Braced for the Piers Morgan grilling: Martin Kemp (right) with Spandau manager Steve Dagger, Steve Norman and Shirlie Kemp. (Cam-tweet by Kemp cam)
❚ ALL THEREAL MARTIN KEMP tweeted last night was “#lifestories What a wonderful evening…. Thanks everyone!” Closely followed by Spandau Ballet pal Steve Norman Real tweeting: “I have arrived at the conclusion that @piersmorgan is actually a gentleman”!!! Closely followed by legendary gossip hack and TV host Piers Morgan tweeting: “Ssshhhh, you’ll ruin my reputation @SteveNormanReal”!!!
Four ropey backstage snaps were also tweeted from their respective camphones, but otherwise the Spandau camp were remaining tightlipped about what was revealed at Elstree Studios yesterday. Spandau bass player and TV star Martin (aka onetime EastEnders bad boy Steve Owen) had been a special guest for the new series of Piers Morgan’s Life Stories, and the two-hour recording has yet to be edited down to its final 40 minutes for broadcast very soon.
Morgan is the notorious former editor of Britain’s tabloid Daily Mirror, currently based in the United States, whose Life Stories are famous for wringing tears from at least 11 of his celebrity interviewees in front of live audiences, spiced up with video contributions from friends and family. A sort of This Is Your Life with the gloves off.
Today Martin remained tactful about how moist his grilling became: “It was a close-run thing… But it was so much fun.”
Morgan’s 10th series for ITV starts with Coronation Street’s former termagant Bet Lynch aka Julie Goodyear in the hot seat at 9pm on Sept 20. This firecracker will also feature “revealing interviews with her ex-lovers, former co-stars and close friends” it says, so Julie must be gritting her teeth behind those scarlet lips. (Kempie was Julie’s best pal inside last year’s Celebrity Big Brother house – until almost the end, so we might see whether they’ve kissed and made up since.)
In the new series Julie Goodyear is being followed by Gloria Hunniford, Brian Blessed, Julian Clary, Peter Waterman and Beverley Callard (kidnap victim Liz McDonald in Corrie). So far no date set for Steve Owen!
Moral support at the Elstree studios: the Kemp family, Roman, Harleymoon, Martin and Shirlie. (Cam-tweet by Kemp cam)
❚ ANOTHER GLORIOUS Last Night of the Proms, conducted for the first time by a woman, Marin Alsop, who said she was amazed to be the first in its history because it is after all 2013 and we’ve had 118 years in which to dare! Stars included violinist Nigel Kennedy who indulged himself in some wild and hilarious improv all the way through Vittorio Monti’s accelerating gypsy piece, Csárdás (you’ll know it when you hear it, most recently in Lady Gaga’s song Alejandro).
But the singing sensation of the evening was the American mezzo-soprano Joyce DiDonato who lifted Over the Rainbow way out of the Garland league into a coloratura heaven of her own, wow! Then she led 6,000 voices in the Albert Hall, plus thousands more in public parks across the UK, in Rule Britannia. As is tradition, she swished the wings of her expansive bat-cape to reveal it to be a dreamy puce abstraction of the Union Jack – which we were told was designed for the occasion by Vivienne Westwood. Cool Britannia Rules again.
❚ WHAT’S THE CULTIEST ROLE in all of television, the one that’s just been given to the cultiest madman in all of TV comedy? Yes the new Doctor Who is announced as Peter Capaldi, aka Malcolm Tucker, foul-mouthed spin-doctor from the multi-award-winning political satire, The Thick of It. The part won him the 2010 BAFTA Award for Best Performance in a Comedy Role.
The 55-year-old Scot will be the 12th actor to play the Doctor, a new hero for a new generation. It is not the first time Capaldi has appeared on the show – he played a Roman merchant in the 2008 Doctor Who adventure The Fires of Pompeii.
But few people seem to know how he got his big acting break in Bill Forsyth’s 1983 movie Local Hero. As a student at the Glasgow School of Art, Capaldi had been the vocalist in a post-punk band called The Dreamboys. He also took to stand-up comedy and was invited to support Spandau Ballet on their first UK tour in 1982. The famously anti-rock clubland band did not want the usual rock support act and decided a comedian would add piquancy to the uniqueness of their own approach to new music.
Spandau songwriter Gary Kemp is reluctant to take any credit as talent scout, but it just so happened that he spent quite some time in Scotland that year romantically smitten by Clare Grogan, the cute 20-year-old singer in the Glasgow pop group Altered Images.
Kemp, himself then 22, recalls vaguely how Capaldi came to his attention at the age of 23: “It was through Gerry McElhone who managed Altered Images. Maybe he played me a tape, or something.” Clearly he had other more important things on his mind at the time. Gig archives tell us that in May 1981 The Dreamboys played on the same bill as Altered Images at Edinburgh’s Nite Club, and in September Capaldi gave his stand-up routine, so there’s every chance Kemp met him at the bar.
The point was Grogan had starred in Forsyth’s 1981 cinema smash, Gregory’s Girl, and Spandau’s Diamond tour launched in March 1982 with three dates in Scotland and Capaldi live onstage as the warm-up.
Spandau’s brief tour ended at the Winter Gardens Bournemouth [my pix are previously unpublished] but a year later, when Local Hero was released, Capaldi told me that he got the part only because Bill Forsyth had seen him at the Spandau show in Glasgow. The rest is history: a brilliantly versatile career as an actor of comedy and drama has included a cameo dad in the 2007 series of Skins, and the repressed head of news in last year’s electric BBC series, The Hour.
Steven Moffat, executive producer of Doctor Who, described casting Capaldi as an incendiary combination: “One of the most talented actors of his generation is about to play the best part on television.”
Capaldi said yesterday: “Being asked to play the Doctor is an amazing privilege. Like the Doctor himself I find myself in a state of utter terror and delight. I can’t wait to get started.” Filming begins in the autumn.
The Thick of It writer Armando Ianucci tweeted: “There can’t be a funnier, wiser, more exciting Time Lord than Peter Capaldi. The universe is in great hands.”
❏ PETER CAPALDI DELIVERS Bela Lugosi’s Birthday, the A-side song from the 7-inch single by Scottish rockers, The Dreamboys, on the St Vitus label about 1980 – before Craig Ferguson joined as drummer. YouTuber Ashley Harrison writes: “A little post-punk, goth and power pop, it is reminiscent at times of Bauhaus, Joy Division, Wire, The Fall, The Damned.” Scotland had a fierce underground music scene in the early 80s and I’ve often said a weekend in Glasgow felt as if you were in the trendiest city in the UK, and at least on a par with London.
Capaldi in 1983: introducing Sade’s TV debut on Loose Talk
1 – Live on the BBC’s rolling news channel: anchor Sophie Long has already noticed HMQ photobombing their bulletin as the Queen tours the newsroom at New Broadcasting House
2 – Live on air: co-anchor Julian Worricker turns his back on the viewers to loyally give HMQ a bow from the neck. This instantly raises a huge burst of cheers and waves from the 300 journalists on their feet throughout the BBC newsroom
3 – Live on air: For 30 protracted seconds amid gales of laughter nobody flinches in what the commentator Simon McCoy described as “one of the most bizarre bits of television that the BBC has produced” (an observation hoovered out of the BBC’s own coverage today!). Against protocol, star-struck hacks start waving camphones in the air and photobomb the photobomb. Veteran political editor John Sergeant later pronounced the event a “royal love-in” – despite the fact the anchors brazenly remained seated in the presence of the monarch!
4 – Live on air: “Who, me?” Somebody finally enlightens HMQ that one is in fact being seen by millions and the rolling news transmission has come to a grinding standstill. (Videograbs from BBC)
❏ Earlier on her tour of the BBC, the Queen visited Radio 1’s live studio [below] to listen to a young Irish band called The Script rendering Bowie’s “Heroes”. She did not appear to be amused, and there was almost a flash of the middle-aged Bowie in her face… Her Maj did thank the band warmly afterwards
Who is the least amused: Her Maj yesterday listening to the Bowie song “Heroes” or its author who was miles away?
❚ FRANCIS WHATELY’S DOCUMENTARY FILM David Bowie, Five Years: The Making Of An Icon has a transmission date – next Saturday on BBC2 at 9.20pm and next week’s Radio Times is publishing a cover feature. Beautifully edited, in both sound and vision, the 90-minute film explores five pivotal years in the singer’s career – 1971, 1975, 1977, 1980, 1983 – and features interviews with Bowie’s collaborators. Here’s the trailer: +++
➢ Update May 26: Catch up on iPlayer with David Bowie, Five Years – A consummate TV documentary with unseen footage in pristine quality adds lustre to the current golden age for music docs … Watch Bowie’s musical collaborators on camera showing how they created their classic riffs… Wakeman on piano! Carlos on everything! Nile saying “I was as nervous as hell” Deeply satisfying.
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 925 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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