INDEX OF ALL 700+ POSTS➢ 2009 till now : Everything at Shapers of the 80s.
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MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
An “invaluable website” — historian Dominic Sandbrook, 2012
A UNIQUE HISTORY➢ WELCOME to the Swinging 80s
➢ THE BLOG POSTS on this front page report topical updates
➢ ROLL OVER THE MENU AT TOP to go deeper into the past
➢ FOR NEWS & MONTH BY MONTH SEARCH, see the sidebar below
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
- ➤ A double act is born – Sulls & Elms, take a bow!
- ➤ After his Spandau ordeal, singer Ross shakes off the blues
- ➤ How Nile Rodgers “rearranged” Bowie’s Let’s Dance into a stonking hit single
- ➤ The makings of Scarlett, a perfect muse for the Eighties
- ➤ Ross Wild retunes to Gatsby’s Roaring Twenties
- ➤ New from Prince: Holly Rock single and video, plus album of demos
- ➤ Those ‘things’ Blade Runner’s Hauer had seen…
- ➤ Duran rock NASA’s Rocket Garden, feet firmly on Planet Earth
- 2019 ➤ Lawrie’s Eleven talk candidly of being young black and gay in ways many of us never knew
- 2019 ➤ The nerve of Neil Matthews! Offering bunny ears to those oh-so cool Eighties pop stars
- ➤ Ross leaps out of the Ballet into the cauldron of grunge
- 2019 ➤ This would have been Steve Strange’s 60th birthday
SEARCH our 700 posts or ZOOM DOWN TO THE ARCHIVE INDEX
NEWS — OLD FACES, NEW MIXES FOR THE 20-TEENS
✱ Johnny Marr plays Manchester’s Albert Hall 4-5 Sept on his European summer tour propelled by his magical third solo album. Marr says: “Call The Comet is set in the not-too-distant future and is mostly concerned with the idea of an alternative society. It’s my own magic realism.”
✱ Career-spanning collection featuring all of Midge Ure’s solo singles, select Ultravox recordings, previously unreleased material and collaborations with artists such as Kate Bush, Moby, Mick Karn and Sir George Martin. Soundtrack 1978-2019 is released on 20 Sept as 2CD+DVD set, priced £16
✱ Shakespears Sister have announced their official reunion as a band, 26 years after they originally disbanded. They embark on a 14-date Ride Again UK Tour on 31 October. Meanwhile their album Singles Party (1988-2019) is out now
✱ The 50-date Peter Frampton Farewell Tour is running through the summer in the USA. Frampton will retire from regular vigorous touring at the end of this year due to illness. $1 of every ticket sold will benefit The Peter Frampton Myositis Research Fund at Johns Hopkins. He says his latest album All Blues “kicks ass on every track”. Alas the British-born Face of ’68 is not saying farewell in his homeland
✱ On 7 Oct deejay Gary Crowley is ‘Coming Home’ to The Cockpit Theatre in NW8, a neighbourhood stage where he once attended the weekly youth drama group. He will be discussing his career in music, radio and TV with writer Navaz Batliwalla. Plus other dversions, all for £10
✱ Party Time! The current B-52s World tour continues across the States through September
✱ The new track Dance In The Hurricane from Toyah Willcox’s album In The Court Of The Crimson Queen is out now… Toyah is performing live dates through summer to her Crimson Queen autumn tour – details at Toyah’s own website
✱ Watch out for ex-Wag Club supremo Chris Sullivan’s new book Rebel Rebel for £11. It runs to 480 pages with rigorous appreciations of such heroes as Bowie, Iggy and Robert Mitchum, plus his own illustrations. Cheapest bought from Waterstones
✱ Apart from being a seminal force in forging the new pop music of the Swinging Eighties, Blitz Club deejay Rusty Egan’s own “electro-diskow” album, Welcome to the Dancefloor, amounts to a superb sonic landmark. Read the full review at Shapersofthe80s
✱ Jeff Young on Jazz FM last year made the new 18-track Siren his album of the week. This January it won the Bright Star Music Award for Best Soul / R& B Album 2018, brainchild of Colourful Radio. It was superbly crafted by Londoner Robb Scott, with strong supporting line-up, for the Expansion label. Soul Brother Records says: “A collection of classy soul/jazz grooves on that has jazz at its heart but with some superb soulful brushstrokes applied.” Purchase directly from the artist’s store
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational new book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE
✱ “I’m not a rock star” Bowie often said – No, David, you were a messiah – Obituaries and key videos on the godlike one
Archive — Many publication dates are arbitrary, so click and take pot luck!
Tag Archives: Philip Sallon
❚ LOOK WHO’S OUT ON THE TOWN! Here’s the first picture of the flamboyant Philip Sallon — a supernova in London’s nightlife firmament— since his three-week stay in hospital following a horrendous assault two months ago which left him unconscious on the pavement at Piccadilly Circus. He is pictured at the Chelsea restaurant Mare Moto where his close friend Alice Shaw was celebrating her birthday with a dinner last week. Alice reports: “He’s still treading carefully… Considering what he’s been through, he’s making remarkable progress. Philip suffered quite a major trauma, so it will be some time before he recovers fully.”
In that snazzy diamanté party frock (on the exclusive Primark label complete with an off-the-shoulder McDonald’s name badge), the veteran host of the 80s Mud club looks as sharp as rhinestone. On Tuesday Rusty Egan bumped into him at the London Club and Bar Awards where, he says, Sallon “cracked at least 10 cheesy jokes — so I think he’s back!”
In the early hours of April 2 Sallon was thrown to the ground in a “martial arts move” outside Ripley’s Believe It or Not exhibition and had his skull fractured by a young thug. Alice and friends started campaigning to find Sallon’s assailant by setting up the Facebook page, Supporting Philip Sallon. Then two weeks after the attack they staged a Soho walkabout at the same time of night and this resulted in a witness giving a “very detailed description” of the suspect, said Detective Chief Inspector Mick Forteath of the Metropolitan Police. They are looking for a man aged about 20 who is approximately 6ft (1.8m) tall with an athletic build. He has broad shoulders and short black hair, and was wearing a tight, short-sleeved T-shirt which may be blue or light coloured, as well as blue jeans and black trainers.
After a brief conversation by the traffic lights outside Ripley’s, this man attacked Philip Sallon who was later found unconscious on the opposite side of Shaftesbury Avenue outside the exhibition. The suspect had made off up Coventry Street towards Leicester Square. Today, however, the Met said no arrests have been made in connection with this incident. Mick Forteath still urges anyone who is reluctant to contact the police to do so.
Sallon says he remembers little of the attack. “It was a severe blow to the head. From leaving home I remember nothing. It could have been some stranger who lashes out and just hates queers. But I also can’t rule out other possibilities.”
❏ If you have information about Philip Sallon’s assault on Saturday April 2 at about 3:15am, contact Westminster Serious Violence Team on 0207 321 9315, ref 65 1803/11, or Crimestoppers on 0800 555 111. No personal details are taken, information is not traced or recorded and you will not go to court.
❚ LAST WEEKEND BANG ON PICCADILLY CIRCUS one of London nightclubbing’s most familiar superstars — a leading club promoter and party planner for the past 30 years — was beaten senseless at about 3.30am. Police say two people kicked him in the head repeatedly and ran off. They fractured his skull. So far, however, neither the Metropolitan Police nor Westminster City Council have reported any surveillance video footage of the incident. On Piccadilly Circus. The most famous, most brilliantly lit traffic roundabout in our 24-hour capital city.
Tuesday’s Evening Standard carried the headline: Boy George appeals to catch attackers of ‘oldest and closest friend’. The report said: “Philip Sallon, 59, a flamboyant figure on the West End club scene, is recovering in hospital after the assault near Piccadilly Circus in the early hours of Saturday. Mr Sallon, from St John’s Wood, who founded the Mud Club in the Eighties, was stamped on and kicked in the head and suffered broken bones in his face.”
The fact that Sallon is an overtly gay man has raised suspicions that the attack was motivated by homophobia.
Pop star George O’Dowd told the Standard: “I am very upset. He is my oldest and closest friend. He is a colourful character but certainly not aggressive. He is not someone who would have got into a fight. He is a bit like me and just goes out on his own.”
➢ Meet at the Eros statue on Piccadilly Friday night/Saturday morning April 15–16, from midnight to 03:30 to distribute witness appeal flyers, to talk to potential witnesses and to show your support. Alice Shaw, Tamara Adair, Benjamin Till have organised the Facebook group Supporting Philip Sallon.
➢ April 8 update: Guardian Online reports a change to the precise location where Sallon was attacked. “The victim was found outside Ripley’s Believe It or Not exhibition,” police told The Guardian. This is housed in the triangular building once known as the London Pavilion, directly across Shaftesbury Avenue from Gap, which was mentioned in early reports.
April 16 update — Only about 30 of the 127 Facebookers who said they would attend this morning’s rally had arrived when Sallon sympathisers carrying posters bearing the victim’s photo departed from the Eros steps just after midnight to seek witnesses in nearby streets. One of the three Westminster policemen accompanying them was vague about where Sallon had been found on April 2. He seemed to think Sallon had staggered north to Regent Street before collapsing, whereas the Standard had police reporting he was found outside Gap and The Guardian outside Ripley’s, which has five security cameras on various parts of its Piccadilly facades. Among many building works in progress around the Circus, five more CCTV cameras can be seen within line of sight of Eros himself, which makes it all the more surprising that no footage of the attack has come to light.
George appealed for witnesses to come forward: “The police are dealing with it but apparently there is no CCTV footage.”
The scandalous irony is that half a mile away, Westminster Council celebrates the glory of its CCTV system with a plaque in Meard Street, Soho, on the wall of the former nightclub “Gossips formerly Billy’s”. This legendary cellar club is where Sallon and O’Dowd’s generation gave birth to the once-a-week clubnight that transformed British clubbing at the dawn of the 80s, and made London a dance destination for the young people of Europe. [Read The Making of UK Club Culture, from The Face, 1983]
The inscription on the plaque, which was unveiled only last year, pays tribute to the late Ian Wilder, a Westminster councillor: “In recognition of his pioneering work in proposing Westminster’s Wi-Fi system, this site can be seen throughout the world 24/7”. Opposite the plaque, a Wi-Fi enabled camera hangs from a lamp-post so that the world may view the reasonably tranquil pedestrian walkway that is Meard Street. Seemingly, Piccadilly Circus which teems with people and traffic most nights at 3am does not qualify for such 24/7 surveillance.
Councillor Wilder saw how wireless technology was being deployed during a visit to the United States. In 2004 he initiated the installation of a pilot wireless network and four wireless TV cameras in Soho, portable enough to be moved to potential troublespots and slung from lamp-posts without attracting attention. They cost a fifth as much as traditional fixed-line CCTV cameras.
Within two years, the Wireless City Project had become a network of 40 wireless cameras, and in Soho, eight remote monitoring stations, as well as mobile applications for food and licensing inspectors, housing estate officers, and parking attendants. These cameras were integrated into Westminster’s existing £15million monitoring system of wired CCTV cameras. The council has long believed that its street surveillance network is one of the most efficient in the world, capturing high-quality, scalable data that can provide viable evidence in the law courts.
A video report at Guardian Online shows us inside Westminster’s CCTV control centre, where a supervisor talks confidently about being able to identify “aggressive beggars, illegal street trading — we can see it all” while enjoying “full talkthrough with police on the ground”. And yet. No sign of two thugs beating Philip Sallon unconscious, apparently. He is still in hospital.
Meanwhile in today’s Evening Standard fashion editor Laura Craik cites the police statistic that homophobic incidents in London have increased by 28 per cent over the past four years — “and that only reflects the ones that were reported”.
❚ @BoyGeorge on Twitter “My friend was brutally attacked & hospitalized on Saturday in Piccadilly, someone called an ambulance? Was it you?” — If you witnessed Philip Sallon’s beating last Saturday at about 3.30am, contact Westminster Serious Violence Team on 0207 321 9315, ref 65 1803/11, or Crimestoppers on 0800 555 111.
By the summer of ’83, a new pop establishment ruled the mainstream music charts while a new executive ruled London’s burgeoning clubbing scene after dark. Meet the jacks and jokers who fronted the capital’s hottest nightclubs