➤ RIP Patrick Moore: the last great Englishman, astronomer and xylophonist with a monocle

Patrick Moore ,astronomy, TV series, Sky at Night,xylophone

Sir Patrick Moore in 2009: a national treasure at home. (Photo: BBC)

❚ THE FAMOUSLY FASHION-BACKWARD astronomer and national treasure Sir Patrick Moore CBE, FRS, FRAS, has long been instantly recognisable from his signature XXL blazers, regimental tie, unkempt hair, lopsided eyebrows and monocle. He has died in his 90th year. As Nanny’s childhood lesson in tying a tie-knot grew ever more distant, his shirt-collar size became comfortably two inches larger than his neck size. The rise on a pair of gentleman’s trousers, he evidently believed, should reach to the chest – a mindset which presumably boosted his own rise to unrivalled heights in the realms of international astronomy and cosmology. His own early Moon maps helped the Apollo Mission plan their landings.

You can’t be interested in astronomy and not stumble across something that Patrick has done. It’s such a huge body of work
– Dr Marek Kakula, Royal Observatory, Greenwich

Since 26 April 1957 Sir Patrick has presented the BBC TV programme The Sky At Night for more than 700 editions, making him the longest-running host of the same television show ever. Moore’s dishevelled appearance and rapid-fire speaking voice are as much part of the nation’s fond attachment to his personality as the programme’s theme tune, Sibelius’s Pelléas et Mélisande.

On the show’s 50th anniversary, comedian Jon Culshaw impersonated him as the interviewer while Sir Patrick spoofed himself as a Time Lord. The astrophysicist and Queen guitarist Brian May, who wrote a book on astronomy with Sir Patrick, described him as a “dear friend, and a kind of father figure to me”.

➢ British astronomer and broadcaster Sir Patrick Moore has died, aged 89 … “he passed away peacefully this afternoon in his own home, Farthings, in the company of close friends and carers and his cat Ptolemy.”


➢ Moore’s instinctive eccentricity means that his entry at Wikipedia is a rare example of being compulsorily readable

➢ Space rock the final frontier: Sir Patrick Moore on cosmic pop – 2009 interview with The Quietus

➢ Vintage clips from 45th anniversary of The Sky at Night – Moore plays the music of astronomer Sir William Herschel at the piano.

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➤ A pregnant silence over Bryan Ferry’s next tour

Jazz Age, CD, album,Bryan Ferry Orchestra, UK tour, dates
❚ CONFUSINGLY FOR ROXY MUSIC FANS a UK tour 2013 has been announced under the title of An Evening With Bryan Ferry, pretty much simultaneously with the release of The Jazz Age, an album played by the newly convened Bryan Ferry Orchestra. Familiar tunes include Virginia Plain and Do the Strand among 13 tracks which are all rendered as instrumentals only. It celebrates Ferry’s four decades as an icon of the music scene … Scott Fitzgerald described the sound of the Gatsby era as “yellow cocktail music” and, 80 years on, Ferry reimagines his best known songs performed by a swing orchestra from the Roaring Twenties. Vintage microphones and a bass sax in place of a double bass conspire to create an authentic sound, but without one breath of Ferry’s voice. “I am the Diaghilev figure, directing not playing,” he says. Whether next autumn’s 21-date tour will feature any vocals – or even require his presence on stage – is as yet unknown!

♫ HEAR JAZZ AGE TRACKS AT SOUNDCLOUD


❏ Includes recent Radio 4 interview: “I’ve been listening a lot to 20s music, King Oliver, Louis Armstrong, early Duke Ellington. It’s quite raw, but very passionate and dynamic music.”

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2012 ➤ A brighter Bluer Rondo for the 20-tweens

Chewing the Fat, vinyl, Blue Rondo à la Turk, 1982, albums,pop music, Latin funk,Wag club, Chris Sullivan, Change, Club Mix,

Picture sleeve painted by vocalist Chris Sullivan, 1982

❚ TWO VINTAGE MUSICAL GEMS appeared online this week, casting a fresh magic spell. They are two tracks from Chewing the Fat, the debut album by the image dance-band of 80s clubland, Blue Rondo à la Turk. In the view of Shapersofthe80s, the 9-track stereo vinyl LP was then and remains now the standout pop album of 1982 for sheer verve and originality. Chris Sullivan, the band’s driving force who went on to run Soho’s Wag club for 19 years, has been remixing the Diable Noir masters which became available only a few months ago.
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This week we heard the sparkling Change Club Mix 2, an original Poncioni-Sullivan composition tagged as “Afro-Latino funk”, and only released previously on the album. Sullivan says we can download the remix as a 58MB Wav file from Soundcloud so it plays right away through iTunes. “We’ll leave it up for downloads for a week,” he said. “Blue Rondo recorded this over 30 years ago and remixed it this year… Still shakes it.” At Facebook, Rondo fan Michael Feasey agrees: “Good stuff Chris – love that samba percussion coming up to 4:00 and the gritty sax. Hell, it’s all good.”

vinyl, Blue Rondo à la Turk, 1982, albums,pop music, Latin funk,Wag club, Chris Sullivan, Klacto Vee Sedstein,Oxford Road Show,TV,

Picture sleeve painted by vocalist Chris Sullivan,1982

The band’s second chart single was the witty Klacto Vee Sedstein. (“It’s got to mean something, it can’t be a dream” – Well, the title was inspired by Charlie Parker’s 1947 number, if not the tune itself.) Rondo’s track enlivened the top 100 for nearly six months, and its “mutant funk” has now emerged from the glitz of Godley & Creme’s 80s production. As Sullivan says: “This is how we’d have liked to have done the song initially but all we’ve done is clean it up a bit and take it back to the original idea… This was recorded 31 years ago.” Verdict at Mixcloud from Mark Huxley: “Lovely stripped down mix!”

Best revelation from Sullivan also came this week: “Expect a digital re-release of our album Chewing The Fat in the spring. I’m quite shocked by how well it’s aged.” He’s not wrong there.

♫ Listen to Klacto Vee Sedstein 2012, as it was meant to sound

Live Performance on Oxford Road Show

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➢ 2012, Blue Rondo breathe fresh life into Mr Sanchez – “Mark Reilly did the lion’s share,” says Sullivan, referring to Rondo’s guitarist

New Sounds New Styles, 1981

First published in New Sounds New Styles, August 1981

➢ 1981, Blue Rondo create a new buzz with Latin sounds – unveiled in New Sounds New Styles by Shapersofthe80s

DEC 3: MUTANT DISCO UPDATE

Michel Esteban, Michael Zilkha, ZE Records,

Michael Zilkha and Michel Esteban: label founders combined their initials into ZE

♫ Sullivan also offered an hour-long Mutant Disco mix for a recent Mark Jones show on BBC 6Music – The party kicks off with Contort Yourself (August Darnell remix from the 1979 US 12-incher) by No Wave pioneer James White & The Blacks on ZE Records, the boutique label based in Paris and New York which recharged the disco genre with edge and credibility while Manhattanites pursued dance-oriented rock and Euro-disco wandered its own byways, both folkloric and electronic.

No Wave, Mutant Disco, dance music, James White & The Blacks, ZE Records
Launched in 1978 by British-born old Oxonian and Mothercare heir Michael Zilkha, and French graphic artist Michel Esteban, ZE selected style-leading eccentrics of the day to redefine upfront New York disco. The Sullivan mix includes ZE artists such as Lizzy Mercier Descloux, Kid Creole & The Coconuts, Was (Not Was), Coati Mundi, Material, though alas no Cristina. The title of ZE’s witty vinyl cocktail of acts tagged “A Subtle Discolation of the Norm” put the term Mutant Disco into the language in 1981, and acted as soundtrack to the first Blitz invasion of the US that spring.

Sullivan explains, Dec 3: “Here’s a live mix straight off the decks I did for Mark Jones Back to the Phuture show on BBC 6Music. Kinda all that early 80s electro Ze records stuff we loved and still do … They’ve edited some of the mixes but still it’s a bit of a gas … With a few exceptions this is what I played at Hell” [the Blitz crowd’s breakaway club of 1980].

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➤ Swagger on up the Junction for Dalston’s Vintage Designer Sale

CLICK A PIC TO VIEW BARGAINS IN A CAROUSEL:


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❚ WHERE IS THE COOLEST OXFAM charity shop in the land? At Dalston Junction, naturally, where the coolest superstars chillax. Where are your smartest designer fashion bargains to be found next Sunday afternoon? At the Oxfam Dalston Vintage Designer Sale in London’s trendy E8. Who’s the local Mary Portas with an eye for a bargain, who has spent months selecting the right labels from donations to make this Christmas shopping event really hot? Step forward Andy Polaris, known to all 80s pop fans as the lead vocalist with pop-jazz combo Animal Nightlife.

“So far we have found 85 designer brands to pull in the discerning shopper, and many outfits are as new,” Andy says. “You’d have to go to Stratford Westfield to find this many under one roof. Even so, we’ll beat them on price. We’ve some nearly new Vivienne Westwood Red Label trousers, originally priced at £275, now going for £100.” Look at the highly collectable names pictured above, selling for between £20 and £100. There are Marc Jacobs, Rifat Ozbek, Katharine Hamnett, Dolce & Gabbana, Yves St Laurent, Betty Jackson, Roland Klein for women – and for men Gieves & Hawkes, Prada, Burberry, Ted Baker and such.

Animal Nightlife play Flick’s, Dartford: 1982 line-up with Leah Seresin, Andy Polaris and Chrysta Jones, just after releasing the single Love Is Just The Great Pretender. © Shapersofthe80s

As the volunteer who evaluates the donors’ bags, Andy and his aficionado’s eye hunt down the most fashionable labels. He is convinced that the 1,000 garments up for sale from noon on Sunday will walk out of the door. A similar event last summer had a queue forming before the shop had opened, and along with donations for light refreshments, the sale made a packet for charity.

What a great way to spend your Sunday. Awesome fashion. Menswear too. Mince pies. Christmas tunes. With Andy floorwalking and signing autographs, if you ask him nicely.

➢ Dalston Oxfam Shop, 514 Kingsland Road, London E8 4AR. Vintage Designer Sale, December 2, 12–5pm. Tel 020 7254 5318

➢ Time Out this year named Oxfam Dalston the best charity shop in London for books and music, which says a lot about the taste of the local donors!

Dalston, Oxfam, Vintage, Designer, Sale, fashion, menswear,charity, Andy Polaris

♫ Revisit the achingly cool Dalston Superstars webcast soap series, the Vicedotcom “structured reality” video about hipness in Hackney. Download a mix of its bleepy soundtracks put together by UK b-asstronaut Grant Armour. Here’s a taster …

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➤ David Frost salutes TW3, the TV show that pioneered satire 50 years ago tonight

Hugh Carleton-Greene, David Frost, TW3, BBC, satire, 1960s,Private Eye, Bernard Levin, JFK, Christopher Booker, Millicent Martin,

Satirists on their firing range: at left, David Frost leads the TW3 team in the studio

❚ THE MOST INFLUENTIAL TV SERIES in British history – the lodestar for all future comedy, and more – won no fulsome retrospective from the BBC on its 50th anniversary today. Only a brief item on the Today show reminded us how the earth tilted at 10:30pm on this night in 1962 with the launch of TW3 – the adopted shorthand for That Was The Week That Was. New research reveals that this politically insolent television voice of Britain’s nascent satire movement attracted complaints by the thousand. “No other programme has so many files in its correspondence section,” we were told this morning by historian Morgan Daniels on the Today programme. What it had done, according to Private Eye’s first editor Christopher Booker in his landmark 1969 book The Neophiliacs, was finally to break free from the Presbyterian straitjacket of Lord Reith, the BBC’s founder. Within weeks pubs started emptying on Saturdays as the nation made a ritual of rushing home to catch TW3’s 37 broadcasts which grew an audience of 12 million in less than a year.

A galaxy of leading “Northern Realist” writers and national newspaper journalists contributed razor-sharp sketches and what little remains available on video makes today’s comedy seem lily-livered. TW3 made the career of Sir David Frost who was its “classless” front-man at the age of 23. Though many satirists say they achieve no lasting change, on tonight’s Loose Ends radio show, Frost insisted that satire does have a knock-on influence in its day, even if it may not reform legislation in the long term. TW3’s second series was curtailed on December 28, 1963, for fears it would unbalance the general election campaign of 1964.

Roy Kinnear, David Frost, Lance Percival, TW3, satire, 1960s

At the TW3 bar: Roy Kinnear, David Frost, Lance Percival

TW3 captured a zeitgeist unique to the 60s before they began to swing. Booker argued in The Neophiliacs: “It was a final drawing together of almost all those threads which had been working for ‘revolution’ and sensation in the England of the previous seven years.” [Namely, since the election of 1955 when slippage of the tectonic plates supporting Britain’s centuries-old class system saw the subsequent rise of the “unposh” intellectual and of John Osborne’s “angry young man”] … “[TW3] brought the destructive force of the satire craze to a mass audience.”

Britain was changing. Deference was on the way out, The Beatles were on their way in. The satire boom was in full swing…/ Continued inside

➢ Read on inside for a fuller analysis by Shapersofthe80s
of the 60s satire boom – plus a gallery of rarely seen images from TW3, and more vintage videos


❏ Year-ending round-up of TW3 highlights, Dec 1963 (above) – includes notorious Mississippi number with black-and-white minstrels in the week a white protester walking from Alabama to Jackson was shot dead by the road … The consumer guide to religion … Timothy Birdsall draws the Duke and Duchess of Eastbourne … MPs who have not spoken in Parliament are named and shamed … Bernard Levin harangues a pride of lawyers with their failings.

➢ Click through to compare and contrast the satirists of the 60s with the “alternative comics” of Alexei Sayle’s generation when they formed the Comic Strip – Analysis by Shapersofthe80s from 1980

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