truths we’ve been getting closer to since the star’s 66th birthday comeback bombshell on Tuesday. Another is that he will “never do another interview again” and this itself comes from the mouth of his lifelong 68-year-old friend and producer Tony Visconti who is giving this interview to The Times. Visconti has become Bowie’s Voice on Earth, we’re told. And by the end of the two-page read, we’re so far into Smash Hits territory – Bowie’s fave TV shows are The Office and The Shield – that you’re gritting your teeth at the prospect of another 30 years of interview-by-proxy.

➢ Meanwhile here are five revelations we gleaned from today’s Times interview with the Bowiesconti proxy:

1 – A second Bowie single may be issued before the album The Next Day is released on March 11. And a second album is almost inevitable. “What he wants to do is make records. He does not want to tour,” says his Voice on Earth.

2 – An exclusive list of the 14 album tracks shows all-original material embracing adult themes of “tyrants, spies and soldiers” to reflect Bowie’s recent reading matter, as well as “love in the internet age”. Titles include Dirty Boys (about glam-rockers), Valentine’s Day (about a mass murderer), Set the World on Fire (about an unnamed female nightclub singer) while the track The Next Day is itself a gruesome number in which a man is hung, drawn and quartered in stereo (remember the final scene in Braveheart?) so you might have to look away now and have a lie-down.

Braveheart, movie, Mel Gibson

HDQ in Braveheart 1995: Mel Gibson takes it like a man

3 – During Bowie’s cocaine-fuelled Berlin years recalled on the new single, Where Are We Now?, his Voice says: “We’d have both been dead if we’d carried on.” Visconti stopped taking coke in 1984. Both men went to AA and we’re invited to deduce that Bowie has passed his 23rd anniversary without a drink, placing his temperance decision at 1989, year of the Tin Machine album, itself an expression of musical regeneration.

4 – Since his heart op in 2004 rumours have circulated that Bowie also has cancer. “They’re categorically not true,” says the Voice. “He is incredibly fit because he takes care of himself. He looks rosy cheeked.”

5 – Big letdown for the gayers: while living in Berlin David and Iggy had separate bedrooms in their seven-room Hauptstrasse apartment. Did their relationship go beyond friendship? “No, absolutely not.” Aw, c’mon. What about the Ziggy years? “I never witnessed him with a boyfriend,” Bowiesconti declares. “He said Ziggy stardust was a persona.”

After slapping us with this big wet fish, perhaps Tony Visconti can rehearse a few laughs for his next major interview as the proxy David Bowie, otherwise Jonathan “The Joker” Ross will hog the limelight as usual.

JAN 13 UPDATE

➢ New from the Sunday Telegraph interview with the Voice on Earth:
Despite all reports to the contrary, Visconti reveals that Bowie may actually perform these songs live. “He doesn’t want to tour any more. He’s had enough of it. But he hasn’t ruled out that he might do a show.”

Will there be another record? “We recorded 29 titles. We have at least four finished songs that could start the next album,” says Visconti. “If all goes well, we will be back in the studio by the end of the year. He’s back. Bowie has found out what he wants to do: he wants to make records. Nothing else.”

➢ Jan 13: David Bowie secures first Official Top 10 Chart single in two decades – Arriving at Number 6, Where Are We Now? becomes his highest charting hit since Absolute Beginners reached Number 2 in 1986.
➢ Shock and awe verdicts on Bowie’s born-again masterpiece
➢ Riddle of the train Bowie could not have taken in
Where Are We Now?

FRONT PAGE

➤ Barcelona celebrates Adriá, magician of edible art, and a totally useless machine

exhibition,Barcelona, Ferran Adrià, El Bulli

Before-and-after designs: left, coloured Plasticine model … right, real food on the plate by El Bulli chefs

❚ EATING CAN BE THEATRE, just as food can be art. The Catalan chef Ferran Adriá is Houdini and Picasso in one, commonly lauded as the best in the world. His three-Michelin starred restaurant El Bulli, two hours north of Barcelona, was an academy repeatedly garlanded by scholars who take dining seriously. Since 1987 it grew to serve 1,500 plates daily, prepared by 50 cooks and served by 30 staff typically to only 50 companions at table. Its culinary revolution is known as “molecular gastronomy” famed for scented gels and foams and for using every part of every animal and plant.

exhibition,Barcelona, Ferran Adrià, El Bulli

Adrià’s manifesto: No 10 of his 23 principles that summarise El Bulli’s cuisine

Now after 25 years of experiments, Adriá is replacing the restaurant with an inspirational foundation, while his career is being celebrated in Spain’s first major exhibition about cooking. In a series of galleries at Barcelona’s Palau Robert, we are blown away by a fearsomely complete collection of photos, letters, utensils, mementoes, and a vast poster of the 1,846 dishes catalogued by the restaurant. Best of all are the videos in which we see his edible creations being conjured. Another simple but charming glimpse behind the magician’s hand is a table-top displaying before-and-after designs of individual dishes: ingredients modelled from coloured Plasticine are composed as templates for his chefs to translate – abracadabra! – into the resulting plates of food shown alongside.

➢ The free exhibition Ferran Adrià and El Bulli runs at Palau Robert, Barcelona, until Feb 3, 2013


➢ Should I eat it or frame it? The Guardian’s art critic Adrian Searle reviews 40 courses of art food at El Bulli

Tonight’s dinner involves all the senses, it engages the mind, and is also, at times, a strangely emotional experience. The dishes can be confrontational as well as exquisite… The constant stream of surprises continues for more than four hours – the green leaf that tasted exactly of oysters; the grilled strawberry with ginger on the outside and an injection of gin on the inside; the polenta gnocchi with coffee and saffron yuba; the perfect razor clam with its gelatin twin in the other half of the opened shell. Playful, arresting, occasionally alarming, the meal is almost like a story… / Continued at Guardian Online

❚ THE “WORLD’S MOST USELESS MACHINE” is not new news but it did raise a smile during a trip to the year-old Museum of Ideas and Inventions – essentially a hands-on diversion for restless children – while Christmassing in Barcelona. The co-founder of Massachusetts Institute of Technology’s laboratory of artificial intelligence, Marvin Minsky, came up with the idea in 1952. Electronics engineer and the “father of information theory” Claude Shannon, who worked with Minsky at IBM, liked the idea so he built the machine. It is a battery powered box, the sole purpose of which is to turn itself off after some human hand has turned it on.

You too can assemble your own useless machine in beginner-level electronics kit form (from US$35 + shipping), or in a ready-soldered version (from US$55 + shipping). Both include printed circuit board.

➢ Museum of Ideas and Inventions lies a few yards away from Plaza Sant Jaume, in Barcelona’s Gothic quarter

➢ Buy your own Ultimate Useless Machine online from Frivolous Engineering Company in Canada

FRONT PAGE

➤ Smash Hits and other mould-breakers of the 80s

Neil Tennant ,Smash Hits, Radio 4, documentary

1983: Neil Tennant as Smash Hits writer. (Photo by Virginia Turbett)

❚ ANOTHER NICELY PACKAGED Radio 4 documentary today celebrated the crucial years 1982–85 which Neil Tennant describes as “the golden age of 80s pop”. They luckily coincided with his tenure as a writer on Smash Hits magazine before stepping into the pop charts himself as half of the Pet Shop Boys. Obviously in a prog titled Neil Tennant’s Smash Hits Christmas Tennant and his cronies were full of back-slapping at the moulds they broke with the mass-selling fan mag, driven initially by two selling points – song lyrics and pull-out pinup posters.

Smash Hits, Radio 4, documentary,Pete Murphy

1982: Peter Murphy of Bauhaus (you really don’t want to see its Christmas cover star)

Launched in Nov 1978 as a monthly title, Smash Hits trailed “The words to 18 top singles” as its key feature. The mag was the invention of former NME editor (and later founder of The Face) Nick Logan who conceived it on the kitchen table and initially toyed with the title Disco Fever, presumably in homage to that year’s horror movie Saturday Night Fever. He chose the Belgian new-wave joker Plastic Bertrand for the cover of a pilot issue in the post-punk vacuum when any new direction seemed significant, but actually launched with Blondie. Smash Hits soon went fortnightly, ran for 28 years, and died with Celebrity Big Brother’s Preston gracing its last cover in 2006. In his Guardian obituary for the mag, Alexis Petridis wrote: “The period between the rise of Adam and the Ants and the collapse of Stock, Aitken and Waterman’s ‘Hit Factory’ empire may prove to be the last truly great pop era, in that it produced not just great pop music, but great pop stars.”

Tennant ignores the fact that 80s classic pop began with the music of Spandau Ballet and Adam Ant a couple of years earlier than his joining the mag. Also unmentioned in today’s doc was that the mould-breaking writing of this era was actually led by The Face and the subcultural flagship magazine New Sounds New Styles, which gently parodied the posers of the New Romantics movement and closed in 1982 through lack of promotion by its publisher Emap, who also happened to publish Smash Hits. The fresh rebel writers of NSNS had adopted a tongue-in-cheek tone which kickstarted a shift of power away from stars and their publicists into the hands of writers themselves. Once the 80s had revived the long-dead credibility of pop music – dubbed “pure pop” in vigorous public debates – Smash Hits took its cue by adopting a knowing approach to pop journalism and providing a cheeky foil to Britain’s four seriously po-faced weekly rock-music newspapers. We cannot underestimate how its humour helped sophisticate the Smash Hits reader, pragmatically described by Tennant as “the 12-year-old girl in Grantham”. Which was a neat way of deflating his own pomposity.

Spookiest quote today came from Toyah, after remarking that the pop scene has lost the airy optimism of the 80s: “We now view fame as something dark and faintly abusive.” Oo-er.

Neil Tennant ,Smash Hits, Radio 4, documentary, Pet Shop Boys

April 1985: Tennant as cover star and Pet Shop Boy with Chris Lowe

FRONT PAGE