Tag Archives: Concert

➤ Too cool to crow — Paradise Point just happen to be gigging in Hyde Park before Grace and Pulp

Paradise Point,O2Academy ,Wireless Festival ,livepop,Hyde Park, music festival

“It takes a minimum of four girls to start The Scream,” said Steve Dagger in the 80s: the old rule of pure-pop was certainly fulfilled at Islington’s sold-out O2Academy when Paradise Point headlined tonight. Cam Jones leads an encore of Run In Circles which basically the girls sang for him — in between screams. Roman Kemp at left, Adam Saunderson right © Shapersofthe80s

Wireless Festival ,Hyde Park, Paradise Point , 2011◼ THIS WEEK BASSIST ROMAN KEMP told Hemel FM: “We’ve only been around for eight months so we’re amazed by how it’s been going. The other day we were confirmed for the Wireless Festival on Sunday. We were amazed. Playing before Pulp!”

OK, a bit of artistic licence there. The club scene’s dynamic pure-pop teen band Paradise Point are scheduled to strike up at exactly 15:20 in Hyde Park, which is about four hours before Grace Jones goes on, to be followed by Jarvis Cocker’s band Pulp who top the bill at the three-day fest. All the same, Kemp wasn’t exactly overdoing the crowing rights. This gig is a huge coup for a bunch of live 18-year-old popsters without a recording deal.

➢ Wireless Festival runs July 1–3 in Hyde Park, London,
with Black-Eyed Peas, Chemical Brothers and Pulp
headlining a bill of 91 acts across four stages

Paradise Point, O2Academy,Steve Dagger, Martin Kemp,Wireless Festival

In the audience for Paradise Point at Islington’s O2Academy: Spandau manager Steve Dagger and Martin Kemp vote Roman Kemp’s band a hit. So no surprises there, then.

Call of the Wyld is a blogger who “tracks young, new and exciting bands as they emerge” and last month he wrote: “This lot are sex on legs and even if they weren’t actually any good they would still find it hard to walk on stage without being shrieked at. Fortunately their music is excellent too. These are real pop gems — certainly 80s inflected, but delivered with a whomp and panache that would put a lot of other acts to shame. The Only One is a track that is going to get them a lot of attention.” As a taster or three, view PP’s live debut last November (below), videoed by Shapersofthe80s, scan our first PP concert review and give the Hemel FM interview a spin:/%20

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2011 ➤ When Shirl asked Peps if she fancied an arena tour, Peps said to Shirl, Why not?

❚ ON THE EVE OF THE HERE & NOW TOUR, Shirlie Kemp from 80s pop duo, Pepsi & Shirlie, talks to Vanessa about reuniting with Helen “Pepsi” DeMacque after 20 years — and why the reunion took so long. Answer: “Because when I had my daughter I realised that was all I wanted. I had a beautiful husband, Martin Kemp, a beautiful baby, and I wasn’t going to risk losing that.” Shirlie (née Holliman) also recalls how she joined Wham! as a backing singer to two of her former schoolmates, Andrew Ridgeley and George Michael. When Pepsi & Shirlie went their own way in 1986 their debut single Heartache went to No 2 in the UK singles chart and the American dance chart.

➢ The Here and Now 10th anniversary seven-city tour runs June 24–July 2, 2011, taking in Birmingham’s LG and London’s O2. Starring Boy George, Jason Donovan, Jimmy Somerville, Belinda Carlisle, Midge Ure, Pepsi & Shirlie and A Flock of Seagulls

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➤ Up close and cool — Paradise Point’s first official video

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❚ THIS SIZZLINGLY COOL STUDIO VIDEO of the single Run In Circles is launched today at YouTube by Paradise Point, London’s teen livepop band who’ve been together now for six months. PP’s first concert review at Shapersofthe80s said of their debut: “Paradise Point are in the wide-eyed realm of Romeo and Juliet. They are great romancers, who cast the vocalist Cam as Romeo putting his heart through the Magimix for his Juliet.” Since then talent-spotter Callofthewyld has added: “Paradise Point are a 2011 take on classic boy bands such as Duran Duran, Spandau Ballet and even ABC. They surely must have been made in some manager’s laboratory … This lot are sex on legs and even if they weren’t actually any good they would still find it hard to walk on stage without being shrieked at. Fortunately their music is excellent too.”

Paradise Point, Run In Circles , video, Cameron Jones,pop musicThis hot and elegant new video for Run In Circles was directed by the bass player Roman Kemp, who studied film at sixth-form college. It was shot in the family “studio” — “My games room,” insists Roman’s dad, Martin — and the camera lingers so intensely on the singer Cameron’s lips that Boy George is said to have tweeted the sort of compliment we couldn’t possibly repeat here. Compare and contrast the new vid with their live debut before an audience at London’s Punk club last November, shot by Shapersofthe80s, below…

➢ Paradise Point’s next show will be filmed at the O2 Academy Islington, Wednesday, June 29 at 7pm, tickets £5 from Ticketweb

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2011 ➤ Barefoot Sade lets her hair down for Europe

Soldier of Love, world tour, Sade, R&B, soul music, Milan, By Your Side,

Sade seduces Italy: hair down, shimmering ivory gown and just a glimpse of a pink bra. (From MrAdamino85’s Milan video at YouTube)

♫ View the video of Sade singing By Your Side,
shot by MrAdamino85 in Italy

❚ “LOOKING EVEN MORE BEAUTIFUL — Sade letting her hair down along with the band sounding sublime.” So writes the 80s singer Andy Polaris on Facebook today after spotting this smooth video of Sade and her band performing their 2000 hit, By Your Side, in Milan earlier this month. As their Soldier of Love world tour comes ever closer to Ireland and the UK, fans can still find Sade tickets for the four dates: Wed 25 in Dublin from €55, May 27 in Manchester from £80, May 29 Birmingham from £44, and May 31 at London’s O2 arena from £80.

❏ Update May 31, former Animal Nightlife singer Andy Polaris writes: “Sade was superb tonight. The band were crisp and she looked and sounded better than ever — very confident. A rapturous greeting from the home crowd. Sophie Mueller’s stage design complemented the songs and gave them a visual punch from the use of stark silhouettes, city horizons and background footage of the band relaxing. One of the main standouts was Pearls where Sade’s silhouette walked onto a bare stage with a sunrise mirroring the harsh life of a woman from Somalia. It was simple but effective piece of staging and no need for the usual excess of dancers and pyrotechnics needed in arena shows… Lovely to have a brief chat at the after-party, as beautiful and gracious as ever. Great to see some old favourites Ollie, Matt Bianco, Mark, Gordon, Phil Polecat, Melissa, Jacqui, Paul Simper, Greg, Mark Powell, amongst others. Sade looked like she was having a ball and overall it was a triumphant return especially on home turf.”

❏ Deejay Princess Julia blogs: “I was intrigued to see Sade working her definitive style… I wasn’t disappointed on both counts. Sade rules, she really does… it’s all in the detail, precise, easy, she came on in a body con style outfit, plus signature polo neck (I’d already discussed her wardrobe with a few friends! Bolero jacket, cummerband and capri pants were all options). She arrived on stage hair slicked backed, big hooped earrings, my favourite look really, looking elegant, modern, understated and most of all really happy to be on stage in London.”

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➤ Martin Kemp’s live tutorial via bass cam

Martin Kemp, Spandau Ballet, Reformation tour, bass guitar, video diary, Vimeo, Fight For Ourselves, Jonny Kline
❚ SHOT ON TOUR somewhere in Europe last year for Jonny Kline’s video tour diary. Spandau Ballet’s bass player Martin Kemp clamped a camera to his guitar to grab this down-the-neck lesson in fingerwork…
➢ VIEW ♫ Kemp’s nine-minute clip recently posted at Vimeo
Somewhere in the background Tony Hadley’s unmistakable voice is giving us Fight For Ourselves. In the opening shots Steve Norman introduces the band members — and yes, that’s his saxophone trying to steal the limelight later.

Martin Kemp, Spandau Ballet, Heaven, 1980, PX

Ever the showman: Martin Kemp clad in PX at Spandau's Heaven concert, 1980, bass held high in anti-rock pose. Photographed by © Shapersofthe80s

Kemp’s instrument of choice is a British Wal bass and it’s surprising to recall that right from the start he maintained: “I learnt to play bass in order to get into the group, not because I liked music.” These days, as he grooves away onstage Martin steers his bass fondly like an old jalopy, nicely improvising and developing themes of his own, where many bassists think all they have to do is underline a thumping beat.

Back in the early 80s he said: “I hate bass players — most of them just blend in and don’t add anything. I’m a showman. Some bass lines I’ve written are really catchy: I’m proud of Lifeline because you hear people humming it, not the hookline! The essence of the Spandau sound is melody, Tony’s voice obviously, Steve’s sax lines, Gary’s top line, my bass lines. We all think in terms of melodies.”

➢ Jonny Kline’s video tour diary in Amsterdam
➢ How Roman Kemp helped his dad Martin to pick up the bass again

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