Tag Archives: tour dates

➤ Ten killer videos to celebrate Duran’s return to the live stage this week

Duran Duran play Girl Panic! live at the Coachella music & arts festival, April 17,  2011

Girl Panic! directed for Genaro.tv by Alan Hughes, a professional graphic designer in the UK

❚ ON FRIDAY DURAN DURAN resume their North American tour, which was interrupted in May by Simon Le Bon’s vocal problems. From Sept 23 in Everett, WA, they weave their way to Atlantic City on Oct 29.

➢ Rescheduled North American tour dates at Duran Duran’s website

➢ Eleven UK concerts run from Nov 30 in Brighton to Dec 17 in Newcastle — plus Dec 20 in Dublin

➢ Catch up on the Duran world comeback tour when it stalled in May — with links to the Unstaged online concert March 23 at the Mayan theatre, Los Angeles, plus vital links to tour dates and video interviews

Duran Duran’s live version of The Man Who Stole A Leopard ft. Kelis, directed by David Lynch for Unstaged, Mar 23, 2011

Elegant French production of The Man Who… directed by Jethro Massey, with Faith Anne Gosselin, Sorrel & Massimiliano, Mocchia Di Coggiola

Animation of The Man Who… by a production group in Second Life dedicated to use machinima as a medium for telling stories. Producer, Rafale Kamachi

The Man Who… recast as PG-rated kitchen-sink psycho-drama from Russia: scripted, directed, edited by Nina Urmanova. (Some gratuitious bloodshed.)

Mediterranea uploaded by garibaldino2 in Italy

Blame The Machines set to an immaculate print of the 60s sci-fi movie Barbarella (with glimpses of the crazed scientist Dr Durand-Durand who prompted the band’s name at the keyboard of his orgasmatron in which Jane Fonda is being pleasured). Uploaded by MrChuckChapman in the USA

Winning version of Blame The Machines for Genaro.tv directed by Sebastian Mihailescu, currently studying at the Caragiale National Academy of Theatrical Arts and Cinematography in Bucharest, Romania

Winning Russian animation of Being Followed for Genaro.tv directed by Aleksey Khruslov of Kakadu Collapse


➤ As Big Tone Hadley goes West he tosses out a few interview squibs

Tony Hadley in Rome, spring 2011: a busy year as a solo artist. Photograph by Riccardo Arena

❚ ON SATURDAY SUAVE BRITISH SINGER Tony Hadley debuts his solo show in the United States, his first professional visit since winning the British TV reality show Reborn in the USA in 2003. Otherwise American audiences haven’t seen him live since he visited in 1985 as vocalist with Spandau Ballet, onetime New Romantics  turned pomp-rockers. Following a busy summer of festival appearances, the American tour represents one of the biggest and long-awaited challenges in his career. The first of his six big-city dates is at New York’s Irving Plaza, after which the divorced but happily remarried father of four then plays the Rivers Casino Stage as part of a gay street festival in Chicago.

John Keeble: Spandau pal whose drums drive the Hadley band too. Photographed by Shapersofthe80s

He’s backed by his long-standing band featuring Spandau’s John Keeble (drums) plus Phil Taylor (keyboards), Phil Williams (bass guitar), Richie Barrett (guitar). In October they head down-under to Australia for seven more shows, with Go West in support at three.

Hadley split acrimoniously from his school-mates Spandau Ballet in 1990, since when the singer with the mighty and melodious voice has pursued a vigorous solo career which often involves 200 live shows a year. It has yielded six albums, the last in 2006 titled Passing Strangers moving into jazz-swing territory, though his 15 singles have seen only minimal chart success. In live concert he loves covering pop standards by Bowie and even Duran Duran. Today he’s a declared fan of The Killers and My Chemical Romance. He also enjoyed a stint in the musical Chicago in London’s West End.

In 2004 Hadley wrote an autobiography called To Cut A Long Story Short which made clear how his worldview had always been markedly different from the other members of Spandau even at their peak of success. Hadley wrote: “I’m busier now [2004] than I was then [1983]… A couple of times I suggested we bring in a more experienced manager. I just thought it made sense to have someone working with us who knew more about the business than we did. No one else saw it that way.” In describing 1988, he devoted pages to a nit-picking analysis of the many cracks splitting the band, the last straw being the Kemp brothers, Gary and Martin, absenting themselves to star in the film about The Krays (notorious London gangsters), when all Tony wanted to do was sing his heart out on a stage. Then in 1999 the old school-mates found themselves daggers-drawn in an ugly court case over royalty payments, which Tony’s side lost. For years, the feud seemed irreconcilable. In 2005 Tony told me that by then he reckoned he personally was owed “about £2 million” to include interest.

Tony Hadley, Gary Kemp, Spandau Ballet, Reformation tour, 2009

Moment of trust, 2009: Hadley and Kemp shake hands after their duet at the O2 Arena in London. Picture © by Paul Simper

Out of the blue in 2009 Spandau Ballet resolved their differences after Tony’s son Tom and Gary’s son Fin had met up in a pub and agreed to knock their dads’ heads together. The band reunited, they insisted, well, because all families have their squabbles and the old band of brothers from schooldays were really one big happy family again. It seemed just as pragmatic to assume that, as they were all approaching 50, the band knew a world tour might be their last chance to secure their pensions. What they agreed, though, was a one-year deal and it ended with an open-air show for 19,000 people at Newmarket racecourse on June 25 last year.

Hadley was always the non-Labour voter among the Spandaus and today at 51 he is a supporter of Conservative prime minister David Cameron. In recent years the singer harboured ambitions of becoming an MP. Given the horrendous violence that erupted this week on the streets of Britain, a remark he made in 2007 seems prescient. Tone was talking tough on crime to The Independent while attending the Conservative Party conference in Blackpool: “The fabric of society is torn. I walked through Blackpool and there were gangs walking the backstreets and 16-year-old pregnant women everywhere. What we need is Cameron to be like Thatcher, to say enough is enough, things have gone too far.”

This week as he packed for the States, Big Tone has given three lively online interviews, and here are some teaser quotes from him, which include news that his new solo album is now delayed …


Liverpool Empire 1982: a fan and her handbag shin up a drainpipe to gain access to Spandau Ballet’s dressing room. Photographed by Shapersofthe80s


➢ By New York blogger Geoffrey Dicker, August 8,
at According2g.com

TH There’s so many. OK. We were playing the Liverpool Empire in 1983 [Actually 1982, Tony — Shapersofthe80s]. The dressing rooms were on the second floor and there were screaming girls outside going absolutely ballistic. So all the windows were shut and we’d just done the show. Suddenly there was a strange tap on the window. We opened the window and two fans had climbed up a drain pipe and shimmied up two floors just to get to us! If they’d have fallen, they would have been killed. We invited them in, signed all of their stuff and gave them something to drink. It was pretty wild.


➢ By Jerry Nunn, August 10, 2011 for the gay website
Windy City Times

Q Leaving for the United States soon?
TH I can’t wait. For some reason it has been very difficult to get into the States. An American agent saw my band in Europe and wanted to get us over there. We want to come to the States and prove ourselves. We are doing a handful of shows, then come back next year and do 20 or 30 shows.

Q You have a new album coming out this year, right?
TH No, next year; I am a little behind on it. It will be the first album that is written by me. It will be 12 tracks that are classic pop rock. A few weeks ago I was in Miami for a private show and I was introduced to Barry Gibb from the Bee Gees. We are going to write together so I have to factor that in as well. How bloody brilliant is that?

Spandau Ballet, Jonathan Ross Show, TV, reunion

Spandau Ballet reunited 2009: their first live performance for 19 years was on the Jonathan Ross TV show. (BBC)


➢ By Andy Argyrakis for ConcertLivewire.com,
an American online music magazine

Q Will the Spandau reunion be ongoing?
TH It was only meant to be a one-off, and from my point of view, it was just a one-off. But I always say ‘Never say never’. At the moment, I’m touring Britain, the States, Australia, New Zealand and Germany before Christmas, plus with the new album, there’s a lot going on, but maybe one day in the future.

Q What would you say to more casual fans in the States that only know the softer side of Spandau Ballet?
TH In America [in the 80s], Spandau really cocked it up unfortunately. America’s a country where you have to tour and tour and tour to prove yourself and we didn’t do that. For whatever reason, whether it was management, thinking we were clever or whatever, we just didn’t play it right. I love playing live, and the thing is now I want to prove myself in America. Some people will think “This guy sang that sweet little song True” but when they see us live, they might be surprised that it’s a lot heavier than they imagined.

➢ Listen online to Tony interviewed Aug 12 by Revenge of the 80s Radio, a New York station, with his thoughts on a possible Cool Suits Tour with Martin Fry and Paul Young. Tony leads off the second hour of the show.

➢ “We want to show people what we’re made of” — Tony interviewed by the North County Times ahead of his band’s San Diego gig on Aug 18


➢ Tony’s US dates 2011 — Aug 13 Irving Plaza, New York; Aug 14 Northalsted Market Days Festival, Halsted Street, Chicago; Aug 16 House Of Blues, West Hollywood, Los Angeles; Aug 18 Ramona Mainstage, San Diego, CA; Aug 20 Fremont Experience, Fremont Street, Las Vegas; Aug 21 Red Devil Lounge, San Francisco.

➢ Tony’s Australia dates 2011 — Oct 26 Hindmarsh, South Australia; Oct 27 South Morang, Victoria; Oct 28 Doncaster, Victoria; Oct 29 Chelsea Heights, Victoria; Oct 30 Rewind Australia, Wollongong, NSW; Nov 3 Coolangatta, Queensland; Nov 4 Penrith NSW.

➢ Tony’s own home-movie video wall

➢ Spandau Ballet, the Blitz kids and the birth of the New Romantics


➤ Adam Ant reveals his terrifying years in purgatory

Adam Ant, John Humphrys , Radio 4, BBC, On The Ropes, bi-polar disorder, mental health

Adam Ant talks frankly about mental illness to John Humphrys © BBC

❚ ON THE ROPES is a serious issue-led strand on BBC Radio 4 in which veteran interrogator John Humphrys talks tough to somebody in the public eye. This morning he discussed bi-polar disorder in depth with the flamboyant and charismatic popstar, Adam Ant now aged 56, who at one stage in his later life “would have gone to prison for a long time”.

Humphrys — “The man who dominated the pop scene in the early 80s was [20 years later] a burned-out husk locked in a mental home with people who, he said later, wanted to be dead. Adam Ant, did you want to be dead at that time?”

Ant — “It wasn’t really wanting to be dead. It was really that I felt dead, I felt I was encased in a Dante-esque purgatory. It was worse than hell. I can’t describe how terrifying it was, knowing you are in control of your faculties and being told you’re not.”

Adam Ant , glam rock, Prince Charming

Adam Ant in 1981: in his glam-rock guise as Prince Charming, a heroic highwayman based, he says, on the film stars Errol Flynn, Marlon Brando and Clint Eastwood

Ant talks throughout in a low soft voice, but his views are heartfelt. He said he disagrees with the use of the term bipolar disorder and insisted: “At this point I don’t need medication… I am always passionate. I’m not hyper. Onstage I’m an athlete. That doesn’t make me nuts or paranoid.”

Afterwards, he was criticised for some of his blunt language, especially for saying: “I was put in a nuthouse and it is a nuthouse — it is worse than Bedlam.” His descriptions of life in care are graphic. “The only thing they are concerned with is polishing floors and making sure you take your medication… It’s like the film One Flew Over the Cuckoo’s Nest, but there isn’t a cute nurse there being jokey and you’re sedated. I want the prime minister to know that takes place and it’s wrong.”

➢ Riveting listening, On the Ropes is repeated tonight at 9.30pm, then on iPlayer

❚ TODAY AT A PRESS CONFERENCE Adam Ant confirmed 11 concerts for his Blueblack Hussar tour of Britain from May 16 in Brighton to June 4 in York, plus a screening of the 1981 Prince Charming Revue on film, plus live Q&A at the Coronet Theatre in Elephant & Castle on May 11.

In today’s Press Association video interview (below) at Chelsea football club’s Stamford Bridge stadium, Adam Ant announces the tour with his new band, The Good, the Mad and the Lovely Posse, based on the series of preparatory small gigs over recent months. He says: “It’s time for a little bit of real rock and roll — there’s too much sampling and karaoke going on.”

He also says that his sixth studio album, Adam Ant is the Blueblack Hussar In Marrying the Gunner’s Daughter (an old naval term for corporal punishment in which sailors were flogged), has been postponed until 2012. His own website says: “So, apparently this tour will not be to promote new material”. Adam tweets Mar 30: “I would like to say… Its not my fault the album got pushed back… there are reasons which cant be disscused [sic] at this time.”

❏ Posted April 1 by music-news.com, below — 12-minute interview backstage after the midday showcase Under The Bridge on March 29 “I don’t want to do downloads. [My new album] is not for earplugs or mobiles. If you’ve got kids, you owe it to them to play them a vinyl disc in their lifetime because once they hear it they will never get over that experience… I don’t like the people that invented the internet — it encourages children to sit in a room, not move, look at a screen and get fat. And noone cares. I do. I have a daughter. I want real records for real people.”

➢ Stream-of-consciousness interview with Adam Ant in the British online magazine Clink, March 23 — on psychiatrists, mental health, families, Steve Jobs, the new album as a manifesto (“my heart, my guts, my soul”), Liam Gallagher, Robbie Williams, Sony, ticket prices and New Romantics