2010 ➤ Most popular bits of Shapersofthe80s during the past year

Worried About the Boy, Blitz club, George O’Dowd, New Romantics, 1980, London

London’s Blitz nightclub recreated for Worried About the Boy, 2010: George with his fictionalised circle of friends, Marilyn, Christopher, Sarah, Mo and Dawn © BBC

❏ During its busiest month, May 2010, Shapersofthe80s was viewed more than 18,000 times. Among the top stories that month was How real did 1980 feel? an extended post in which we hear verdicts from many of the original Blitz Kids depicted in the BBC’s TV play about George O’Dowd, Worried About the Boy, screened on May 16.

❏ The most popular page of all with 5,661 views last year was the who’s who among the Blitz Kids which, like so many parts of this website, keeps on growing.

❏ After Google and Facebook, one of the most popular specific sources of visitors to Shapersofthe80s was DJhistory.com which says it is “where clued-up DJs, record collectors and unshaven misanthropes gather to chat”. Right on, or should that be Kewl? Whateva.

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2011 ➤ Farewell Mick Karn, master of the bass and harbinger for the New Romantics

MICK KARN, the acclaimed exponent of the fretless guitar, died today in London from cancer. He was a founder member of the British art-rock band Japan, formed in 1974 with David Sylvian, Richard Barbieri, Rob Dean and Steve Jansen, heavily influenced by Bowie and Roxy. By their 1978 album Adolescent Sex, Japan had developed a unique visual style and innovative sound underpinned by Karn’s sensual bass. In all but club membership, Japan *were* the original New Romantic band

Mick Karn, Buddha, Commonwealth Institute, Steve Jansen Imageshop

Karn outside the Commonwealth Institute, Kensington (undated), photographed by © http://www.SteveJansen.com — Proceeds from the sale of Jansen’s photos have gone to help Mick in recent months

❏ Karn’s Facebook page notes this evening “Even on early Japan recordings, his highly distinctive fretless bass voice for which he is most renowned can be heard. By their swan song, critically acclaimed Tin Drum 1981, he was dubbed one of the best bass players in the world. He’d already supplied bass and sax work to Gary Numan’s Dance album and was the first Japan member with a solo record, Titles [hear audio below]. In 1983, Japan’s live album, Oil on Canvas, brought his playing to new ears: jazz legend Jan Garberek.”

❏ Update on Karn’s Facebook page, Jan 18 “Mick’s funeral service took place yesterday afternoon, Monday 17th January, in West London. The private ceremony was attended by close friends and family.”

➢ How Shapersofthe80s responded to the appeal for Mick Karn last June — plus Mick’s follow-up and background interviews

❏ Bassist John Taylor writes on the Duran Duran website “Nick and I first saw Japan at Barbarellas in Birmingham on their Obscure Alternatives tour and were blown away. They were so fresh, while every other band in town were tripping over each other in a rush to play the same three chords, Japan were brave in many ways. Mick changed my life in a good way. Quiet Life and Gentlemen Take Polaroids, Adolescent Sex and Tin Drum are amongst the best recordings made during the post-punk era in my view. Mick’s sax playing also was always interesting.

Adolescent Sex ,1978, Japan pop group, Mick Karn

Adolescent Sex, the 1978 album

❏ Review by Amy Hanson at AllMusic of Japan’s first album Adolescent Sex (1978) says “A remarkable debut, the set snarls with leftover punk intent, a few glam-rock riffs, and a wealth of electronics that not only reach back to the band’s youth, but also predate much of what would explode out of the next wave of British underground… [Later Hanson continues…] The ‘wow factor’ of an incredibly funky bass and guitar on The Unconventional, repeated again on Wish You Were Black, is not only a surprise but leaves one wondering if the band were closet Chic fans … A more exciting album than just about anything else they’d ever record, Japan were young, hungry, and more than a little rough around the edges. Despite the slick R&B work twined in, it’s important to remember that this band were in the sonic foothold of an early edgy era — groundbreakers at their own inception. ”

Japan pop group, 1978, Mick Karn

Japan in the late 70s: Rob Dean, Mick Karn, Richard Barbieri, Steve Jansen, David Sylvian

A/V tracks featuring Karn at YouTube

➢ Mick Karn, Sensitive (1982) — His first album as a solo artist displays his creativity after Japan’s split, accompanied by Japan drummer Steve Jansen and keyboardist Richard Barbieri

➢ Knights of the Opium Moon (ft Mick Karn) — Track 6 from the London electronic band Furiku’s debut album (Like a Freak, May 2010)… This has to be among Karn’s last musical collaborations. Karn’s own discography lists the four-track EP Love’s Glove as his last published recording in 2005. Dom Agius of Furiku tells Shapersofthe80s: “We were approached by Mick and his management in late 2006 via MySpace. They’d heard our work and invited us to remix a track of his. They sent over a selection of basslines but rather than do a conventional instrumental remix we decided — as long-term Japan and Mick fans — to write and record a new song — the “missing track off Tin Drum” if you will. So we sifted through, chopped and redited maybe six of the basslines together and then we wrote Knights of the Opium Moon over that. Mick and his management were thrilled with the results.”

➢ View TV interview with Mick Karn for Talkin’ Jazz c1993

➢ View video: JBK — Bestial Cluster Dutch TV session

➢ View video: Sons of Pioneers — The best-selling album Oil on Canvas was recorded live during Japan’s six sell-out nights at Hammersmith Odeon, in November 1982, on their last UK concert tour. Japan’s final live performance was on December 16 in Japan. Worsening personal differences persuaded the band members to go their separate ways virtually at the height of their creative and commercial success.

Japan pop group, Mick Karn, Hammersmith Odeon , 1982, Sounds ,Chris Dorley-Brown

Karn onstage at Hammersmith Odeon, November 17, 1982: Japan’s final UK tour. Photographed for Sounds © by Chris Dorley-Brown

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➤ Prescott says Postlethwaite’s Brassed Off speech inspired New Labour in 1997

Responding today to news of the death of actor Pete Postlethwaite, the former deputy prime minister John Prescott, has credited the 1996 film Brassed Off — about the struggles faced by a colliery brass band after the closure of their pit under a Conservative government — as the inspiration for a Labour regeneration programme for coalfield communities

Lord Prescott writes…

❚ I FIRST SAW BRASSED OFF in June 1997. The story, loosely based on the Grimethorpe Colliery Band, was moving but it was Pete Postlethwaite’s speech right at the end that had a deep effect on me. His character, band leader Danny, after spending his life wanting to win the national brass-band trophy, symbolically turns it down because he knows it’s the only way he can get publicity for the 1,000 miners who were sacked from his pit…

➢ Continue reading Pete Postlethwaite: an actor who
made others act — by John Prescott at Guardian online

❏ Tribute — In 2008, Pete Postlethwaite fell victim to the director Rupert Goold in his absurd updating of Shakespeare’s King Lear at the Everyman Theatre in Liverpool. At the actor’s prompting the production was revised slightly before moving to London’s Young Vic in 2009. The staging still hit the heights of am-dram self-consciousness, but Postlethwaite’s performance [see video trailer below] rose above his surroundings to be intensely affecting, as an abject monarch who seemed more a vulnerable man of the people.

❏ Daniel Day-Lewis, who played Postlethwaite’s son in 1993’s In the Name of the Father (for which they both earned Oscar nominations), and co-starred with him in 1992’s The Last of the Mohicans: “Pos was the one. As students, it was him we went to see on stage time and time again. It was him we wanted to be like: wild and true, lion hearted, unselfconscious, irreverent. He was on our side. He watched out for us. We loved him and followed him like happy children, never a breath away from laughter.”

Postlethwaite was acclaimed for other performances in films such as Stephen Spielberg’s The Lost World: Jurassic Park, Baz Luhrmann’s Romeo and Juliet and Bryan Singer’s The Usual Suspects.

➢ A face we won’t forget — Pete Postlethwaite, who died on Sunday, was one of our finest actors. Guardian film critic Peter Bradshaw recalls the unwitting role he played in the Northern Ireland peace process
➢ Blessed with one of the most remarkable faces of any British actor this past half century — Daily Telegraph obituary

➢ VIEW THE VIDEO: YOUNG VIC TRAILER FOR
POSTLETHWAITE AS LEAR…

Pete Postlethwaite,Tristram Kenton, King Lear

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➤ Discover Ubu while Christopher Walken takes flight to Fatboy Slim

➢ IF YOU’VE NEVER VISITED UBU.COM,
CLICK HERE NOW FOR THIS
♫ ♫ NEW YEAR BON BOUCHE

Weapon of Choice,Spike Jonze,  Fatboy Slim, Christopher Walken

Weapon of Choice: director Spike Jonze, music Fatboy Slim, image © Panopticon

❚ WEAPON OF CHOICE is a short video clip of a Fatboy Slim track directed by Spike Jonze. Yes, that is Christopher Walken performing a swing-from-the-rafters dance solo as a weary businessman who unexpectedly launches himself into the hotel lobby. And, yes again, Walken has a long history as a dancer, and you’ll be even more impressed with his tap-and-strip routine in the 1981 film musical Pennies From Heaven, below, which derived, clunk-click, from Dennis Potter’s Bafta award-winning BBC television drama in 1978, clunk-click-whirr, which made a star of Bob Hoskins.

But Shapersofthe80s is sending you first to UbuWeb to view Weapon of Choice because if you’ve travelled this far into the 21st century without discovering the mightiest single website for the 20th-century’s outsider avantgarde, this is your electric moment. Weapon of Choice (2001) is among the UbuWeb Top Ten videos for January 2011 selected by Paula Scher, an American graphic designer who turned out her fair share of album sleeves en route to Pentagram.

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➤ Happy New Year from Frosty The Snowman — and The Ronettes

TURN UP YOUR VOLUME BEFORE YOU
CLICK HERE TO VIEW A VIDEO MONTAGE OF
♫ ♫ FROSTY THE SNOWMAN . . .

The Ronettes, Phil Spector, Frosty the Snowman, Be My Baby, Wall of Sound, 1963

The Ronettes in 1963: beehive hair-dos and producer Phil Spector

➢ WHILE WE’RE WITH THE RONETTES, WHAT’S THE SMASH THAT CHANGED THE SOUND OF 60s POP?
♫ ♫ CLICK TO VIEW VIDEO …

Ronettes, Be My Baby, Phil Spector, Wall of sound, 1963

❚ BRIAN WILSON OF THE BEACH BOYS has declared Be My Baby by the Ronettes his own all-time favourite, and the greatest pop record ever: “The choruses blew me away.” Whoa-oh-oh-oh-ohhh! In August 1963 it changed the game entirely. Be My Baby swept into the charts with a lush new approach to orchestration called the “Wall of Sound” that was to bring down a cleaver between rock and pop. Both however were infected by the sheer musicality introduced by its creator, the record producer Phil Spector. He layered pianos, guitars, reeds, brass and most daringly strings, adding studio overdubs and echo, plus any number of people on percussion — famously, castanets. His own description was “little symphonies for the kids”.

Be My Baby, Ronettes, Phil Spector, Wall of sound, PhillesBe My Baby took 42 takes to complete, and its spine-tingling intro is unbeatable. The Ronettes’ original has been immortalised in the Grammy Hall of Fame and the Library of Congress for being the quintessence of the dense Spector sound that influenced all who followed, including The Beatles on Let It Be, and the output of Trevor Horn in the 1980s.

The song was co-written by one of the many writing partnerships based in New York’s Brill Building — Ellie Greenwich and Jeff Barry — with a few finishing flourishes added by Spector. The Ronettes themselves were three hot girls from Spanish Harlem, the sisters Estelle and Ronnie Bennett (who later married Spector), and their cousin, Nedra Talley. Their trademarks were beehive hair-dos, eye makeup in the Cleopatra style and tight skirts. Spector signed the Ronettes to his Philles record label and subsequently managed them. Other smash hits included Baby I Love You, The Best Part of Breaking Up, and Walking In the Rain with Spector’s classic storm effects (covered memorably by the Walker Brothers in 1967).

♫ ♫ View video of Brian Wilson playing Be My Baby live — In Q Magazine’s 1001 Best Songs Ever Wilson said: “This is a special one for me. What a great sound, the Wall of Sound. Boy! First heard this on the car radio and I had to pull off the road, I couldn’t believe it. The choruses blew me away; the strings are the melody of love. It has the promise to make the world better.”

♫ ♫ John Lennon covers Be My Baby

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